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      1 [1]kyle kukshtel
      2 [2]About  [3]Projects  [4]Blog  [5]Inspiration  [6]Archives  [7]RSS  [8]Search 
      3 
      4 
      5 Cultivating A Space For The Doing
      6 
      7 An average Tuesday begets strangely connected threads
      8 
      9 May 16, 2023
     10 
     11 Tagged: [9]Art   [10]Practice  
     12 
     13 Francis Bacon. Painting. 1946 | MoMA
     14 
     15 Creative Meditation
     16 
     17 Apropos of nothing I found myself circling the painter Francis Bacon today in
     18 more ways than one. It started a bit with [11]discovering this piece on him:
     19 
     20     What would have happened to Bacon’s career had he been subscribed to nine
     21     podcasts? Had he been posting his work to Instagram, and Facebook, and
     22     Twitter? Pressure would have leaked from the pressure cooker and the
     23     violence of his work would have dissipated. We can debate how much the
     24     violence would dissipate, but I’m utterly convinced that it would have to
     25     dissipate—other things equal.
     26 
     27 I’ve been working slowly in the background on what’s next after Cantata so the
     28 notion of “sharing process” has been on my mind as a marketing technique. When
     29 to start? How to start? Should I show stuff?
     30 
     31 But this acted as a pit of a nice pill to swallow, this idea of sort of
     32 cultivating your pressure cooker of ideas. In Bacon’s case it was his studio
     33 (also some funny parallels here to my own online identity), but as someone that
     34 has a full family now and no ability to just hide in darkness for hours, I’m
     35 thinking a lot about the ways of making what’s next and how to cultivate that
     36 sense of space around me.
     37 
     38 I remember some really great photos from [12]Might & Delight’s studio:
     39 
     40 img
     41 
     42 img
     43 
     44 img
     45 
     46 It then seems obvious that the games they make look like this:
     47 
     48 Picture of a small village during night
     49 
     50 Picture of a bridge surrounded by trees with green leaves
     51 
     52 And not like
     53 
     54 Netflix’s Gears of War will shoot for The Last of Us’s video game TV adaptation
     55 crown | British GQ
     56 
     57 The Witcher 3: Wild Hunt is like an open-world, playable Game of Thrones | The
     58 Verge
     59 
     60 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
     61 
     62 This isn’t meant to be some mediation on interior design, but just sort of
     63 musing on both the psychogeography of where [13]the doing is actually done, but
     64 that there is also a permeating sense of the creation (some may call this The
     65 Vibe) that also needs to be cultivated as it shares the space between your mind
     66 and where work is actually done. Cue [14]Bacon again:
     67 
     68     Engineer for yourself the smallest possible environment, concentrated as
     69     densely as possible with only the highest quality inputs; explicitly
     70     re-route all potential distraction-avenues back to one’s chosen craft, such
     71     that even when you’re momentarily doing something else you cannot escape
     72     the focus of your craft.
     73 
     74 It’s almost a bit like making yourself a conduit for the work, and that it can
     75 flow free into and out of you. That it can feel safe moving between those
     76 spaces. Gentle thoughts will dissipate in loud spaces, just as loud thoughts
     77 may vanish in quiet ones. Bacon’s art very much tuned to his studio:
     78 
     79 The clothes in Francis Bacon’s paintings are as fascinating as the subjects |
     80 British GQ
     81 
     82 Studio | Francis Bacon
     83 
     84 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
     85 
     86 The morning’s HN browse [15]then put this article on my radar (“Artists must be
     87 allowed to make bad work”), which contains some video interviews of Bacon I
     88 started watching but then realized I needed to get a lot of work done and would
     89 have to postpone. Their own quote though is relevant to the “pressure cooker”
     90 idea from above:
     91 
     92     There is a tendency in our society to be wedded to the new, to be wedded to
     93     the excitement of novelty. I think at the present moment that there’s a
     94     tendency — which I think we’ve got from America, and which I think is a bad
     95     tendency, to measure every artist by his last exhibition. “So and so’s no
     96     good, look at his last show!” The fact that he had five previous shows,
     97     which were very good, doesn’t seem to matter. It gets forgotten too
     98     quickly. And somehow the snap judgement on what one has just done, this
     99     kind of pressure it puts on is very dangerous, because artists must be
    100     allowed to go through bad periods
    101 
    102 Again this sense of cultivation but also resiliency, that the practice and
    103 doing (thanks Jay!) needs to be more about sustainability and craft instead of
    104 practice-as-art.
