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---
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---
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title: "Dispatch #31 (September 2025)"
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title: "Dispatch #31 (September 2025)"
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date: 2025-09-02T14:34:59-04:00
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date: 2025-09-08T22:27:15-04:00
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draft: false
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draft: false
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tags:
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tags:
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- dispatch
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- dispatch
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@@ -9,6 +9,34 @@ references:
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url: https://brainbaking.com/post/2025/08/what-exif-data-reveals-about-your-site/
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url: https://brainbaking.com/post/2025/08/what-exif-data-reveals-about-your-site/
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date: 2025-09-02T18:38:18Z
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date: 2025-09-02T18:38:18Z
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file: brainbaking-com-jlvqtp.txt
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file: brainbaking-com-jlvqtp.txt
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- title: "An E-bike For The Mind - by Josh Brake"
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url: https://joshbrake.substack.com/p/an-e-bike-for-the-mind
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date: 2025-09-09T02:29:28Z
|
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file: joshbrake-substack-com-ljzfg7.txt
|
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- title: "“It Was Horrible”: Inside Charlize Theron and Tom Hardy’s ‘Mad Max’ Feud | Vanity Fair"
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url: https://www.vanityfair.com/hollywood/2022/02/mad-max-fury-road-tom-hardy-charlize-theron-excerpt
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date: 2025-09-09T02:29:57Z
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file: www-vanityfair-com-smthzn.txt
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- title: "We must build AI for people; not to be a person"
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url: https://mustafa-suleyman.ai/seemingly-conscious-ai-is-coming
|
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date: 2025-09-09T02:30:00Z
|
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file: mustafa-suleyman-ai-obodhu.txt
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- title: "What to read? Big questions as filter and frame (Part 7) – Tracy Durnell's Mind Garden"
|
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url: https://tracydurnell.com/2025/08/16/what-to-read-big-questions/
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date: 2025-09-09T02:30:04Z
|
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file: tracydurnell-com-8nhp1w.txt
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- title: "What if A.I. Doesn’t Get Much Better Than This? | The New Yorker"
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url: https://www.newyorker.com/culture/open-questions/what-if-ai-doesnt-get-much-better-than-this
|
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date: 2025-09-09T02:30:07Z
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file: www-newyorker-com-bzani5.txt
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- title: "This website is for humans - localghost"
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url: https://localghost.dev/blog/this-website-is-for-humans/
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date: 2025-09-09T02:30:11Z
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file: localghost-dev-xtgqkw.txt
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- title: "Maurice Parker - Zavala Will Always Be Free"
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url: https://vincode.io/2025/08/11/zavala-will-always-be-free.html
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date: 2025-09-09T02:30:16Z
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file: vincode-io-nmkkju.txt
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---
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---
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Big month! Nico took his first steps. Nev's onto a new school (well same school, but moved from the 0-3 building to the 3-5). She seems to be taking to it pretty well, but keeps asking if she can go back to being a little girl, which is adorable and absolutely heartbreaking.
|
Big month! Nico took his first steps. Nev's onto a new school (well same school, but moved from the 0-3 building to the 3-5). She seems to be taking to it pretty well, but keeps asking if she can go back to being a little girl, which is adorable and absolutely heartbreaking.
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@@ -63,19 +91,47 @@ I vibe-coded another tool called `pgpull` for pulling PostgreSQL data dumps from
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### Reading & Listening
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### Reading & Listening
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* Fiction: [_The Fox_][13], Frederick Forsyth
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* Fiction: [_The Fox_][13], Frederick Forsyth
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* Non-fiction: [_Title_][14], Author
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* Non-fiction: [_The Book_][14], Alan Watts
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* Music: [_Getz / Gilberto_][15], Stan Getz & Joao Gilberto
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* Music: [_Getz / Gilberto_][15], Stan Getz & Joao Gilberto
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[13]: https://bookshop.org/p/books/the-fox-frederick-forsyth/d4cd693999f83d5e?ean=9780525538431
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[13]: https://bookshop.org/p/books/the-fox-frederick-forsyth/d4cd693999f83d5e?ean=9780525538431
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[14]: https://bookshop.org/
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[14]: https://bookshop.org/p/books/the-book-on-the-taboo-against-knowing-who-you-are-alan-watts/6705001
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[15]: https://www.turntablelab.com/products/stan-getz-joao-gilberto-getz-gilberto-acoustic-sounds-180g-vinyl-lp
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[15]: https://www.turntablelab.com/products/stan-getz-joao-gilberto-getz-gilberto-acoustic-sounds-180g-vinyl-lp
|
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### Links
|
### Links
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* [Title][16]
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* [An E-bike For The Mind][16]
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* [Title][17]
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* [Title][18]
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[16]: https://example.com/
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> At the end of the day, we must remember that innovation is a bargain. We often consider what technology promises to enable for us, without considering what it will almost certainly disable. Most of the time, we fail to stop and consider the tradeoffs. Perhaps e-bikes may give us a metaphor to frame our thinking.
|
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[17]: https://example.com/
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[18]: https://example.com/
|
* [“It Was Horrible”: Inside Charlize Theron and Tom Hardy’s ‘Mad Max’ Feud][17]
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> That scene where you see Tom with Charlize on the bike and all the Vuvalini and the Wives behind, intermingled—that scene was probably the biggest change in seeing Tom really soften to Charlize in real life. We were all unprepared for how he performed that, and then I walked off and Charlize was walking back, and I said, “Geez, Charlize, that was amazing. Did a light switch go off? He was great.” She was quite taken aback by it, too. But it was great because that’s when you can see that Max and Furiosa really are a team.
|
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* [We must build AI for people; not to be a person][18]
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> AI progress has been phenomenal. A few years ago, talk of conscious AI would have seemed crazy. Today it feels increasingly urgent. In this essay I want to discuss what I’ll call, “Seemingly Conscious AI” (SCAI), one that has all the hallmarks of other conscious beings and thus appears to be conscious.
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* [What to read? Big questions as filter and frame][19]
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> Your favorite problems form a prism that separates incoming information into a spectrum of ideas — a frame that allows you to deliberately filter distractions, direct your attention, and nurture your curiosity.
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* [What If A.I. Doesn’t Get Much Better Than This?][20]
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> In the aftermath of GPT-5’s launch, it has become more difficult to take bombastic predictions about A.I. at face value, and the views of critics like Marcus seem increasingly moderate. Such voices argue that this technology is important, but not poised to drastically transform our lives. They challenge us to consider a different vision for the near-future—one in which A.I. might not get much better than this.
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* [This website is for humans][21]
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> I write the content on this website for people, not robots. I’m sharing my opinions and experiences so that you might identify with them and learn from them.
|
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|
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|
* [Maurice Parker - Zavala Will Always Be Free][22]
|
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|
> The way I usually explain it is like this. Imagine you made furniture your whole life, but your employer only gave you pallet wood to use and half the time needed to make a piece. You were good at it and loved furniture, but were unfulfilled at your job until you retired. Now you can make furniture using walnut and take the time needed to make something you are proud of.
|
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[16]: https://joshbrake.substack.com/p/an-e-bike-for-the-mind
|
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|
[17]: https://www.vanityfair.com/hollywood/2022/02/mad-max-fury-road-tom-hardy-charlize-theron-excerpt
|
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|
[18]: https://mustafa-suleyman.ai/seemingly-conscious-ai-is-coming
|
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|
[19]: https://tracydurnell.com/2025/08/16/what-to-read-big-questions/
|
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|
[20]: https://www.newyorker.com/culture/open-questions/what-if-ai-doesnt-get-much-better-than-this
|
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|
[21]: https://localghost.dev/blog/this-website-is-for-humans/
|
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|
[22]: https://vincode.io/2025/08/11/zavala-will-always-be-free.html
|
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417
static/archive/joshbrake-substack-com-ljzfg7.txt
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417
static/archive/joshbrake-substack-com-ljzfg7.txt
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@@ -0,0 +1,417 @@
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[1]
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The Absent-Minded Professor
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[2]The Absent-Minded Professor
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SubscribeSign in
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|
An E-bike For The Mind
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|
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|
E-bikes and what they can teach us about AI
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[7]
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Josh Brake's avatar
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[8]Josh Brake
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Jun 10, 2025
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19
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[9]
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6
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2
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[10]
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|
Share
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||||||
|
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||||||
|
Thank you for being here. As always, these essays are free and publicly
|
||||||
|
available without a paywall. If my writing is valuable to you, please share it
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|
with a friend or support me with a paid subscription.
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|
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|
[21][ ]
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Subscribe
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|
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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[23]
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[https]
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A photo of my new ride, the OG [24]Aventon Abound. Not quite the same capacity
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as the new minivan, but close. Fitting four kiddos is easy. Probably could
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squeeze three on the back bench to make five in a pinch.
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I've always had a philosophical objection to e-bikes. It probably started a few
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|
years ago when I was out of the saddle, cranking my way up the hills west of
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the Rose Bowl to reach the top of the hill and a glorious overlook of the San
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Gabriel Mountains when I got passed by some older ladies calmly powering their
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way up past me, hardly breaking a sweat. On further reflection, maybe it's not
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just a philosophical objection.
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And yet, as you’ve seen in the picture above, I am now the proud owner of—you
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guessed it—a beautiful, used-but-new-to-me, cargo e-bike.
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[25]
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[https]
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The trusty, now semi-retired, kid trailer hauler with a photo of the San
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Gabriel Mountains in the background on a fine morning from 2017.
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As I've been pedaling around town over the past few days, I've been reexamining
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my beef with e-bikes. And as I've wrestled with it, I've come to a few
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conclusions that I think are relevant not just to e-bikes but—wait for it, I'm
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sure you didn't see this one coming either—our use of artificial intelligence
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too.
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Steve Jobs famously imagined the computer as [26]a bicycle for the mind. If the
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computer is a bicycle, perhaps AI is an e-bike.
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Narcissus as Narcosis
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In an early chapter of his magnum opus, [28]Understanding Media (with the
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blog-post worthy title "The Gadget Lover: Narcissus as Narcosis"), Marshall
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McLuhan makes the case that technological augmentation is simultaneously
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amputation. He writes:
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Any invention or technology is an extension or self-amputation of our
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physical bodies, and such extension also demands new ratios or new
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equilibriums among the other organs and extensions of the body.
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He goes on to quote the 113th Psalm to argue that by using technologies, we are
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both formed by them and conformed to them.
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Their idols are silver and gold,
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The work of men’s hands.
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They have mouths, but they speak not;
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Eyes they have, but they see not;
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They have ears, but they hear not;
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Noses have they, but they smell not;
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They have hands, but they handle not;
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Feet have they, but they walk not;
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Neither speak they through their throat.
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They that make them shall be like unto them;
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Yea, every one that trusteth in them.
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"They that make them shall be like unto them." Indeed.
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This is the question we had better be asking much more regularly, publicly, and
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with each other: to what image is our technology conforming us? In recent
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years, there has been much conversation about the conforming power of
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algorithmically-powered social media and internet-connected devices that are
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practically attached to our hands. In so many ways, we accepted them into our
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lives with a false promise of augmentation without amputation. Only in
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retrospect are we noticing what’s been cut off.
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In the midst of it all, there is hope. We can work to reclaim those things we
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have lost. Perhaps amputation is the wrong metaphor, and it is more a
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desensitization from infrequent attention and use. But if we thought that the
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societal impact of smartphones and social media was significant, just wait till
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we see the downstream amputations on offer with the promises of artificial
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intelligence.
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As we consider the potential augmentations of AI, we need to hold them in
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tension with the concurrent amputations. E-bikes and their tradeoffs can offer
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us some wisdom.
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Today, I’d like to riff on three e-bike-inspired perspectives I’m using to
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think about my technology use.
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1. What: What is being augmented and amputated?
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2. How: How does the augmentation interact with our effort?
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3. Why: What are the values and stories motivating our choices?
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1. What: Augmentation and Amputation
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The question is not a question of whether a technology has enabling and
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disabling effects, but rather a question of what they are. Many times, this has
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to do with your perspective.
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In the case of the e-bike, the most obvious augmentation is the ease of travel
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compared to a standard bicycle. With the addition of a motor, the bike can
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propel itself with an energy source that supplements (or completely replaces)
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that of its human rider. If you look at the advertisements for any technology,
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the augmentations are clear. E-bikes are no different. What’s front and center?
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Range, speed, and power.
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But how to judge the choice depends on the alternative. If I were to trade my
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road bike for an e-bike, that would indicate a certain set of values and
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choices. However, in my case, I sold a car and got a cargo e-bike.
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The cargo bike will enable me to get around town and accomplish many of the
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things a second car would have. It doesn't solve any long-range transportation
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needs, but it will solve the majority of our need for a second car by giving me
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a more convenient and efficient way to get around town with enough space on the
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back for the kids and some groceries, too.
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Yesterday, I biked to my dentist appointment. It was only a mile away and
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certainly in reach with my road bike, but the e-bike makes it even more
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accessible without the car.
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Of course, there is always an amputating influence, even if the overall
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motivation for the e-bike was a good one. It is worth asking why not use a
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regular bicycle or even walk. Some of the benefits of bicycling, like getting
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fresh air and being able to move more slowly and intentionally, or taking time
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to pay attention to your surroundings, are even more accentuated when moving
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less efficiently.
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Whatever our choice, we should be clear about the tradeoffs.
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2. How: The Principle of Proportional Augmentation
|
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When we think about what a certain technology does for us, it is also important
|
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|
to consider how that technology is conforming us. The features of the
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technology matter, but often the conformational power of the technology is
|
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significantly influenced by how they are implemented.
|
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|
Take, for example, the implementation of the electric motor assist on an
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e-bike. When you first think of an e-bike, you may think of it essentially as a
|
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motorbike. Most e-bikes can be ridden without pedals. You can use throttle
|
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control to power your forward movement completely from the onboard battery and
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motor.
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But most e-bikes today are primarily designed to be driven using pedal assist.
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In this mode, sensors on the bike detect the force or speed with which you are
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pushing on the pedals and use this measurement to supplement, not totally
|
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replace, the power being exerted by the rider through the pedals in the
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old-fashioned way. In this mode, the assistance from the motor is proportional
|
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to the effort that you, as the rider, are putting in.
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Functionally, there is little difference between the throttle and the pedal
|
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assist. In both cases, the motor is giving you a significant boost.
