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#[1]Main RSS Feed
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[2]Home
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The Garden (BUTTON)
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[3]Now
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[4]About
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(BUTTON)
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Essays
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evergreen
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A Brief History & Ethos of the Digital Garden
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A newly revived philosophy for publishing personal knowledge on the web
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* [5]Digital Gardening
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* [6]Personal Knowledge
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* [7]The Web
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Planted almost 3 years agoLast tended almost 2 years ago
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(BUTTON) Back To Top
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Table of Contents
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[8]A Brief History of Digital Gardens[9]The Early Gardens of
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Hypertext[10]Digital Puttering on Twitter[11]Gardens, Streams, and
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Caufield's Metaphors[12]Carrying on Caufield[13]Digital Gardening's
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Fertile Soil[14]Developer-led Gardening[15]The Six Patterns of
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Gardening[16]1. Topography over Timelines[17]2. Continuous Growth[18]3.
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Imperfection & Learning in Public[19]4. Playful, Personal, and
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Experimental[20]5. Intercropping & Content Diversity[21]6. Independent
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Ownership
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Table of Contents
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[22]A Brief History of Digital Gardens[23]The Early Gardens of
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Hypertext[24]Digital Puttering on Twitter[25]Gardens, Streams, and
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Caufield's Metaphors[26]Carrying on Caufield[27]Digital Gardening's
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Fertile Soil[28]Developer-led Gardening[29]The Six Patterns of
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Gardening[30]1. Topography over Timelines[31]2. Continuous Growth[32]3.
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Imperfection & Learning in Public[33]4. Playful, Personal, and
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Experimental[34]5. Intercropping & Content Diversity[35]6. Independent
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Ownership
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Loading...
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My highlighted a number of sites that are taking a new approach to the
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way we publish personal knowledge on the web.
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They're not following the conventions of the "personal blog," as we've
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come to know it. Rather than presenting a set of polished articles,
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displayed in reverse chronological order, these sites act more like
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free form, work-in-progress wikis.
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A garden is a collection of evolving ideas that aren't strictly
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organised by their publication date. They're inherently exploratory –
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notes are linked through contextual associations. They aren't refined
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or complete - notes are published as half-finished thoughts that will
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grow and evolve over time. They're less rigid, less performative, and
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less perfect than the personal websites we're used to seeing.
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It harkens back to the early days of the web when people had fewer
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notions of how websites "should be.” It's an ethos that is both
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classically old and newly imagined.
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__________________________________________________________________
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[36]
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A Brief History of Digital Gardens
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Let's go on a short journey to the origin of this word. The notion of a
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digital garden is not a 2020 invention. It's been floating around for
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over two decades. However, it's passed through a couple of semantic
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shifts in that time, meaning different things to different people
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across the years. As words tend to do.
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Tracing back how
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[37]Neologisms
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are born helps us understand why anyone needed this word in the first
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place. Language is always a response to the evolving world around us –
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we expand it when our current vocabulary fails to capture what we're
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observing, or have a particular desire for how we'd like the future to
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unfold. Naming is a political act as much as a poetic one.
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The Early Gardens of Hypertext
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Mark Bernstein's 1998 essay appears to be the first recorded mention of
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the term. Mark was part of the early hypertext crowd – the developers
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figuring out how to arrange and present this new medium.
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While the essay is a beautiful ode to free-wheeling internet
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exploration, it's less about building personal internet spaces, and
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more of a manifesto on user experience flows and content organisation.
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Let's note that Mark's graphics are to die for
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To put this in its historical context, Mark's writing was part of a
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larger conversation happening throughout the nineties around hypertext
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and its metaphorical framing.
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The early web-adopters were caught up in the idea of The Web as a
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labyrinth-esque community landscape tended by and These creators wanted
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to enable pick-your-own-path experiences, while also providing enough
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signposts that people didn't feel lost in their new, strange medium.
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The early web debates around this became known as – the issue of how to
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give web users just enough guidance to freely explore the web, without
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forcing them into pre-defined browsing experiences. The eternal
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struggle to find the right balance of chaos and structure.
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"Unplanned hypertext sprawl is wilderness: complex and interesting,
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but uninviting. Interesting things await us in the thickets, but we
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may be reluctant to plough through the brush, subject to thorns and
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mosquitoes"
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While Mark's essay was concerned with different problems to the ones we
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face on the web today, its core ethos feels aligned with our emerging
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understanding of digital gardening. It captures the desire for
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exploratory experiences, a welcoming of digital weirdness, and a
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healthy amount of resistance to top-down structures.
