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But its 42 path to the big screen was torturous and winding, as Kyle Buchanan shows in his 43 oral history Blood, Sweat and Chrome: The Wild and True Story of Mad Max: Fury 44 Road, out Tuesday. In the exclusive excerpt below, the film’s cast and crew 45 recall one of Fury Road’s biggest hurdles: the bad blood between stars Charlize 46 Theron and Tom Hardy. 47 48 Rosie Huntington-Whiteley (“The Splendid Angharad”): It was very interesting to 49 sit in a truck for four months with Tom and Charlize, who have completely 50 different approaches to their craft. 51 52 Kelly Marcel (screenwriter and friend of Tom Hardy): Tom is very physical and 53 all over the place and would try very different things. Charlize is cerebral 54 and very consistent in the way that she approaches a character. They’re both 55 powerhouses, but in their very different ways of working. Which, weirdly, is 56 why the film works: It’s all pouring out on the screen. 57 58 George Miller (writer/director, Fury Road): The story is all about 59 self-preservation: If it’s an advantage to you to kill another character, then 60 you should do it and you don’t think twice about it. I think that crept into 61 the actors. 62 63 P. J. Voeten (first assistant director, Fury Road): It seemed to implode in 64 preproduction. We weren’t even shooting and there seemed to be this animosity. 65 66 Petrina Hull (production and development executive, Kennedy Miller Mitchell 67 Films): And as we got into the shoot, those things became difficult. 68 69 P. J. Voeten: At some stage, the Wives didn’t like Tom, and one day, they 70 didn’t even disguise it: They were just yelling at each other in front of us. 71 72 Nicholas Hoult (“Nux”): It was a tense atmosphere at times. It was kind of like 73 you’re on your summer holidays and the adults in the front of the car are 74 arguing. 75 76 Charlize Theron (“Furiosa”): He’s right, it was like two parents in the front 77 of the car. We were either fighting or we were icing each other—I don’t know 78 which one is worse—and they had to deal with it in the back. It was horrible! 79 We should not have done that; we should have been better. I can own up to that. 80 81 Ricky Schamburg (first assistant camera, Fury Road): Tom is very provocative. 82 Charlize isn’t. And it was a clash. 83 84 Image may contain Tom Hardy Human Person Military Military Uniform Army Armored 85 and Soldier 86 © Warner Bros/Everett Collection. 87 88 Richard Norton: (“The Prime Imperator”): Tom would want justification for every 89 bit of choreography, not just in the actual action but in the pre-setup of the 90 action and everything else. Charlize, her basic want is simple: I just want to 91 fucking kill him. Let’s shoot it. 92 93 P. J. Voeten: The day that we were rehearsing the fight scene when they first 94 meet, you could see the tension in the air. It was unbelievable. 95 96 J. Houston Yang (editor, Open Road Entertainment): We get dailies sometimes for 97 specific sequences if we need to cut a shot longer, and some of that was the 98 chain-wrench fight by the tanker. And boy fucking howdy, was it clear that 99 those two people hated each other. They didn’t want to touch each other, they 100 didn’t want to look at each other, they wouldn’t face each other if the camera 101 wasn’t actively rolling. 102 103 Charlize Theron: I don’t want to make excuses for bad behavior, but it was a 104 tough shoot. Now, I have a very clear perspective on what went down. I don’t 105 think I had that clarity when we were making the movie. I was in survival mode; 106 I was really scared shitless. 107 108 George Miller: Many years ago, I had the privilege of working with Jack 109 Nicholson on Witches of Eastwick, where he was playing the devil. And he said, 110 “You know, we think as actors that we don’t bring it home at night. We think we 111 just leave it in the trailer when we walk off set. But the truth is, if you’re 112 doing your job properly, you do bring it home.” And that was one of the 113 dynamics that was happening in the film. 114 115 Charlize Theron: Because of my own fear, we were putting up walls to protect 116 ourselves instead of saying to each other, “Fuck, this is scary for you and 117 it’s scary for me, too. Let’s be nice to each other.” We were functioning, in a 118 weird way, like our characters: Everything was about survival. 119 120 Mark Goellnicht (camera operator, Fury Road): Between Tom and Charlize, it was 121 literally the most contrast I’ve ever seen between two actors. 