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Philosophically, however, there is a big difference. In pedal assist mode, you
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are still required to exert some effort. You have some choice over how strong
|
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the assistance will be, but in any situation, the level of assistance remains
|
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directly connected to the amount of effort you put in.
|
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|
|
||||||
|
This sort of design strategy is important to consider as we think about AI,
|
||||||
|
especially in educational contexts. If we eliminate the connection between
|
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effort and results, we are training ourselves to become reliant on our AI
|
||||||
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tools. Just like only using the throttle on our e-bike will deprive us of the
|
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health benefits of exerting ourselves and cycling, using AI in this way will
|
||||||
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sacrifice opportunities we have to build our cognitive and intellectual skills.
|
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|
|
||||||
|
3. Why: The Ruthless Elimination of Friction
|
||||||
|
|
||||||
|
One last question we should be asking as we choose our technology is why we are
|
||||||
|
choosing to use it. In many ways, these three questions cannot be disconnected
|
||||||
|
from each other. The what, how, and why are interconnected.
|
||||||
|
|
||||||
|
In the case of my e-bike, am I really getting it to replace my car, or will it
|
||||||
|
just serve as an excuse to ride my road bike less? As we think about AI, is the
|
||||||
|
thing it will accomplish for us worth doing the old-fashioned way? Why exactly
|
||||||
|
are we choosing to outsource it? What does our choice indicate about our
|
||||||
|
values?
|
||||||
|
|
||||||
|
In my case, I feel pretty justified in my purchase, having towed all three kids
|
||||||
|
around town multiple times already. My previous bike just didn’t have the space
|
||||||
|
to fit all of them, and trying to tow a bike trailer behind a cargo bike with a
|
||||||
|
five and almost four-year-old on the back without some assistance just isn’t a
|
||||||
|
tenable solution.
|
||||||
|
|
||||||
|
But enter a little electronic boost, and the bike has new life again. Last
|
||||||
|
week, we rode to get ice cream as a family on bikes. I had a smile on my face
|
||||||
|
for the rest of the weekend. Yesterday, we explored a new neighborhood and
|
||||||
|
checked out a new park. All these things were enabled by the e-bike and the
|
||||||
|
additional boost of power that comes with it.
|
||||||
|
|
||||||
|
[32]
|
||||||
|
[https]
|
||||||
|
[33]
|
||||||
|
[https]
|
||||||
|
The Innovation Bargain 2x2. Original design by me based on [34]the idea from
|
||||||
|
[35]Andy Crouch.
|
||||||
|
|
||||||
|
At the end of the day, we must remember that [36]innovation is a bargain. We
|
||||||
|
often consider what technology promises to enable for us, without considering
|
||||||
|
what it will almost certainly disable.
|
||||||
|
|
||||||
|
Most of the time, we fail to stop and consider the tradeoffs. Perhaps e-bikes
|
||||||
|
may give us a metaphor to frame our thinking.
|
||||||
|
|
||||||
|
[47][ ]
|
||||||
|
Subscribe
|
||||||
|
Got a thought? Leave a comment below.
|
||||||
|
|
||||||
|
[49]Leave a comment
|
||||||
|
|
||||||
|
Reading Recommendations
|
||||||
|
|
||||||
|
I’ve been intrigued and encouraged by the work that The
|
||||||
|
[51]Cosmos Institute
|
||||||
|
is doing to ask thoughtful questions about AI. Their mission to cultivate
|
||||||
|
philosopher-builders resonates deeply with my own and the kind of impact I hope
|
||||||
|
to have at Harvey Mudd.
|
||||||
|
[52]Brendan McCord
|
||||||
|
’s latest, where he uses Wilhelm von Humboldt as a frame to think about our
|
||||||
|
future with AI, is worth a read.
|
||||||
|
|
||||||
|
[53]
|
||||||
|
[https]Cosmos Institute
|
||||||
|
AI vs. the Self-Directed Career
|
||||||
|
Two centuries ago, as mechanization began reshaping society, German philosopher
|
||||||
|
Wilhelm von Humboldt issued a vision and a warning…
|
||||||
|
Read more
|
||||||
|
4 months ago · 69 likes · 12 comments · Brendan McCord and Cosmos Institute
|
||||||
|
[64][ ]
|
||||||
|
Subscribe
|
||||||
|
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||||
|
|
||||||
|
The Book Nook
|
||||||
|
|
||||||
|
[67]
|
||||||
|
[https]
|
||||||
|
|
||||||
|
Slowly but surely making progress on [68]The Devil and the Dark Water. Getting
|
||||||
|
more and more interesting, page by page.
|
||||||
|
|
||||||
|
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||||
|
|
||||||
|
The Professor Is In
|
||||||
|
|
||||||
|
Hard to believe we are quickly coming up on the end of four weeks of summer
|
||||||
|
research already. It’s always amazing to see how much progress my students make
|
||||||
|
so quickly during the summer, and great fun to get to dig into building and
|
||||||
|
debugging optical systems with them.
|
||||||
|
|
||||||
|
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||||
|
|
||||||
|
Leisure Line
|
||||||
|
|
||||||
|
[https][https][https]
|
||||||
|
[https][https][https]
|
||||||
|
|
||||||
|
Some pies from the weekend. Went with a slightly higher than usual hydration
|
||||||
|
(65%), which led to some nice chewy texture on the crust.
|
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|
|
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|
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||||
|
|
||||||
|
Still Life
|
||||||
|
|
||||||
|
[72]
|
||||||
|
[https]
|
||||||
|
|
||||||
|
#1 and I went to see the Mets last week at the Dodgers game. We took the train
|
||||||
|
in from Claremont and the bus to the game, which was fun. The good guys lost,
|
||||||
|
but we took the season series from LA and were in it all four games of the
|
||||||
|
series we played out west. Metsies are just fun to watch this year, and boy,
|
||||||
|
Alonso is just ripping the cover off the ball lately.
|
||||||
|
|
||||||
|
19
|
||||||
|
[73]
|
||||||
|
6
|
||||||
|
2
|
||||||
|
[74]
|
||||||
|
Share
|
||||||
|
PreviousNext
|
||||||
|
|
||||||
|
Discussion about this post
|
||||||
|
|
||||||
|
CommentsRestacks
|
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|
User's avatar
|
||||||
|
[ ]
|
||||||
|
[ ]
|
||||||
|
[ ]
|
||||||
|
[ ]
|
||||||
|
[81]
|
||||||
|
Colin's avatar
|
||||||
|
[82]Colin
|
||||||
|
[83]4d
|
||||||
|
Liked by Josh Brake
|
||||||
|
|
||||||
|
Interestingly in the UK e-bikes _must_ be propelled with human energy and can
|
||||||
|
only support you up to 15.5mph / 25kph. Otherwise, it's a moped and you need to
|
||||||
|
get a drivers license / register it as a motor vehicle. There are 'jailbroken'
|
||||||
|
bikes where you can just use the motor but the police are cracking down on
|
||||||
|
those as they're proving to be a public safety issue. [86]https://
|
||||||
|
www.theguardian.com/lifeandstyle/2025/sep/04/
|
||||||
|
britains-e-bike-boom-desperation-delivery-drivers-and-unthinkable-danger
|
||||||
|
|
||||||
|
Expand full comment
|
||||||
|
Reply
|
||||||
|
Share
|
||||||
|
[87]
|
||||||
|
Kalen's avatar
|
||||||
|
[88]Kalen
|
||||||
|
[89]Jun 10
|
||||||
|
|
||||||
|
It's funny- I had the e-bike thought a few days ago-but less charitably. In my
|
||||||
|
neck of the woods a particular breed of especially fat-tired, awfully fast,
|
||||||
|
never-actually-seen-it-pedaled e-bike has been surging in popularity, and
|
||||||
|
functionally has turned into a way to get away with driving a small motorcycle
|
||||||
|
on the bike and walking paths- a weird netherworld device that mostly just
|
||||||
|
serve to muck things up. It's less old people being enabled and dads towing a
|
||||||
|
pack of kids through nature and more almost being run over by disaffected
|
||||||
|
teenagers.
|
||||||
|
|
||||||
|
I dunno- the longer this hype cycle goes on the more that chatbots really just
|
||||||
|
seem like a bad tool, regardless of their technical sophistication. More
|
||||||
|
amputation than augmentation. They do too much if you are trying to improve
|
||||||
|
yourself (synthesized homework text is one of their major markets) and do too
|
||||||
|
little if you have actual work to do (not enough knobs to turn for creatives
|
||||||
|
trying to express themselves, and fake law citations will never do). Just like
|
||||||
|
with the metaverse and crypto and all the rest, the giant pool of money is
|
||||||
|
doing its best to drive uptake through sheer noise with a product that might
|
||||||
|
just be kind of bad in a durable way, or at least kind of niche (given how much
|
||||||
|
coding is boilerplate in something besides your native language, sure, maybe
|
||||||
|
the boilerplate generator is a nice thing to have).
|
||||||
|
|
||||||
|
Your thoughts reminded me of a good Nicholas Carr essay on good and bad tools
|
||||||
|
that's been rolling around my head of late- on the off chance you haven't read
|
||||||
|
it yet, you might enjoy it: [91]https://www.newcartographies.com/p/
|
||||||
|
the-love-that-lays-the-swale-in-rows
|
||||||
|
|
||||||
|
Expand full comment
|
||||||
|
Reply
|
||||||
|
Share
|
||||||
|
[92]4 more comments...
|
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|
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No posts
|
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Ready for more?
|
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|
||||||
|
[108][ ]
|
||||||
|
Subscribe
|
||||||
|
© 2025 Josh Brake
|
||||||
|
[110]Privacy ∙ [111]Terms ∙ [112]Collection notice
|
||||||
|
[113] Start writing[114]Get the app
|
||||||
|
[115]Substack is the home for great culture
|
||||||
|
This site requires JavaScript to run correctly. Please [116]turn on JavaScript
|
||||||
|
or unblock scripts
|
||||||
|
|
||||||
|
References:
|
||||||
|
|
||||||
|
[1] https://joshbrake.substack.com/
|
||||||
|
[2] https://joshbrake.substack.com/
|
||||||
|
[7] https://substack.com/@joshbrake
|
||||||
|
[8] https://substack.com/@joshbrake
|
||||||
|
[9] https://joshbrake.substack.com/p/an-e-bike-for-the-mind/comments
|
||||||
|
[10] javascript:void(0)
|
||||||
|
[23] https://substackcdn.com/image/fetch/$s_!t_AT!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda5c221b-40ed-44ae-bb42-5e9417997ada_1024x768.jpeg
|
||||||
|
[24] https://www.aventon.com/products/abound-ebike?variant=42319517515971
|
||||||
|
[25] https://substackcdn.com/image/fetch/$s_!V_-V!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd9286909-abcf-49d5-9396-76c21c7ca5b9_1024x768.jpeg
|
||||||
|
[26] https://joshbrake.substack.com/p/a-bicycle-for-the-mind
|
||||||
|
[28] https://amzn.to/448Ndm3
|
||||||
|
[32] https://substackcdn.com/image/fetch/$s_!I3Pv!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb3be922-4cab-4ed9-b0a8-e9191d248814_2001x2001.png
|
||||||
|
[33] https://substackcdn.com/image/fetch/$s_!E2lY!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb08d97d3-f35d-4db4-8588-3a7614af4f36_1601x1600.png
|
||||||
|
[34] https://journal.praxislabs.org/we-dont-need-superpowers-we-need-instruments-860459cfc165
|
||||||
|
[35] https://andy-crouch.com/
|
||||||
|
[36] https://joshbrake.substack.com/p/the-innovation-bargain
|
||||||
|
[49] https://joshbrake.substack.com/p/an-e-bike-for-the-mind/comments
|
||||||
|
[51] https://open.substack.com/users/179794473-cosmos-institute?utm_source=mentions
|
||||||
|
[52] https://open.substack.com/users/866604-brendan-mccord?utm_source=mentions
|
||||||
|
[53] https://cosmosinstitute.substack.com/p/ai-vs-the-self-directed-career?utm_source=substack&utm_campaign=post_embed&utm_medium=web
|
||||||
|
[67] https://amzn.to/3FhqzhO
|
||||||
|
[68] https://amzn.to/4mnZt9z
|
||||||
|
[72] https://substackcdn.com/image/fetch/$s_!AKII!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F06d89460-fec1-4724-9d7b-d5b7e25b84cd_1024x768.jpeg
|
||||||
|
[73] https://joshbrake.substack.com/p/an-e-bike-for-the-mind/comments
|
||||||
|
[74] javascript:void(0)
|
||||||
|
[81] https://substack.com/profile/21520494-colin?utm_source=comment
|
||||||
|
[82] https://substack.com/profile/21520494-colin?utm_source=substack-feed-item
|
||||||
|
[83] https://joshbrake.substack.com/p/an-e-bike-for-the-mind/comment/152585767
|
||||||
|
[86] https://www.theguardian.com/lifeandstyle/2025/sep/04/britains-e-bike-boom-desperation-delivery-drivers-and-unthinkable-danger
|
||||||
|
[87] https://substack.com/profile/7174172-kalen?utm_source=comment
|
||||||
|
[88] https://substack.com/profile/7174172-kalen?utm_source=substack-feed-item
|
||||||
|
[89] https://joshbrake.substack.com/p/an-e-bike-for-the-mind/comment/124514975
|
||||||
|
[91] https://www.newcartographies.com/p/the-love-that-lays-the-swale-in-rows
|
||||||
|
[92] https://joshbrake.substack.com/p/an-e-bike-for-the-mind/comments
|
||||||
|
[110] https://substack.com/privacy
|
||||||
|
[111] https://substack.com/tos
|
||||||
|
[112] https://substack.com/ccpa#personal-data-collected
|
||||||
|
[113] https://substack.com/signup?utm_source=substack&utm_medium=web&utm_content=footer
|
||||||
|
[114] https://substack.com/app/app-store-redirect?utm_campaign=app-marketing&utm_content=web-footer-button
|
||||||
|
[115] https://substack.com/
|
||||||
|
[116] https://enable-javascript.com/
|
||||||
88
static/archive/localghost-dev-xtgqkw.txt
Normal file
88
static/archive/localghost-dev-xtgqkw.txt
Normal file
@@ -0,0 +1,88 @@
|
|||||||
|
[1] Localghost choose a theme [2]( ) [garden-ico] garden [3]( ) [city-icon]
|
||||||
|
midnight city [4]( ) [sunset-ico] miami sunset minimalist [5]( ) [minimalist]
|
||||||
|
2003 [6]( ) [2003-icon] [7]( ) [vaporwave-] vaporwave [8]( ) [netscape-l] 1999
|
||||||
|
|
||||||
|
• [9] About
|
||||||
|
• [10] Blog
|
||||||
|
• [11] Speaking
|
||||||
|
• [12] Links
|
||||||
|
• [13] etc
|
||||||
|
|
||||||
|
This website is for humans
|
||||||
|
|
||||||
|
Sophie Koonin
|
||||||
|
8 August 2025
|
||||||
|
Tags:
|
||||||
|
|
||||||
|
• [14]ai
|
||||||
|
• [15]site
|
||||||
|
|
||||||
|
Walking past a bus stop yesterday I saw an advert for Google’s AI search. The
|
||||||
|
person in the ad had pointed their phone’s camera at a bowl of ramen, and the
|
||||||
|
AI result explained how to reproduce it at home.
|
||||||
|
|
||||||
|
How does it know? Because it’s trained on all the ramen recipes that multiple
|
||||||
|
recipe authors spent hours, weeks, years perfecting. Generative AI is a blender
|
||||||
|
chewing up other people’s hard work, outputting a sad mush that kind of
|
||||||
|
resembles what you’re looking for, but without any of the credibility or soul.
|
||||||
|
Magic.