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After Mark's essay the term digital gardening goes quiet for nearly a
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decade.
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Digital Puttering on Twitter
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In April of 2007 when Tweets first started ringing through the internet
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airwaves, Rory Sutherland (oddly, the vice president of Ogilvy Group)
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used the term "digital gardening", but defined it as "faffing about
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syncing things, defragging - like pruning for young people"
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Loading...
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The next dozen mentions on Twitter all followed this sentiment – people
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were using the term as a way to describe digital maintenance - the act
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of cleaning up one's digital space. The focus was on sorting, weeding,
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pruning, and decluttering, rather than growing and cultivating. People
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mentioned cleaning out private folders, codebases, and photo albums as
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the focus of their gardening efforts.
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These people were digital puttering more than gardening.
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Loading...
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Loading...
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Loading...
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Since none of these folks reference to the earlier nineties notion of
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digital gardening, or mention issues of hypertext navigation, this use
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of the word feels like a brief tangent. Given the tiny size of Twitter
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in the early days, these people probably belonged to the same social
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flocks and were riffing off one another. It's not necessarily part of
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the mainstream narrative we're tracking, but shows there's not one
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strict meaning to the term.
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That said, some degree of faffing about, sorting, and pruning are
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certainly part of the practice of digital gardening. Though best
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enjoyed in moderation.
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Gardens, Streams, and Caufield's Metaphors
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At the 2015 Digital Learning Research Network, Mike Caufield delivered
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a keynote on . It later becomes that lays the foundations for our
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current understanding of the term. If anyone should be considered the
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original source of digital gardening, it's Caufield. They are the first
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to lay out this whole idea in poetic, coherent words.
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Caufield makes clear digital gardening is not about specific tools –
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it's not a Wordpress plugin, Gastby theme, or Jekyll template. It's a
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different way of thinking about our online behaviour around information
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- one that accumulates personal knowledge over time in an explorable
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space.
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Caufield's main argument was that we have become swept away by streams
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– the collapse of information into single-track timelines of events.
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The conversational feed design of email inboxes, group chats, and
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InstaTwitBook is fleeting – they're only concerned with self-assertive
|
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immediate thoughts that rush by us in a few moments.
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This is not inherently bad. Streams have their time and place. Twitter
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is a force-multiplier for exploratory thoughts and delightful
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encounters once you fall in with the right crowd and learn to play the
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game.
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But streams only surface the Zeitgeisty ideas of the last 24 hours.
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They are not designed to accumulate knowledge, connect disparate
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information, or mature over time.
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The garden is our counterbalance. Gardens present information in a
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richly linked landscape that grows slowly over time. Everything is
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arranged and connected in ways that allow you to explore. Think about
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the way Wikipedia works when you're hopping from to to . It's
|
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hyperlinking at it's best. You get to actively choose which curiosity
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trail to follow, rather than defaulting to the algorithmically-filtered
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ephemeral stream. The garden helps us move away from time-bound streams
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and into contextual knowledge spaces.
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"The Garden is the web as topology. The web as space. It’s the
|
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integrative web, the iterative web, the web as an arrangement and
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rearrangement of things to one another."
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|
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Carrying on Caufield
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|
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Good ideas take time to germinate, and Caufield's vision of the
|
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personal garden didn't reach critical mass right off the bat. It lay
|
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dormant, waiting for the right time and the right people to find it.
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|
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In late 2018 the corner of Twitter I hang out in began using the term
|
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more regularly – folks began passing around Caufield's original article
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and experimenting with ways to turn their chronological blogs into
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exploratory, interlinked gardens.
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Tom Critchlow's 2018 article was one of the main kick-off points. Tom
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read Caufield's essay and began speculating on alternative metaphors to
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frame the way we consume and produce information. They suggested we add
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campfires to the idea of streams and gardens – the private Slack
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groups, casual blog rings, and
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[38]Cozy Web
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areas where people write in response to one another. While gardens
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present the ideas of an individual, campfires are conversational spaces
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to exchange ideas that aren't yet fully formed.
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Tom piece was shortly followed by Joel Hooks' in early 2019. Joel
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focused on the process of digital gardening, emphasising the slow
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growth of ideas through writing, rewriting, editing, and revising
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thoughts in public. Instead of slapping Fully Formed Opinions up on the
|
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web and never changing them.