122 123 Samantha McGrady (key second assistant director, Fury Road): Charlize is the 124 easiest person to deal with in terms of, Okay, we’re ready. Sometimes I would 125 just call her and say, “We’re going to be ready in an hour,” and I knew she 126 would always get in the car, get her makeup on, and get on set. 127 128 Matt Taylor (stunt driver, Fury Road): And when you’ve got someone like Tom 129 who’s a larrikin and is late and very Method in his performances, just in sheer 130 personality, there was always going to be a clash. 131 132 Tom Clapham (production runner, Fury Road): Tom was more in his trailer a lot 133 of the time and would come out for the takes—and sometimes not on time, either. 134 You’re like, Come on, it’s midnight and we want to go home. 135 136 Eventually, veteran producer Denise Di Novi was dispatched to Namibia to 137 mediate the conflict between the film’s two stars. 138 139 Charlize Theron: I don’t want to rehash things, but it came out of a really bad 140 moment where things kind of came to blows between me and Tom. 141 142 Mark Goellnicht: I remember vividly the day. The call on set was eight o’clock. 143 Charlize got there right at eight o’clock, sat in the War Rig, knowing that 144 Tom’s never going to be there at eight even though they made a special request 145 for him to be there on time. He was notorious for never being on time in the 146 morning. If the call time was in the morning, forget it—he didn’t show up. 147 148 Ricky Schamburg: Whether that was some kind of power play or not, I don’t know, 149 but it felt deliberately provocative. If you ask me, he kind of knew that it 150 was really pissing Charlize off, because she’s professional and she turns up 151 really early. 152 153 Mark Goellnicht: Gets to nine o’clock, still no Tom. “Charlize, do you want to 154 get out of the War Rig and walk around, or do you want to . . .” “No, I’m going 155 to stay here.” She was really going to make a point. She didn’t go to the 156 bathroom, didn’t do anything. She just sat in the War Rig. 157 158 Natascha Hopkins (stunt double, Fury Road): She was a new mom, and she just 159 wanted to get to set, work, and take care of her kid. 160 161 Mark Goellnicht: Eleven o’clock. She’s now in the War Rig, sitting there with 162 her makeup on and a full costume for three hours. Tom turns up, and he walks 163 casually across the desert. She jumps out of the War Rig, and she starts 164 swearing her head off at him, saying, “Fine the fucking cunt a hundred thousand 165 dollars for every minute that he’s held up this crew,” and “How disrespectful 166 you are!” She was right. Full rant. She screams it out. It’s so loud, it’s so 167 windy—he might’ve heard some of it, but he charged up to her up and went, “What 168 did you say to me?” 169 170 He was quite aggressive. She really felt threatened, and that was the turning 171 point, because then she said, “I want someone as protection.” She then had a 172 producer that was assigned to be with her all the time. 173 174 Image may contain Human Person Screen Electronics Monitor Display and Abbey Lee 175 Kershaw 176 © Warner Bros/Everett Collection. 177 178 Charlize Theron: It got to a place where it was kind of out of hand, and there 179 was a sense that maybe sending a woman producer down could maybe equalize some 180 of it, because I didn’t feel safe. 181 182 Kelly Marcel: There’s something that you can’t put your finger on unless you 183 are inside it and you know what went on there. It was a really intense, 184 intense, intense period in an intense, intense place. Family was made there, 185 and family loves and hates each other. 186 187 Charlize Theron: I kind of put my foot down. George then said, “Okay, well, if 188 Denise comes . . .” He was open to it and that kind of made me breathe a little 189 bit, because it felt like I would have another woman understanding what I was 190 up against. 191 192 P. J. Voeten: She was sent out to help try and smooth that relationship out. As 193 nice a lady as she was, nobody could really turn it around because it was that 194 entrenched. Whatever it was that they were going through wasn’t going to get 195 fixed easily. 196 197 Charlize Theron: She was parked in the production office, and she was checking 198 in with me and we would talk. But when I was on set, I still felt pretty naked 199 and alone. 