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#[1]alternate
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[1]
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* [2]Now
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* [3]Giving
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* [4]Offsets
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* [5]About Me
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• [2]Now
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• [3]Giving
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• [4]Offsets
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• [5]About Me
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Some Favorite Reads From 2022
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January 15, 2023
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January 15, 2023
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Another year, and another [6]blog post (singular). Oh well. I always
|
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have aspirations to publish more! But you know, one of the joys of
|
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being semi-retired is not having to do anything. You know, it’s been a
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hard few years. So I tried to take it easy on myself in 2022. I spent a
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lot of time exploring, a lot of time reflecting, and a good bit of time
|
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just doing whatever felt right at the time.
|
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Another year, and another [6]blog post (singular). Oh well. I always have
|
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aspirations to publish more! But you know, one of the joys of being
|
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semi-retired is not having to do anything. You know, it’s been a hard few
|
||||
years. So I tried to take it easy on myself in 2022. I spent a lot of time
|
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exploring, a lot of time reflecting, and a good bit of time just doing whatever
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felt right at the time.
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For example, going on a road trip with my mountain bike
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For example, going on a road trip with my mountain bike
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Recently I’ve been reflecting on some of my favorite things from last
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year. Maybe as a way to focus on the positive. Maybe as a way to keep
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track of time in our time sick world. Maybe just to get back into the
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habit of writing. So here’s some of my favorite reads of 2022.
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__________________________________________________________________
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Recently I’ve been reflecting on some of my favorite things from last year.
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Maybe as a way to focus on the positive. Maybe as a way to keep track of time
|
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in our time sick world. Maybe just to get back into the habit of writing. So
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here’s some of my favorite reads of 2022.
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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Books
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I really enjoy reading, but this year I kind of gave myself a pass on
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anything too serious — mostly sticking to my trusty home base
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of science fiction.
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* [7][this-is-how-you-lose-the-time-war.jpg]
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I really enjoy reading, but this year I kind of gave myself a pass on anything
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too serious — mostly sticking to my trusty home base of science fiction.
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This is How You Lose The Time War
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* [8][rendevous-with-rama.jpg]
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• [7] [this-is-ho]
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Rendevous with Rama
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* [9][elder-race.jpg]
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This is How You Lose The Time War
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Elder Race
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* [10][artifact-space.jpg]
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• [8] [rendevous-]
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Artifact Space
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Rendevous with Rama
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• [9] [elder-race]
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Elder Race
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• [10] [artifact-s]
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Artifact Space
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Amal El-Mohtar and Max Gladstone’s [11]This is How You Lose the Time War
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From the publisher:
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From the publisher:
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Among the ashes of a dying world, an agent of the Commandment finds
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a letter. It reads: Burn before reading.
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Among the ashes of a dying world, an agent of the Commandment finds a
|
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letter. It reads: Burn before reading.
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|
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Thus begins an unlikely correspondence between two rival agents
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hellbent on securing the best possible future for their warring
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factions. Now, what began as a taunt, a battlefield boast, becomes
|
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something more. Something epic. Something romantic. Something that
|
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could change the past and the future.
|
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Thus begins an unlikely correspondence between two rival agents hellbent on
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securing the best possible future for their warring factions. Now, what
|
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began as a taunt, a battlefield boast, becomes something more. Something
|
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epic. Something romantic. Something that could change the past and the
|
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future.
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I fucking loved this book. I started it based on a recommendation from
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a friend, and didn’t really look into it much before I started. This
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book is much less about the plot (which is a play off The End of
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Eternity) and more about the writing and world building. The best way I
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could describe it is a spy story told through love letters in a poetic
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universe.
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I fucking loved this book. I started it based on a recommendation from a
|
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friend, and didn’t really look into it much before I started. This book is much
|
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less about the plot (which is a play off The End of Eternity) and more about
|
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the writing and world building. The best way I could describe it is a spy story
|
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told through love letters in a poetic universe.
|
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|
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Think of birds as a comms channel I can open and close seasonally;
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fellow operatives relate their work to me at the equinoxes; Garden
|
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blooms more brightly in my belly. There’s enough traffic that it’s a
|
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simple matter to disguise incoming and outgoing correspondence,
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misdirect, hide in plain sight.