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Joel also added Amy Hoy's post to the pile of influential ideas that
|
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led to our current gardening infatuation. While not specifically about
|
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gardening, Amy's piece gives us a lot of good historical context. In
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it, she explores the history of blogs over the last three decades, and
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pinpoints exactly when we all became fixated on publishing our thoughts
|
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in reverse chronological order (spoiler: around 2001 with the launch of
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).
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Amy argues that Moveable Type didn't just launch us into the
|
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"Chronological Sort Era". It also killed the wild, diverse, hodge-podge
|
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personalisation of websites that characterised the early web. Instead
|
||||
of hand-coding your own layout and deciding exactly how to arrange the
|
||||
digital furniture, we began to enter the age of standardised layouts.
|
||||
Plug n' play templates that you drop content into became the norm. It
|
||||
became harder and more technically involved to edit the HTML & CSS
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yourself.
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"Suddenly people weren’t creating homepages or even web pages...
|
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they were writing web content in form fields and text areas inside a
|
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web page."
|
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|
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Many people have lamented the web's slow transition from unique
|
||||
homepages to a bland ocean of generic Wordpress themes. Digital
|
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gardening is part of the pushback against the limited range of vanilla
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web formats and layouts we now for granted.
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Over the course 2019 and early 2020, more and more people began riffing
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on the concept. Shaun Wang compiled the . Anne-Laure Le Cunff published
|
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a popular guide to setting up . The IndieWeb community hosted a to
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discuss the history of commonplace books, personal wikis, and memory
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palaces.
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By late 2020 this whole concept had attracted enough attention for the
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MIT Tech Review to write on it. Perhaps this is the watershed moment
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when a Twitter buzzword has "made it."
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Digital Gardening's Fertile Soil
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What made our current historical moment the right time for digital
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gardening to take off?
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The timing coincided with a few complimentary ideas and communities
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rallying around personal knowledge systems, note-taking practices, and
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reimagining tools for blogging. The scene was ripe for new ideas around
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curating and sharing personal knowledge online.
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Many of the people who jumped on the early digital gardening bandwagon
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were part of communities like...
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* The collective – a group that has been championing independent web
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spaces outside the walled gardens of Instatwitbook for nearly a
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decade.
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* Users of the note-taking app – Roam pioneered new ways of
|
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interlinking content and strongly appeals to people trying to build
|
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sprawling knowledge graphs.
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* Followers of Tiago Forte's course which popularised the idea of
|
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actively curating personal knowledge.
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* People rallying around the ethos that encourages continuously
|
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creating 'learning exhaust' in the form of notes and summaries.
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Developer-led Gardening
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Many of these early adopters were people who understood how to build
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websites – either professional developers or enthusiastic hobbyists.
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Any kind of novel experimentation with the web requires knowing a
|
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non-trivial amount of HTML, CSS, and JS. Not to mention all the
|
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surrounding infrastructure required actually to get a site live.
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Developers took to the idea because they already had the technical
|
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ability to jump in play around with what garden-esque websites might
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look like.
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The current state of web development helped here too. While it feels
|
||||
like we've been in a slow descent into a horrifyingly complex and
|
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bloated web development process, a number of recent tools have made it
|
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easier to get a fully customised website up and running. Services like
|
||||
and have taken the pain out of deployment. Static site generators like
|
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, , and make it easier to build sophisticated websites that
|
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auto-generate pages, and take care of grunt work like optimising load
|
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time, images, and SEO. These services are trying to find a happy middle
|
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ground between tediously hand-coding solutions, and being trapped in
|
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the restrictions of Wordpress or Squarespace.
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|
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While developers were the first on the scene, plenty of writers,
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researchers, and note-taking enthusiasts have been drawn to the idea of
|
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digital gardening. To help folks without programming skills join in,
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there's been a surge in templates and platforms that allow people to
|
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build their own digital gardens without touching a ton of code. I've
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written an entire guide to
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[39]Digital Gardening for Non-Technical Folks
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if you fall into that category.
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|
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Tools like , , and are all great options. Many of them offer fancy
|
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features like nested folders,
|
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[40]Bi-Directional Links
|
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, footnotes, and visual graphs.
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|
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However, many of these no-code tools still feel like cookie-cutter
|
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solutions. Rather than allowing people to design the and spatial
|
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layouts of their gardens, they inevitably force people into pre-made
|
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arrangements. This doesn't meant they don't "count,” as "real” gardens,
|
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but simply that they limit their gardeners to some extent. You can't
|
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design different types of links, novel features, experimental layouts,
|
||||
or custom architecture. They're pre-fab houses instead of raw building
|
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materials.