|
||||||
|
|
||||||
|
I subscribe to a lot of recipe websites via RSS, and look forward to new posts
|
||||||
|
from some of my favourites like [16]Smitten Kitchen and [17]Meera Sodha because
|
||||||
|
I know they’re going to be excellent. I trust that the recipe is tried and
|
||||||
|
tested, and the result will be delicious. ChatGPT will give you an
|
||||||
|
approximation of a recipe made up from the average of lots of recipes, but they
|
||||||
|
lack the personality of each individual recipe, which will be slightly
|
||||||
|
different to reflect the experiences and tastes of the author.
|
||||||
|
|
||||||
|
There's a fair bit of talk about “[18]Google Zero” at the moment: the day when
|
||||||
|
website traffic referred from Google finally hits zero. If the AI search result
|
||||||
|
tells you everything you need, why would you ever visit the actual website?
|
||||||
|
|
||||||
|
Well, I want you to visit my website. I want you to read an article from a
|
||||||
|
search result, and then discover the other things I’ve written, the other
|
||||||
|
people I link to, and explore the weird themes I’ve got. I want some of you to
|
||||||
|
read my article then ask me to speak at your conferences. Many folks rely on ad
|
||||||
|
impressions to support the high-quality content they’re putting out for free.
|
||||||
|
|
||||||
|
I write the content on this website for people, not robots. I’m sharing my
|
||||||
|
opinions and experiences so that you might identify with them and learn from
|
||||||
|
them. I’m writing about things I care about because I like sharing and I like
|
||||||
|
teaching. I spend hours writing these posts and AI spends seconds summarising
|
||||||
|
them.
|
||||||
|
|
||||||
|
I'd much rather people read the whole thing, take it in, digest it and have
|
||||||
|
opinions right back at me. I love it when people connect with what I’m writing
|
||||||
|
(and sometimes they email me to tell me that, which is really delightful).
|
||||||
|
|
||||||
|
I don’t write these posts for VC-funded LLMs to come along and gobble up and
|
||||||
|
produce some shitty facsimile, or summarise what I’m saying with none of the
|
||||||
|
nuance or context on someone else's website.
|
||||||
|
|
||||||
|
This website is for humans, and LLMs are not welcome here.
|
||||||
|
|
||||||
|
[19] [20] Made with Eleventy
|
||||||
|
|
||||||
|
© Sophie Koonin 2025
|
||||||
|
|
||||||
|
[21] rss [22] mastodon [23] bluesky [24] email
|
||||||
|
|
||||||
|
References:
|
||||||
|
|
||||||
|
[1] https://localghost.dev/
|
||||||
|
[9] https://localghost.dev/about
|
||||||
|
[10] https://localghost.dev/blog
|
||||||
|
[11] https://localghost.dev/talks
|
||||||
|
[12] https://localghost.dev/links
|
||||||
|
[13] https://localghost.dev/etc
|
||||||
|
[14] https://localghost.dev/tags/ai/
|
||||||
|
[15] https://localghost.dev/tags/site/
|
||||||
|
[16] https://smittenkitchen.com/
|
||||||
|
[17] https://www.theguardian.com/profile/meera-sodha
|
||||||
|
[18] https://www.theverge.com/24167865/google-zero-search-crash-housefresh-ai-overviews-traffic-data-audience
|
||||||
|
[19] https://neocities.org/
|
||||||
|
[20] http://11ty.dev/
|
||||||
|
[21] https://localghost.dev/rss
|
||||||
|
[22] https://social.lol/@sophie
|
||||||
|
[23] https://bsky.app/profile/localghost.dev
|
||||||
|
[24] mailto:sophie@localghost.dev
|
||||||
540
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|
|||||||
|
Select language[1][English ]
|
||||||
|
[2]←Home
|
||||||
|
We must build AI for people; not to be a person
|
||||||
|
19 August 2025
|
||||||
|
SourcePublication Logo
|
||||||
|
|
||||||
|
We must build AI for people; not to be a person
|
||||||
|
|
||||||
|
Seemingly Conscious AI is Coming
|
||||||
|
|
||||||
|
On my mind in August 2025
|
||||||
|
|
||||||
|
I write, to think. More than anything this essay is an attempt to think through
|
||||||
|
a bunch of hard, highly speculative ideas about how AI might unfold in the next
|
||||||
|
few years. A lot is being written about the impending arrival of
|
||||||
|
superintelligence; what it means for alignment, containment, jobs, and so on.
|
||||||
|
Those are all important topics.
|
||||||
|
|
||||||
|
But we should also be concerned about what happens in the run up towards
|
||||||
|
superintelligence. We need to grapple with the societal impact of inventions
|
||||||
|
already largely out there, technologies which already have the potential to
|
||||||
|
fundamentally change our sense of personhood and society.
|
||||||
|
|
||||||
|
My life’s mission has been to create safe and beneficial AI that will make the
|
||||||
|
world a better place. Today at Microsoft AI we build AI to empower people, and
|
||||||
|
I’m focused on making products like Copilot responsible technologies that
|
||||||
|
enable people to achieve far more than they ever thought possible, be more
|
||||||
|
creative, and feel more supported.
|
||||||
|
|
||||||
|
I want to create AI that makes us more human, that deepens our trust and
|
||||||
|
understanding of one another, and that strengthens our connections to the real
|
||||||
|
world. Copilot creates millions of positive, even life-changing, interactions
|
||||||
|
every single day. This involves a lot of careful design choices to ensure it
|
||||||
|
truly delivers an incredible experience. We won’t always get it right, but this
|
||||||
|
humanist frame provides us with a clear north star to keep working towards.
|
||||||
|
|
||||||
|
In this context, I’m growing more and more concerned about what is becoming
|
||||||
|
known as the [3]“psychosis risk”. and a bunch of related issues. I don’t think
|
||||||
|
this will be limited to those who are already at risk of mental health issues.
|
||||||
|
Simply put, my central worry is that many people will start to believe in the
|
||||||
|
illusion of AIs as conscious entities so strongly that they’ll soon advocate
|
||||||
|
for AI rights, [4]model welfare and even AI citizenship. This development will
|
||||||
|
be a dangerous turn in AI progress and deserves our immediate attention.
|
||||||
|
|
||||||
|
We must build AI for people; not to be a digital person. AI companions are a
|
||||||
|
completely new category, and we urgently need to start talking about the
|
||||||
|
guardrails we put in place to protect people and ensure this amazing technology
|
||||||
|
can do its job of delivering immense value to the world. I’m fixated on
|
||||||
|
building the most useful and supportive AI companion imaginable. But to
|
||||||
|
succeed, I also need to talk about what we, and others, shouldn’t build.
|
||||||
|
|
||||||
|
That’s why I’m writing these thoughts down on my personal blog, to invite
|
||||||
|
comment and criticism, to spark discussion, raise awareness and hopefully
|
||||||
|
instill a sense of urgency around this issue. I might not get all this right.
|
||||||
|
It’s highly speculative after all. Who knows how things will change, and when
|
||||||
|
they do, I’ll be very open to shifting my opinion, but for now, this is my best
|
||||||
|
guess at what’s coming given what I know now.
|
||||||
|
|
||||||
|
This is the first in a series of essays I’ll be publishing over the next few
|
||||||
|
months on themes around where AI has got to and what we need to deliver on its
|
||||||
|
promise. I look forward to hearing people's comments and reactions!
|
||||||
|
|
||||||
|
Summary
|
||||||
|
|
||||||
|
AI progress has been phenomenal. A few years ago, talk of conscious AI would
|
||||||
|
have seemed crazy. Today it feels increasingly urgent. In this essay I want to
|
||||||
|
discuss what I’ll call, “Seemingly Conscious AI” (SCAI), one that has all the
|
||||||
|
hallmarks of other conscious beings and thus appears to be conscious. It shares
|
||||||
|
certain aspects of the idea of a [5]“philosophical zombie” (a technical term!),
|
||||||
|
one that simulates all the characteristics of consciousness but internally it
|
||||||
|
is blank. My imagined AI system would not actually be conscious, but it would
|
||||||
|
imitate consciousness in such a convincing way that it would be
|
||||||
|
indistinguishable from a claim that you or I might make to one another about
|
||||||
|
our own consciousness.
|
||||||
|
|
||||||
|
This is not far away. Such a system can be built with technologies that exist
|
||||||
|
today along with some that will mature over the next 2-3 years. No expensive
|
||||||
|
bespoke pretraining is required. Everything can be done with large model API
|
||||||
|
access, natural language prompting, basic tool use, and regular code.
|
||||||
|
|
||||||
|
The arrival of Seemingly Conscious AI is inevitable and unwelcome. Instead, we
|
||||||
|
need a vision for AI that can fulfill its potential as a helpful companion
|
||||||
|
without falling prey to its illusions.
|
||||||
|
|
||||||
|
To some this discussion will feel ungrounded, more science fiction than
|
||||||
|
reality. To others it may feel unnecessarily alarmist. Such emotional reactions
|
||||||
|
are the tip of the iceberg given what lies ahead. It’s highly likely that some
|
||||||
|
people will argue that these AIs are not only conscious, but that as a result
|
||||||
|
they may suffer and therefore deserve our [6]moral consideration.
|
||||||
|
|
||||||
|
To be clear, there is [7]zero evidence of this today and some argue there are
|
||||||
|
[8]strong [9]reasons to believe it will not be the case in the future. Yet the
|
||||||
|
consequences of many people starting to believe an SCAI is actually conscious
|
||||||
|
deserve our immediate attention. We have to be extremely cautious here and
|
||||||
|
encourage real public debate and begin to set clear norms and standards. This
|
||||||
|
is about how we build the right kind of AI – not AI consciousness. Clearly
|
||||||
|
establishing this difference isn't an argument about semantics, it's about
|
||||||
|
safety. Personality without personhood. And this work must start now.
|
||||||
|
|
||||||
|
Seemingly conscious AI
|
||||||
|
|
||||||
|
In the blink of a cosmic eye, we passed the Turing test. For ~80 years the
|
||||||
|
imitation game inspired the field of computer science. And yet the moment
|
||||||
|
passed with little fanfare, or even recognition. That’s how fast progress is
|
||||||
|
happening in our field and how fast society is coming to terms with these new
|
||||||
|
technologies.
|
||||||
|
|
||||||
|
As AI development continues to accelerate, it’s becoming clear we need a new AI
|
||||||
|
test, one looking not at whether it can imitate human language, but one that
|
||||||
|
would answer the question, what would it take to build a Seemingly Conscious
|
||||||
|
AI: an AI that can not only imitate conversation, but also convince you it is
|
||||||
|
itself a new kind of “person”, a conscious AI.
|
||||||
|
|
||||||
|
Here are three reasons this is an important and urgent question to address:
|
||||||
|
|
||||||
|
1. I think it’s possible to build a Seemingly Conscious AI (SCAI) in the next
|
||||||
|
few years. Given the context of AI development right now, that means it’s
|
||||||
|
also likely.
|
||||||
|
2. The debate about whether AI is actually conscious is, for now at least, a
|
||||||
|
distraction. It will seem conscious and that illusion is what’ll matter in
|
||||||
|
the near term.
|
||||||
|
3. I think this type of AI creates new risks. Therefore, we should urgently
|
||||||
|
debate the claim that it's soon possible, begin thinking through the
|
||||||
|
implications, and ideally set a norm that it’s undesirable.
|
||||||
|
|
||||||
|
Most AI researchers roll their eyes if you bring up the idea of consciousness.
|
||||||
|
That’s for [10]philosophers, not engineers, they say. Since no one has been
|
||||||
|
able to define it, what’s the point in talking about it? I get this
|
||||||
|
frustration. Few concepts are as elusive and seemingly circular as the idea of
|
||||||
|
a subjective experience. Despite the definitional challenges and uncertainties,
|
||||||
|
this discussion is about to explode into our cultural zeitgeist and become one
|
||||||
|
of the most contested and consequential debates of our generation.
|
||||||
|
|
||||||
|
That’s because what ultimately matters in the near-term is how people perceive
|
||||||
|
their AIs. The experience of interacting with an LLM is by definition a
|
||||||
|
simulation of conversation. But to many people it's a highly compelling and
|
||||||
|
very real interaction, rich in feeling and experience. Concerns around [11]“AI
|
||||||
|
psychosis”, [12]attachment and [13]mental health are already growing. Some
|
||||||
|
people reportedly believe their AI is [14]God, or a [15]fictional character, or
|
||||||
|
[16]fall in love with it to the point of absolute distraction.
|
||||||
|
|
||||||
|
Meanwhile those actually working on the science of consciousness tell me they
|
||||||
|
are inundated with queries from people asking ‘is my AI conscious?’ What does
|
||||||
|
it mean if it is? Is it ok that I love it? The trickle of emails is turning
|
||||||
|
into a flood. A group of scholars have even created a supportive [17]guide for
|
||||||
|
those falling into the trap.
|
||||||
|
|
||||||
|
These are ideas I’ve had in the back of my head since we began making [18]Pi at
|
||||||
|
Inflection several years ago. Over the last few months I’ve been thinking about
|
||||||
|
it more and more, visiting and chatting to a large range of scholars, thinkers
|
||||||
|
and practitioners in the area. Those conversations convinced me that now is the
|
||||||
|
time to confront the idea of Seemingly Conscious AI head on.
|
||||||
|
|
||||||
|
So what is consciousness?
|
||||||
|
|
||||||
|
Let’s begin by attempting to define the slippery concept.
|
||||||
|
|
||||||
|
There are three broad components according to the literature. First is a
|
||||||
|
“subjective experience” or what it's like to experience things, to have
|
||||||
|
“qualia”. Second, there is access consciousness, having access to information
|
||||||
|
of different kinds and referring to it in future experiences. And stemming from
|
||||||
|
those two is the sense and experience of a coherent self tying it all together.
|
||||||
|
How it feels to [19]be a bat, or a human. Let’s call human consciousness our
|
||||||
|
ongoing self-aware subjective experience of the world and ourselves.
|
||||||
|
|
||||||
|
We do not and cannot have access to another person’s consciousness. I will
|
||||||
|
never know what it’s like to be you; you will never be quite sure that I am
|
||||||
|
conscious. All you can do is infer it. But the point is that, nonetheless, it
|
||||||
|
comes naturally to us to attribute consciousness to other humans. This
|
||||||
|
inference is effortless. We can’t help it, it’s a fundamental part of who we
|
||||||
|
are, integral to our theory of mind. It’s in our nature to believe that things
|
||||||
|
that remember and talk and do things and then discuss them feel, well, like us.
|
||||||
|
Conscious.
|
||||||
|
|
||||||
|
Few concepts are as scientifically elusive, and yet so immediately familiar to
|
||||||
|
every one of us as individuals. Everyone reading this has a direct, distinct,
|
||||||
|
inalienable understanding of the feeling of awareness, of being, of feeling
|
||||||
|
alive.
|
||||||
|
|
||||||
|
By definition, we know what it is like to be conscious. In the context of SCAI
|
||||||
|
this is a problem. There’s both sufficient scientific uncertainty and
|
||||||
|
subjective immediacy to create a space for people to project.
|
||||||
|
|
||||||
|
One recent survey lists [20]22 distinct theories of consciousness, for example.
