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     27 06-17-2025[18]DESIGN
     28 
     29 [19]
     30 
     31 How Field Notes went from side project to cult notebook
     32 
     33 Two decades after Aaron Draplin and Jim Coudal launched Field Notes, the analog
     34 notebook company is crushing it in the digital age.
     35 
     36 SHARE
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     38 How Field Notes went from side project to cult notebook
     39 
     40 [Photo: courtesy Field Notes]
     41 
     42 BY [26]Zachary Petit
     43 
     44 Listen to this Article[27]More info
     45 0:00 / 0:00
     46 
     47 Field Notes cofounders Aaron Draplin and Jim Coudal have convened to ostensibly
     48 talk about their cult-fave memo book brand. But Draplin—the gregarious,
     49 hilarious Portland proprietor of Draplin Design Co.—just wrapped up jury duty.
     50 And almost 10 minutes into our conversation, he’s regaling us with courtroom
     51 sketches he made during the trial. (“Of course, I had to figure out some way to
     52 exploit it for creative purposes.”)
     53 
     54 Such freewheeling is just part and parcel of knowing Draplin, but Coudal has a
     55 knack for seamlessly and seemingly effortlessly steering the conversation back
     56 to the subject at hand. It underscores a point: Without Draplin, there would be
     57 no Field Notes. And without Coudal, there would definitely be no Field Notes. 
     58 
     59 “What Jim brought to the table is that he had the light bulb where he saw what
     60 this thing could be,” Draplin says. “Jim’s, like, reputable and stuff. People
     61 always say, well, you’re half of the thing—yeah, but I would have killed it
     62 because I might have gone to the next goofy little thing.”
     63 
     64 [i-1-91352784-field-notes-at-20]Jim Coudal and Aaron Draplin [Photo: courtesy
     65 Field Notes]
     66 
     67 Today, 20 years and more than 10 million sold notebooks later, what began as a
     68 casual side project with no real expectation has yielded a cult product that is
     69 in 2,000 stores worldwide, has a robust direct-to-consumer membership program,
     70 and, Coudal says, just came off its best year for sales and revenue. And 2025
     71 is on pace, he adds, with hopes to surpass it.
     72 
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     81 
     82 It all goes back to Coudal’s light bulb—and, of course, Draplin’s before it. He
     83 had been drawing all his life and learned bookmaking at the Minneapolis College
     84 of Art and Design. When Draplin left the Midwest for the West Coast in 1993, he
     85 began collecting [32]memo books that agriculture companies historically gave
     86 out as promos, and was taken with their lineage and practical design. He
     87 decided to make some of his own notebooks in 2005, and the pragmatism and charm
     88 of those promos—the vernacular type treatments, layouts, voice—found their way
     89 into Field Notes’ DNA. He hand-printed 200 notebooks on a desktop[33] Gocco and
     90 later invested $2,000 into a first run of 2,000 notebooks with “FIELD NOTES”
     91 printed on the cover in Futura. His goal? To give them out to friends. And one
     92 of those friends along the way happened to be Coudal, of Coudal Partners, the
     93 measured mind to Draplin’s mad scientist. 
     94 
     95 [01-91352784-field-notes-at-20][Photo: courtesy Field Notes]
     96 
     97 “He just said, ‘There’s something here,’” Draplin recalls. 
     98 
     99 Coudal’s team made a website. On the day it went live, they made 13 modest
    100 sales via PayPal. But that was okay—again, he and Draplin both had their own
    101 gigs, and Coudal says Field Notes wasn’t a priority for either of them.
    102 
    103 But, “Before you know it, there’s media attention . . . and we’re seeing real
    104 numbers,” Draplin says. 
    105 
    106 According to Coudal: “One by one we fired all our clients because this Field
    107 Notes thing was getting bigger and taking up more of our time—and it was a lot
    108 more fun than making work we were proud of for people we didn’t particularly
    109 like.”
