maggieappleton-com-n6xsqa.txt (34473B)
1 [1]Home 2 The Garden 3 [3]Now 4 [4]About 5 Essays 6 7 evergreen 8 9 A Brief History & Ethos of the Digital Garden 10 11 A newly revived philosophy for publishing personal knowledge on the web 12 13 • [6]Digital Gardening 14 • [7]Personal Knowledge 15 • [8]The Web 16 17 Planted over 3 years agoLast tended over 2 years ago 18 Back To Top 19 20 Table of Contents 21 22 [10]A Brief History of Digital Gardens[11]The Early Gardens of Hypertext[12] 23 Digital Puttering on Twitter[13]Gardens, Streams, and Caufield's Metaphors[14] 24 Carrying on Caufield[15]Digital Gardening's Fertile Soil[16]Developer-led 25 Gardening[17]The Six Patterns of Gardening[18]1. Topography over Timelines[19] 26 2. Continuous Growth[20]3. Imperfection & Learning in Public[21]4. Playful, 27 Personal, and Experimental[22]5. Intercropping & Content Diversity[23]6. 28 Independent Ownership 29 30 Table of Contents 31 32 [24]A Brief History of Digital Gardens[25]The Early Gardens of Hypertext[26] 33 Digital Puttering on Twitter[27]Gardens, Streams, and Caufield's Metaphors[28] 34 Carrying on Caufield[29]Digital Gardening's Fertile Soil[30]Developer-led 35 Gardening[31]The Six Patterns of Gardening[32]1. Topography over Timelines[33] 36 2. Continuous Growth[34]3. Imperfection & Learning in Public[35]4. Playful, 37 Personal, and Experimental[36]5. Intercropping & Content Diversity[37]6. 38 Independent Ownership 39 Loading... 40 41 My highlighted a number of sites that are taking a new approach to the way we 42 publish personal knowledge on the web. 43 44 They're not following the conventions of the "personal blog," as we've come to 45 know it. Rather than presenting a set of polished articles, displayed in 46 reverse chronological order, these sites act more like free form, 47 work-in-progress wikis. 48 49 A garden is a collection of evolving ideas that aren't strictly organised by 50 their publication date. They're inherently exploratory – notes are linked 51 through contextual associations. They aren't refined or complete - notes are 52 published as half-finished thoughts that will grow and evolve over time. 53 They're less rigid, less performative, and less perfect than the personal 54 websites we're used to seeing. 55 56 It harkens back to the early days of the web when people had fewer notions of 57 how websites "should be.” It's an ethos that is both classically old and newly 58 imagined. 59 60 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 61 [38] 62 63 A Brief History of Digital Gardens 64 65 Let's go on a short journey to the origin of this word. The notion of a digital 66 garden is not a 2020 invention. It's been floating around for over two decades. 67 However, it's passed through a couple of semantic shifts in that time, meaning 68 different things to different people across the years. As words tend to do. 69 70 Tracing back how 71 [39]Neologisms 72 are born helps us understand why anyone needed this word in the first place. 73 Language is always a response to the evolving world around us – we expand it 74 when our current vocabulary fails to capture what we're observing, or have a 75 particular desire for how we'd like the future to unfold. Naming is a political 76 act as much as a poetic one. 77 78 The Early Gardens of Hypertext 79 80 Mark Bernstein's 1998 essay appears to be the first recorded mention of the 81 term. Mark was part of the early hypertext crowd – the developers figuring out 82 how to arrange and present this new medium. 83 84 While the essay is a beautiful ode to free-wheeling internet exploration, it's 85 less about building personal internet spaces, and more of a manifesto on user 86 experience flows and content organisation. 87 88 Let's note that Mark's graphics are to die for 89 90 To put this in its historical context, Mark's writing was part of a larger 91 conversation happening throughout the nineties around hypertext and its 92 metaphorical framing. 93 94 The early web-adopters were caught up in the idea of The Web as a 95 labyrinth-esque community landscape tended by and These creators wanted to 96 enable pick-your-own-path experiences, while also providing enough signposts 97 that people didn't feel lost in their new, strange medium. 98 99 The early web debates around this became known as – the issue of how to give 100 web users just enough guidance to freely explore the web, without forcing them 101 into pre-defined browsing experiences. The eternal struggle to find the right 102 balance of chaos and structure. 