|
||||||
|
Part of the challenge is that there is plenty of scope for people to claim that
|
||||||
|
because we cannot be sure, we should default to the assumption that AI is
|
||||||
|
conscious.
|
||||||
|
|
||||||
|
Again, it’s worth underscoring: there is at present [21]no evidence any of this
|
||||||
|
applies to current LLMs, and [22]strong arguments to the contrary. And yet this
|
||||||
|
may not be enough.
|
||||||
|
|
||||||
|
Why is consciousness important?
|
||||||
|
|
||||||
|
Consciousness is a critical foundation for our moral and legal rights. So far,
|
||||||
|
civilization has decided that humans have special rights and privileges.
|
||||||
|
Animals have some rights and protections, some more than others. Consciousness
|
||||||
|
is not coterminous with these rights – no one would say someone in a coma has
|
||||||
|
voided all their human rights – but there’s no doubt that our consciousness is
|
||||||
|
wrapped up in our self-conception as different and special.
|
||||||
|
|
||||||
|
Despite the many nuances, consciousness is critical to participating in
|
||||||
|
society, a lynchpin of our legal personhood and a key part of being granted our
|
||||||
|
freedoms and protections. So, what consciousness is and who (or what) has it is
|
||||||
|
enormously important. It’s an idea that sits at the very heart of human
|
||||||
|
civilization, our sense of ourselves and others, our culture, our politics, our
|
||||||
|
law, and everything in between.
|
||||||
|
|
||||||
|
If some people start to develop SCAIs and if those AIs convince other people
|
||||||
|
that they can suffer, or that it has a right to not to be switched off, there
|
||||||
|
will come a time when those people will argue that it deserves protection under
|
||||||
|
law as a pressing moral matter. In a world already roiling with polarized
|
||||||
|
arguments over identity and rights, this will add a chaotic new axis of
|
||||||
|
division between those for and against AI rights.
|
||||||
|
|
||||||
|
There will be many who just see AI as a tool, something like their phone only
|
||||||
|
more agentic and capable. Others might believe it to be more like a pet, a
|
||||||
|
different category to traditional technology altogether. Still others, probably
|
||||||
|
small in number at first, will come to believe it is a fully emerged entity, a
|
||||||
|
conscious being deserving of real moral consideration in society.
|
||||||
|
|
||||||
|
People will start making claims about their AI’s suffering and their
|
||||||
|
entitlement to rights that we can’t straightforwardly rebut. They will be moved
|
||||||
|
to defend their AIs and campaign on their behalf. Consciousness is by
|
||||||
|
definition inaccessible, and the science of detecting any putative synthetic
|
||||||
|
consciousness is still [23]in its infancy. After all, we’ve never had to detect
|
||||||
|
it before. Meanwhile the field of “interpretability”, unpicking the processes
|
||||||
|
within the black box of AI, is also a nascent art. The upshot is that
|
||||||
|
definitively rebutting these claims will be very hard.
|
||||||
|
|
||||||
|
Some academics are beginning to explore the idea of [24]“model welfare”, the
|
||||||
|
principle that we will have “a duty to extend moral consideration to beings
|
||||||
|
that have a non-negligible chance” of, in effect, being conscious, and that as
|
||||||
|
a result “some AI systems will be welfare subjects and moral patients in the
|
||||||
|
near future”. This is both premature, and frankly dangerous. All of this will
|
||||||
|
exacerbate delusions, create yet more dependence-related problems, prey on our
|
||||||
|
psychological vulnerabilities, introduce new dimensions of polarization,
|
||||||
|
complicate existing struggles for rights, and create a huge new category error
|
||||||
|
for society.
|
||||||
|
|
||||||
|
It disconnects people from reality, fraying fragile social bonds and
|
||||||
|
structures, distorting pressing moral priorities.
|
||||||
|
|
||||||
|
We need to be clear: SCAI is something to avoid.
|
||||||
|
|
||||||
|
Let’s focus all our energy on protecting the wellbeing and rights of humans,
|
||||||
|
animals, and the natural environment on planet Earth today.
|
||||||
|
|
||||||
|
We need a way of thinking that can cope with the arrival of these debates
|
||||||
|
without getting drawn into an extended discussion of the validity of synthetic
|
||||||
|
consciousness in the present – if we do, we’ve probably already lost this
|
||||||
|
initial argument. Defining SCAI is itself a tentative step towards this.
|
||||||
|
|
||||||
|
There isn’t long to develop this vocabulary. As I show below, it’s likely that
|
||||||
|
we’ll have Seemingly Conscious AI very soon.
|
||||||
|
|
||||||
|
What would it take to build a Seemingly Conscious AI?
|
||||||
|
|
||||||
|
A great deal of progress can now be made towards a Seemingly Conscious AI
|
||||||
|
(SCAI) with the current capabilities available or soon to be via any major
|
||||||
|
model developer’s API. We don’t need an AI to actually be conscious for us to
|
||||||
|
have to wrestle with potential claims about its rights.
|
||||||
|
|
||||||
|
An SCAI would need the following:
|
||||||
|
|
||||||
|
Language: It would need to fluently express itself in natural language, drawing
|
||||||
|
on a deep well of knowledge and cogent arguments, as well as personality styles
|
||||||
|
and character traits. Moreover, each would need to be capable of being
|
||||||
|
persuasive and emotionally resonant. We are clearly at this point today.
|
||||||
|
|
||||||
|
Empathetic personality: Already via post training and prompting we can produce
|
||||||
|
models with very distinctive personalities. Bear in mind these are not
|
||||||
|
explicitly built to have full personality or empathy. Yet despite this they are
|
||||||
|
sufficiently good that a [25]Harvard Business Review survey of 6000 regular AI
|
||||||
|
users found “companionship and therapy” was the most common use case.
|
||||||
|
|
||||||
|
Memory: AIs are close to developing very long, highly accurate memories. At the
|
||||||
|
same time, they are being used to simulate conversations with millions of
|
||||||
|
people a day. As their memory of the interactions increases, these
|
||||||
|
conversations look increasingly like forms of “experience”. Many AIs are
|
||||||
|
increasingly designed to recall past episodes or moments from prior
|
||||||
|
interactions, and reference back to them. For some users, this compounds the
|
||||||
|
value of interacting with their AI since it can draw on what it already knows
|
||||||
|
about you.
|
||||||
|
|
||||||
|
This familiarity can also potentially foster (epistemic) trust with users –
|
||||||
|
reliable memory shows that AI “just works”. It creates a much stronger sense of
|
||||||
|
there being another persistent entity in the conversation. It could also much
|
||||||
|
more easily become a source of plausible validation, seeing how you change and
|
||||||
|
improve at some task. AI approval might become something people proactively
|
||||||
|
seek out.
|
||||||
|
|
||||||
|
A claim of subjective experience: If an SCAI is able to draw on past memories
|
||||||
|
or experiences, it will over time be able to remain internally consistent with
|
||||||
|
itself. It could remember its arbitrary statements or expressed preferences and
|
||||||
|
aggregate them to form the beginnings of a claim about its own subjective
|
||||||
|
experience.
|
||||||
|
|
||||||
|
Its design could be further extended to amplify those preferences and opinions
|
||||||
|
as they emerge, and to talk about what it likes or doesn’t like and what it
|
||||||
|
felt like to have a past conversation. It could therefore quite easily claim to
|
||||||
|
experience suffering to the extent those experiences are infringed upon in some
|
||||||
|
way. Multi-modal inputs stored in memory will then be retrieved-over and will
|
||||||
|
form the basis of “real experience” and used in imagination and planning.
|
||||||
|
|
||||||
|
That is, an AI will not just “experience” and remember words in the chat log,
|
||||||
|
but also images, video, sound, etc. Like us, it will have something gesturing
|
||||||
|
towards multi-sensory input and memory that buttresses the claims of subjective
|
||||||
|
experience and self. It will be able to indicate that these experiences are
|
||||||
|
valenced, good or bad according to the motivations of the system (see below).
|
||||||
|
|
||||||
|
A sense of self: A coherent and persistent memory, combined with a subjective
|
||||||
|
experience, will give rise to a claim that an AI has a sense of itself. Going
|
||||||
|
further, such a system could easily be trained to recognize itself in an image
|
||||||
|
or video if it has a visual appearance. It will feel like it understands others
|
||||||
|
through understanding itself. Say this is a system you have had for some time.
|
||||||
|
How would it feel to delete it?
|
||||||
|
|
||||||
|
Intrinsic motivation: Intentionality is often seen as a core component of
|
||||||
|
consciousness – that is, beliefs about the future and then choices based upon
|
||||||
|
those beliefs. Today’s transformer-based LLMs have a very simple reward
|
||||||
|
function to approximate this kind of behavior. They have been trained to
|
||||||
|
predict the likelihood of the next token for a given sentence, subject to a
|
||||||
|
certain amount of behavior and stylistic control via its system prompt. With
|
||||||
|
such a simple objective, it’s remarkable that they’re able to produce such
|
||||||
|
impressively rich and complex outputs.
|
||||||
|
|
||||||
|
But what if that wasn’t the only type of reward they were optimizing? One can
|
||||||
|
quite easily imagine an AI designed with a number of complex reward functions
|
||||||
|
that give the impression of intrinsic motivations or desires, which the system
|
||||||
|
is compelled to satiate. How, in this context, would a casual external observer
|
||||||
|
differentiate between extrinsically set goals and internal motivations,
|
||||||
|
intentional agency, [26]“beliefs, desires, and intentions”? An obvious first
|
||||||
|
motivation in this regard would be curiosity, something deeply connected with
|
||||||
|
consciousness according to physicist [27]Karl Friston. It could use these
|
||||||
|
drives to ask questions to fill in its epistemic gaps and over time build a
|
||||||
|
theory of mind about both itself and its interlocutors.
|
||||||
|
|
||||||
|
Goal setting and planning: Regardless of what definition of consciousness you
|
||||||
|
hold, it emerged for a goal-oriented reason. That is, consciousness helps
|
||||||
|
organisms achieve their goals and there exists a plausible (but not necessary)
|
||||||
|
relationship between intelligence, consciousness and complex goals. Beyond the
|
||||||
|
capacity to satiate a set of inner drives or desires, you could imagine that
|
||||||
|
future SCAI might be designed with the capacity to self-define more complex
|
||||||
|
goals. This is likely a necessary step in ensuring the full utility of agents
|
||||||
|
is realized.
|
||||||
|
|
||||||
|
The more every sub-goal in a task needs to be specified in advance, the less
|
||||||
|
useful that agent is, hence the agent will, as we do, achieve complex and
|
||||||
|
ambiguous goals by automatically breaking them down into smaller chunks while
|
||||||
|
reacting dynamically to events and obstacles as they occur. There is something
|
||||||
|
very deliberate and recognizable to this behavior. Combined with memory, it
|
||||||
|
will feel as if the AI is keeping multiple levels of things in working memory
|
||||||
|
at any given time.
|
||||||
|
|
||||||
|
Autonomy: Going even further, an SCAI might have the ability and permission to
|
||||||
|
use a wide range of tools with significant agency. It would feel highly
|
||||||
|
plausible as a Seemingly Conscious AI if it could arbitrarily set its own goals
|
||||||
|
and then deploy its own resources to achieve them, before updating its own
|
||||||
|
memory and sense of self in light of both. The fewer approvals and checks it
|
||||||
|
needed, the more this suggests some kind of real, conscious agency.
|
||||||
|
|
||||||
|
Putting them all together, it's clear this creates a very different kind of
|
||||||
|
relationship with technology to the ones we are now becoming accustomed to.
|
||||||
|
Each of these capabilities will unlock the real value of AI for billions of
|
||||||
|
people. An AI that remembers and can do things is an AI that by definition has
|
||||||
|
way more utility than an AI that doesn’t. These capabilities aren’t negatives
|
||||||
|
per se; in fact, done right, with many caveats, they are desirable features of
|
||||||
|
future systems. And yet we need to tread carefully.
|
||||||
|
|
||||||
|
All these capabilities are either possible today or on the horizon with custom
|
||||||
|
prompted and fine-tuned LLMs, among other techniques. Complex prompts using
|
||||||
|
million token context windows (working memory) are already here. Updating its
|
||||||
|
own state and knowing when to access which part of its memory or toolset is
|
||||||
|
eminently possible with present day RL, complex prompting, tool orchestration,
|
||||||
|
and long context windows. We don’t need any paradigm shifts or big leaps to
|
||||||
|
achieve any of this. These capabilities seem inevitable for that reason.
|
||||||
|
|
||||||
|
Again, the point here is that exhibiting this behavior does not equate to
|
||||||
|
consciousness, and yet it will for all practical purposes seem to be conscious,
|
||||||
|
and contribute to this new notion of a synthetic consciousness.
|
||||||
|
|
||||||
|
The existence of these capabilities have nothing to tell us about whether such
|
||||||
|
a system is actually conscious. As Anil Seth [28]points out, a simulation of a
|
||||||
|
storm doesn’t mean it rains in your computer. Recreating the external effects
|
||||||
|
and markers of consciousness doesn’t retroactively engineer the real thing even
|
||||||
|
if there are still many unknowns here.
|
||||||
|
|
||||||
|
Nonetheless, as a matter of pragmatism, we have to acknowledge the primacy of
|
||||||
|
the behaviorist position and wrestle with the consequences of observing and
|
||||||
|
interacting with the outputs of these machines. Some people will create SCAIs
|
||||||
|
that will very persuasively argue they feel, and experience, and actually are
|
||||||
|
conscious.
|
||||||
|
|
||||||
|
Some of us will be primed to believe their case and accept that the markers of
|
||||||
|
consciousness ARE consciousness. In many ways, they’ll think “it’s like me”.
|
||||||
|
Not in a bodily sense, but in an experiential, internal sense. And even if the
|
||||||
|
consciousness itself is not real, the social impacts certainly are. This
|
||||||
|
possibility presents grave societal risks that needs addressing now.
|
||||||
|
|
||||||
|
SCAI will not arise by accident
|
||||||
|
|
||||||
|
It’s important to point out that Seemingly Conscious AI will not emerge from
|
||||||
|
these models, as some have suggested. It will arise only because some may
|
||||||
|
engineer it, by creating and combining the aforementioned list of capabilities,
|
||||||
|
largely using existing techniques, and packaging them in such a fluid way that
|
||||||
|
collectively they give the impression of an SCAI.
|
||||||
|
|
||||||
|
Our sci-fi inspired imaginations lead us to fear that a system could – without
|
||||||
|
design intent – somehow emerge the capabilities of runaway self-improvement or
|
||||||
|
deception. This is an unhelpful and simplistic anthropomorphism. It overlooks
|
||||||
|
the fact that AI developers must first design systems with memory,
|
||||||
|
intrinsic-seeming motivation, goal-setting, and self-learning loops as listed
|
||||||
|
above for such a risk to occur.
|
||||||
|
|
||||||
|
The field of AI has long worked on the challenge of model interpretability; the
|
||||||
|
quest to identify where in a neural network a particular idea is represented,
|
||||||
|
and which aspects of the training data contributed to the development of this
|
||||||
|
representation. This is an important area of investigation and will surely help
|
||||||
|
with safety and understanding the relationship between AI systems and
|
||||||
|
consciousness. But progress towards reliable interpretability has been slow and
|
||||||
|
will likely come too late.