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Think of birds as a comms channel I can open and close seasonally; fellow
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operatives relate their work to me at the equinoxes; Garden blooms more
|
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brightly in my belly. There’s enough traffic that it’s a simple matter to
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disguise incoming and outgoing correspondence, misdirect, hide in plain
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sight.
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It’s also a short read, which was a nice breath of fresh air after
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finishing off the Dune series prior to picking this one up. I have a
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feeling this is going to be one of my most recommended books going
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forward.
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It’s also a short read, which was a nice breath of fresh air after finishing
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off the Dune series prior to picking this one up. I have a feeling this is
|
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going to be one of my most recommended books going forward.
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Arthur C. Clarke’s [12]Rendevous with Rama
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|
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From the publisher:
|
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From the publisher:
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An enormous cylindrical object has entered Earth’s solar system on a
|
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collision course with the sun. A team of astronauts are sent to
|
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explore the mysterious craft, which the denizens of the solar system
|
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name Rama. What they find is astonishing evidence of a civilization
|
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far more advanced than ours. They find an interior stretching over
|
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fifty kilometers; a forbidding cylindrical sea; mysterious and
|
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inaccessible buildings; and strange machine-animal hybrids, or
|
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“biots,” that inhabit the ship. But what they don’t find is an alien
|
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presence. So who–and where–are the Ramans?
|
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An enormous cylindrical object has entered Earth’s solar system on a
|
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collision course with the sun. A team of astronauts are sent to explore the
|
||||
mysterious craft, which the denizens of the solar system name Rama. What
|
||||
they find is astonishing evidence of a civilization far more advanced than
|
||||
ours. They find an interior stretching over fifty kilometers; a forbidding
|
||||
cylindrical sea; mysterious and inaccessible buildings; and strange
|
||||
machine-animal hybrids, or “biots,” that inhabit the ship. But what they
|
||||
don’t find is an alien presence. So who–and where–are the Ramans?
|
||||
|
||||
I’d never read the Rama books before, so when I heard that Denis
|
||||
Villeneuve was going to be [13]tackling Rendevous with Rama, I took the
|
||||
opportunity to read the whole series (Rendevous with Rama, Rama II, The
|
||||
Garden of Rama, and Rama Revealed).
|
||||
I’d never read the Rama books before, so when I heard that Denis Villeneuve was
|
||||
going to be [13]tackling Rendevous with Rama, I took the opportunity to read
|
||||
the whole series (Rendevous with Rama, Rama II, The Garden of Rama, and Rama
|
||||
Revealed).
|
||||
|
||||
Rendevous with Rama is a fantastically Clarke book. A team of highly
|
||||
trained professionals all work together to explore a mysterious object
|
||||
in space. Does much more need to be said? This book went down like a
|
||||
peanut butter and jelly sandwich. My only criticism is that it left me
|
||||
wanting for was more.
|
||||
Rendevous with Rama is a fantastically Clarke book. A team of highly trained
|
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professionals all work together to explore a mysterious object in space. Does
|
||||
much more need to be said? This book went down like a peanut butter and jelly
|
||||
sandwich. My only criticism is that it left me wanting for was more.
|
||||
|
||||
Rama is a cosmic egg, being warmed by the fires of the Sun. It may
|
||||
hatch at any moment.
|
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Rama is a cosmic egg, being warmed by the fires of the Sun. It may hatch at
|
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any moment.
|
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|
||||
And unfortunately, there is more.
|
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And unfortunately, there is more.
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|
||||
Clarke teamed up with Gentry Lee to write three more novels — Rama II,
|
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The Garden of Rama, and Rama Revealed and I all I can say is: I do not
|
||||
recommend them. They are upsetting in very odd child-bride wedding
|
||||
night kinds of ways.
|
||||
Clarke teamed up with Gentry Lee to write three more novels — Rama II, The
|
||||
Garden of Rama, and Rama Revealed and I all I can say is: I do not recommend
|
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them. They are upsetting in very odd child-bride wedding night kinds of ways.
|
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|
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Adrian Tchaikovsky’s [14]Elder Race
|
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|
||||
From the publisher:
|
||||
From the publisher:
|
||||
|
||||
A junior anthropologist on a distant planet must help the locals he
|
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has sworn to study to save a planet from an unbeatable foe.
|
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A junior anthropologist on a distant planet must help the locals he has
|
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sworn to study to save a planet from an unbeatable foe.