    110 
    111 [08-91352784-field-notes-at-20]Stanley Donwood, Is a River Alive? [Photo:
    112 courtesy Field Notes]
    113 
    114 THE FIELD NOTES FORMULA
    115 
    116 When the pair formally launched the brand, Coudal says projects at his studio
    117 had three mandates: They had to make money, as the team had mortgages and kids
    118 to put through school; they had to be something the team would be proud of; and
    119 they had to be able to learn something new from it. Field Notes checked the
    120 boxes.
    121 
    122 Draplin’s goals were more straightforward. He says he was making a buck for
    123 every grand the agency he worked for did. The mid-aughts were the dawn of the
    124 modern “maker” movement, and there was an opportunity to craft your own future.
    125 He did just that with a concrete design system for the brand’s signature
    126 notebooks from the get-go.
    127 
    128 “There’s never been a piece of type on any Field Notes material that wasn’t
    129 Futura or Century Schoolbook, two beautiful, hardworking American fonts,”
    130 Coudal says. Other assets like the highly structured copy on the inside covers,
    131 as well as the logo placement on the front, were likewise sacrosanct. “We can
    132 do different printing techniques, and we can do different-size notebooks, and
    133 we do a lot of things. But we don’t mess with what made Field Notes Field
    134 Notes.”
    135 
    136 [i-3-91352784-field-notes-at-20][Photo: courtesy Field Notes]
    137 
    138 They sold the 3.5-by-5.5-inch 48-page books in packs of three, and the business
    139 grew slowly—but steadily. And as it grew, Coudal says, it became easier: The
    140 more notebooks you make, the cheaper each one becomes because you’re buying in
    141 bulk. When they began scaling up their print runs, they were able to get the
    142 price down to a couple dollars per book, and sell the three-packs for $13 to
    143 15—which got them into stores. (Today, you can find them everywhere from indies
    144 to Barnes & Noble.) 
    145 
    146 One critical moment came in February 2010, when J. Crew featured Field Notes in
    147 its catalog, alongside the retailer’s other “personal favorites from our design
    148 heroes.” There was a Timex watch, Ray-Bans, Sperry shoes—“and out of fucking
    149 nowhere, Field Notes,” Coudal says. “And when that happened, a lot changed for
    150 us.”
    151 
    152 Coudal says it gave the brand instant credibility—after all, if it was good
    153 enough for J. Crew, it was good enough for your store. In time, friends began
    154 sending him screenshots of Field Notes in TV shows; he and Draplin would see
    155 people jotting notes in them in bars and elsewhere; on the design web, they
    156 became an obsession. By 2014, there was even a[34] subreddit dedicated to them
    157 titled “FieldNuts.” 
    158 
    159 Meanwhile, Draplin dropped into a New York store where the notebooks were
    160 arranged “amongst $600 sweaters and $800 jeans.” And the proprietor told him he
    161 could be selling the notebooks for $29.95 or $40—which is something he would
    162 not do.
    163 
    164 advertisement
    165 
    166 “That’s my favorite part—this stuff is accessible, right?” Draplin notes.
    167 
    168 [06-91352784-field-notes-at-20][Photo: courtesy Field Notes]
    169 
    170 SUBSCRIPTION STRATEGY
    171 
    172 In 2009, Field Notes launched a set of color variants, and does a new
    173 installment every quarter, which subscribers can get annually for $120. They
    174 are up to 67 editions. And over the years, the program has grown to include
    175 elaborate series like the brand’s popular[35] National Parks books,
    176 celebrations of[36] spaceflight and [37]letterpress, and dozens more themes. 
    177 
    178 Coudal says the first few print runs were around 1,500 packs each—but they have
    179 grown to the 30,000-to-60,000 range today. He adds that aside from “a couple
    180 very strange years around COVID,” gross revenue and DTC sales (which account
    181 for about 50% of the business) have increased almost every year since 2009.