103 104 "Unplanned hypertext sprawl is wilderness: complex and interesting, but 105 uninviting. Interesting things await us in the thickets, but we may be 106 reluctant to plough through the brush, subject to thorns and mosquitoes" 107 108 While Mark's essay was concerned with different problems to the ones we face on 109 the web today, its core ethos feels aligned with our emerging understanding of 110 digital gardening. It captures the desire for exploratory experiences, a 111 welcoming of digital weirdness, and a healthy amount of resistance to top-down 112 structures. 113 114 After Mark's essay the term digital gardening goes quiet for nearly a decade. 115 116 Digital Puttering on Twitter 117 118 In April of 2007 when Tweets first started ringing through the internet 119 airwaves, Rory Sutherland (oddly, the vice president of Ogilvy Group) used the 120 term "digital gardening", but defined it as "faffing about syncing things, 121 defragging - like pruning for young people" 122 123 Loading... 124 125 The next dozen mentions on Twitter all followed this sentiment – people were 126 using the term as a way to describe digital maintenance - the act of cleaning 127 up one's digital space. The focus was on sorting, weeding, pruning, and 128 decluttering, rather than growing and cultivating. People mentioned cleaning 129 out private folders, codebases, and photo albums as the focus of their 130 gardening efforts. 131 132 These people were digital puttering more than gardening. 133 134 Loading... 135 Loading... 136 Loading... 137 138 Since none of these folks reference to the earlier nineties notion of digital 139 gardening, or mention issues of hypertext navigation, this use of the word 140 feels like a brief tangent. Given the tiny size of Twitter in the early days, 141 these people probably belonged to the same social flocks and were riffing off 142 one another. It's not necessarily part of the mainstream narrative we're 143 tracking, but shows there's not one strict meaning to the term. 144 145 That said, some degree of faffing about, sorting, and pruning are certainly 146 part of the practice of digital gardening. Though best enjoyed in moderation. 147 148 Gardens, Streams, and Caufield's Metaphors 149 150 At the 2015 Digital Learning Research Network, Mike Caufield delivered a 151 keynote on . It later becomes that lays the foundations for our current 152 understanding of the term. If anyone should be considered the original source 153 of digital gardening, it's Caufield. They are the first to lay out this whole 154 idea in poetic, coherent words. 155 156 Caufield makes clear digital gardening is not about specific tools – it's not a 157 Wordpress plugin, Gastby theme, or Jekyll template. It's a different way of 158 thinking about our online behaviour around information - one that accumulates 159 personal knowledge over time in an explorable space. 160 161 Caufield's main argument was that we have become swept away by streams – the 162 collapse of information into single-track timelines of events. The 163 conversational feed design of email inboxes, group chats, and InstaTwitBook is 164 fleeting – they're only concerned with self-assertive immediate thoughts that 165 rush by us in a few moments. 166 167 This is not inherently bad. Streams have their time and place. Twitter is a 168 force-multiplier for exploratory thoughts and delightful encounters once you 169 fall in with the right crowd and learn to play the game. 170 171 But streams only surface the Zeitgeisty ideas of the last 24 hours. They are 172 not designed to accumulate knowledge, connect disparate information, or mature 173 over time. 174 175 176 The garden is our counterbalance. Gardens present information in a richly 177 linked landscape that grows slowly over time. Everything is arranged and 178 connected in ways that allow you to explore. Think about the way Wikipedia 179 works when you're hopping from to to . It's hyperlinking at it's best. You get 180 to actively choose which curiosity trail to follow, rather than defaulting to 181 the algorithmically-filtered ephemeral stream. The garden helps us move away 182 from time-bound streams and into contextual knowledge spaces. 183 184 "The Garden is the web as topology. The web as space. It’s the integrative 185 web, the iterative web, the web as an arrangement and rearrangement of 186 things to one another." 