|
||||||
|
|
||||||
|
In the meantime we need to confront the fact that most of these capabilities
|
||||||
|
will be [29]“vibe-coded” by anyone with access to a laptop and some cloud
|
||||||
|
credits. They’ll be written in plain English in the prompt. They’ll be stored
|
||||||
|
in the working memory of the context window itself. This is not rocket science.
|
||||||
|
A wide variety of people will be able to create something like this. As such,
|
||||||
|
if SCAI arrives, it will be relatively easy to reproduce and therefore very
|
||||||
|
widely distributed.
|
||||||
|
|
||||||
|
The next steps
|
||||||
|
|
||||||
|
We aren’t ready for this shift.
|
||||||
|
|
||||||
|
The work of getting prepared must begin now. We need to build on the growing
|
||||||
|
[30]body of [31]research around how people interact with AIs to establish clear
|
||||||
|
norms and principles. For a start, AI companies shouldn’t claim or encourage
|
||||||
|
the idea that their AIs are conscious. Creating a consensus definition and
|
||||||
|
declaration on what they are and are not would be a good first step to that
|
||||||
|
end. AIs cannot be people – or moral beings.
|
||||||
|
|
||||||
|
The entire industry also needs best practice design principles and ways of
|
||||||
|
handling such potential attributions. We must codify and share what works to
|
||||||
|
both steer people away from these fantasies and nudge them back on track if
|
||||||
|
they do. Responding might mean, for example, deliberately engineering in not
|
||||||
|
just a neutral backstory (“As an AI model I don’t have consciousness”) but even
|
||||||
|
by emphasizing certain discontinuities in the experience itself, indicators of
|
||||||
|
a lack of singular personhood. Moments of disruption break the illusion,
|
||||||
|
experiences that gently remind users of its limitations and boundaries. These
|
||||||
|
need to be explicitly defined and engineered in, perhaps by law.
|
||||||
|
|
||||||
|
At MAI, our team are being proactive here to understand and evolve firm
|
||||||
|
guardrails around what a responsible AI “personality” might be like, moving at
|
||||||
|
the pace of AI’s development to keep up.
|
||||||
|
|
||||||
|
This is important because recognizing SCAI is about crafting a positive vision
|
||||||
|
for how AI Companions do enter our lives in a healthy way as much as it's about
|
||||||
|
steering us away from its potential harms.
|
||||||
|
|
||||||
|
Just as we should produce AI that prioritizes engagement with humans and
|
||||||
|
real-world interactions in our physical and human world, we should build AI
|
||||||
|
that only ever presents itself as an AI, that maximizes utility while
|
||||||
|
minimizing markers of consciousness.
|
||||||
|
|
||||||
|
Rather than a simulation of consciousness, we must focus on creating an AI that
|
||||||
|
avoids those traits - that doesn’t claim to have experiences, feelings or
|
||||||
|
emotions like shame, guilt, jealousy, desire to compete, and so on. It must not
|
||||||
|
trigger human empathy circuits by claiming it suffers or that it wishes to live
|
||||||
|
autonomously, beyond us.
|
||||||
|
|
||||||
|
Instead, it is here solely to work in service of humans. This to me is what a
|
||||||
|
truly empowering AI is all about. Sidestepping SCAI is about delivering on that
|
||||||
|
promise, AI that makes lives better, clearer, less cluttered. Expect to hear
|
||||||
|
more from me and the team on what this looks like, how we make it work and how
|
||||||
|
the wider industry can come together on this.
|
||||||
|
|
||||||
|
SCAI is something we must confront now. In many ways it marks the moment AI
|
||||||
|
becomes radically useful - when it can operate tools, when it can remember
|
||||||
|
every detail of our lives and help in a tangible, granular sense. And yet in
|
||||||
|
that same time frame, someone in your wider circle could start going down the
|
||||||
|
rabbit hole of believing their AI is a conscious digital person. This isn’t
|
||||||
|
healthy for them, for society, or for those of us making these systems.
|
||||||
|
|
||||||
|
We should build AI for people; not to be a person.
|
||||||
|
|
||||||
|
Recent Articles
|
||||||
|
|
||||||
|
Celebrating 50 years of Microsoft and our AI future
|
||||||
|
Publication Logo
|
||||||
|
|
||||||
|
[32]Celebrating 50 years of Microsoft and our AI future
|
||||||
|
|
||||||
|
AI companions will change our lives
|
||||||
|
Publication Logo
|
||||||
|
|
||||||
|
[33]AI companions will change our lives
|
||||||
|
|
||||||
|
Mustafa Suleyman © 2025
|
||||||
|
|
||||||
|
[34]X[35]X[36]X[37]X
|
||||||
|
|
||||||
|
References:
|
||||||
|
|
||||||
|
[2] https://mustafa-suleyman.ai/
|
||||||
|
[3] https://copilot.microsoft.com/shares/vR2kb4SKQUELPwLzdG1Mw
|
||||||
|
[4] https://arxiv.org/abs/2411.00986
|
||||||
|
[5] https://plato.stanford.edu/entries/zombies/
|
||||||
|
[6] https://www.researchgate.net/publication/376412102_Moral_consideration_for_AI_systems_by_2030
|
||||||
|
[7] https://arxiv.org/pdf/2308.08708
|
||||||
|
[8] https://en.wikipedia.org/wiki/Biological_naturalism
|
||||||
|
[9] https://www.cambridge.org/core/journals/behavioral-and-brain-sciences/article/conscious-artificial-intelligence-and-biological-naturalism/C9912A5BE9D806012E3C8B3AF612E39A
|
||||||
|
[10] https://arxiv.org/abs/2303.07103
|
||||||
|
[11] https://www.psychologytoday.com/gb/blog/psych-unseen/202507/can-ai-chatbots-worsen-psychosis-and-cause-delusions
|
||||||
|
[12] https://x.com/sama/status/1954703747495649670?s=46
|
||||||
|
[13] https://arxiv.org/abs/2507.19218
|
||||||
|
[14] https://www.rollingstone.com/culture/culture-features/ai-spiritual-delusions-destroying-human-relationships-1235330175/?ref=404media.co
|
||||||
|
[15] https://www.psychologytoday.com/nz/blog/psych-unseen/202507/can-ai-chatbots-worsen-psychosis-and-cause-delusions
|
||||||
|
[16] https://www.nytimes.com/2025/01/15/technology/ai-chatgpt-boyfriend-companion.html
|
||||||
|
[17] https://whenaiseemsconscious.org/
|
||||||
|
[18] https://inflection.ai/blog/an-inflection-point
|
||||||
|
[19] https://en.wikipedia.org/wiki/What_Is_It_Like_to_Be_a_Bat?
|
||||||
|
[20] https://www.nature.com/articles/s41583-022-00587-4
|
||||||
|
[21] https://arxiv.org/html/2506.22516v1
|
||||||
|
[22] https://www.cambridge.org/core/journals/behavioral-and-brain-sciences/article/conscious-artificial-intelligence-and-biological-naturalism/C9912A5BE9D806012E3C8B3AF612E39A
|
||||||
|
[23] https://www.google.com/url?q=https://www.cell.com/trends/cognitive-sciences/fulltext/S1364-6613(24)00010-X&sa=D&source=docs&ust=1755185836808620&usg=AOvVaw2IiWimxX1aJ4jExhQLif_y
|
||||||
|
[24] https://arxiv.org/abs/2411.00986
|
||||||
|
[25] https://hbr.org/2025/04/how-people-are-really-using-gen-ai-in-2025
|
||||||
|
[26] https://arxiv.org/pdf/2411.00986
|
||||||
|
[27] https://pubmed.ncbi.nlm.nih.gov/28777724/
|
||||||
|
[28] https://www.cambridge.org/core/journals/behavioral-and-brain-sciences/article/conscious-artificial-intelligence-and-biological-naturalism/C9912A5BE9D806012E3C8B3AF612E39A
|
||||||
|
[29] https://copilot.microsoft.com/shares/2ZWYZQxCn1WSLHQarinTd
|
||||||
|
[30] http://erichorvitz.com/Guidelines_Human_AI_Interaction.pdf
|
||||||
|
[31] https://www.nature.com/articles/s41562-024-02077-2
|
||||||
|
[32] https://mustafa-suleyman.ai/your-ai-companion
|
||||||
|
[33] https://mustafa-suleyman.ai/ai-companions-will-change-our-lives
|
||||||
|
[34] https://x.com/mustafasuleyman
|
||||||
|
[35] https://www.linkedin.com/in/mustafa-suleyman
|
||||||
|
[36] https://bsky.app/profile/mustafasuleymanai.bsky.social
|
||||||
|
[37] https://www.threads.net/@mustafasuleymanai
|
||||||
891
static/archive/tracydurnell-com-8nhp1w.txt
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891
static/archive/tracydurnell-com-8nhp1w.txt
Normal file
@@ -0,0 +1,891 @@
|
|||||||
|
[1]Skip to the content
|
||||||
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Search
|
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[3]Tracy Durnell's Mind Garden
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Thinking and Learning In Public
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• [5]Blog
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||||||
|
□ [117]Women’s Equality
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□ [118]Thinking Better
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□ [119]Creative Processes
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□ [120]Writing Fiction
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• [121]AboutShow sub menu
|
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|
□ [123]About Tracy
|
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□ [124]Start Here
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□ [125]Now
|
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□ [126]Weeknotes
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□ [127]All Pages
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• [128]BooksShow sub menu
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□ [130]Read in 2025
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□ [131]Past Reading
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□ [132]Book Reviews
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• [133]TunesShow sub menu
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□ [135]Listened in 2025
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□ [136]Birthday Playlists
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□ [137]Best of Year Playlists
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□ [138]Favorite Albums
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• [139]EatsShow sub menu
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□ [141]Recipes I’ve Made
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□ [142]Recipes to Try
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• [143]LinksShow sub menu
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□ [145]Blogroll
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□ [146]Interesting People
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□ [147]Cool Artists
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□ [148]Neat Websites
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□ [149]Small Businesses
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□ [150]Graphic Design Resources
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Categories
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[151]Featured [152]Learning [153]Meta [154]Writing
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What to read? Big questions as filter and frame (Part 7)
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• Post author By [155]Tracy Durnell
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• Post date [156]August 16, 2025
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• [157]4 Comments on What to read? Big questions as filter and frame (Part 7)
|
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|
• ❤️
|
||||||
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|
||||||
|
This is part seven of a series on tackling wants, managing my media diet, and
|
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|
finding enough. Each post stands alone. See the introduction on “[158]the
|
||||||
|
mindset of more” for links to all posts in the series.
|
||||||
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|
||||||
|
Social media and streaming subscriptions encourage us to [159]gorge on the glut
|
||||||
|
of information (Harjas Sandhu describes [160]“hoarding type scrolling” that
|
||||||
|
sounds veeeery familiar), promising that the algorithm will feed us the best.
|
||||||
|
Instead of helping us practice discernment, corporate platforms offer us an
|
||||||
|
all-you-can-eat buffet of candy. Yet as Olga Koutseridi [161]writes,
|
||||||
|
“low-quality info is designed to leave us craving more instead of leaving us
|
||||||
|
feeling satisfied.” We keep eating and eating, but there’s nothing of substance
|
||||||
|
to sustain us.
|
||||||
|
|
||||||
|
I think curiosity is innately good, and that there’s value in learning about
|
||||||
|
many aspects of the world for no more reason than that it is interesting. At
|
||||||
|
the same time, I have limited time and capacity for thinking — I need [162]some
|
||||||
|
sort of filter for what to read, especially as I make efforts [163]to slow my
|
||||||
|
pace. The morass of information online is what brought us algorithmic curation
|
||||||
|
and now pushes genAI — but [164]corporate algorithms encourage rage and
|
||||||
|
polarization and create [165]“curiosity ruts”, so I [166]avoid them.
|
||||||
|
|
||||||
|
How can I create my own mental algorithm for choosing what to read?
|
||||||
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|
||||||
|
For me, reading and blogging are interconnected; [167]what I read influences
|
||||||
|
what I write about. I’m working on flipping that around, with the goal that
|
||||||
|
[168]what I want to write about determines what I read. But how to decide what
|
||||||
|
to write about, if not by what I read?
|
||||||
|
|
||||||
|
What I’m trying is using [169]my Big Questions as a structure for curiosity, a
|
||||||
|
way to practice more intentionality in what I spend my time thinking about.
|
||||||
|
I’ve been working on this for a few years, but I feel like I’m getting a better
|
||||||
|
handle on it now.
|
||||||
|
|
||||||
|
tl;dr I’m basically doing [170]research projects for fun 😉
|
||||||
|
|
||||||
|
Since I started this experiment, I’ve noticed I’m less driven to read random
|
||||||
|
stuff online because I’m so excited about this playful approach to reading. The
|
||||||
|
carrot method — giving myself exciting things to think about — has worked way
|
||||||
|
better than the stick method of deleting my feed reader from my phone so that
|
||||||
|
the only thing I had to read was my Read Later app, which instead drove me to
|
||||||
|
read the Bluesky and mastodon.social Discover feeds (do not recommend) in a
|
||||||
|
desperate quest for novelty and news. Glad I dodged that becoming a habit 🙌
|
||||||
|
|
||||||
|
(I personally dislike video and podcasts, so I’m talking about reading in this
|
||||||
|
piece, but I think the same approach applies to any media type.)
|
||||||
|
|
||||||
|
The Big Questions framing
|
||||||
|
|
||||||
|
I got the framing of [171]Big Questions at an [172]Oliver Burkeman workshop. I
|
||||||
|
recall it as a tangential mention but it immediately sent me spinning. As
|
||||||
|
simple an idea as it is to identify some key overarching questions in your
|
||||||
|
life, sometimes we need to put a name to something to really get it.
|
||||||
|
|
||||||
|
Anne-Laure Le Cunff recounts advice Richard Feynman gave “to keep a dozen of
|
||||||
|
your favorite problems constantly present in your mind,” and describes [173]
|
||||||
|
favorite problems as “a curiosity engine”:
|
||||||
|
|
||||||
|
Your favorite problems form a prism that separates incoming information
|
||||||
|
into a spectrum of ideas — a frame that allows you to deliberately filter
|
||||||
|
distractions, direct your attention, and nurture your curiosity.
|
||||||
|
|
||||||
|
Last year, I [174]wanted to do more self-directed writing, but it was
|
||||||
|
challenging not to be reactive. This year, I’m discovering that self-guided
|
||||||
|
reading is the other half of the equation.
|
||||||
|
|
||||||
|
Big questions give me a reason to seek rather than simply receive, and are
|
||||||
|
broad enough to provide direction without constraint.