|
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|
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I loved Tchaikovsky’s Children of Time, so when I heard Jason Snell
|
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offer up Elder Race on The Incomperable, I decided to give it a go. I
|
||||
absolutely love the premise of this book. It’s a singular story told
|
||||
from two different viewpoints, one of them science fiction, and the
|
||||
other fantasy — both happening in parallel — because the two main
|
||||
characters don’t share enough dialect to explain themselves to each
|
||||
other.
|
||||
I loved Tchaikovsky’s Children of Time, so when I heard Jason Snell offer up
|
||||
Elder Race on The Incomperable, I decided to give it a go. I absolutely love
|
||||
the premise of this book. It’s a singular story told from two different
|
||||
viewpoints, one of them science fiction, and the other fantasy — both happening
|
||||
in parallel — because the two main characters don’t share enough dialect to
|
||||
explain themselves to each other.
|
||||
|
||||
They think I’m a wizard. They think I’m a fucking wizard. That’s
|
||||
what I am to them, some weird goblin man from another time with
|
||||
magic powers. And I literally do not have the language to tell them
|
||||
otherwise. I say, “scientist,” “scholar,” but when I speak to them,
|
||||
in their language, these are both cognates for “wizard.” I imagine
|
||||
myself standing there speaking to Lyn and saying, “I’m not a wizard;
|
||||
I’m a wizard, or at best a wizard.” It’s not funny.
|
||||
They think I’m a wizard. They think I’m a fucking wizard. That’s what I am
|
||||
to them, some weird goblin man from another time with magic powers. And I
|
||||
literally do not have the language to tell them otherwise. I say,
|
||||
“scientist,” “scholar,” but when I speak to them, in their language, these
|
||||
are both cognates for “wizard.” I imagine myself standing there speaking to
|
||||
Lyn and saying, “I’m not a wizard; I’m a wizard, or at best a wizard.” It’s
|
||||
not funny.
|
||||
|
||||
And who doesn’t love an old, cranky wizard anthropologist?
|
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And who doesn’t love an old, cranky wizard anthropologist?
|
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|
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Miles Cameron’s [15]Artifact Space
|
||||
|
||||
From the publisher:
|
||||
From the publisher:
|
||||
|
||||
Out in the darkness of space, something is targeting the Greatships.
|
||||
Out in the darkness of space, something is targeting the Greatships.
|
||||
|
||||
With their vast cargo holds and a crew that could fill a city, the
|
||||
Greatships are the lifeblood of human occupied space, transporting
|
||||
an unimaginable volume - and value - of goods from City, the
|
||||
greatest human orbital, all the way to Tradepoint at the other, to
|
||||
trade for xenoglas with an unknowable alien species.
|
||||
With their vast cargo holds and a crew that could fill a city, the
|
||||
Greatships are the lifeblood of human occupied space, transporting an
|
||||
unimaginable volume - and value - of goods from City, the greatest human
|
||||
orbital, all the way to Tradepoint at the other, to trade for xenoglas with
|
||||
an unknowable alien species.
|
||||
|
||||
This was another recommendation from a friend, and I’m glad I picked it
|
||||
up. At it’s core, it’s about highly competent people all working
|
||||
together, pushing their limits, and achieving success. It’s the kind of
|
||||
genre someone once described to me as competency porn — Star Trek: The
|
||||
Next Generation being the ultimate example.
|
||||
This was another recommendation from a friend, and I’m glad I picked it up. At
|
||||
it’s core, it’s about highly competent people all working together, pushing
|
||||
their limits, and achieving success. It’s the kind of genre someone once
|
||||
described to me as competency porn — Star Trek: The Next Generation being the
|
||||
ultimate example.
|
||||
|
||||
There was very little drama in Space Operations. In fact, every
|
||||
station projected an elaborate aura of calm, as if they were
|
||||
competing to be dry and emotionless. No one swore, no one spat, no
|
||||
one was angry or afraid. Nbaro loved it.
|
||||
There was very little drama in Space Operations. In fact, every station
|
||||
projected an elaborate aura of calm, as if they were competing to be dry
|
||||
and emotionless. No one swore, no one spat, no one was angry or afraid.
|
||||
Nbaro loved it.