187 188 Carrying on Caufield 189 190 Good ideas take time to germinate, and Caufield's vision of the personal garden 191 didn't reach critical mass right off the bat. It lay dormant, waiting for the 192 right time and the right people to find it. 193 194 In late 2018 the corner of Twitter I hang out in began using the term more 195 regularly – folks began passing around Caufield's original article and 196 experimenting with ways to turn their chronological blogs into exploratory, 197 interlinked gardens. 198 199 Tom Critchlow's 2018 article was one of the main kick-off points. Tom read 200 Caufield's essay and began speculating on alternative metaphors to frame the 201 way we consume and produce information. They suggested we add campfires to the 202 idea of streams and gardens – the private Slack groups, casual blog rings, and 203 [40]Cozy Web 204 areas where people write in response to one another. While gardens present the 205 ideas of an individual, campfires are conversational spaces to exchange ideas 206 that aren't yet fully formed. 207 208 Tom piece was shortly followed by Joel Hooks' in early 2019. Joel focused on 209 the process of digital gardening, emphasising the slow growth of ideas through 210 writing, rewriting, editing, and revising thoughts in public. Instead of 211 slapping Fully Formed Opinions up on the web and never changing them. 212 213 Joel also added Amy Hoy's post to the pile of influential ideas that led to our 214 current gardening infatuation. While not specifically about gardening, Amy's 215 piece gives us a lot of good historical context. In it, she explores the 216 history of blogs over the last three decades, and pinpoints exactly when we all 217 became fixated on publishing our thoughts in reverse chronological order 218 (spoiler: around 2001 with the launch of ). 219 220 Amy argues that Moveable Type didn't just launch us into the "Chronological 221 Sort Era". It also killed the wild, diverse, hodge-podge personalisation of 222 websites that characterised the early web. Instead of hand-coding your own 223 layout and deciding exactly how to arrange the digital furniture, we began to 224 enter the age of standardised layouts. Plug n' play templates that you drop 225 content into became the norm. It became harder and more technically involved to 226 edit the HTML & CSS yourself. 227 228 "Suddenly people weren’t creating homepages or even web pages... they were 229 writing web content in form fields and text areas inside a web page." 230 231 Many people have lamented the web's slow transition from unique homepages to a 232 bland ocean of generic Wordpress themes. Digital gardening is part of the 233 pushback against the limited range of vanilla web formats and layouts we now 234 for granted. 235 236 Over the course 2019 and early 2020, more and more people began riffing on the 237 concept. Shaun Wang compiled the . Anne-Laure Le Cunff published a popular 238 guide to setting up . The IndieWeb community hosted a to discuss the history of 239 commonplace books, personal wikis, and memory palaces. 240 241 By late 2020 this whole concept had attracted enough attention for the MIT Tech 242 Review to write on it. Perhaps this is the watershed moment when a Twitter 243 buzzword has "made it." 244 245 Digital Gardening's Fertile Soil 246 247 What made our current historical moment the right time for digital gardening to 248 take off? 249 250 The timing coincided with a few complimentary ideas and communities rallying 251 around personal knowledge systems, note-taking practices, and reimagining tools 252 for blogging. The scene was ripe for new ideas around curating and sharing 253 personal knowledge online. 254 255 Many of the people who jumped on the early digital gardening bandwagon were 256 part of communities like... 257 258 • The collective – a group that has been championing independent web spaces 259 outside the walled gardens of Instatwitbook for nearly a decade. 260 • Users of the note-taking app – Roam pioneered new ways of interlinking 261 content and strongly appeals to people trying to build sprawling knowledge 262 graphs. 263 • Followers of Tiago Forte's course which popularised the idea of actively 264 curating personal knowledge. 265 • People rallying around the ethos that encourages continuously creating 266 'learning exhaust' in the form of notes and summaries. 