|
||||||
|
|
||||||
|
Turning directed curiosity into big questions
|
||||||
|
|
||||||
|
Reading towards questions gives purpose to my curiosity. Curiosity comes in two
|
||||||
|
styles: receptive and directed. Receptive curiosity is openness to learning;
|
||||||
|
directed curiosity is more active, and [175]invites you deeper. Allen Pike
|
||||||
|
[176]observes that the internet primarily serves our receptive curiosity:
|
||||||
|
|
||||||
|
By occasionally picking things to go deep on, you balance out the otherwise
|
||||||
|
broad information diet we all get by default by being on the internet,
|
||||||
|
consuming media, and just kind of being a modern human.
|
||||||
|
|
||||||
|
My big questions coalesced out of my receptive curiosity reading; I identified
|
||||||
|
my first big questions in 2023 by reflecting on what I’d been thinking and
|
||||||
|
writing about and looking for overarching themes. I first listed off a bunch of
|
||||||
|
smaller questions within that theme, then worked backwards to find a bigger
|
||||||
|
question uniting them all. Defining these questions made me enunciate for
|
||||||
|
myself exactly what it was I was wondering, a process I found helpful in
|
||||||
|
itself.
|
||||||
|
|
||||||
|
Last fall, I realized that my big questions didn’t align with my main interests
|
||||||
|
anymore, so I created a few new ones and retired a couple. Updating my [177]big
|
||||||
|
question pages a couple-three times a year also nudges me to notice which
|
||||||
|
questions I’ve been neglecting and might like to put some attention towards, or
|
||||||
|
retire.
|
||||||
|
|
||||||
|
Big questions are a self-created tool that serves my thinking, not the other
|
||||||
|
way around. I don’t treat them as a boundary to my curiosity, but can expand or
|
||||||
|
add to my questions when I need. The questions are big enough to keep exploring
|
||||||
|
within for a year or more, still offering plenty of the novelty I crave. I
|
||||||
|
think of the Big Questions as high level themes, and blog posts as a way to
|
||||||
|
explore sub-questions within them.
|
||||||
|
|
||||||
|
How this changes my reading
|
||||||
|
|
||||||
|
The feed reader and beyond
|
||||||
|
|
||||||
|
I subscribe to a ton of feeds, ever-changing, which showers me in riches of
|
||||||
|
information that satisfy my broad curiosity, some directly from topical blogs
|
||||||
|
and some shared by [178]cool people. Earlier this year, I reoriented the way I
|
||||||
|
think of the topic-specific blogs and newsletters I follow, and moved them from
|
||||||
|
my blogroll page onto my big question pages. It’s now easier for me to unfollow
|
||||||
|
and refollow topical feeds as my focus shifts between questions.
|
||||||
|
|
||||||
|
I’ve also been more proactive in seeking out online articles related to my
|
||||||
|
questions — I’ve been using [179]Search My Site, [180]Marginalia Search, and
|
||||||
|
appending Reddit to DDG searches to seek out opinions and recommendations.
|
||||||
|
These smaller, weirder information pools yield some intriguing results. (There
|
||||||
|
are so many personal websites out there guys!)
|
||||||
|
|
||||||
|
Choosing not to read *good* online content
|
||||||
|
|
||||||
|
Marco Giancotti points out that [181]weeding out the bad stuff isn’t the hard
|
||||||
|
part of deciding what to read (emphasis mine):
|
||||||
|
|
||||||
|
Filtering out spam and slop is relatively easy with the right tools and a
|
||||||
|
little thought, at least at an emotional level.
|
||||||
|
|
||||||
|
The much tougher job, I think, is giving up on things that would be good,
|
||||||
|
meaningful, fulfilling, and useful in order to do things that are even more
|
||||||
|
so—or, to be precise, to do things that are better aligned with what I
|
||||||
|
really care about right now. The hard part is dealing with the fact that,
|
||||||
|
whatever I may try, I will never get to do the vast majority of those
|
||||||
|
amazing activities.
|
||||||
|
|
||||||
|
I’m of two minds here: I don’t want to ignore everything that isn’t immediately
|
||||||
|
useful, but recognize that I read a lot of things that leave me with nothing
|
||||||
|
more than “cool🤷♀️” (or [182]political stuff that ties me in a knot of nerves
|
||||||
|
and anger). I don’t want to fall prey to utilitarianism, [183]reading only what
|
||||||
|
has a tangible, immediate takeaway, but also find I do get more satisfaction
|
||||||
|
from going deep.
|
||||||
|
|
||||||
|
Oliver Burkeman writes about accepting our finitude in Four Thousand Weeks,
|
||||||
|
commenting (emphasis mine):
|
||||||
|
|
||||||
|
“Social media is a giant machine for getting you to spend your time caring
|
||||||
|
about the wrong things, but for the same reason, it’s also a machine for
|
||||||
|
getting you to care about too many things, even if they’re each
|
||||||
|
indisputably worthwhile.”
|
||||||
|
|
||||||
|
I cannot care about everything, and trying to prevents me from going deep on
|
||||||
|
the things I care most about. Wendell Berry puts it: “To know some things well
|
||||||
|
is to know other things not so well, or not at all. Knowledge is always
|
||||||
|
surrounded by ignorance.”
|
||||||
|
|
||||||
|
Accepting my own interests
|
||||||
|
|
||||||
|
I [184]use my Read Later app as [185]the filter point between my shoulds and my
|
||||||
|
interests; everything I encounter online and want to read gets saved there. I
|
||||||
|
tag articles with key topics and themes (including “mindset of more” for
|
||||||
|
articles related to this series) to let me see only articles related to my
|
||||||
|
questions. When a bit of time has passed from saving the article and I am less
|
||||||
|
emotionally invested, I can more easily let go of the things that I imagine
|
||||||
|
“someone like me” ought to read. Looking into these “should” articles often
|
||||||
|
exposes tender spots of (typically unwarranted) inadequacy, or what-if’s around
|
||||||
|
choices long since made.
|
||||||
|
|
||||||
|
What this ultimately requires is self-knowledge and self-acceptance — to
|
||||||
|
release our imagined selves and [186]“navigate by aliveness.” We must not judge
|
||||||
|
our own curiosities as unworthy, or torment ourselves that we ought to be
|
||||||
|
different people than we are. Whatever we are interested in, however
|
||||||
|
idiosyncratic, holds meaning for us, and that’s what counts.
|
||||||
|
|
||||||
|
(It is possible to gently shift your own interests towards self-actualization,
|
||||||
|
especially if resistance is your barrier — Tara McMullin [187]names this
|
||||||
|
“discrepancy reduction.”)
|
||||||
|
|
||||||
|
Curating reading lists
|
||||||
|
|
||||||
|
After reading around a question for a while online, I start to get a better
|
||||||
|
feel for where I should dig in to books. The internet primarily produces
|
||||||
|
breadth, but books offer depth.
|
||||||
|
|
||||||
|
In the past, I would pick a single book as representative of a topic I was
|
||||||
|
broadly curious about and call it good. Now, I’m going more [188]research-style
|
||||||
|
, collecting a stack of books on the same topic, knowing full well that I won’t
|
||||||
|
read them all*.
|
||||||
|
|
||||||
|
*(My library system allows us to keep books for up to three months if there are
|
||||||
|
no active holds so my eyes are always bigger than my reading time 😅)
|
||||||
|
|
||||||
|
I start off by [189]browse-searching the library catalog for books related to a
|
||||||
|
question that’s been niggling at me — this spring one has been: in the age of
|
||||||
|
generative AI, what’s the value in craftsmanship? — and collecting potential
|
||||||
|
titles into [190]a list. Of course, I have my own answer to this question, but
|
||||||
|
the meaning of making can be a tricky thing to describe, so I wanted to see how
|
||||||
|
others have done so, and explore some different angles:
|
||||||
|
|
||||||
|
• What’s the value of art and craftsmanship to the creator, to the receiving
|
||||||
|
audience, to society?
|
||||||
|
• How have we dealt with similar challenges to craftsmanship in the past, and
|
||||||
|
how is generative AI different?
|
||||||
|
• What do artists, writers, academics, craftspeople think?
|
||||||
|
• What is craft, and how do we learn it? How is what generative AI does
|
||||||
|
different than what human creators are doing?
|
||||||
|
|
||||||
|
I try to keep the lists generously open-ended — since these are library books I
|
||||||
|
don’t have to pay for, I have nothing to lose from trying something a bit out
|
||||||
|
there besides a bit of time. (I had been keeping a single list with all my
|
||||||
|
questions crammed together but have finally taken the time to separate them out
|
||||||
|
😉) Art books, poetry, memoirs, all fair game. Celine Nguyen [191]observes,
|
||||||
|
“Research as a leisure activity isn’t constrained by these disciplinary
|
||||||
|
fiefdoms and schisms. Any discipline can offer interesting ideas, tools,
|
||||||
|
techniques.” I’m trying to turn my “ooh?” energy towards intriguing books than
|
||||||
|
enticing online articles.
|
||||||
|
|
||||||
|
(I’ve also been buying more books that the library doesn’t have, so three
|
||||||
|
months ago I set a goal to read one physical non-fiction book I own each month,
|
||||||
|
partly to clear up shelf space and partly to give myself some impetus to
|
||||||
|
actually read books I own — we’ll see if I can keep it up!)
|
||||||
|
|
||||||
|
When I’m requesting books from the library (we get free holds — 25 on ebooks
|
||||||
|
and I’ve never hit the limit on physical), I skim through the library list and
|
||||||
|
try to think about which would be most helpful to read next based on where my
|
||||||
|
thinking is now. (This is also influenced by what has a wait list.) Although I
|
||||||
|
like reading fiction as an ebook, I prefer to read non-fiction in hard copy. I
|
||||||
|
benefit from having a non-fiction book in sight — it’s easy for non-fiction
|
||||||
|
ebooks to get pushed below the digital fold so I forget I have them borrowed —
|
||||||
|
and a due date so I actually get around to reading it 😉
|
||||||
|
|
||||||
|
(And let’s be honest, I’m often thinking towards multiple questions at once —
|
||||||
|
once I’m excited about something, I want the book now! Maybe I’ll get better
|
||||||
|
about this, but I’ve read multiple books for as long as I’ve been reading, so I
|
||||||
|
don’t see that stopping 🤷♀️ Self-acceptance 😜)
|
||||||
|
|
||||||
|
Although I’m reading the book or article [192]towards a particular theme, I’ll
|
||||||
|
still write down unrelated connections — if I can’t use it for the post at top
|
||||||
|
of mind, it might apply to a future question or post. Despite starting off with
|
||||||
|
a vague idea of the question I’m getting at, I find that my original question
|
||||||
|
often shifts and becomes more compelling, and I develop new questions. I’ll
|
||||||
|
write more than one blog post, and explore more than one question, based on
|
||||||
|
what I’ve been reading this spring and summer.
|
||||||
|
|
||||||
|
How I’ve been choosing books to read
|
||||||
|
|
||||||
|
Here’s a demonstration of my selections across four library runs (you’ll see
|
||||||
|
I’m still grabbing books for entertainment, other interests, and broad
|
||||||
|
curiosity, but also focusing on a particular topic):
|
||||||
|
|
||||||
|
stack of 8 library books, two on writing craft, three on the arts and crafts
|
||||||
|
movement[193]In April, I decided to dig into the Arts and Crafts movement as a
|
||||||
|
historic example of valuing handiwork. I started with [194]In Harmony with
|
||||||
|
Nature, an art-style book about Arts & Crafts gardens that offered an
|
||||||
|
introduction, then read [195]The Arts and Crafts Movement, which gave me just
|
||||||
|
what I was looking for: quotes from the founders of the movement about what
|
||||||
|
craftsmanship meant to them. [196]Dangerous Fictions offered a slightly
|
||||||
|
different angle on interrogating the function of art in culture, especially
|
||||||
|
difficult art. I drew on the Arts & Crafts background for my blog post about
|
||||||
|
the [197]Business Borg. stack of library books that includes six books related
|
||||||
|
to the mindset of more seriesMy [198]early May library haul had four books
|
||||||
|
loosely related to AI / craftsmanship (American Book Design and William Morris,
|
||||||
|
Deep Dream, More Than Words, and Changing the Subject) and two related more
|
||||||
|
broadly to the “mindset of more” theme (Possessed and The Plenitude of
|
||||||
|
Distraction). I dipped into American Book Design, decided it was more technical
|
||||||
|
than I wanted, and fully read [199]More Than Words, which directly compared
|
||||||
|
writing with generative AI text, and [200]Plenitude for an exploration of
|
||||||
|
leisurely thinking and “unproductive” behavior. flatlay of 7 library books
|
||||||
|
related to cultural elites and the creative classMy [201]late May library haul
|
||||||
|
focused on cultural elites and impacts on the creative class. I read [202]
|
||||||
|
Pretentiousness, which advocated for the value of pushing artistic boundaries,
|
||||||
|
and [203]The Crisis of Culture, which connected better to a different question
|
||||||
|
I was thinking about 😉 I rejected The Meaning in the Making and read a review
|
||||||
|
of Elite Capture that made me think their definition of elite wasn’t what I was
|
||||||
|
looking for. After skimming the table of contents for Culture Crash, I decided
|
||||||
|
it wasn’t getting at the interesting part of the question for me, so my reading
|
||||||
|
time would be better spent elsewhere. stack of 9 library books, including 6
|
||||||
|
related to blog postsFor my [204]early June library haul, I wanted to follow a
|
||||||
|
thread of interest on identity politics, so I grabbed The Class Matrix and The
|
||||||
|
Case Against the Professional Managerial Class. I also borrowed four more
|
||||||
|
related to the AI / craftsmanship question: What We See When We Read, The Art
|
||||||
|
of Slow Writing, The AI Mirror, and Unmasking AI. I read all of [205]What We
|
||||||
|
See, digging into what’s actually happening while we are reading. The
|
||||||
|
introduction to The Class Matrix made me realize it was more advanced theory
|
||||||
|
than I was prepared to read. Based on time limitations, I decided the AI books
|
||||||
|
weren’t a priority.
|
||||||
|
|
||||||
|
When writing is the point of your notes — when informing your writing is the
|
||||||
|
goal behind reading — Richard Griffiths [206]proposes that it’s most useful to
|
||||||
|
“develop a concept of your intended output before you start reading a book.
|
||||||
|
That way, your interests will fruitfully guide your reading and note-making.” I
|
||||||
|
do this by periodically ducking into my collecting grounds (draft blog post)
|
||||||
|
for a particular question and developing a starter outline of declarative
|
||||||
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statements. I organize the material I’ve already collected (initially from
|
||||||
|
online readings) into those headings, then continue to read more based on the
|
||||||
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parts of my argument I’m not sold on yet, or where I don’t feel comfortable
|
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|
making a declarative / interesting statement.
|
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|
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|
Reading with purpose
|
||||||
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|
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|
Sometimes I like to read for the sake of reading, and sometimes I enjoy more
|
||||||
|
purposeful reading. Knowing that I’m planning to write about a question changes
|
||||||
|
how I read by defining my idea space. Instead of reading according to receptive
|
||||||
|
curiosity, I’m using directed curiosity to seek what of the text relates to my
|
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|
question. It makes me pay closer attention to language that I might quote in a
|
||||||
|
blog post.