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__________________________________________________________________
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[41]
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||||
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The Six Patterns of Gardening
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|
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In all the recent gardening flurry, we've run into the inevitable
|
||||
confusion around how to define the term.
|
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Loading...
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|
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There are contested ideas about what qualifies as a garden, what the
|
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core ethos should focus on, and whether it's worthy of a new label at
|
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all. What exactly makes a website a digital garden as opposed to just
|
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another blog?
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|
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After reading all the existing takes on the term, observing a wide
|
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variety of gardens, and collecting some of the , I've identified a few
|
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key qualities they all share.
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There are a few guiding principles, design patterns and structures
|
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people are rallying around. This amounts to a kind of digital gardening
|
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[42]Pattern Language
|
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.
|
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|
||||
1. Topography over Timelines
|
||||
|
||||
Gardens are organised around contextual relationships and associative
|
||||
links; the concepts and themes within each note determine how it's
|
||||
connected to others.
|
||||
|
||||
This runs counter to the time-based structure of traditional blogs:
|
||||
posts presented in reverse chronological order based on publication
|
||||
date.
|
||||
|
||||
Gardens don't consider publication dates the most important detail of a
|
||||
piece of writing. Dates might be included on posts, but they aren't the
|
||||
structural basis of how you navigate around the garden. Posts are
|
||||
connected to other by posts through related themes, topics, and shared
|
||||
context.
|
||||
|
||||
One of the best ways to do this is through
|
||||
[43]Bi-Directional Links
|
||||
– links that make both the destination page and the source page visible
|
||||
to the reader. This makes it easy to move between related content.
|
||||
|
||||
Because garden notes are densely linked, a garden explorer can enter at
|
||||
any location and follow any trail they link through the content, rather
|
||||
than being dumped into a "most recent” feed.
|
||||
|
||||
Dense links are essential, but gardeners often layer on other ways of
|
||||
exploring their knowledge base. They might have , , tags and filtering
|
||||
functionality, , , or listing notable and popular content.
|
||||
|
||||
Many entry points but no prescribed pathways.
|
||||
|
||||
2. Continuous Growth
|
||||
|
||||
Gardens are never finished, they're constantly growing, evolving, and
|
||||
changing. Just like a real soil, carrot, and cabbage garden.
|
||||
|
||||
The isn't how we usually think about writing on the web. Over the last
|
||||
decade, we've moved away from casual live journal entries and
|
||||
formalised our writing into articles and essays. These are carefully
|
||||
crafted, edited, revised, and published with a timestamp. When it's
|
||||
done, it's done. We act like tiny magazines, sending our writing off to
|
||||
the printer.
|
||||
|
||||
This is odd considering editability is one of the main selling points
|
||||
of the web. Gardens lean into this – there is no "final version” on a
|
||||
garden. What you publish is always open to revision and expansion.
|
||||
|
||||
Gardens are designed to evolve alongside your thoughts. When you first
|
||||
have an idea, it's fuzzy and unrefined. You might notice a pattern in
|
||||
your corner of the world, but need to collect evidence, consider
|
||||
counter-arguments, spot similar trends, and research who else has thunk
|
||||
such thoughts before you. In short, you need to do your homework and
|
||||
critically think about it over time.
|
||||
|
||||
In performance-blog-land you do that thinking and researching
|
||||
privately, then shove it out at the final moment. A grand flourish that
|
||||
hides the process.
|
||||
|
||||
In garden-land, that process of researching and refining happens on the
|
||||
open internet. You post ideas while they're still "seedlings,” and tend
|
||||
them regularly until they're fully grown, respectable opinions.
|
||||
|
||||
This has a number of benefits:
|
||||
* You're freed from the pressure to get everything right immediately.
|
||||
You can test ideas, get feedback, and revise your opinions like a
|
||||
good internet citizen.
|
||||
* It's low friction. Gardening your thoughts becomes a daily ritual
|
||||
that only takes a small amount of effort. Over time, big things
|
||||
grow.
|
||||
* It gives readers an insight into your writing and thinking process.
|
||||
They come to realise you are not a magical idea machine banging out
|
||||
perfectly formed thoughts, but instead an equally mediocre human
|
||||
doing The Work of trying to understand the world and make sense of
|
||||
it alongside you.