267 268 Developer-led Gardening 269 270 Many of these early adopters were people who understood how to build websites – 271 either professional developers or enthusiastic hobbyists. Any kind of novel 272 experimentation with the web requires knowing a non-trivial amount of HTML, 273 CSS, and JS. Not to mention all the surrounding infrastructure required 274 actually to get a site live. Developers took to the idea because they already 275 had the technical ability to jump in play around with what garden-esque 276 websites might look like. 277 278 The current state of web development helped here too. While it feels like we've 279 been in a slow descent into a horrifyingly complex and bloated web development 280 process, a number of recent tools have made it easier to get a fully customised 281 website up and running. Services like and have taken the pain out of 282 deployment. Static site generators like , , and make it easier to build 283 sophisticated websites that auto-generate pages, and take care of grunt work 284 like optimising load time, images, and SEO. These services are trying to find a 285 happy middle ground between tediously hand-coding solutions, and being trapped 286 in the restrictions of Wordpress or Squarespace. 287 288 While developers were the first on the scene, plenty of writers, researchers, 289 and note-taking enthusiasts have been drawn to the idea of digital gardening. 290 To help folks without programming skills join in, there's been a surge in 291 templates and platforms that allow people to build their own digital gardens 292 without touching a ton of code. I've written an entire guide to 293 [41]Digital Gardening for Non-Technical Folks 294 if you fall into that category. 295 296 Tools like , , and are all great options. Many of them offer fancy features 297 like nested folders, 298 [42]Bi-Directional Links 299 , footnotes, and visual graphs. 300 301 However, many of these no-code tools still feel like cookie-cutter solutions. 302 Rather than allowing people to design the and spatial layouts of their gardens, 303 they inevitably force people into pre-made arrangements. This doesn't meant 304 they don't "count,” as "real” gardens, but simply that they limit their 305 gardeners to some extent. You can't design different types of links, novel 306 features, experimental layouts, or custom architecture. They're pre-fab houses 307 instead of raw building materials. 308 309 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 310 [43] 311 312 The Six Patterns of Gardening 313 314 In all the recent gardening flurry, we've run into the inevitable confusion 315 around how to define the term. 316 317 Loading... 318 319 There are contested ideas about what qualifies as a garden, what the core ethos 320 should focus on, and whether it's worthy of a new label at all. What exactly 321 makes a website a digital garden as opposed to just another blog? 322 323 After reading all the existing takes on the term, observing a wide variety of 324 gardens, and collecting some of the , I've identified a few key qualities they 325 all share. 326 327 There are a few guiding principles, design patterns and structures people are 328 rallying around. This amounts to a kind of digital gardening 329 [44]Pattern Language 330 . 331 332 1. Topography over Timelines 333 334 Gardens are organised around contextual relationships and associative links; 335 the concepts and themes within each note determine how it's connected to 336 others. 337 338 This runs counter to the time-based structure of traditional blogs: posts 339 presented in reverse chronological order based on publication date. 340 341 Gardens don't consider publication dates the most important detail of a piece 342 of writing. Dates might be included on posts, but they aren't the structural 343 basis of how you navigate around the garden. Posts are connected to other by 344 posts through related themes, topics, and shared context. 345 346 One of the best ways to do this is through 347 [45]Bi-Directional Links 348 – links that make both the destination page and the source page visible to the 349 reader. This makes it easy to move between related content. 350 351 Because garden notes are densely linked, a garden explorer can enter at any 352 location and follow any trail they link through the content, rather than being 353 dumped into a "most recent” feed. 354 355 Dense links are essential, but gardeners often layer on other ways of exploring 356 their knowledge base. They might have , , tags and filtering functionality, , , 357 or listing notable and popular content. 358 359 Many entry points but no prescribed pathways. 360 361 2. Continuous Growth 362 363 Gardens are never finished, they're constantly growing, evolving, and changing. 364 Just like a real soil, carrot, and cabbage garden. 