    105 
    106 I remember reading or hearing something recently about someone that was very
    107 anti studio-tours from similarly articulated reasons. They sort of feel good in
    108 the moment but are a distraction and start to produce weird forces onto the
    109 space itself. From the earlier article:
    110 
    111     Bring in nothing but the finest inputs, and focus every possible
    112     attentional pathway back into the work at hand.
    113 
    114 Studio visits are bad inputs. Social media validation is a bad input.
    115 
    116 To quote the perpetually-inconvenient [16]adn:
    117 
    118     Game Quality is all that matters
    119 
    120 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
    121 
    122 From here we take then a final trip to our Bacon rodeo with a recent episode of
    123 the 301 Permanently Moved: [17]Embrace Cadence, Find Rhythm. Again, very weird
    124 that this whole sort of thought circle happened in the span of a few hours,
    125 without me proactively following up on any of it. Just a few different
    126 independent browse-seshes that resulted in parallel thoughts.
    127 
    128     Now [the artist plants] a garden.
    129 
    130     For it is there the work can flourish on home soil. Let their creations
    131     grow roots in persistent mediums. Deep soil of blogs and web domains. The
    132     artist can plant seeds here and watch them flourish. It is from this garden
    133     sheltered from virtual storms that the artist can do the work that
    134     transcends popular concern.
    135 
    136     Do not let the garden be overrun by weeds, The needs of retweets, likes and
    137     follows are unhelpful allies. Resist the siren’s call of engagement from
    138     beyond the sea. Pursue authenticity. Know thyself; for in the depths of
    139     you, the purest art is born.
    140 
    141     The work at first may flourish. Bear generous fruit, enjoyed by both the
    142     artist and the audience. But beware, however long or brief the blooming, it
    143     will lose its lustre. Guests will leave and once again the artist will find
    144     themselves all alone. They must return to work, sowing and pruning, finding
    145     fulfilment in the doing.
    146 
    147     Do not tolerate visitors seeking to grade and critique, for in ones own
    148     garden there is never best in show.
    149 
    150 Happy Tuesday everyone!
    151 
    152 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
    153 
    154 Published on May 16, 2023.
    155 
    156 Tagged: [18]Art   [19]Practice  
    157 
    158 [20]
    159 subscribe to my newsletter
    160 
    161 References:
    162 
    163 [1] https://kylekukshtel.com/
    164 [2] https://kylekukshtel.com/about
    165 [3] https://kylekukshtel.com/projects
    166 [4] https://kylekukshtel.com/blog
    167 [5] https://kylekukshtel.com/inspiration
    168 [6] https://kylekukshtel.com/archives
    169 [7] https://kylekukshtel.com/feed.rss
    170 [8] https://kylekukshtel.com/search
    171 [9] https://kylekukshtel.com/tagged/art
    172 [10] https://kylekukshtel.com/tagged/practice
    173 [11] https://www.otherlife.co/francisbacon/
    174 [12] https://www.mightanddelight.com/
    175 [13] https://www.thejaymo.net/2022/10/15/301-2237-the-doing/
    176 [14] https://www.otherlife.co/francisbacon/
    177 [15] https://austinkleon.com/2023/05/07/artists-must-be-allowed-to-make-bad-work/
    178 [16] https://a327ex.com/posts/game_quality
    179 [17] https://www.thejaymo.net/2023/04/30/301-2315-embrace-cadence-find-rhythm/
    180 [18] https://kylekukshtel.com/tagged/art
    181 [19] https://kylekukshtel.com/tagged/practice
    182 [20] https://buttondown.email/kylekukshtel