davideisinger.com

My personal website
Log | Files | Refs | README

www-nytimes-com-gvijqf.txt (15093B)


      1 [1]Skip to content[2]Skip to site index
      2 [3]
      3 [4]Style|Julia Cameron Wants You to Do Your Morning Pages
      4 [5][6]
      5 https://www.nytimes.com/2019/02/02/style/julia-cameron-the-artists-way.html
      6 
      7   • Share full article
      8      9     10 
     11 [merlin_149295975_44170fa1-6d57-454f-a8b4-112222add07b-articleLarge]
     12 Julia Cameron, making change at 70.Credit...Ramsay de Give for The New York
     13 Times
     14 
     15 Julia Cameron Wants You to Do Your Morning Pages
     16 
     17 With “The Artist’s Way,” Julia Cameron invented the way people renovate the
     18 creative soul.
     19 
     20 Julia Cameron, making change at 70.Credit...Ramsay de Give for The New York
     21 Times
     22 
     23 Supported by
     24 
     25 [10]SKIP ADVERTISEMENT
     26 
     27   • Share full article
     28     29     30 
     31 [14]Penelope Green
     32 
     33 By [15]Penelope Green
     34 
     35   • Feb. 2, 2019
     36 
     37 SANTA FE, N.M. — On any given day, someone somewhere is likely leading an
     38 Artist’s Way group, gamely knocking back the exercises of “The Artist’s Way”
     39 book, the quasi-spiritual manual for “creative recovery,” as its author Julia
     40 Cameron puts it, that has been a lodestar to blocked writers and other artistic
     41 hopefuls for more than a quarter of a century. There have been Artist’s Way
     42 clusters in the Australian outback and the Panamanian jungle; in Brazil,
     43 Russia, the United Kingdom and Japan; and also, as a cursory scan of Artist’s
     44 Way Meetups reveals, in Des Moines and Toronto. It has been taught in prisons
     45 and sober communities, at spiritual retreats and New Age centers, from Esalen
     46 to Sedona, from the Omega Institute to the [16]Open Center, where Ms. Cameron
     47 will appear in late March, as she does most years. Adherents of “The Artist’s
     48 Way” include the authors Patricia Cornwell and Sarah Ban Breathnach. Pete
     49 Townshend, Alicia Keys and Helmut Newton have all noted its influence on their
     50 work.
     51 
     52 So has Tim Ferriss, the hyperactive productivity guru behind “The Four Hour
     53 Workweek,” though to save time he didn’t actually read the book, “which was
     54 recommended to me by many megaselling authors,” [17]he writes. He just did the
     55 “Morning Pages,” one of the book’s central exercises. It requires you write
     56 three pages, by hand, first thing in the morning, about whatever comes to mind.
     57 (Fortunes would seem to have been made on the journals printed to support this
     58 effort.) The book’s other main dictum is the “Artist’s Date” — two hours of
     59 alone time each week to be spent at a gallery, say, or any place where a new
     60 experience might be possible.
     61 
     62 Elizabeth Gilbert, who has “done” the book three times, said there would be no
     63 “Eat, Pray, Love,” without “The Artist’s Way.” Without it, there might be no 
     64 [18]adult coloring books, no [19]journaling fever. “Creativity” would not have
     65 its own publishing niche or have become a ubiquitous buzzword — the “fat-free”
     66 of the self-help world — and business pundits would not deploy it as a specious
     67 organizing principle.
     68 
     69 Image
     70 
     71 The book’s enduring success — over 4 million copies have been sold since its
     72 publication in 1992 — have made its author, a shy Midwesterner who had a bit of
     73 early fame in the 1970s for practicing lively New Journalism at the Washington
     74 Post and Rolling Stone, among other publications, and for being married,
     75 briefly, to Martin Scorsese, with whom she has a daughter, Domenica — an
     76 unlikely celebrity. With its gentle affirmations, inspirational quotes,
     77 fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe
     78 yourself at 80, for example — “The Artist’s Way” proposes an egalitarian view
     79 of creativity: Everyone’s got it.
     80 
     81 The book promises to free up that inner artist in 12 weeks. It’s a template
     82 that would seem to reflect the practices of 12-step programs, particularly its
     83 invocations to a higher power. But according to Ms. Cameron, who has been sober
     84 since she was 29, “12 weeks is how long it takes for people to cook.”