365 366 The isn't how we usually think about writing on the web. Over the last decade, 367 we've moved away from casual live journal entries and formalised our writing 368 into articles and essays. These are carefully crafted, edited, revised, and 369 published with a timestamp. When it's done, it's done. We act like tiny 370 magazines, sending our writing off to the printer. 371 372 This is odd considering editability is one of the main selling points of the 373 web. Gardens lean into this – there is no "final version” on a garden. What you 374 publish is always open to revision and expansion. 375 376 Gardens are designed to evolve alongside your thoughts. When you first have an 377 idea, it's fuzzy and unrefined. You might notice a pattern in your corner of 378 the world, but need to collect evidence, consider counter-arguments, spot 379 similar trends, and research who else has thunk such thoughts before you. In 380 short, you need to do your homework and critically think about it over time. 381 382 In performance-blog-land you do that thinking and researching privately, then 383 shove it out at the final moment. A grand flourish that hides the process. 384 385 In garden-land, that process of researching and refining happens on the open 386 internet. You post ideas while they're still "seedlings,” and tend them 387 regularly until they're fully grown, respectable opinions. 388 389 This has a number of benefits: 390 391 • You're freed from the pressure to get everything right immediately. You can 392 test ideas, get feedback, and revise your opinions like a good internet 393 citizen. 394 • It's low friction. Gardening your thoughts becomes a daily ritual that only 395 takes a small amount of effort. Over time, big things grow. 396 • It gives readers an insight into your writing and thinking process. They 397 come to realise you are not a magical idea machine banging out perfectly 398 formed thoughts, but instead an equally mediocre human doing The Work of 399 trying to understand the world and make sense of it alongside you. 400 401 This all comes with an important caveat; gardens make their imperfection known 402 to readers. Which brings us to the next pattern... 403 404 3. Imperfection & Learning in Public 405 406 Gardens are imperfect by design. They don't hide their rough edges or claim to 407 be a permanent source of truth. 408 409 Putting anything imperfect and half-written on an "official website” may feel 410 strange. We have all been trained to behave like tiny, performative 411 corporations when it comes to presenting ourselves in digital space. Blogging 412 evolved in the culture of Millenialism as a way to Promote Your Personal Brand™ 413 and market your SEO-optimized Content. 414 415 Weird, quirky personal blogs of the early 2000's turned into cleanly crafted 416 brands with publishing strategies and media campaigns. Everyone now has a 417 modern minimalist logo and an LLC. 418 419 Digital gardening is the response to the professional personal blog; it's both 420 intimate and public, weird and welcoming. It's less performative than a blog, 421 but more intentional and thoughtful than a Twitter feed. It wants to build 422 personal knowledge over time, rather than engage in banter and quippy 423 conversations. 424 425 Think of it as a spectrum. Things we dump into private WhatsApp group chats, 426 DMs, and cavalier Tweet threads are part of our chaos streams - a continuous 427 flow of high noise / low signal ideas. On the other end we have highly 428 performative and cultivated artefacts like published books that you prune and 429 tend for years. 430 431 Gardening sits in the middle. It's the perfect balance of chaos and 432 cultivation. 433 434 This ethos of imperfection opens up a world of possibility that performative 435 blogging shut down. First, it enables you to ; the practice of sharing what you 436 learn as you're learning it, not a decade later once you're an "expert.” 437 438 This freedom of course comes with great responsibility. Publishing imperfect 439 and early ideas requires that we make the status of our notes clear to readers. 440 You should include some indicator of how "done” they are, and how much effort 441 you've invested in them. 442 443 This could be with a simple categorisation system. I personally use an overly 444 horticultural metaphor: 445 446 • 🌱 Seedlings for very rough and early ideas 447 • 🌿 Budding for work I've cleaned up and clarified 448 • 🌳 Evergreen for work that is reasonably complete (though I still tend these 449 over time). 