|
||||
|
||||
This book pulls from a lot of familiar ideas — the Greatships are an
|
||||
obvious call back to Battlestars, while a lot of the socialist themes
|
||||
call back to Star Trek’s economy. My biggest criticism of this book is
|
||||
the maddening way Cameron switches back and forth between using
|
||||
character’s first and last names — even within the same scene! It makes
|
||||
it incredibly difficult to keep track of who is who with such a large
|
||||
cast, and toward the end I caught myself not even remembering who a
|
||||
certain person was.
|
||||
This book pulls from a lot of familiar ideas — the Greatships are an obvious
|
||||
call back to Battlestars, while a lot of the socialist themes call back to Star
|
||||
Trek’s economy. My biggest criticism of this book is the maddening way Cameron
|
||||
switches back and forth between using character’s first and last names — even
|
||||
within the same scene! It makes it incredibly difficult to keep track of who is
|
||||
who with such a large cast, and toward the end I caught myself not even
|
||||
remembering who a certain person was.
|
||||
|
||||
Dennis E. Taylor’s [16]Heaven’s River (Audiobook)
|
||||
|
||||
From the publisher:
|
||||
From the publisher:
|
||||
|
||||
More than a hundred years ago, Bender set out for the stars and was
|
||||
never heard from again. There has been no trace of him despite
|
||||
numerous searches by his clone-mates. Now Bob is determined to
|
||||
organize an expedition to learn Bender’s fate—whatever the cost.
|
||||
More than a hundred years ago, Bender set out for the stars and was never
|
||||
heard from again. There has been no trace of him despite numerous searches
|
||||
by his clone-mates. Now Bob is determined to organize an expedition to
|
||||
learn Bender’s fate—whatever the cost.
|
||||
|
||||
The Bobiverse is probably my favorite audiobook series of all time.
|
||||
It’s all a part of a grand space opera spanning the galaxy… but also
|
||||
pretty sarcastic and silly? Ray Porter does an amazing job of narrating
|
||||
these books, and is a large part of why I enjoy them so much.
|
||||
The Bobiverse is probably my favorite audiobook series of all time. It’s all a
|
||||
part of a grand space opera spanning the galaxy… but also pretty sarcastic and
|
||||
silly? Ray Porter does an amazing job of narrating these books, and is a large
|
||||
part of why I enjoy them so much.
|
||||
|
||||
Heaven’s River finds a way to pull the series back from the infinite
|
||||
and focuses back down on a single planet for a great little beaver
|
||||
adventure.
|
||||
Heaven’s River finds a way to pull the series back from the infinite and
|
||||
focuses back down on a single planet for a great little beaver adventure.
|
||||
|
||||
Well, space beavers.
|
||||
__________________________________________________________________
|
||||
Well, space beavers.
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
Even More Books
|
||||
|
||||
Neal Stephenson’s [17]Termination Shock: Okay, I actually like
|
||||
Stephenson, and this is a very good book about the inevitable future of
|
||||
Geoengineering and it’s political consequences. Coupled with a very
|
||||
weird Queen fetish. It’s weird. Weird enough to take away from the
|
||||
story line. But if the climate angle of the book interests you — I
|
||||
highly recommend [18]After Geoengineering as a follow-up.
|
||||
Neal Stephenson’s [17]Termination Shock: Okay, I actually like Stephenson, and
|
||||
this is a very good book about the inevitable future of Geoengineering and it’s
|
||||
political consequences. Coupled with a very weird Queen fetish. It’s weird.
|
||||
Weird enough to take away from the story line. But if the climate angle of the
|
||||
book interests you — I highly recommend [18]After Geoengineering as a
|
||||
follow-up.
|
||||
|
||||
Baoshu’s [19]The Redemption of Time: A semi-official 4th book of the
|
||||
Three Body Problem. This is a great continuation of the series, and a
|
||||
good way to answer some lingering questions about the Trisolarians.
|
||||
Baoshu’s [19]The Redemption of Time: A semi-official 4th book of the Three Body
|
||||
Problem. This is a great continuation of the series, and a good way to answer
|
||||
some lingering questions about the Trisolarians.
|
||||
|
||||
Frank Herbert’s [20]Heretics of Dune (Dune 5): I was a little shocked
|
||||
at how much I loved this book. I mean, I love Dune. But this one ended
|
||||
up being one of my favorites of the series. Great new characters, new
|
||||
technologies, and a whole new set of powers for the Atreides genetics.