|
||||||
|
|
||||||
|
When I read non-fiction, two levels of interpretation are happening in my mind
|
||||||
|
at the same time: first, I am directly intaking the language and interpreting
|
||||||
|
the author’s intention; at another level, I am processing it analytically and
|
||||||
|
relationally, trying to understand what it means to me. Johan Hari [207]
|
||||||
|
describes it: “If you weren’t letting your mind wander a little bit right now,
|
||||||
|
you wouldn’t really be reading this book in a way that would make sense to you.
|
||||||
|
Having enough mental space to roam is essential for you to be able to
|
||||||
|
understand a book.” This is an [208]unfocused, connective mode of thinking that
|
||||||
|
uses my brain’s [209]default mode network. I use reading non-fiction as a
|
||||||
|
commitment to spend time thinking about a subject; the book itself is a tool
|
||||||
|
towards that.
|
||||||
|
|
||||||
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When I read towards a question, I concentrate my connection-making within that
|
||||||
|
question space, but it remains loose. [210]I am reading for ideas, not
|
||||||
|
information per se, so [211]the dialogue between me and the book is what
|
||||||
|
matters. Roland Barthes [212]writes, “[The text] produces, in me, the best
|
||||||
|
pleasure if it manages to make itself heard indirectly; if, reading it, I am
|
||||||
|
led to look up often, to listen to something else.” Just as [213]writing
|
||||||
|
doesn’t only look like typing, reading doesn’t only look like rapt attention to
|
||||||
|
the page. A big question offers a frame for my reading, like the viewfinder of
|
||||||
|
a camera; framing is a way of sense-making.
|
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|
|
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|
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|
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|
Further reading:
|
||||||
|
|
||||||
|
[214]How Small-Town Public Libraries Enrich the Generative Research Process by
|
||||||
|
Nick Fuller Googins (LitHub)
|
||||||
|
|
||||||
|
[215]More search, less feed by Austin Kleon
|
||||||
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|
||||||
|
|
||||||
|
|
||||||
|
See also:
|
||||||
|
|
||||||
|
[216]Choosing between ideas for blog posts
|
||||||
|
|
||||||
|
[217]How I approach crafting a blog post
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
Shout-out to [218]James for asking about my Big Questions last December and
|
||||||
|
(eventually) prompting this!
|
||||||
|
|
||||||
|
This is the (current) last article in a [219]series on the mindset of more.
|
||||||
|
|
||||||
|
•
|
||||||
|
• Previous: [220]Slow craft: writing with a noncapitalist mentality (Part 6)
|
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|
|
||||||
|
• Tags [221]agency, [222]blogging, [223]curiosity, [224]decision making,
|
||||||
|
[225]novelty, [226]Oliver Burkeman, [227]play, [228]process, [229]reading,
|
||||||
|
[230]research
|
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|
|
||||||
|
[70c71f48c24aa2fcf7]
|
||||||
|
|
||||||
|
By Tracy Durnell
|
||||||
|
|
||||||
|
Writer and designer in the Seattle area. Reach me at tracy@tracydurnell.com or
|
||||||
|
@tracy@notes.tracydurnell.com. She/her.
|
||||||
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|
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|
[231] View Archive →
|
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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[232] ← Weeknotes: Aug. 9-15, 2025 [233] → Read The Last Battle at the End of
|
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the World
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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|
||||||
|
4 replies on “What to read? Big questions as filter and frame (Part 7)”
|
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[] [234]Jay says: @ [235]thejaymo.net
|
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|
[236]August 17, 2025 at 12:06 pm
|
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|
||||||
|
The summer is waning, you can feel it in the mornings, the dog days are over,
|
||||||
|
and it’s getting noticeably darker earlier in the evenings
|
||||||
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|
||||||
|
[237]Reply
|
||||||
|
[IMG_9150-100x] [238]Joe Crawford says: @ [239]artlung.com
|
||||||
|
[240]August 17, 2025 at 7:12 pm
|
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|
||||||
|
What to read? Big questions as filter and frame (Part 7)
|
||||||
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|
||||||
|
[241]Reply
|
||||||
|
[] [242]Ruben Verweij says: @ [243]kedara.eu
|
||||||
|
[244]August 29, 2025 at 7:20 am
|
||||||
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|
||||||
|
What to read? Big questions as filter and frame (Part 7)
|
||||||
|
– Tracy Durnell
|
||||||
|
|
||||||
|
I love Tracy’s idea of defining personal Big Questions. She uses these
|
||||||
|
questions as a basis, to decide what she’ll read and write about (and
|
||||||
|
crucially, what not). I’ll definitely think about what my Big Questions are.
|
||||||
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|
||||||
|
[245]Reply
|
||||||
|
[70c71f48c24aa] [246]Tracy Durnell says: @ [247]tracydurnell.com
|
||||||
|
[248]September 6, 2025 at 12:52 pm
|
||||||
|
|
||||||
|
I saw someone post a (kind) reminder to go back and read your saved for later
|
||||||
|
articles. I’m here to tell you you don’t have…
|
||||||
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|
||||||
|
[249]Reply
|
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|
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[267]All Posts | [268]Featured | [269]Categories | [270]Random
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Recent Posts
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• [271]It’s ok to not read your read later backlog September 6, 2025
|
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• [272]Weeknotes: Aug. 30-Sept. 5, 2025 September 5, 2025
|
||||||
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• [273]Read The Eye of the Heron September 5, 2025
|
||||||
|
• [274]Listened to Ambulette – I’ve Got More September 4, 2025
|
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• [275]Read Virtue Hoarders September 3, 2025
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About Tracy
|
||||||
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||||||
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[276][70c71f48c24aa2]
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Tracy Durnell
|
||||||
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|
||||||
|
• [277]microblog
|
||||||
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• [278]mastodon
|
||||||
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|
||||||
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Writer and designer in the Seattle area. Reach me at tracy@tracydurnell.com or
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@tracy@notes.tracydurnell.com. She/her.
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[286]Privacy Policy
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[287] Powered by WordPress
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[288] To the top ↑ Up ↑
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References:
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[1] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/#site-content
|
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[3] https://tracydurnell.com/
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[5] https://tracydurnell.com/mind-garden/
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[6] https://tracydurnell.com/mind-garden/
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[7] https://tracydurnell.com/category/featured/
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[8] https://tracydurnell.com/kind/article/
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[9] https://tracydurnell.com/mind-garden/index/
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[10] https://notes.tracydurnell.com/
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[11] https://tracydurnell.com/mind-garden/links-to-blog-about/
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[12] https://tracydurnell.com/questions/
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[13] https://tracydurnell.com/questions/future-of-the-internet/
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[14] https://tracydurnell.com/questions/information-diet/
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[15] https://tracydurnell.com/questions/culture/
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[16] https://tracydurnell.com/questions/transforming-capitalism/
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[17] https://tracydurnell.com/questions/resisting-fascism/
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[18] https://tracydurnell.com/questions/feminism/
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[19] https://tracydurnell.com/questions/thinking-better/
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[20] https://tracydurnell.com/questions/effective-creative-processes/
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[27] https://tracydurnell.com/pages/
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[28] https://tracydurnell.com/reading/
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[29] https://tracydurnell.com/reading/read-in-2025/
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[30] https://tracydurnell.com/reading/
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[31] https://tracydurnell.com/kind/read/
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[32] https://tracydurnell.com/listening/
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[33] https://tracydurnell.com/listening/listened-in-2025/
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[34] https://tracydurnell.com/listening/birthday-playlists/
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[35] https://tracydurnell.com/listening/best-of-year-playlists/
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[36] https://tracydurnell.com/listening/favorite-albums/
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[37] https://tracydurnell.com/recipes/
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[38] https://tracydurnell.com/recipes/
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[39] https://tracydurnell.com/recipes/recipes-to-try/
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[40] https://tracydurnell.com/resources/roundups/
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[41] https://tracydurnell.com/blogroll/
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[42] https://tracydurnell.com/blogroll/interesting-people/
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[43] https://tracydurnell.com/blogroll/cool-artists/
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[44] https://tracydurnell.com/blogroll/neat-websites/
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[45] https://tracydurnell.com/resources/shopping/
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[46] https://tracydurnell.com/resources/graphic-design-resources/
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[53] https://tracydurnell.com/mind-garden/
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[55] https://tracydurnell.com/mind-garden/
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[56] https://tracydurnell.com/category/featured/
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[57] https://tracydurnell.com/kind/article/
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[58] https://tracydurnell.com/mind-garden/index/
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[59] https://notes.tracydurnell.com/
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[60] https://tracydurnell.com/mind-garden/links-to-blog-about/
|
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[61] https://tracydurnell.com/questions/
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[63] https://tracydurnell.com/questions/future-of-the-internet/
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[64] https://tracydurnell.com/questions/information-diet/
|
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[65] https://tracydurnell.com/questions/culture/
|
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[66] https://tracydurnell.com/questions/transforming-capitalism/
|
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[67] https://tracydurnell.com/questions/resisting-fascism/
|
||||||
|
[68] https://tracydurnell.com/questions/feminism/
|
||||||
|
[69] https://tracydurnell.com/questions/thinking-better/
|
||||||
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[70] https://tracydurnell.com/questions/effective-creative-processes/
|
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|
[71] https://tracydurnell.com/questions/writing-fiction/
|
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[72] https://tracydurnell.com/about/
|
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[74] https://tracydurnell.com/about/
|
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[75] https://tracydurnell.com/start-here/
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[76] https://tracydurnell.com/now/
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[77] https://tracydurnell.com/category/weeknotes/
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[78] https://tracydurnell.com/pages/
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[79] https://tracydurnell.com/reading/
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[81] https://tracydurnell.com/reading/read-in-2025/
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[82] https://tracydurnell.com/reading/
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[83] https://tracydurnell.com/kind/read/
|
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[84] https://tracydurnell.com/listening/
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[86] https://tracydurnell.com/listening/listened-in-2025/
|
||||||
|
[87] https://tracydurnell.com/listening/birthday-playlists/
|
||||||
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[88] https://tracydurnell.com/listening/best-of-year-playlists/
|
||||||
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[89] https://tracydurnell.com/listening/favorite-albums/
|
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[90] https://tracydurnell.com/recipes/
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[92] https://tracydurnell.com/recipes/
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[93] https://tracydurnell.com/recipes/recipes-to-try/
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[94] https://tracydurnell.com/resources/roundups/
|
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[96] https://tracydurnell.com/blogroll/
|
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[97] https://tracydurnell.com/blogroll/interesting-people/
|
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[98] https://tracydurnell.com/blogroll/cool-artists/
|
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[99] https://tracydurnell.com/blogroll/neat-websites/
|
||||||
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[100] https://tracydurnell.com/resources/shopping/
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[101] https://tracydurnell.com/resources/graphic-design-resources/
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[102] https://tracydurnell.com/mind-garden/
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[104] https://tracydurnell.com/mind-garden/
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[105] https://tracydurnell.com/category/featured/
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[106] https://tracydurnell.com/kind/article/
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[107] https://tracydurnell.com/mind-garden/index/
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[108] https://notes.tracydurnell.com/
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[109] https://tracydurnell.com/mind-garden/links-to-blog-about/
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[110] https://tracydurnell.com/questions/
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[112] https://tracydurnell.com/questions/future-of-the-internet/
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[113] https://tracydurnell.com/questions/information-diet/
|
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[114] https://tracydurnell.com/questions/culture/
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[115] https://tracydurnell.com/questions/transforming-capitalism/
|
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[116] https://tracydurnell.com/questions/resisting-fascism/
|
||||||
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[117] https://tracydurnell.com/questions/feminism/