     85 
     86 Now 70, she lives in a spare adobe house in Santa Fe, overlooking an acre of
     87 scrub and the Sangre de Cristo mountain range. She moved a few years ago from
     88 Manhattan, following an exercise from her book to list 25 things you love. As
     89 she recalled, “I wrote juniper, sage brush, chili, mountains and sky and I
     90 said, ‘This is not the Chrysler Building.’” On a recent snowy afternoon, Ms.
     91 Cameron, who has enormous blue eyes and a nimbus of blonde hair, admitted to
     92 the jitters before this interview. “I asked three friends to pray for me,” she
     93 said. “I also wrote a note to myself to be funny.”
     94 
     95 In the early 1970s, Ms. Cameron, who is the second oldest of seven children and
     96 grew up just north of Chicago, was making $67 a week working in the mail room
     97 of the Washington Post. At the same time, she was writing deft lifestyle pieces
     98 for the paper — like an East Coast Eve Babitz. “With a byline, no one knows
     99 you’re just a gofer,” she said.
    100 
    101 In her reporting, Ms. Cameron observed an epidemic of green nail polish and
    102 other “Cabaret”-inspired behaviors in Beltway bars, and slyly reviewed a new
    103 party drug, methaqualone. She was also, by her own admission, a blackout drunk.
    104 “I thought drinking was something you did and your friends told you about it
    105 later,” she said. “In retrospect, in cozy retrospect, I was in trouble from my
    106 first drink.”
    107 
    108 She met Mr. Scorsese on assignment for Oui magazine and fell hard for him. She
    109 did a bit of script-doctoring on “Taxi Driver,” and followed the director to
    110 Los Angeles. “I got pregnant on our wedding night,” she said. “Like a good
    111 Catholic girl.” When Mr. Scorsese took up with Liza Minnelli while all three
    112 were working on “New York, New York,” the marriage was done. (She recently made
    113 a painting depicting herself as a white horse and Mr. Scorsese as a lily. “I
    114 wanted to make a picture about me and Marty,” she said. “He was magical-seeming
    115 to me and when I look at it I think, ‘Oh, she’s fascinated, but she doesn’t
    116 understand.’”)
    117 
    118 Image[merlin_149296134_e17f3630-d6d2-4d46-961e-bddec24c3feb-articleLarge]
    119 Under the pines.Credit...Ramsay de Give for The New York Times
    120 
    121 In her memoir, “Floor Sample,” published in 2006, Ms. Cameron recounts the
    122 brutality of Hollywood, of her life there as a screenwriter and a drunk.
    123 Pauline Kael, she writes, described her as a “pornographic Victorian valentine,
    124 like a young Angela Lansbury.” Don’t marry her for tax reasons, Ms. Kael warns
    125 Mr. Scorsese. Andy Warhol, who escorts her to the premiere of “New York, New
    126 York,” inscribes her into his diary as a “lush.” A cocaine dealer soothes her —
    127 “You have a tiny little wife’s habit” — and a doctor shoos her away from his
    128 hospital when she asks for help, telling her she’s no alcoholic, just a
    129 “sensitive young woman.” She goes into labor in full makeup and a Chinese
    130 dressing gown, vowing to be “no trouble.”
    131 
    132 “I think it’s fair to say that drinking and drugs stopped looking like a path
    133 to success,” she said. “So I luckily stopped. I had a couple of sober friends
    134 and they said, ‘Try and let the higher power write through you.’ And I said,
    135 What if he doesn’t want to?’ They said, ‘Just try it.’”
    136 
    137 So she did. She wrote novels and screenplays. She wrote poems and musicals. She
    138 wasn’t always well-reviewed, but she took the knocks with typical grit, and she
    139 schooled others to do so as well. “I have unblocked poets, lawyers and
    140 painters,” she said. She taught her tools in living rooms and classrooms — “if
    141 someone was dumb enough to lend us one,” she said — and back in New York, at
    142 the Feminist Art Institute. Over the years, she refined her tools, typed them
    143 up, and sold Xeroxed copies in local bookstores for $20. It was her second
    144 husband, Mark Bryan, a writer, who needled her into making the pages into a
    145 proper book.
