Finish July dispatch
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[1]kyle kukshtel
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[2]About [3]Projects [4]Blog [5]Inspiration [6]Archives [7]RSS [8]Search
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Cultivating A Space For The Doing
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An average Tuesday begets strangely connected threads
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May 16, 2023
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Tagged: [9]Art [10]Practice
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Francis Bacon. Painting. 1946 | MoMA
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Creative Meditation
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Apropos of nothing I found myself circling the painter Francis Bacon today in
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more ways than one. It started a bit with [11]discovering this piece on him:
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What would have happened to Bacon’s career had he been subscribed to nine
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podcasts? Had he been posting his work to Instagram, and Facebook, and
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Twitter? Pressure would have leaked from the pressure cooker and the
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violence of his work would have dissipated. We can debate how much the
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violence would dissipate, but I’m utterly convinced that it would have to
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dissipate—other things equal.
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I’ve been working slowly in the background on what’s next after Cantata so the
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notion of “sharing process” has been on my mind as a marketing technique. When
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to start? How to start? Should I show stuff?
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But this acted as a pit of a nice pill to swallow, this idea of sort of
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cultivating your pressure cooker of ideas. In Bacon’s case it was his studio
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(also some funny parallels here to my own online identity), but as someone that
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has a full family now and no ability to just hide in darkness for hours, I’m
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thinking a lot about the ways of making what’s next and how to cultivate that
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sense of space around me.
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I remember some really great photos from [12]Might & Delight’s studio:
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img
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img
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img
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It then seems obvious that the games they make look like this:
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Picture of a small village during night
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Picture of a bridge surrounded by trees with green leaves
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And not like
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Netflix’s Gears of War will shoot for The Last of Us’s video game TV adaptation
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crown | British GQ
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The Witcher 3: Wild Hunt is like an open-world, playable Game of Thrones | The
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Verge
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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This isn’t meant to be some mediation on interior design, but just sort of
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musing on both the psychogeography of where [13]the doing is actually done, but
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that there is also a permeating sense of the creation (some may call this The
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Vibe) that also needs to be cultivated as it shares the space between your mind
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and where work is actually done. Cue [14]Bacon again:
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Engineer for yourself the smallest possible environment, concentrated as
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densely as possible with only the highest quality inputs; explicitly
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re-route all potential distraction-avenues back to one’s chosen craft, such
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that even when you’re momentarily doing something else you cannot escape
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the focus of your craft.
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It’s almost a bit like making yourself a conduit for the work, and that it can
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flow free into and out of you. That it can feel safe moving between those
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spaces. Gentle thoughts will dissipate in loud spaces, just as loud thoughts
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may vanish in quiet ones. Bacon’s art very much tuned to his studio:
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The clothes in Francis Bacon’s paintings are as fascinating as the subjects |
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British GQ
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Studio | Francis Bacon
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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The morning’s HN browse [15]then put this article on my radar (“Artists must be
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allowed to make bad work”), which contains some video interviews of Bacon I
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started watching but then realized I needed to get a lot of work done and would
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have to postpone. Their own quote though is relevant to the “pressure cooker”
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idea from above:
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There is a tendency in our society to be wedded to the new, to be wedded to
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the excitement of novelty. I think at the present moment that there’s a
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tendency — which I think we’ve got from America, and which I think is a bad
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tendency, to measure every artist by his last exhibition. “So and so’s no
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good, look at his last show!” The fact that he had five previous shows,
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which were very good, doesn’t seem to matter. It gets forgotten too
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quickly. And somehow the snap judgement on what one has just done, this
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kind of pressure it puts on is very dangerous, because artists must be
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allowed to go through bad periods
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Again this sense of cultivation but also resiliency, that the practice and
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doing (thanks Jay!) needs to be more about sustainability and craft instead of
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practice-as-art.
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I remember reading or hearing something recently about someone that was very
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anti studio-tours from similarly articulated reasons. They sort of feel good in
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the moment but are a distraction and start to produce weird forces onto the
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space itself. From the earlier article:
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Bring in nothing but the finest inputs, and focus every possible
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attentional pathway back into the work at hand.
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Studio visits are bad inputs. Social media validation is a bad input.
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To quote the perpetually-inconvenient [16]adn:
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Game Quality is all that matters
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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From here we take then a final trip to our Bacon rodeo with a recent episode of
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the 301 Permanently Moved: [17]Embrace Cadence, Find Rhythm. Again, very weird
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that this whole sort of thought circle happened in the span of a few hours,
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without me proactively following up on any of it. Just a few different
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independent browse-seshes that resulted in parallel thoughts.
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Now [the artist plants] a garden.
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For it is there the work can flourish on home soil. Let their creations
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grow roots in persistent mediums. Deep soil of blogs and web domains. The
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artist can plant seeds here and watch them flourish. It is from this garden
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sheltered from virtual storms that the artist can do the work that
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transcends popular concern.
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Do not let the garden be overrun by weeds, The needs of retweets, likes and
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follows are unhelpful allies. Resist the siren’s call of engagement from
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beyond the sea. Pursue authenticity. Know thyself; for in the depths of
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you, the purest art is born.
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The work at first may flourish. Bear generous fruit, enjoyed by both the
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artist and the audience. But beware, however long or brief the blooming, it
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will lose its lustre. Guests will leave and once again the artist will find
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themselves all alone. They must return to work, sowing and pruning, finding
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fulfilment in the doing.
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Do not tolerate visitors seeking to grade and critique, for in ones own
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garden there is never best in show.
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Happy Tuesday everyone!
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Published on May 16, 2023.
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Tagged: [18]Art [19]Practice
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[20]
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subscribe to my newsletter
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References:
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[1] https://kylekukshtel.com/
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[2] https://kylekukshtel.com/about
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[3] https://kylekukshtel.com/projects
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[4] https://kylekukshtel.com/blog
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[5] https://kylekukshtel.com/inspiration
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[6] https://kylekukshtel.com/archives
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[7] https://kylekukshtel.com/feed.rss
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[8] https://kylekukshtel.com/search
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[9] https://kylekukshtel.com/tagged/art
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[10] https://kylekukshtel.com/tagged/practice
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[11] https://www.otherlife.co/francisbacon/
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[12] https://www.mightanddelight.com/
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[13] https://www.thejaymo.net/2022/10/15/301-2237-the-doing/
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[14] https://www.otherlife.co/francisbacon/
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[15] https://austinkleon.com/2023/05/07/artists-must-be-allowed-to-make-bad-work/
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[16] https://a327ex.com/posts/game_quality
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[17] https://www.thejaymo.net/2023/04/30/301-2315-embrace-cadence-find-rhythm/
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[18] https://kylekukshtel.com/tagged/art
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[19] https://kylekukshtel.com/tagged/practice
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[20] https://buttondown.email/kylekukshtel
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