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     38 Lofi Chord Progressions: 11 Easy Ways to Build Nostalgic Lo-Fi Chords
     39 
     40 [25]Beat Making[26]Inspiration[27]Music Theory[28]Video
     41 [29]Anthony Albanese  ·  3 Aug 2023  ·  9 minute read
     42 Share this article:
     43 [31]
     44 [33]
     45 [35]
     46 [37]
     47 
     48 Lo-fi music is known for its lush chords and warm [39]chord progressions.
     49 
     50 Craft your next hit with a collection of over two million exclusive, royalty
     51 free hooks, loops, FX, vocals, beats and more. <a href="https://
     52 samples.landr.com/?utm_campaign=
     53 acquisition_platform_en_us_samples-en-generic-ad&utm_medium=organic_post&
     54 utm_source=blog&utm_content=en-generic-ad&utm_term=general">Try LANDR Samples</
     55 a>Craft your next hit with a collection of over two million exclusive, royalty
     56 free hooks, loops, FX, vocals, beats and more. <a href="https://
     57 samples.landr.com/?utm_campaign=
     58 acquisition_platform_en_us_samples-en-generic-ad&utm_medium=organic_post&
     59 utm_source=blog&utm_content=en-generic-ad&utm_term=general">Try LANDR Samples</
     60 a>
     61 
     62 Craft your next hit with a collection of over two million exclusive, royalty
     63 free hooks, loops, FX, vocals, beats and more. [40]Try LANDR Samples
     64 
     65 
     66 There’s something about lo-fi chords that give them a [41]nostalgic feeling
     67 though.
     68 
     69 The pairing of[42] jazz harmony with a [43]lo-fi aesthetic will get you there
     70 most of the time, but there are specific chords and chord progressions that can
     71 really hook a listener in.
     72 
     73 In this article, I’m going to cover lo-fi chord progressions that’ll make your
     74 lo-fi beats stand out.
     75 
     76 I’ll also explain what colours and textures you can use on your lo-fi chords to
     77 [44]achieve a retro, nostalgic sound.
     78 
     79 I’ll be using some [45]music theory lingo in this article, and I’ll be linking
     80 to several resources along the way—just in case you happen to get lost.
     81 
     82 Product imageProduct image
     83 
     84 Find lo-fi inspiration.
     85 
     86 [46]Get Free Lo-Fi Samples
     87 
     88 If you want to use these lo-fi chords and progressions in your productions, 
     89 [47]get the MIDI files here.
     90 
     91 
     92 1. Dmin11 – Ebmin11
     93 
     94 This simple two-chord progression goes a long way. I know what you’re thinking–
     95 only two chords?
     96 
     97 Hear me out. This chord progression uses parallelism. The chords are only a
     98 semitone away from each other, but the sonic difference is astounding.
     99 
    100 This chord progression uses [48]extensions like the ninth, and eleventh of the
    101 scale they’re from.
    102 
    103 Adding these colours will make your chords sound more lush and [49]emotional.
    104 
    105  
    106 
    107 Get the free lo-fi chord progressions MIDI pack
    108 
    109 [50]Get the free MIDI pack
    110 
    111 2. Dmin11 – Gmin7 – Dmin11 – Ebmin11 – C#dim7
    112 
    113 I heard you complaining about the lack of chords in the last progression, so I
    114 expanded on it.
    115 
    116 It starts with the same chord as the first progression, but I’ve added a Gmin11
    117 and C#dim7 chord.
    118 
    119 [52]Diminished chords function as a dominant chord, so they work well to get
    120 you back home.
    121 
    122 Diminished chords are built on minor third intervals. This gives them a very
    123 dark, but sophisticated sound.
    124 
    125 Perfect to use in any [53]lo-fi beat you’ve got on the go.
    126 
    127 3. Amin11 – D7 – Fmaj7 – Cmaj7
    128 
    129 This progression has some of the most emotional harmonic movement you’ll ever
    130 hear. It happens when the D7 chord falls to the F major 7.
    131 
    132 This happens because D7 and F major share several of the same notes–except one.
    133 
    134 The F sharp falling to F natural is at the core of what makes this progression
    135 so emotional.
    136 
    137 Finishing off on a C major 7 chord keeps the mood uplifting, before returning
    138 to its minor counterpart.
    139 
    140  
    141 
    142 Get the free lo-fi chord progressions MIDI pack
    143 
    144 [54]Get the free MIDI pack
    145 
    146 4. Fmin9 – Ebmaj9
    147 
    148 This one is a lot like the first chord progression. It’s not completely
    149 parallel, but the root movement is similar.
    150 
    151 The change from minor to major is what gives this progression its own vibe.
    152 
    153 The added ninth to the Ebmaj7 chord makes this one sound very uplifting–making
    154 it perfect for any happier Lo-fi jams you’ve got going on.
    155 
    156 5. Cmin11 – Fmin9 – Cmin11 – G7#5
    157 
    158 This progression contains a chord with some serious texture happening. I’m
    159 talking about the sharp 5 on the G7 chord.
    160 
    161 Also known as an augmented seventh chord, the G7#5 carries a weight that
    162 resolves nicely back to the Cmin11.
    163 
    164 This type of chord always carries a mysterious but nostalgic feeling whenever I
    165 hear it. It’s no wonder that you’ll find it in several Lo-fi jams.
    166 
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    177 
    178 6. Ebmaj9 – Abmaj13
    179 
    180 This progression might be the happiest in this list. It’s completely major,
    181 with some nice extensions to boot.
    182 
    183 I know, we’re working with two chords again. If you’re working on a slow bop
    184 this might be all you need.