    146 
    147 The first printing was about 9,000 copies, said Joel Fotinos, formerly the
    148 publisher at Tarcher/Penguin, which published the book in 1992. There was
    149 concern that it wouldn’t sell. “Part of the reason,” Mr. Fotinos said, “was
    150 that this was a book that wasn’t like anything else. We didn’t know where to
    151 put it on the shelves — did it go in religion or self-help? Eventually there
    152 was a category called ‘creativity,’ and ‘The Artist’s Way’ launched it.” Now an
    153 editorial director at St. Martin’s Press, Mr. Fotinos said he is deluged with
    154 pitches from authors claiming they’ve written “the new Artist’s Way.”
    155 
    156 “But for Julia, creativity was a tool for survival,” he said. “It was literally
    157 her medicine and that’s why the book is so authentic, and resonates with so
    158 many people.”
    159 
    160 “I am my tool kits,” Ms. Cameron said.
    161 
    162 And, indeed, “The Artist’s Way” is stuffed with tools: worksheets to be filled
    163 with thoughts about money, childhood games, old hurts; wish lists and
    164 exercises, many of which seem exhaustive and exhausting — “Write down any
    165 resistance, angers and fears,” e.g. — and others that are more practical: “Take
    166 a 20 minutes walk,” “Mend any mending” and “repot any pinched and languishing
    167 plants.” It anticipates the work of the indefatigable [20]Gretchen Rubin, the
    168 happiness maven, if Ms. Rubin were a bit kinder but less Type-A.
    169 
    170 “When I teach, it’s like watching the lights come on,” said Ms. Cameron. “My
    171 students don’t get lectured to. I think they feel safe. Rather than try and fix
    172 themselves, they learn to accept themselves. I think my work makes people
    173 autonomous. I feel like people fall in love with themselves.”
    174 
    175 Anne Lamott, the inspirational writer and novelist, said that when she was
    176 teaching writing full-time, her own students swore by “The Artist’s Way.” “That
    177 exercise — three pages of automatic writing — was a sacrament for people,” Ms.
    178 Lamott wrote in a recent email. “They could plug into something bigger than the
    179 rat exercise wheel of self-loathing and grandiosity that every writer
    180 experiences: ‘This could very easily end up being an Oprah Book,’ or ‘Who do I
    181 think I’m fooling? I’m a subhuman blowhard.’”
    182 
    183 “She’s given you an assignment that is doable, and I think it’s kind of a
    184 cognitive centering device. Like scribbly meditation,” Ms. Lamott wrote. “It’s
    185 sort of like how manicurists put smooth pebbles in the warm soaking water, so
    186 your fingers have something to do, and you don’t climb the walls.”
    187 
    188 Image
    189 In the wild.Credit...Ramsay de Give for The New York Times
    190 
    191 Ms. Cameron continues to write her Morning Pages every day, even though she
    192 continues, as she said, to be grouchy upon awakening. She eats oatmeal at a
    193 local cafe and walks Lily, an eager white Westie. She reads no newspapers, or
    194 social media (perhaps the most grueling tenet of “The Artist’s Way” is a week
    195 of “reading deprivation”), though an assistant runs a Twitter and Instagram
    196 account on her behalf. She writes for hours, mostly musicals, collaborating
    197 with her daughter, a film director, and others.
    198 
    199 Ms. Cameron may be a veteran of the modern self-care movement but her life has
    200 not been all moonbeams and rainbows, and it shows. She was candid in
    201 conversation, if not quite at ease. “So I haven’t proven myself to be
    202 hilarious,” she said with a flash of dry humor, adding that even after so many
    203 years, she still gets stage-fright before beginning a workshop.
    204 
    205 She has written about her own internal critic, imagining a gay British interior
    206 designer she calls Nigel. “And nothing is ever good enough for Nigel,” she
    207 said. But she soldiers on.
    208 
    209 She will tell you that she has good boundaries. But like many successful women,
    210 she brushes off her achievements, attributing her unlooked-for wins to luck.
    211 
    212 “If you have to learn how to do a movie, you might learn from Martin Scorsese.
    213 If you have to learn about entrepreneurship, you might learn from Mark” — her
    214 second husband. “So I’m very lucky,” she said. “If I have a hard time blowing
    215 my own horn, I’ve been attracted to people who blew it for me.”