450 451 I also include the dates I planted and last tended a post so people get a sense 452 of how long I've been growing it. 453 454 Other gardeners include an epistemic status on their posts – a short statement 455 that makes clear how they know what they know, and how much time they've 456 invested in researching it. 457 458 was one of the earliest and most consistent gardeners to offer meta-reflections 459 on their work. Each entry comes with: 460 461 • topic tags 462 • start and end date 463 • a stage tag: draft, in progress, or finished 464 • a certainty tag: impossible, unlikely, certain, etc. 465 • 1-10 importance tag 466 467 These are all explained in their , which is worth reading if you're designing 468 your own epistemological system. 469 470 Devon Zuegal is another notable gardener who has epistemic status and epistemic 471 effort on their posts, indicating both their certainty level about the 472 material, and how much effort went into making it. They also make a strong case 473 for as a feature, not a bug. 474 475 In a similar vein, Shawn Wang has written the Digital Gardening which I adore 476 and ascribe to. They ask the reader to allow the writer to be wrong, offer 477 constructive criticism, and attribute their work. They ask gardeners to be 478 considerate of others (don't share private information or name and shame), 479 offer epistemic disclosure, and respond to feedback. 480 481 The digital gardening terms of service – Source: Shawn Wang, swyx.io 482 483 All of these design patterns feed our growing desire for transparency, meta 484 information, and breadcrumbs back to the source of ideas. 485 486 4. Playful, Personal, and Experimental 487 488 Gardens are non-homogenous by nature. You can plant the same seeds as your 489 neighbour, but you'll always end up with a different arrangement of plants. 490 491 Digital gardens should be just as unique and particular as their vegetative 492 counterparts. The point of a garden is that it's a personal playspace. You 493 organise the garden around the ideas and mediums that match your way of 494 thinking, rather than off someone else's standardised template. 495 496 Ideally, this involves experimenting with the native languages of the web – 497 HTML, CSS, and JavaScript. They're the most flexible and robust tools we have 498 for building interconnected knowledge online. Gardens are a chance to question 499 the established norms of a 'personal website', and make space for weirder, 500 wilder experiments. 501 502 That said, I should acknowledge that jumping into full-on web development is 503 simply beyond the abilities and interests of many people. There is still room 504 for personalisation and play if you're using a pre-made template or service – 505 it'll just be within the constraints of that system. 506 507 One goal of these hyper-personalised gardens is deep contextualisation. The 508 overwhelming lesson of the Web 2.0 social media age is that dumping millions of 509 people together into decontextualised social spaces is a shit show. Devoid of 510 any established social norms and abstracted from our specific cultural 511 identities, we end up in awkward, aggravating exchanges with people who are 512 socially incoherent to us. We know nothing of their lives, backgrounds, or 513 belief systems, and have to assume the worst. Twitter only offers us a 240 514 character bio. Facebook pre-selects the categories it deems important about you 515 – relationship status, gender, hometown. 516 517 Gardens offer us the ability to present ourselves in forms that aren't cookie 518 cutter profiles. They're the higher-fidelity version, complete with quirks, 519 contradictions, and complexity. 520 521 5. Intercropping & Content Diversity 522 523 Gardens are not just a collection of interlinked words. While linear writing is 524 an incredible medium that has served us well for a little over 5000 years, it 525 is daft to pretend working in a single medium is a sufficient way to explore 526 complex ideas. 527 528 It is also absurd to ignore the fact we're living in an audio-visual cornucopia 529 that the web makes possible. Podcasts, videos, diagrams, illustrations, 530 interactive web animations, academic papers, tweets, rough sketches, and code 531 snippets should all live and grow in the garden. 532 533 [intercropping-garden_shrink_mx6nx8] 534 535 Historically, monocropping has been the quickest route to starvation, pests, 536 and famine. Don't be a lumper potato farmer while everyone else is sustainably 537 intercropping. 