|
||||
|
||||
This all comes with an important caveat; gardens make their
|
||||
imperfection known to readers. Which brings us to the next pattern...
|
||||
|
||||
3. Imperfection & Learning in Public
|
||||
|
||||
Gardens are imperfect by design. They don't hide their rough edges or
|
||||
claim to be a permanent source of truth.
|
||||
|
||||
Putting anything imperfect and half-written on an "official website”
|
||||
may feel strange. We have all been trained to behave like tiny,
|
||||
performative corporations when it comes to presenting ourselves in
|
||||
digital space. Blogging evolved in the culture of Millenialism as a way
|
||||
to Promote Your Personal Brand™ and market your SEO-optimized Content.
|
||||
|
||||
Weird, quirky personal blogs of the early 2000's turned into cleanly
|
||||
crafted brands with publishing strategies and media campaigns. Everyone
|
||||
now has a modern minimalist logo and an LLC.
|
||||
|
||||
Digital gardening is the response to the professional personal blog;
|
||||
it's both intimate and public, weird and welcoming. It's less
|
||||
performative than a blog, but more intentional and thoughtful than a
|
||||
Twitter feed. It wants to build personal knowledge over time, rather
|
||||
than engage in banter and quippy conversations.
|
||||
|
||||
Think of it as a spectrum. Things we dump into private WhatsApp group
|
||||
chats, DMs, and cavalier Tweet threads are part of our chaos streams -
|
||||
a continuous flow of high noise / low signal ideas. On the other end we
|
||||
have highly performative and cultivated artefacts like published books
|
||||
that you prune and tend for years.
|
||||
|
||||
Gardening sits in the middle. It's the perfect balance of chaos and
|
||||
cultivation.
|
||||
|
||||
This ethos of imperfection opens up a world of possibility that
|
||||
performative blogging shut down. First, it enables you to ; the
|
||||
practice of sharing what you learn as you're learning it, not a decade
|
||||
later once you're an "expert.”
|
||||
|
||||
This freedom of course comes with great responsibility. Publishing
|
||||
imperfect and early ideas requires that we make the status of our notes
|
||||
clear to readers. You should include some indicator of how "done” they
|
||||
are, and how much effort you've invested in them.
|
||||
|
||||
This could be with a simple categorisation system. I personally use an
|
||||
overly horticultural metaphor:
|
||||
* 🌱 Seedlings for very rough and early ideas
|
||||
* 🌿 Budding for work I've cleaned up and clarified
|
||||
* 🌳 Evergreen for work that is reasonably complete (though I still
|
||||
tend these over time).
|
||||
|
||||
I also include the dates I planted and last tended a post so people get
|
||||
a sense of how long I've been growing it.
|
||||
|
||||
Other gardeners include an epistemic status on their posts – a short
|
||||
statement that makes clear how they know what they know, and how much
|
||||
time they've invested in researching it.
|
||||
|
||||
was one of the earliest and most consistent gardeners to offer
|
||||
meta-reflections on their work. Each entry comes with:
|
||||
* topic tags
|
||||
* start and end date
|
||||
* a stage tag: draft, in progress, or finished
|
||||
* a certainty tag: impossible, unlikely, certain, etc.
|
||||
* 1-10 importance tag
|
||||
|
||||
These are all explained in their , which is worth reading if you're
|
||||
designing your own epistemological system.
|
||||
|
||||
Devon Zuegal is another notable gardener who has epistemic status and
|
||||
epistemic effort on their posts, indicating both their certainty level
|
||||
about the material, and how much effort went into making it. They also
|
||||
make a strong case for as a feature, not a bug.
|
||||
|
||||
In a similar vein, Shawn Wang has written the Digital Gardening which I
|
||||
adore and ascribe to. They ask the reader to allow the writer to be
|
||||
wrong, offer constructive criticism, and attribute their work. They ask
|
||||
gardeners to be considerate of others (don't share private information
|
||||
or name and shame), offer epistemic disclosure, and respond to
|
||||
feedback.
|
||||
The digital gardening terms of service – Source: Shawn Wang, swyx.io
|
||||
|
||||
All of these design patterns feed our growing desire for transparency,
|
||||
meta information, and breadcrumbs back to the source of ideas.
|
||||
|
||||
4. Playful, Personal, and Experimental
|
||||
|
||||
Gardens are non-homogenous by nature. You can plant the same seeds as
|
||||
your neighbour, but you'll always end up with a different arrangement
|
||||
of plants.