    185 
    186 The F note that is the major ninth extension on the Ebmaj9 chord remains static
    187 moving into the Abmaj13 chord. It becomes the thirteenth! This static movement
    188 makes this chord progression dense, but colourful.
    189 
    190 Get the free lo-fi chord progressions MIDI pack
    191 
    192 [57]Get the free MIDI pack
    193 
    194 7. Gmaj7 – F#min7 – Amin7b5
    195 
    196 You’ve arrived at the most chill sounding progression in this list. The reason
    197 why this chord progression brings the chill factor is the last chord that turns
    198 around to the top.
    199 
    200 The minor seven flat five, or half-diminished chord carries a darker colour
    201 than a regular minor chord. It’s borrowed from the parallel [59]minor key and
    202 serves as a plagal [60]cadence back to the G major chord.
    203 
    204 It’s a little out of place, but most chill things usually are.
    205 
    206 8. Gmin9 – Ebmaj9 – Cmin11 – Ebminmaj7
    207 
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    221 
    222 Just like the last progression, this one has another unique type of chord
    223 quality that brings home the mystery factor.
    224 
    225 I’m talking about the minor-major seven chord. It’s built with a minor triad
    226 but includes a major 7 on top.
    227 
    228 This chord is one that you might associate with mysterious moments in old
    229 thriller movies.
    230 
    231 That’s why I think this chord reigns in the nostalgia factor. It’s a perfect
    232 way to get back home in this minor sounding progression.
    233 
    234  
    235 
    236 Get the free lo-fi chord progressions MIDI pack
    237 
    238 [62]Get the free MIDI pack
    239 
    240 9. CMaj9 – B7aug5#9 – Emin9 – EbMaj7Aug5 – Dmaj7 – DbMaj7Aug5 – CMaj7 – F/B
    241 
    242 Here’s a very [64]soulful chord progression that ends with a nostalgic sounding
    243 2-5-1 progression,
    244 
    245 What makes this progression so interesting is all the augmented passing chords
    246 between each diatonic chord.
    247 
    248 These augmented chords don’t really belong to the key and are fairly dissonant,
    249 but they’re great when used as a pathway to the more pleasing major and minor
    250 sevenths and nine chords.
    251 
    252 The chord progression also ends in a very sweet yet mysterious F/B chord that
    253 implies that the chord progression has places to go next.
    254 
    255  
    256 
    257 10. Cmin9 – Fmin9 – F/G – DbMaj9 – Cmin9 – Fmin9 – F/G – G7b9aug5
    258 
    259 Here’s a nice chord progression in C minor that makes some interesting moves in
    260 the bass.
    261 
    262 Moving from Cmin9 to Fmin9 it’s interesting to then go a tone above Fmin9 to G
    263 major while still keeping the F in the bass.
    264 
    265 Product imageProduct image
    266 
    267 Our favorite lo-fi sounds
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    269 [65]Get Floral - Lofi JazzHop
    270 
    271 This lateral movement is cool because it keeps an F note in the bass from the
    272 previous chord while moving to G major.
    273 
    274 Depending on where you want to go with the chord progression, you could also
    275 alternate between a DbMaj9 chord instead of the G7b9aug5 chord at the end.
    276 
    277 11. F#Maj9 – BMaj9 – AMaj9 – EMaj9 – F#Maj9 – BMaj9 – AMaj9 – DMaj9
    278 
    279 Here’s a great example of how exclusively using one type of chord—in this case
    280 the major 9 chord—is a totally great way to make a soulful lofi chord
    281 progression.
    282 
    283 The trick of course is to find ways of voicing and spacing the chords together
    284 so they blend nicely on the keyboard and are ultimately easier to play.
    285 
    286 Shown in this example is just one way of voicing this chord progression, but
    287 don’t be afraid to take the artistic license to decide how a chord progression
    288 like this should be voiced.
    289 
    290 Get the free lo-fi chord progressions MIDI pack
    291 
    292 [66]Get the free MIDI pack
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    303 
    304 Nostalgia in Numbers
    305 
    306 It’s interesting that these colorful chords make us feel a certain way,
    307 especially when they’re paired together in a chord progression.
    308 
    309 Knowing how to colour your chords is one of the benefits of knowing music
    310 theory. So, keep learning and keep painting lo-fi music.
    311 
    312 Share this article:
    313 [70]
    314 [72]
    315 [74]
    316 [76]
    317 Anthony AlbaneseAnthony Albanese
    318 
    319 Anthony is a music producer and educator with notable placements for Universal,
    320 Guitar Center and CBC. He currently resides in Montreal and leads LANDR's [78]
    321 YouTube channel & [79]Premium Courses education platform. He also works as
    322 composer and producer at [80]RVRSPlay and founded jazz pop duo Elluisoir. [81]
    323 Connect with Anthony on LANDR Network!
    324 
    325 [82]@Anthony Albanese
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    400 [10] https://blog.landr.com/category/music-gear/
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    473 [103] https://www.landr.com/mobile-app/?utm_campaign=acquisition_platform_en_us_footer&utm_medium=organic_post&utm_source=blog&utm_content=&utm_term=general
    474 [104] https://learn.landr.com/?utm_campaign=acquisition_learn_en_us_footer&utm_medium=organic_post&utm_source=blog&utm_content=&utm_term=general
    475 [105] https://www.landr.com/en/what-is-mastering/?utm_campaign=acquisition_mastering_en_us_footer&utm_medium=organic_post&utm_source=blog&utm_content=&utm_term=general
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    485 [115] https://www.instagram.com/landrmusic/