    182 
    183 [05-91352784-field-notes-at-20]Rocky Mountain National Park by Rory Kurtz,
    184 Great Smoky Mountains National Park by Chris Turnham, Yellowstone National Park
    185 by Brave the Woods [Photo: courtesy Field Notes]
    186 
    187 “The thing about the subscription model is, first of all, people are paying us
    188 now for a product we haven’t made yet,” Coudal says. “That’s really good for
    189 cash flow for a small company. But more important than that, having these four
    190 projects every year that people are funding ahead of time gives us a really
    191 great way to make a relationship with our customers and our retailers.”
    192 
    193 Each one also fulfills Coudal’s third tenet for projects—he has an opportunity
    194 to explore an entirely new subject through the work. 
    195 
    196 [09-91352784-field-notes-at-20]Emmy Star Brown, Flora [Photo: courtesy Field
    197 Notes]
    198 
    199 THE DRAPLIN FACTOR 
    200 
    201 Of course, as Field Notes has risen in notoriety over the years, Draplin has
    202 been on a parallel path. He embodies the brand at design conferences like Adobe
    203 MAX and in his merch pop-ups, where he is treated like a rock star.
    204 
    205 I ask about the impact of Draplin’s industry celebrity, and Coudal jumps in. 
    206 
    207 “I can answer that because Aaron’s going to be humble about it. I think it’s
    208 made a lot of difference. I think that Aaron has brought a lot of people to the
    209 brand, and he’s also like our gospel preacher out on the road, telling the
    210 story—the gospel of Field Notes.”
    211 
    212 Before the brand had an advertising budget, Coudal says that was critical. And
    213 for Draplin, those talks aren’t to simply shill. “It’s a reminder: You can go
    214 make your own stuff, too,” he says. 
    215 
    216 With Draplin on the West Coast, Field Notes’ core team of around 10 is anchored
    217 in Chicago. While Draplin says he used to be far more involved in the
    218 day-to-day around seven years ago, these days he regards his role as a bit of a
    219 mercenary. He drops in with ideas; Coudal will, say, assign him to “go make
    220 something weird.” He’s also pissed the team off, on occasion, by going rogue
    221 with an idea. 
    222 
    223 [04-91352784-field-notes-at-20][Photo: courtesy Field Notes]
    224 
    225 Ultimately, “I’m along for the ride at that point, because there’s a den mother
    226 watching over us,” Draplin says. As a result of being removed from the daily
    227 routine, he adds, “I get to experience the buzz of what the customer gets.”
    228 Which is, in all likelihood, a valuable temp check. 
    229 
    230 [i-2-91352784-field-notes-at-20]A sample of Aaron Draplin’s collection of
    231 vintage farmer’s memo books. Explore the digitized collection [38]here. [[39]
    232 Screenshot: courtesy Field Notes, Eric Lovejoy, Leigh McKolay and Joe Dawson
    233 Jr. (site credits)]
    234 
    235 “Aaron’s wisdom and inspiration are a constant good thing for the brand,”
    236 Coudal says. “And while he’s not checking the layouts anymore, he’s certainly a
    237 big part of the general direction that the ship sails.”
    238 
    239 Looking to the future, Coudal says his goals are straightforward enough:
    240 Generate more interest, tell interesting stories, get wider distribution. 
    241 
    242 Draplin, meanwhile, still seems a bit incredulous that the company exists in
    243 the first place. “The biggest, funnest part about this thing—number one, we
    244 didn’t lose any money. Isn’t that cool? I would have been okay if we did,” he
    245 says. But, “This can exist. This happened. [We’ve done] it for almost 20 years.
    246 It’s fucking amazing. I’ll tell you what . . . it exceeded my dreams.”
    247 
    248 The advance-rate deadline for Fast Company’s [40]Innovation Festival is Friday,
    249 July 11, at 11:59 p.m. PT. [41] Claim your pass today!
    250 
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    252 
    253 ABOUT THE AUTHOR
    254 
    255 [42]Zachary Petit is a contributing writer for Fast Company and an independent
    256 journalist who covers design, the arts, and travel. His words have appeared in 
    257 Smithsonian, National Geographic, Eye on Design, McSweeney’s, Mental Floss and 
    258 Print, where he served as editor-in-chief of the National Magazine
    259 Award–winning publication [43]More
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