|
||||
|
||||
Digital gardens should be just as unique and particular as their
|
||||
vegetative counterparts. The point of a garden is that it's a personal
|
||||
playspace. You organise the garden around the ideas and mediums that
|
||||
match your way of thinking, rather than off someone else's standardised
|
||||
template.
|
||||
|
||||
Ideally, this involves experimenting with the native languages of the
|
||||
web – HTML, CSS, and JavaScript. They're the most flexible and robust
|
||||
tools we have for building interconnected knowledge online. Gardens are
|
||||
a chance to question the established norms of a 'personal website', and
|
||||
make space for weirder, wilder experiments.
|
||||
|
||||
That said, I should acknowledge that jumping into full-on web
|
||||
development is simply beyond the abilities and interests of many
|
||||
people. There is still room for personalisation and play if you're
|
||||
using a pre-made template or service – it'll just be within the
|
||||
constraints of that system.
|
||||
|
||||
One goal of these hyper-personalised gardens is deep contextualisation.
|
||||
The overwhelming lesson of the Web 2.0 social media age is that dumping
|
||||
millions of people together into decontextualised social spaces is a
|
||||
shit show. Devoid of any established social norms and abstracted from
|
||||
our specific cultural identities, we end up in awkward, aggravating
|
||||
exchanges with people who are socially incoherent to us. We know
|
||||
nothing of their lives, backgrounds, or belief systems, and have to
|
||||
assume the worst. Twitter only offers us a 240 character bio. Facebook
|
||||
pre-selects the categories it deems important about you – relationship
|
||||
status, gender, hometown.
|
||||
|
||||
Gardens offer us the ability to present ourselves in forms that aren't
|
||||
cookie cutter profiles. They're the higher-fidelity version, complete
|
||||
with quirks, contradictions, and complexity.
|
||||
|
||||
5. Intercropping & Content Diversity
|
||||
|
||||
Gardens are not just a collection of interlinked words. While linear
|
||||
writing is an incredible medium that has served us well for a little
|
||||
over 5000 years, it is daft to pretend working in a single medium is a
|
||||
sufficient way to explore complex ideas.
|
||||
|
||||
It is also absurd to ignore the fact we're living in an audio-visual
|
||||
cornucopia that the web makes possible. Podcasts, videos, diagrams,
|
||||
illustrations, interactive web animations, academic papers, tweets,
|
||||
rough sketches, and code snippets should all live and grow in the
|
||||
garden.
|
||||
[intercropping-garden_shrink_mx6nx8.png]
|
||||
|
||||
Historically, monocropping has been the quickest route to starvation,
|
||||
pests, and famine. Don't be a lumper potato farmer while everyone else
|
||||
is sustainably intercropping.
|
||||
|
||||
6. Independent Ownership
|
||||
|
||||
Gardening is about claiming a small patch of the web for yourself, one
|
||||
you fully own and control.
|
||||
|
||||
This patch should not live on the servers of Facebook, LinkedIn,
|
||||
Twitter, Instagram (aka. also Facebook), or Medium. None of these
|
||||
platforms are designed to help you slowly build and weave personal
|
||||
knowledge. Most of them actively fight against it.
|
||||
|
||||
If any of those services go under, your writing and creations sink with
|
||||
it (crazier things have happened in the span of humanity). None of them
|
||||
have an easy export button. And they certainly won't hand you your data
|
||||
in a transferable format.
|
||||
A set of walled gardens with the Twitter, Medium, and Facebook logos
|
||||
next to an open garden built on HTML, CSS, and Markdown
|
||||
|
||||
Independently owning your garden helps you plan for long-term change.
|
||||
You should think about how you want your space to grow over the next
|
||||
few decades, not just the next few months.
|
||||
|
||||
If you give it a bit of forethought, you can build your garden in a way
|
||||
that makes it easy to transfer and adapt. Platforms and technologies
|
||||
will inevitably change. Using old-school, reliable, and widely used web
|
||||
native formats like HTML/CSS is a safe bet. Backing up your notes as
|
||||
flat markdown files won't hurt either.
|
||||
|
||||
Keeping your garden on the open web also sets you up to take part in
|
||||
the future of gardening. At the moment our gardens are rather solo
|
||||
affairs. We haven't figure out how to make them multi-player. But
|
||||
there's an enthusiastic community of developers and designers trying to
|
||||
fix that. It's hard to say what kind of libraries, frameworks, and
|
||||
design patterns might emerge out of that effort, but it certainly isn't
|
||||
going to happen behind a Medium paywall.