538 539 6. Independent Ownership 540 541 Gardening is about claiming a small patch of the web for yourself, one you 542 fully own and control. 543 544 This patch should not live on the servers of Facebook, LinkedIn, Twitter, 545 Instagram (aka. also Facebook), or Medium. None of these platforms are designed 546 to help you slowly build and weave personal knowledge. Most of them actively 547 fight against it. 548 549 If any of those services go under, your writing and creations sink with it 550 (crazier things have happened in the span of humanity). None of them have an 551 easy export button. And they certainly won't hand you your data in a 552 transferable format. 553 554 A set of walled gardens with the Twitter, Medium, and Facebook logos next to an 555 open garden built on HTML, CSS, and Markdown 556 557 Independently owning your garden helps you plan for long-term change. You 558 should think about how you want your space to grow over the next few decades, 559 not just the next few months. 560 561 If you give it a bit of forethought, you can build your garden in a way that 562 makes it easy to transfer and adapt. Platforms and technologies will inevitably 563 change. Using old-school, reliable, and widely used web native formats like 564 HTML/CSS is a safe bet. Backing up your notes as flat markdown files won't hurt 565 either. 566 567 Keeping your garden on the open web also sets you up to take part in the future 568 of gardening. At the moment our gardens are rather solo affairs. We haven't 569 figure out how to make them multi-player. But there's an enthusiastic community 570 of developers and designers trying to fix that. It's hard to say what kind of 571 libraries, frameworks, and design patterns might emerge out of that effort, but 572 it certainly isn't going to happen behind a Medium paywall. 573 574 A set of gardens with plant life moving between them 575 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 576 577 This is all my take on gardening, but knowledge and neologisms always live 578 within communities. No one owns The Official Definition of digital gardening. 579 Numerous people have contributed to the growing conversation and you should 580 read their thoughts as well. 581 582 Want to share?Tell Twitter About It 583 584 8 Backlinks 585 586 The Expanding Dark Forest and Generative AI 587 588 Proving you're a human on a web flooded with generative AI content 589 590 A Short History of Bi-Directional Links 591 592 Seventy years ago we dreamed up links that would allow us to create two-way, 593 contextual conversations. Why don't we use them on the web? 594 595 Digital Gardening for Non-Technical Folks 596 597 How to build a digital garden without touching code 598 599 Transclusion and Transcopyright Dreams 600 601 The lost permissioning and copyright system of the Web 602 603 The Pattern Language of Project Xanadu 604 605 Project Xanadu as a pattern language, rather than a failed software project 606 607 Growing the Evergreens 608 609 Illustrated notes on the concept of 'Evergreen notes' and how to write them 610 611 A Meta-Tour of This Site 612 613 A video tour through how I build the old version of this site 614 615 Tending Evergreen Notes in Roam Research 616 617 A walkthrough of how I manage and tend Evergreen notes in Roam 618 619 Mentions around the web 620 621 subterraneanwebZ 622 a new hope 623 with-heart 624 Winson Tang 625 Hacker News 626 Abra Tusz 627 King | "OG" Zettelkasten 🧠 2nd Brain 🚢 628 HN Front Page 629 ⎯ΘωΘ⟶ 630 lqdev 631 Evgeny Kuznetsov 632 Brad 633 Brad 634 Chris Aldrich 635 DixOnGE 636 talyssa 637 Chris Krycho 638 márcio moreira 639 84 Likes and Retweets 640 [47]wildrye.commentionedMarch 10, 2023 641 Image by Pallangor, How to Make a Beautiful Minecraft GardenGarden of Infinite 642 Possibilities Jorge Luis Borges’ story the “Garden of Forking Paths” is set in 643 an elaborate garden, but the real garden is a book that is structured in such a 644 way as to allow infinite possibilities. 645 [48]wildrye.commentionedMarch 09, 2023 646 Mike Caufield talks about his collection of notes in his wiki and how they work 647 together as a rich network of ideas. Part of his method is to very carefully 648 describe the relationship between two ideas when he builds his links. These 649 descriptions become ideas in their own right. 