|
||||
Frank Herbert’s [20]Heretics of Dune (Dune 5): I was a little shocked at how
|
||||
much I loved this book. I mean, I love Dune. But this one ended up being one of
|
||||
my favorites of the series. Great new characters, new technologies, and a whole
|
||||
new set of powers for the Atreides genetics.
|
||||
|
||||
Adrian Tchaikovsky’s [21]Children of Time: This was actually a re-read
|
||||
in preparation of reading Children of Ruin and the upcoming Children of
|
||||
Memory. What can I say? It’s one of my favorite science fiction books
|
||||
of all time — even if only for the worldbuilding. Sentient spiders?
|
||||
Sentient spiders!
|
||||
__________________________________________________________________
|
||||
Adrian Tchaikovsky’s [21]Children of Time: This was actually a re-read in
|
||||
preparation of reading Children of Ruin and the upcoming Children of Memory.
|
||||
What can I say? It’s one of my favorite science fiction books of all time —
|
||||
even if only for the worldbuilding. Sentient spiders? Sentient spiders!
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
Newsletters
|
||||
|
||||
Alex Steffen’s [22]The Snap Forward
|
||||
|
||||
From [23]Discontinuity is the Job:
|
||||
From [23]Discontinuity is the Job:
|
||||
|
||||
To be alive right now is to find ourselves flattened against the
|
||||
fact that the entire human world—our cities and infrastructure, our
|
||||
economy and education system, our farms and factories, our laws and
|
||||
politics—was built for a different planet.
|
||||
To be alive right now is to find ourselves flattened against the fact that
|
||||
the entire human world—our cities and infrastructure, our economy and
|
||||
education system, our farms and factories, our laws and politics—was built
|
||||
for a different planet.
|
||||
|
||||
I can’t remember exactly how I stumbled on Alex Steffen’s The Snap
|
||||
Forward but the idea instantly clicked with me. His newsletter focuses
|
||||
on how climate has affected our infrastructure, our society, and our
|
||||
relationship to the world. I love his newsletter because it makes me
|
||||
feel more sane in a world that keeps trying to sell a new carbon offset
|
||||
marketplace as the solution.
|
||||
I can’t remember exactly how I stumbled on Alex Steffen’s The Snap Forward but
|
||||
the idea instantly clicked with me. His newsletter focuses on how climate has
|
||||
affected our infrastructure, our society, and our relationship to the world. I
|
||||
love his newsletter because it makes me feel more sane in a world that keeps
|
||||
trying to sell a new carbon offset marketplace as the solution.
|
||||
|
||||
From [24]Tempo, Timing, and the Translucence of the Future
|
||||
From [24]Tempo, Timing, and the Translucence of the Future
|
||||
|
||||
The tempo of change, and our refusal to acknowledge its
|
||||
acceleration, has turned our visions of continuity, stability and
|
||||
value into fantasy worlds. We’re cosplaying people who live in past
|
||||
decades before discontinuity ate our societies.
|
||||
The tempo of change, and our refusal to acknowledge its acceleration, has
|
||||
turned our visions of continuity, stability and value into fantasy worlds.
|
||||
We’re cosplaying people who live in past decades before discontinuity ate
|
||||
our societies.
|
||||
|
||||
I wouldn’t classify The Snap Forward as doomerism, either. It’s a focus
|
||||
on accepting the world as it is and looking for solutions within that
|
||||
framework. Even if all emissions were cut to zero tomorrow, we’d still
|
||||
be facing a myriad of very challenging futures. What do we do with that
|
||||
knowledge? How do we prepare for the transapocalyptic now?
|
||||
I wouldn’t classify The Snap Forward as doomerism, either. It’s a focus on
|
||||
accepting the world as it is and looking for solutions within that framework.
|
||||
Even if all emissions were cut to zero tomorrow, we’d still be facing a myriad
|
||||
of very challenging futures. What do we do with that knowledge? How do we
|
||||
prepare for the transapocalyptic now?
|
||||
|
||||
Matt Levine’s [25]Money Stuff
|
||||
|
||||
I’ve been reading Money Stuff for a few years now, and I can’t really
|
||||
put my thumb on why I love it so much. Sure, it’s about finance… but
|
||||
kind of the weird stuff in finance. More about the cogs of the
|
||||
machinery and the weird personalities in the news than it is about
|
||||
whether the S&P 500 is going to go up or down next week.