|
||||
A set of gardens with plant life moving between them
|
||||
__________________________________________________________________
|
||||
|
||||
This is all my take on gardening, but knowledge and neologisms always
|
||||
live within communities. No one owns The Official Definition of digital
|
||||
gardening. Numerous people have contributed to the growing conversation
|
||||
and you should read their thoughts as well.
|
||||
|
||||
Want to share? (BUTTON) Tell Twitter About It
|
||||
|
||||
8 Backlinks
|
||||
|
||||
The Expanding Dark Forest and Generative AI
|
||||
|
||||
Proving you're a human on a web flooded with generative AI content
|
||||
|
||||
A Short History of Bi-Directional Links
|
||||
|
||||
Seventy years ago we dreamed up links that would allow us to create
|
||||
two-way, contextual conversations. Why don't we use them on the web?
|
||||
|
||||
Digital Gardening for Non-Technical Folks
|
||||
|
||||
How to build a digital garden without touching code
|
||||
|
||||
Transclusion and Transcopyright Dreams
|
||||
|
||||
The lost permissioning and copyright system of the Web
|
||||
|
||||
The Pattern Language of Project Xanadu
|
||||
|
||||
Project Xanadu as a pattern language, rather than a failed software
|
||||
project
|
||||
|
||||
Growing the Evergreens
|
||||
|
||||
Illustrated notes on the concept of 'Evergreen notes' and how to write
|
||||
them
|
||||
|
||||
A Meta-Tour of This Site
|
||||
|
||||
A video tour through how I build the old version of this site
|
||||
|
||||
Tending Evergreen Notes in Roam Research
|
||||
|
||||
A walkthrough of how I manage and tend Evergreen notes in Roam
|
||||
|
||||
Mentions around the web
|
||||
|
||||
subterraneanwebZ
|
||||
a new hope
|
||||
with-heart
|
||||
Winson Tang
|
||||
Hacker News
|
||||
Abra Tusz
|
||||
King | "OG" Zettelkasten 🧠 2nd Brain 🚢
|
||||
HN Front Page
|
||||
⎯ΘωΘ⟶
|
||||
lqdev
|
||||
Evgeny Kuznetsov
|
||||
Brad
|
||||
Brad
|
||||
Chris Aldrich
|
||||
DixOnGE
|
||||
talyssa
|
||||
Chris Krycho
|
||||
márcio moreira
|
||||
84 Likes and Retweets
|
||||
[44]wildrye.commentionedMarch 10, 2023
|
||||
Image by Pallangor, How to Make a Beautiful Minecraft GardenGarden of
|
||||
Infinite Possibilities Jorge Luis Borges’ story the “Garden of Forking
|
||||
Paths” is set in an elaborate garden, but the real garden is a book
|
||||
that is structured in such a way as to allow infinite possibilities.
|
||||
[45]wildrye.commentionedMarch 09, 2023
|
||||
Mike Caufield talks about his collection of notes in his wiki and how
|
||||
they work together as a rich network of ideas. Part of his method is to
|
||||
very carefully describe the relationship between two ideas when he
|
||||
builds his links. These descriptions become ideas in their own right.
|
||||
[46]Cristinamentionedin What the heck is a digital garden?March 04,
|
||||
2023
|
||||
Digital gardens are a relatively new concept that are gaining
|
||||
popularity online. They are often described as a cross between a blog
|
||||
and a personal wiki. At its core, a digital garden is a place for
|
||||
someone to share their thoughts, ideas, and learning experiences in a
|
||||
more casual
|
||||
Whatdefang
|
||||
[47]WhatdefangmentionedFebruary 28, 2023
|
||||
Naming is a political act as much as a poetic one.
|
||||
(BUTTON) Show 33 more
|
||||
|
||||
Want to stay up to date?