200 201 Kelly Marcel: Doug [Mitchell, producer of Fury Road] wouldn’t let Denise 202 actually be on the set. He’s a bulldog, he’s going to protect George no matter 203 what, at all costs. And you can send your producer, you can do whatever you 204 want, but if you’ve got Doug standing there, there’s absolutely no point unless 205 he wants you there. He was never going to allow anybody to interrupt this 206 world, no matter how fraught the world was. 207 208 Charlize Theron: Looking back on where we are in the world now, given what 209 happened between me and Tom, it would have been smart for us to bring a female 210 producer in. You understand the needs of a director who wants to protect his 211 set, but when push comes to shove and things get out of hand, you have to be 212 able to think about that in a bigger sense. That’s where we could have done 213 better, if George trusted that nobody was going to come and fuck with his 214 vision but was just going to come and help mediate situations. I think he 215 didn’t want any interference, and there were several weeks on that movie where 216 I wouldn’t know what was going to come my way, and that’s not necessarily a 217 nice thing to feel when you’re on your job. It was a little bit like walking on 218 thin ice. 219 220 Image may contain Advertisement Poster Brochure Paper and Flyer 221 222 Buy Blood, Sweat & Chrome on [27]Amazon or [28]Bookshop. 223 224 George Miller: There are things that I feel disappointment with about the 225 process. Looking back, if I had to do it again, I would probably be more 226 mindful. 227 228 Tom Hardy (“Max”): In hindsight, I was in over my head in many ways. The 229 pressure on both of us was overwhelming at times. What she needed was a better, 230 perhaps more experienced partner in me. That’s something that can’t be faked. 231 I’d like to think that now that I’m older and uglier, I could rise to that 232 occasion. 233 234 Mark Goellnicht: That scene where you see Tom with Charlize on the bike and all 235 the Vuvalini and the Wives behind, intermingled—that scene was probably the 236 biggest change in seeing Tom really soften to Charlize in real life. We were 237 all unprepared for how he performed that, and then I walked off and Charlize 238 was walking back, and I said, “Geez, Charlize, that was amazing. Did a light 239 switch go off? He was great.” She was quite taken aback by it, too. But it was 240 great because that’s when you can see that Max and Furiosa really are a team. 241 242 The day we shot that, I got such goose bumps. You really felt this change in 243 their mood. Just the way that they were talking to each other when they were 244 off camera, I went, What the fuck? Who gave them molly? They were really civil 245 and nice. He was a different person by the end—a lot easier to deal with, a lot 246 more cooperative, more compassionate. He’s such a Method actor that I think he 247 took the arc in the literal sense. 248 249 Petrina Hull: Overall, the feeling of their relationship did mirror the arc of 250 the characters, and that they had that prickly thing of two people trying to 251 understand each other and clashing and then somehow learning a mutual sort of 252 respect, ultimately. That’s what Max and Furiosa come to in the end: It’s a 253 version of love where you can only really get to regard. It’s not touchy-feely. 254 255 Iain Smith (executive producer, Fury Road): I think that the tension between 256 them actually underscored the love that existed between the two of them within 257 the movie, and that sometimes happens. The worst thing is indifference, and 258 believe you me, there was no indifference between the two of them. 259 260 Kelly Marcel: I don’t know anyone that didn’t lose their temper on that set, 261 including myself. It was fraught and frantic, and you had this overbearing 262 pressure the whole time that you were going to get shut down. You had a studio 263 out in L.A. who did not understand what was being made, and the people who were 264 there on the ground couldn’t really tell them what was being made, either. 265 266 Chris O’Hara (on-set second assistant director, Fury Road): People have written 267 things about Tom and Charlize’s relationship. It was just two people trying to 268 do the best job they could. 269 270 Adapted from [29]Blood, Sweat & Chrome: The Wild and True Story of Mad Max: 271 Fury Road, by Kyle Buchanan. Copyright © Kyle Buchanan 2022. Reprinted with 272 permission from William Morrow, a division of HarperCollins Publishers. 273 274 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 275 276 All products featured on Vanity Fair are independently selected by our editors. 277 However, when you buy something through our retail links, we may earn an 278 affiliate commission. 279 280 More Great Stories From Vanity Fair 281 282 — Amazon’s Lord of the Rings Series Rises: [30]Inside The Rings of Power 283 — [31]Renée Zellweger Is Unrecognizable as a Midwestern Murdering Mom 284 — Oscar Nominations: The [32]Biggest Snubs and Surprises 285 — [33]Oprah Winfrey Reveals the Glorious New Color Purple Cast 286 — Beware the Tinder Swindler, a [34]Real-Life Dating-App Villain 287 — [35]W. 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