|
||||
I’ve been reading Money Stuff for a few years now, and I can’t really put my
|
||||
thumb on why I love it so much. Sure, it’s about finance… but kind of the weird
|
||||
stuff in finance. More about the cogs of the machinery and the weird
|
||||
personalities in the news than it is about whether the S&P 500 is going to go
|
||||
up or down next week.
|
||||
|
||||
From [26]FTX’s Balance Sheet Was Bad:
|
||||
From [26]FTX’s Balance Sheet Was Bad:
|
||||
|
||||
But then there is the “Hidden, poorly internally labeled ‘fiat@’
|
||||
account,” with a balance of negative $8 billion. I don’t actually
|
||||
think that you’re supposed to subtract that number from net equity —
|
||||
though I do not know how this balance sheet is supposed to work! —
|
||||
but it doesn’t matter. If you try to calculate the equity of a
|
||||
balance sheet with an entry for HIDDEN POORLY INTERNALLY LABELED
|
||||
ACCOUNT, Microsoft Clippy will appear before you in the flesh,
|
||||
bloodshot and staggering, with a knife in his little paper-clip
|
||||
hand, saying “just what do you think you’re doing Dave?” You cannot
|
||||
apply ordinary arithmetic to numbers in a cell labeled “HIDDEN
|
||||
POORLY INTERNALLY LABELED ACCOUNT.” The result of adding or
|
||||
subtracting those numbers with ordinary numbers is not a number; it
|
||||
is prison.
|
||||
But then there is the “Hidden, poorly internally labeled ‘fiat@’ account,”
|
||||
with a balance of negative $8 billion. I don’t actually think that you’re
|
||||
supposed to subtract that number from net equity — though I do not know how
|
||||
this balance sheet is supposed to work! — but it doesn’t matter. If you try
|
||||
to calculate the equity of a balance sheet with an entry for HIDDEN POORLY
|
||||
INTERNALLY LABELED ACCOUNT, Microsoft Clippy will appear before you in the
|
||||
flesh, bloodshot and staggering, with a knife in his little paper-clip
|
||||
hand, saying “just what do you think you’re doing Dave?” You cannot apply
|
||||
ordinary arithmetic to numbers in a cell labeled “HIDDEN POORLY INTERNALLY
|
||||
LABELED ACCOUNT.” The result of adding or subtracting those numbers with
|
||||
ordinary numbers is not a number; it is prison.
|
||||
|
||||
It’s an understatement to say I don’t love finance, but I do enjoy me
|
||||
some Money Stuff.
|
||||
__________________________________________________________________
|
||||
It’s an understatement to say I don’t love finance, but I do enjoy me some
|
||||
Money Stuff.
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
What’s Next?
|
||||
|
||||
I’ve really been enjoying re-visiting some of my favorite authors and
|
||||
finishing off big series I never quite got around to. Last year I
|
||||
finally finished off the whole of Frank Herbert’s Dune (never having
|
||||
read 5 & 6 before), and this year I’m getting the itch to do the same
|
||||
for Foundation. To be frank, I don’t even remember where I ended with
|
||||
that series. But it does feel like a good opportunity to maybe just
|
||||
re-visit the entirety of the Asimov Universe… [27]in chronological
|
||||
order. I’m also getting a terrible itch to revisit a bunch of
|
||||
Vonnegut’s work after watching the excellent [28]Unstuck in Time. But I
|
||||
like new authors too!
|
||||
I’ve really been enjoying re-visiting some of my favorite authors and finishing
|
||||
off big series I never quite got around to. Last year I finally finished off
|
||||
the whole of Frank Herbert’s Dune (never having read 5 & 6 before), and this
|
||||
year I’m getting the itch to do the same for Foundation. To be frank, I don’t
|
||||
even remember where I ended with that series. But it does feel like a good
|
||||
opportunity to maybe just re-visit the entirety of the Asimov Universe… [27]in
|
||||
chronological order. I’m also getting a terrible itch to revisit a bunch of
|
||||
Vonnegut’s work after watching the excellent [28]Unstuck in Time. But I like
|
||||
new authors too!