|
||||
|
||||
(BUTTON) Subscribe via RSS Feed
|
||||
© 2023 Maggie Appleton
|
||||
* [48]The Garden
|
||||
* [49]Essays
|
||||
* [50]About
|
||||
* [51]Notes
|
||||
* [52]Now
|
||||
* [53]Patterns
|
||||
* [54]Library
|
||||
* [55]Projects
|
||||
* [56]Colophon
|
||||
|
||||
References
|
||||
|
||||
Visible links:
|
||||
1. https://maggieappleton.com/rss.xml
|
||||
2. https://maggieappleton.com/
|
||||
3. https://maggieappleton.com/now
|
||||
4. https://maggieappleton.com/about
|
||||
5. https://maggieappleton.com/topics/digital-gardening
|
||||
6. https://maggieappleton.com/topics/personal-knowledge
|
||||
7. https://maggieappleton.com/topics/the-web
|
||||
8. https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens
|
||||
9. https://maggieappleton.com/garden-history#the-early-gardens-of-hypertext
|
||||
10. https://maggieappleton.com/garden-history#digital-puttering-on-twitter
|
||||
11. https://maggieappleton.com/garden-history#gardens-streams-and-caufield's-metaphors
|
||||
12. https://maggieappleton.com/garden-history#carrying-on-caufield
|
||||
13. https://maggieappleton.com/garden-history#digital-gardening's-fertile-soil
|
||||
14. https://maggieappleton.com/garden-history#developer-led-gardening
|
||||
15. https://maggieappleton.com/garden-history#the-six-patterns-of-gardening
|
||||
16. https://maggieappleton.com/garden-history#1-topography-over-timelines
|
||||
17. https://maggieappleton.com/garden-history#2-continuous-growth
|
||||
18. https://maggieappleton.com/garden-history#3-imperfection-&-learning-in-public
|
||||
19. https://maggieappleton.com/garden-history#4-playful-personal-and-experimental
|
||||
20. https://maggieappleton.com/garden-history#5-intercropping-&-content-diversity
|
||||
21. https://maggieappleton.com/garden-history#6-independent-ownership
|
||||
22. https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens
|
||||
23. https://maggieappleton.com/garden-history#the-early-gardens-of-hypertext
|
||||
24. https://maggieappleton.com/garden-history#digital-puttering-on-twitter
|
||||
25. https://maggieappleton.com/garden-history#gardens-streams-and-caufield's-metaphors
|
||||
26. https://maggieappleton.com/garden-history#carrying-on-caufield
|
||||
27. https://maggieappleton.com/garden-history#digital-gardening's-fertile-soil
|
||||
28. https://maggieappleton.com/garden-history#developer-led-gardening
|
||||
29. https://maggieappleton.com/garden-history#the-six-patterns-of-gardening
|
||||
30. https://maggieappleton.com/garden-history#1-topography-over-timelines
|
||||
31. https://maggieappleton.com/garden-history#2-continuous-growth
|
||||
32. https://maggieappleton.com/garden-history#3-imperfection-&-learning-in-public
|
||||
33. https://maggieappleton.com/garden-history#4-playful-personal-and-experimental
|
||||
34. https://maggieappleton.com/garden-history#5-intercropping-&-content-diversity
|
||||
35. https://maggieappleton.com/garden-history#6-independent-ownership
|
||||
36. https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens
|
||||
37. https://maggieappleton.com/neologisms
|
||||
38. https://maggieappleton.com/cozy-web
|
||||
39. https://maggieappleton.com/nontechnical-gardening
|
||||
40. https://maggieappleton.com/bidirectionals
|
||||
41. https://maggieappleton.com/garden-history#the-six-patterns-of-gardening
|
||||
42. https://maggieappleton.com/pattern-languages
|
||||
43. https://maggieappleton.com/bidirectionals
|
||||
44. https://wildrye.com/what-is-a-digital-garden/
|
||||
45. https://wildrye.com/the-digital-garden-as-an-experience-generator/
|
||||
46. https://embersonthehearth.com/2023/03/04/what-the-heck-is-a-digital-garden/
|
||||
47. https://twitter.com/whatdefang/status/1630464510740815872
|
||||
48. https://maggieappleton.com/garden
|
||||
49. https://maggieappleton.com/essays
|
||||
50. https://maggieappleton.com/about
|
||||
51. https://maggieappleton.com/notes
|
||||
52. https://maggieappleton.com/now
|
||||
53. https://maggieappleton.com/patterns
|
||||
54. https://maggieappleton.com/library
|
||||
55. https://maggieappleton.com/projects
|
||||
56. https://maggieappleton.com/colophon
|
||||
|
||||
Hidden links:
|
||||
58. https://github.com/MaggieAppleton
|
||||
59. https://uk.linkedin.com/in/maggieappleton
|
||||
60. https://dribbble.com/mappleton
|
||||
61. https://twitter.com/Mappletons
|
||||
62. https://indieweb.social/@maggie
|
||||
Reference in New Issue
Block a user