    216 
    217 [21]Penelope Green is a reporter for Styles. She has been a reporter for the
    218 Home section, editor of Styles of The Times — an early iteration of Styles —
    219 and a story editor at the Times magazine. [22]More about Penelope Green
    220 
    221 A version of this article appears in print on  , Section ST, Page 1 of the New
    222 York edition with the headline: She Guides Your Process. [23]Order Reprints | 
    223 [24]Today’s Paper | [25]Subscribe
    224 
    225   • Share full article
    226    227    228 
    229 Advertisement
    230 
    231 [29]SKIP ADVERTISEMENT
    232 
    233 Site Index
    234 
    235 Site Information Navigation
    236 
    237   • [30]© 2024 The New York Times Company
    238 
    239   • [31]NYTCo
    240   • [32]Contact Us
    241   • [33]Accessibility
    242   • [34]Work with us
    243   • [35]Advertise
    244   • [36]T Brand Studio
    245   • [37]Your Ad Choices
    246   • [38]Privacy Policy
    247   • [39]Terms of Service
    248   • [40]Terms of Sale
    249   • [41]Site Map
    250   • [42]Canada
    251   • [43]International
    252   • [44]Help
    253   • [45]Subscriptions
    254 
    255   • [46]Manage Privacy Preferences
    256 
    257 
    258 References:
    259 
    260 [1] https://www.nytimes.com/2019/02/02/style/julia-cameron-the-artists-way.html#site-content
    261 [2] https://www.nytimes.com/2019/02/02/style/julia-cameron-the-artists-way.html#site-index
    262 [3] https://www.nytimes.com/
    263 [4] https://www.nytimes.com/section/style
    264 [5] https://www.nytimes.com/
    265 [6] https://www.nytimes.com/
    266 [10] https://www.nytimes.com/2019/02/02/style/julia-cameron-the-artists-way.html#after-sponsor
    267 [14] https://www.nytimes.com/by/penelope-green
    268 [15] https://www.nytimes.com/by/penelope-green
    269 [16] https://www.opencenter.org/
    270 [17] https://tim.blog/tag/artists-way/
    271 [18] https://www.nytimes.com/2016/04/21/fashion/adult-coloring-books-relaxation.html
    272 [19] https://www.nytimes.com/2018/10/25/style/journaling-benefits.html
    273 [20] https://www.nytimes.com/2017/10/07/style/personality-type-the-four-tendencies-gretchen-rubin.html
    274 [21] https://www.nytimes.com/by/penelope-green
    275 [22] https://www.nytimes.com/by/penelope-green
    276 [23] https://www.parsintl.com/publication/the-new-york-times/
    277 [24] https://www.nytimes.com/section/todayspaper
    278 [25] https://www.nytimes.com/subscriptions/Multiproduct/lp8HYKU.html?campaignId=48JQY
    279 [29] https://www.nytimes.com/2019/02/02/style/julia-cameron-the-artists-way.html#after-bottom
    280 [30] https://help.nytimes.com/hc/en-us/articles/115014792127-Copyright-notice
    281 [31] https://www.nytco.com/
    282 [32] https://help.nytimes.com/hc/en-us/articles/115015385887-Contact-Us
    283 [33] https://help.nytimes.com/hc/en-us/articles/115015727108-Accessibility
    284 [34] https://www.nytco.com/careers/
    285 [35] https://nytmediakit.com/
    286 [36] https://www.tbrandstudio.com/
    287 [37] https://www.nytimes.com/privacy/cookie-policy#how-do-i-manage-trackers
    288 [38] https://www.nytimes.com/privacy/privacy-policy
    289 [39] https://help.nytimes.com/hc/en-us/articles/115014893428-Terms-of-service
    290 [40] https://help.nytimes.com/hc/en-us/articles/115014893968-Terms-of-sale
    291 [41] https://www.nytimes.com/sitemap/
    292 [42] https://www.nytimes.com/ca/
    293 [43] https://www.nytimes.com/international/
    294 [44] https://help.nytimes.com/hc/en-us
    295 [45] https://www.nytimes.com/subscription?campaignId=37WXW
    296 [46] https://www.nytimes.com/privacy/manage-settings