|
||||
|
||||
I’m also interested in finding more books and newsletters about… I
|
||||
guess you’d call it urban design. Stuff like [29]Strong Towns and other
|
||||
sources of how to adapt our cities into resilient communities. I
|
||||
actually have background in city planning from my Civil Engineering
|
||||
days, but I feel like there’s been a big surge in new thinking that
|
||||
goes farther than the YIMBY/NIMBY noise of the past decade.
|
||||
I’m also interested in finding more books and newsletters about… I guess you’d
|
||||
call it urban design. Stuff like [29]Strong Towns and other sources of how to
|
||||
adapt our cities into resilient communities. I actually have background in city
|
||||
planning from my Civil Engineering days, but I feel like there’s been a big
|
||||
surge in new thinking that goes farther than the YIMBY/NIMBY noise of the past
|
||||
decade.
|
||||
|
||||
Have some recommendations? Hit me up on Mastadon:
|
||||
[30]@kneath@indieweb.social.
|
||||
Have some recommendations? Hit me up on Mastadon: [30]@kneath@indieweb.social.
|
||||
|
||||
Est. 2003 • Do Hard Things • Build. Learn. Explore.
|
||||
Est. 2003 • Do Hard Things • Build. Learn. Explore.
|
||||
|
||||
References
|
||||
|
||||
Visible links:
|
||||
1. http://warpspire.com/feed/
|
||||
2. https://warpspire.com/now
|
||||
3. https://warpspire.com/giving
|
||||
4. https://warpspire.com/offset
|
||||
5. https://warpspire.com/about
|
||||
6. https://warpspire.com/posts/money-pit
|
||||
7. https://bookshop.org/p/books/this-is-how-you-lose-the-time-war-amal-el-mohtar/18270911?aid=13508&ean=9781534430990&gclid=CjwKCAiAy_CcBhBeEiwAcoMRHMYspqPk88ZoP8--CUUbXYfJi5-1npSPEUSq-QroPTijJK-cIC1CAxoCIGsQAvD_BwE&listref=this-is-how-you-lose-the-time-war
|
||||
8. https://bookshop.org/p/books/rendezvous-with-rama-arthur-c-clarke/8296887?ean=9780358380221
|
||||
9. https://bookshop.org/p/books/elder-race-adrian-tchaikovsky/15877279
|
||||
10. https://bookshop.org/p/books/artifact-space-miles-cameron/18367466?ean=9781473232617
|
||||
11. https://bookshop.org/p/books/this-is-how-you-lose-the-time-war-amal-el-mohtar/18270911?aid=13508&ean=9781534430990&gclid=CjwKCAiAy_CcBhBeEiwAcoMRHMYspqPk88ZoP8--CUUbXYfJi5-1npSPEUSq-QroPTijJK-cIC1CAxoCIGsQAvD_BwE&listref=this-is-how-you-lose-the-time-war
|
||||
12. https://bookshop.org/p/books/rendezvous-with-rama-arthur-c-clarke/8296887?ean=9780358380221
|
||||
13. https://www.hollywoodreporter.com/movies/movie-news/denis-villeneuve-rendezvous-with-rama-movie-1235062337/
|
||||
14. https://bookshop.org/p/books/elder-race-adrian-tchaikovsky/15877279
|
||||
15. https://bookshop.org/p/books/artifact-space-miles-cameron/18367466?ean=9781473232617
|
||||
16. https://www.amazon.com/Heavens-River-Bobiverse-Book-4/dp/B088C51F5H/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=
|
||||
17. https://bookshop.org/p/books/termination-shock-neal-stephenson/18272978?ean=9780063028067
|
||||
18. https://bookshop.org/books/after-geoengineering-climate-tragedy-repair-and-restoration/9781788730365
|
||||
19. https://bookshop.org/p/books/the-redemption-of-time-a-three-body-problem-novel-baoshu/6986329?ean=9781250306005
|
||||
20. https://bookshop.org/p/books/heretics-of-dune-frank-herbert/7513860?ean=9780593098264
|
||||
21. https://bookshop.org/p/books/children-of-time-adrian-tchaikovsky/113411?ean=9780316452502
|
||||