650 [49]Cristinamentionedin What the heck is a digital garden?March 04, 2023 651 Digital gardens are a relatively new concept that are gaining popularity 652 online. They are often described as a cross between a blog and a personal wiki. 653 At its core, a digital garden is a place for someone to share their thoughts, 654 ideas, and learning experiences in a more casual 655 Whatdefang 656 [50]WhatdefangmentionedFebruary 28, 2023 657 Naming is a political act as much as a poetic one. 658 Show 33 more 659 660 Want to stay up to date? 661 662 Subscribe via RSS Feed 663 [53][54][55][56][57] 664 © 2024 Maggie Appleton 665 666 • [58]The Garden 667 • [59]Essays 668 • [60]About 669 • [61]Notes 670 • [62]Now 671 • [63]Patterns 672 • [64]Library 673 • [65]Projects 674 • [66]Colophon 675 676 677 References: 678 679 [1] https://maggieappleton.com/ 680 [3] https://maggieappleton.com/now 681 [4] https://maggieappleton.com/about 682 [6] https://maggieappleton.com/topics/digital-gardening 683 [7] https://maggieappleton.com/topics/personal-knowledge 684 [8] https://maggieappleton.com/topics/the-web 685 [10] https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens 686 [11] https://maggieappleton.com/garden-history#the-early-gardens-of-hypertext 687 [12] https://maggieappleton.com/garden-history#digital-puttering-on-twitter 688 [13] https://maggieappleton.com/garden-history#gardens-streams-and-caufield's-metaphors 689 [14] https://maggieappleton.com/garden-history#carrying-on-caufield 690 [15] https://maggieappleton.com/garden-history#digital-gardening's-fertile-soil 691 [16] https://maggieappleton.com/garden-history#developer-led-gardening 692 [17] https://maggieappleton.com/garden-history#the-six-patterns-of-gardening 693 [18] https://maggieappleton.com/garden-history#1-topography-over-timelines 694 [19] https://maggieappleton.com/garden-history#2-continuous-growth 695 [20] https://maggieappleton.com/garden-history#3-imperfection-&-learning-in-public 696 [21] https://maggieappleton.com/garden-history#4-playful-personal-and-experimental 697 [22] https://maggieappleton.com/garden-history#5-intercropping-&-content-diversity 698 [23] https://maggieappleton.com/garden-history#6-independent-ownership 699 [24] https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens 700 [25] https://maggieappleton.com/garden-history#the-early-gardens-of-hypertext 701 [26] https://maggieappleton.com/garden-history#digital-puttering-on-twitter 702 [27] https://maggieappleton.com/garden-history#gardens-streams-and-caufield's-metaphors 703 [28] https://maggieappleton.com/garden-history#carrying-on-caufield 704 [29] https://maggieappleton.com/garden-history#digital-gardening's-fertile-soil 705 [30] https://maggieappleton.com/garden-history#developer-led-gardening 706 [31] https://maggieappleton.com/garden-history#the-six-patterns-of-gardening 707 [32] https://maggieappleton.com/garden-history#1-topography-over-timelines 708 [33] https://maggieappleton.com/garden-history#2-continuous-growth 709 [34] https://maggieappleton.com/garden-history#3-imperfection-&-learning-in-public 710 [35] https://maggieappleton.com/garden-history#4-playful-personal-and-experimental 711 [36] https://maggieappleton.com/garden-history#5-intercropping-&-content-diversity 712 [37] https://maggieappleton.com/garden-history#6-independent-ownership 713 [38] https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens 714 [39] https://maggieappleton.com/neologisms 715 [40] https://maggieappleton.com/cozy-web 716 [41] https://maggieappleton.com/nontechnical-gardening 717 [42] https://maggieappleton.com/bidirectionals 718 [43] https://maggieappleton.com/garden-history#the-six-patterns-of-gardening 719 [44] https://maggieappleton.com/pattern-languages 720 [45] https://maggieappleton.com/bidirectionals 721 [47] https://wildrye.com/what-is-a-digital-garden/ 722 [48] https://wildrye.com/the-digital-garden-as-an-experience-generator/ 723 [49] https://embersonthehearth.com/2023/03/04/what-the-heck-is-a-digital-garden/ 724 [50] https://twitter.com/whatdefang/status/1630464510740815872 725 [53] https://github.com/MaggieAppleton 726 [54] https://uk.linkedin.com/in/maggieappleton 727 [55] https://dribbble.com/mappleton 728 [56] https://twitter.com/Mappletons 729 [57] https://indieweb.social/@maggie 730 [58] https://maggieappleton.com/garden 731 [59] https://maggieappleton.com/essays 732 [60] https://maggieappleton.com/about 733 [61] https://maggieappleton.com/notes 734 [62] https://maggieappleton.com/now 735 [63] https://maggieappleton.com/patterns 736 [64] https://maggieappleton.com/library 737 [65] https://maggieappleton.com/projects 738 [66] https://maggieappleton.com/colophon