22. https://alexsteffen.substack.com/
|
||||
23. https://alexsteffen.substack.com/p/discontinuity-is-the-job
|
||||
24. https://alexsteffen.substack.com/p/tempo-timing-and-the-translucence
|
||||
25. https://www.bloomberg.com/account/newsletters/money-stuff
|
||||
26. https://newsletters.feedbinusercontent.com/818/8185a1196937308adee75e80f544a29a36b34a5f.html
|
||||
27. https://gist.github.com/kneath/27a2772f5e1871e3c314ef05a4cacd44
|
||||
28. https://www.vonnegutmovie.com/
|
||||
29. https://www.strongtowns.org/
|
||||
30. https://indieweb.social/@kneath
|
||||
References:
|
||||
|
||||
Hidden links:
|
||||
32. https://warpspire.com/
|
||||
[1] https://warpspire.com/
|
||||
[2] https://warpspire.com/now
|
||||
[3] https://warpspire.com/giving
|
||||
[4] https://warpspire.com/offset
|
||||
[5] https://warpspire.com/about
|
||||
[6] https://warpspire.com/posts/money-pit
|
||||
[7] https://bookshop.org/p/books/this-is-how-you-lose-the-time-war-amal-el-mohtar/18270911?aid=13508&ean=9781534430990&gclid=CjwKCAiAy_CcBhBeEiwAcoMRHMYspqPk88ZoP8--CUUbXYfJi5-1npSPEUSq-QroPTijJK-cIC1CAxoCIGsQAvD_BwE&listref=this-is-how-you-lose-the-time-war
|
||||
[8] https://bookshop.org/p/books/rendezvous-with-rama-arthur-c-clarke/8296887?ean=9780358380221
|
||||
[9] https://bookshop.org/p/books/elder-race-adrian-tchaikovsky/15877279
|
||||
[10] https://bookshop.org/p/books/artifact-space-miles-cameron/18367466?ean=9781473232617
|
||||
[11] https://bookshop.org/p/books/this-is-how-you-lose-the-time-war-amal-el-mohtar/18270911?aid=13508&ean=9781534430990&gclid=CjwKCAiAy_CcBhBeEiwAcoMRHMYspqPk88ZoP8--CUUbXYfJi5-1npSPEUSq-QroPTijJK-cIC1CAxoCIGsQAvD_BwE&listref=this-is-how-you-lose-the-time-war
|
||||
[12] https://bookshop.org/p/books/rendezvous-with-rama-arthur-c-clarke/8296887?ean=9780358380221
|
||||
[13] https://www.hollywoodreporter.com/movies/movie-news/denis-villeneuve-rendezvous-with-rama-movie-1235062337/
|
||||
[14] https://bookshop.org/p/books/elder-race-adrian-tchaikovsky/15877279
|
||||
[15] https://bookshop.org/p/books/artifact-space-miles-cameron/18367466?ean=9781473232617
|
||||
[16] https://www.amazon.com/Heavens-River-Bobiverse-Book-4/dp/B088C51F5H/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=
|
||||
[17] https://bookshop.org/p/books/termination-shock-neal-stephenson/18272978?ean=9780063028067
|
||||
[18] https://bookshop.org/books/after-geoengineering-climate-tragedy-repair-and-restoration/9781788730365
|
||||
[19] https://bookshop.org/p/books/the-redemption-of-time-a-three-body-problem-novel-baoshu/6986329?ean=9781250306005
|
||||
[20] https://bookshop.org/p/books/heretics-of-dune-frank-herbert/7513860?ean=9780593098264
|
||||
[21] https://bookshop.org/p/books/children-of-time-adrian-tchaikovsky/113411?ean=9780316452502
|
||||
[22] https://alexsteffen.substack.com/
|
||||
[23] https://alexsteffen.substack.com/p/discontinuity-is-the-job
|
||||
[24] https://alexsteffen.substack.com/p/tempo-timing-and-the-translucence
|
||||
[25] https://www.bloomberg.com/account/newsletters/money-stuff
|
||||
[26] https://newsletters.feedbinusercontent.com/818/8185a1196937308adee75e80f544a29a36b34a5f.html
|
||||
[27] https://gist.github.com/kneath/27a2772f5e1871e3c314ef05a4cacd44
|
||||
[28] https://www.vonnegutmovie.com/
|
||||
[29] https://www.strongtowns.org/
|
||||
[30] https://indieweb.social/@kneath
|
||||
|
||||
Reference in New Issue
Block a user