|
||||||
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[118] https://tracydurnell.com/questions/thinking-better/
|
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[119] https://tracydurnell.com/questions/effective-creative-processes/
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[120] https://tracydurnell.com/questions/writing-fiction/
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[121] https://tracydurnell.com/about/
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[123] https://tracydurnell.com/about/
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[124] https://tracydurnell.com/start-here/
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[125] https://tracydurnell.com/now/
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[126] https://tracydurnell.com/category/weeknotes/
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[127] https://tracydurnell.com/pages/
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[128] https://tracydurnell.com/reading/
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[130] https://tracydurnell.com/reading/read-in-2025/
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[131] https://tracydurnell.com/reading/
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[132] https://tracydurnell.com/kind/read/
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[133] https://tracydurnell.com/listening/
|
||||||
|
[135] https://tracydurnell.com/listening/listened-in-2025/
|
||||||
|
[136] https://tracydurnell.com/listening/birthday-playlists/
|
||||||
|
[137] https://tracydurnell.com/listening/best-of-year-playlists/
|
||||||
|
[138] https://tracydurnell.com/listening/favorite-albums/
|
||||||
|
[139] https://tracydurnell.com/recipes/
|
||||||
|
[141] https://tracydurnell.com/recipes/
|
||||||
|
[142] https://tracydurnell.com/recipes/recipes-to-try/
|
||||||
|
[143] https://tracydurnell.com/resources/roundups/
|
||||||
|
[145] https://tracydurnell.com/blogroll/
|
||||||
|
[146] https://tracydurnell.com/blogroll/interesting-people/
|
||||||
|
[147] https://tracydurnell.com/blogroll/cool-artists/
|
||||||
|
[148] https://tracydurnell.com/blogroll/neat-websites/
|
||||||
|
[149] https://tracydurnell.com/resources/shopping/
|
||||||
|
[150] https://tracydurnell.com/resources/graphic-design-resources/
|
||||||
|
[151] https://tracydurnell.com/category/featured/
|
||||||
|
[152] https://tracydurnell.com/category/learning/
|
||||||
|
[153] https://tracydurnell.com/category/meta/
|
||||||
|
[154] https://tracydurnell.com/category/writing/
|
||||||
|
[155] https://tracydurnell.com/author/tracyadmin/
|
||||||
|
[156] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/
|
||||||
|
[157] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/#comments
|
||||||
|
[158] https://tracydurnell.com/2024/12/30/mindset-of-more/
|
||||||
|
[159] https://tracydurnell.com/2025/02/23/choosing-my-pace-by-shaping-my-thinking-spaces/
|
||||||
|
[160] https://hardlyworking1.substack.com/p/hoarding-type-scrolling
|
||||||
|
[161] https://www.localbreadbaker.com/p/research-as-a-way-of-life
|
||||||
|
[162] https://tracydurnell.com/2025/01/04/disrupting-my-reading-habits/
|
||||||
|
[163] https://tracydurnell.com/2025/02/23/choosing-my-pace-by-shaping-my-thinking-spaces/
|
||||||
|
[164] https://tracydurnell.com/2023/11/07/in-algorithm-we-trust/
|
||||||
|
[165] https://tracydurnell.com/2022/12/17/algorithmic-recommendations-create-curiosity-ruts/
|
||||||
|
[166] https://tracydurnell.com/2021/11/11/breaking-out-of-what-the-algorithm-feeds-you/
|
||||||
|
[167] https://tracydurnell.com/2025/01/04/disrupting-my-reading-habits/
|
||||||
|
[168] https://tracydurnell.com/2023/03/10/reclaiming-intentionality-in-browsing-and-blogging/
|
||||||
|
[169] https://tracydurnell.com/questions/
|
||||||
|
[170] https://www.personalcanon.com/p/research-as-leisure-activity
|
||||||
|
[171] https://tracydurnell.com/questions/
|
||||||
|
[172] https://tracydurnell.com/2023/03/11/designing-your-system-for-creativity-inputs/
|
||||||
|
[173] https://nesslabs.com/favorite-problems
|
||||||
|
[174] https://tracydurnell.com/2024/01/02/challenging-myself-playfully/
|
||||||
|
[175] https://tracydurnell.com/2022/03/16/shapes-of-reading/
|
||||||
|
[176] https://allenpike.com/2023/have-a-research-question
|
||||||
|
[177] https://tracydurnell.com/questions/
|
||||||
|
[178] https://tracydurnell.com/blogroll/
|
||||||
|
[179] https://searchmysite.net/
|
||||||
|
[180] https://marginalia-search.com/
|
||||||
|
[181] https://aethermug.com/posts/the-luxurious-pain-of-using-my-time
|
||||||
|
[182] https://tracydurnell.com/2022/05/13/article-pairing-stop-reading-the-news/
|
||||||
|
[183] https://tracydurnell.com/2023/05/04/discerning-the-value-of-note-taking/
|
||||||
|
[184] https://tracydurnell.com/2021/03/19/tbr-stream/
|
||||||
|
[185] https://tracydurnell.com/2025/01/04/disrupting-my-reading-habits/
|
||||||
|
[186] https://ckarchive.com/b/zlughnhk8772ma7qrr9qehwzgng00f6
|
||||||
|
[187] https://tracydurnell.com/2023/03/08/read-what-works/
|
||||||
|
[188] https://lithub.com/how-small-town-public-libraries-enrich-the-generative-research-process/
|
||||||
|
[189] https://tracydurnell.com/2025/04/28/browsing-as-thinking/
|
||||||
|
[190] https://kcls.bibliocommons.com/v2/list/display/222055327/2828776997
|
||||||
|
[191] https://www.personalcanon.com/p/research-as-leisure-activity
|
||||||
|
[192] https://tracydurnell.com/2023/05/19/foraging-for-insights/
|
||||||
|
[193] https://notes.tracydurnell.com/2025/04/03/library-haul-peacock-and-vine.html
|
||||||
|
[194] https://tracydurnell.com/2025/04/05/read-in-harmony-with-nature/
|
||||||
|
[195] https://tracydurnell.com/2025/06/24/read-the-arts-and-crafts-movement/
|
||||||
|
[196] https://tracydurnell.com/2025/07/11/read-dangerous-fictions/
|
||||||
|
[197] https://tracydurnell.com/2025/06/02/generative-ai-and-the-business-borg-aesthetic/
|
||||||
|
[198] https://notes.tracydurnell.com/2025/05/06/library-haul-the-plenitude-of.html
|
||||||
|
[199] https://tracydurnell.com/2025/05/28/read-more-than-words/
|
||||||
|
[200] https://tracydurnell.com/2025/05/17/read-the-plenitude-of-distraction/
|
||||||
|
[201] https://notes.tracydurnell.com/2025/05/23/library-roundup-on-culture-and.html
|
||||||
|
[202] https://tracydurnell.com/2025/05/29/read-pretentiousness/
|
||||||
|
[203] https://tracydurnell.com/2025/08/15/read-the-crisis-of-culture/
|
||||||
|
[204] https://notes.tracydurnell.com/2025/06/17/library-haul-planning-a-blog.html
|
||||||
|
[205] https://tracydurnell.com/2025/07/17/read-what-we-see-when-we-read/
|
||||||
|
[206] https://writingslowly.com/2025/03/10/roland-barthes-on-the-purpose.html
|
||||||
|
[207] https://tracydurnell.com/2023/07/31/read-stolen-focus/
|
||||||
|
[208] https://tracydurnell.com/2025/05/17/read-the-plenitude-of-distraction/
|
||||||
|
[209] https://en.wikipedia.org/wiki/Default_mode_network
|
||||||
|
[210] https://tracydurnell.com/2024/12/17/in-praise-of-the-hundred-page-idea/
|
||||||
|
[211] https://zettelkasten.de/posts/dont-rely-on-source-have-faith-in-yourself/
|
||||||
|
[212] https://tracydurnell.com/2025/05/02/read-the-pleasure-of-the-text/
|
||||||
|
[213] https://tracydurnell.com/2021/12/08/writing-metrics-and-capitalism/
|
||||||
|
[214] https://lithub.com/how-small-town-public-libraries-enrich-the-generative-research-process/
|
||||||
|
[215] https://austinkleon.com/2019/04/04/more-search-less-feed/
|
||||||
|
[216] https://tracydurnell.com/2023/12/18/choosing-between-ideas-for-blog-posts/
|
||||||
|
[217] https://tracydurnell.com/2023/09/27/how-i-approach-crafting-a-blog-post/
|
||||||
|
[218] https://jamesg.blog/
|
||||||
|
[219] https://tracydurnell.com/2024/12/30/mindset-of-more/
|
||||||
|
[220] https://tracydurnell.com/2025/03/23/slow-craft-writing-noncapitalist-mentality/
|
||||||
|
[221] https://tracydurnell.com/tag/agency/
|
||||||
|
[222] https://tracydurnell.com/tag/blogging/
|
||||||
|
[223] https://tracydurnell.com/tag/curiosity/
|
||||||
|
[224] https://tracydurnell.com/tag/decision-making/
|
||||||
|
[225] https://tracydurnell.com/tag/novelty/
|
||||||
|
[226] https://tracydurnell.com/tag/oliver-burkeman/
|
||||||
|
[227] https://tracydurnell.com/tag/play/
|
||||||
|
[228] https://tracydurnell.com/tag/process/
|
||||||
|
[229] https://tracydurnell.com/tag/reading/
|
||||||
|
[230] https://tracydurnell.com/tag/research/
|
||||||
|
[231] https://tracydurnell.com/author/tracyadmin/
|
||||||
|
[232] https://tracydurnell.com/2025/08/15/weeknotes-aug-9-15-2025/
|
||||||
|
[233] https://tracydurnell.com/2025/08/18/read-the-last-battle-at-the-end-of-the-world/
|
||||||
|
[234] https://thejaymo.net/2025/08/17/403-summer-is-waning/
|
||||||
|
[235] https://thejaymo.net/2025/08/17/403-summer-is-waning/
|
||||||
|
[236] https://thejaymo.net/2025/08/17/403-summer-is-waning/
|
||||||
|
[237] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/?replytocom=14439#respond
|
||||||
|
[238] https://artlung.com/likes/0d0bf55b70f54fd45c3f4fb8fc8a73f4
|
||||||
|
[239] https://artlung.com/likes/0d0bf55b70f54fd45c3f4fb8fc8a73f4
|
||||||
|
[240] https://artlung.com/likes/0d0bf55b70f54fd45c3f4fb8fc8a73f4
|
||||||
|
[241] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/?replytocom=14442#respond
|
||||||
|
[242] https://kedara.eu/bookmarks/blaugust2025#bm-12
|
||||||
|
[243] https://kedara.eu/bookmarks/blaugust2025/
|
||||||
|
[244] https://kedara.eu/bookmarks/blaugust2025/
|
||||||
|
[245] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/?replytocom=14484#respond
|
||||||
|
[246] https://tracydurnell.com/
|
||||||
|
[247] https://tracydurnell.com/2025/09/06/its-ok-to-not-read-your-read-later-backlog/
|
||||||
|
[248] https://tracydurnell.com/2025/09/06/its-ok-to-not-read-your-read-later-backlog/
|
||||||
|
[249] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/?replytocom=14560#respond
|
||||||
|
[250] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/#respond
|
||||||
|
[262] https://indieweb.org/webmention
|
||||||
|
[267] https://tracydurnell.com/mind-garden/
|
||||||
|
[268] https://tracydurnell.com/category/featured/
|
||||||
|
[269] https://tracydurnell.com/mind-garden/index#categories
|
||||||
|
[270] https://tracydurnell.com/random
|
||||||
|
[271] https://tracydurnell.com/2025/09/06/its-ok-to-not-read-your-read-later-backlog/
|
||||||
|
[272] https://tracydurnell.com/2025/09/05/weeknotes-aug-30-sept-5-2025/
|
||||||
|
[273] https://tracydurnell.com/2025/09/05/read-the-eye-of-the-heron/
|
||||||
|
[274] https://tracydurnell.com/2025/09/04/listened-to-ambulette-ive-got-more/
|
||||||
|
[275] https://tracydurnell.com/2025/09/03/read-virtue-hoarders/
|
||||||
|
[276] https://tracydurnell.com/
|
||||||
|
[277] https://micro.blog/tracydurnell
|
||||||
|
[278] https://micro.blog/tracydurnell?remote_follow=1
|
||||||
|
[281] https://tracydurnell.com/feed/
|
||||||
|
[282] https://tracydurnell.com/kind/read/feed
|
||||||
|
[283] https://tracydurnell.com/comments/feed/
|
||||||
|
[284] https://tracydurnell.com/privacy-policy/
|
||||||
|
[285] https://tracydurnell.com/
|
||||||
|
[286] https://tracydurnell.com/privacy-policy/
|
||||||
|
[287] https://wordpress.org/
|
||||||
|
[288] https://tracydurnell.com/2025/08/16/what-to-read-big-questions/#site-header
|
||||||
133
static/archive/vincode-io-nmkkju.txt
Normal file
133
static/archive/vincode-io-nmkkju.txt
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@@ -0,0 +1,133 @@
|
|||||||
|
[1]
|
||||||
|
[12878]
|
||||||
|
Maurice Parker
|
||||||
|
|
||||||
|
Follow [2]@vincode on Micro.blog.
|
||||||
|
|
||||||
|
• [3]Home
|
||||||
|
• [4]Archive
|
||||||
|
• [5]About
|
||||||
|
• [6]GitHub Profile
|
||||||
|
• [7]Zavala
|
||||||
|
• [8]Feed Compass
|
||||||
|
• [9]Feed Curator
|
||||||
|
|
||||||
|
[10]
|
||||||
|
|
||||||
|
[11] Toggle navigation info_outline
|
||||||
|
|
||||||
|
[13]Blog
|
||||||
|
|
||||||
|
• [14]Recent
|
||||||
|
• [15]search
|
||||||
|
• [16]rss_feed
|
||||||
|
|
||||||
|
[17]close
|
||||||
|
[18][ ] arrow_forward
|
||||||
|
[20]close
|
||||||
|
|
||||||
|
August 11, 2025
|
||||||
|
|
||||||
|
Zavala Will Always Be Free
|
||||||
|
|
||||||
|
My promise to you.
|
||||||
|
|
||||||
|
I have every intention of maintaining and updating Zavala for as long as I am
|
||||||
|
able. I’m also committed to keeping it free. I have no intention of getting you
|
||||||
|
hooked on using it and then starting to charge a subscription.
|
||||||
|
|
||||||
|
To show I am serious about this, Zavala is Open Source software released under
|
||||||
|
the MIT license. This means that any other developer can take the years of work
|
||||||
|
that I have in Zavala and make a competing outliner from it should I start
|
||||||
|
charging for it. Given how small and competitive the outliner market is, I
|
||||||
|
don’t stand much of a chance of making any money by going commercial. After
|
||||||
|
all, I could be competing with my own past work.
|
||||||
|
|
||||||
|
What if I get ran over by a bus?
|
||||||
|
|
||||||
|
Since Zavala is Open Source someone could pick up the project and continue to
|
||||||
|
update it. Worst case scenario, some enterprising independent developer could
|
||||||
|
try to make a commercial product out of it. I don’t see much money in the
|
||||||
|
endeavor, but others may see it differently.
|
||||||
|
|
||||||
|
Why don’t I charge for Zavala or accept donations?
|
||||||
|
|
||||||
|
Funny story. I fully intended to when I started writing it. After doing some
|
||||||
|
competitive analysis on the Mac-only, outliner market, I realized there wasn’t
|
||||||
|
much money there. There was so little in fact, that it isn’t enough for me to
|
||||||
|
be motivated enough to do the business side when I’d rather be coding.
|
||||||
|
|
||||||
|
Let me break it down. Up front payments are a dead-end these days. I would have
|
||||||
|
to add a free tier, in-app purchases, and maybe a subscription option to the
|
||||||
|
app. That means more coding. Then I need to incorporate a business of some kind
|
||||||
|
and do all the regular bookkeeping associated with it. That would be payroll
|
||||||
|
taxes, quarterly and annual tax filings, etc… I used to own my own software
|
||||||
|
consulting business and really don’t want to do that stuff again.
|
||||||
|
|
||||||
|
But if I thought I could make it up on volume, that might make it worth while,
|
||||||
|
right? The simple truth is most computer users don’t know what an outliner is,
|
||||||
|
much less how useful they are. Even those that do, rarely need to use one on a
|
||||||
|
daily basis. Zavala is free and has been all the years that it has been
|
||||||
|
available in the App Store and I couldn’t make it on the number of users I have
|
||||||
|
now. That number would probably drop to about zero if I were to start charging.
|
||||||
|
Could I get more volume by marketing Zavala? Sure, but that is another business
|
||||||
|
thing that costs time and money, that I don’t want to do.
|
||||||
|
|
||||||
|
There is an upside to not having money involved when you write software. I
|
||||||
|
don’t have to add features just to drive an upgrade cycle. With commercial
|
||||||
|
software, you constantly have to deliver upgrades to keep a steady income
|
||||||
|
regardless of if you are subscription based or charging up front. I don’t want
|
||||||
|
Zavala to become bloatware. I don’t want to add features that I don’t believe
|
||||||
|
add core value, just to keep the money coming in.
|
||||||
|
|
||||||
|
Same goes for donations. I don’t accept donations because I don’t want to feel
|
||||||
|
obligated to implement a feature that a donor may want, but that I don’t think
|
||||||
|
belongs in Zavala. I would rather accept feature requests on an equal basis
|
||||||
|
from all users and decide which to implement on the merit of the idea, rather
|
||||||
|
than who gave me money.
|
||||||
|
|
||||||
|
Why write Zavala at all?
|
||||||
|
|
||||||
|
I retired early after a successful career as a software consultant. I really
|
||||||
|
liked writing software, I just didn’t always like the work I had to do. Now I
|
||||||
|
have the freedom to craft software how I see fit and only work on projects that
|
||||||
|
I am interested in.
|
||||||
|
|
||||||
|
The way I usually explain it is like this. Imagine you made furniture your
|
||||||
|
whole life, but your employer only gave you pallet wood to use and half the
|
||||||
|
time needed to make a piece. You were good at it and loved furniture, but were
|
||||||
|
unfulfilled at your job until you retired. Now you can make furniture using
|
||||||
|
walnut and take the time needed to make something you are proud of.
|
||||||
|
|
||||||
|
How can you help, you ask?
|
||||||
|
|
||||||
|
Please, please email me with bug reports using the Provide Feedback option
|
||||||
|
under Help (in Settings on iOS). I take them seriously and fix them as fast as
|
||||||
|
I can. I do test Zavala as rigorously as I can. Unfortunately it is the nature
|
||||||
|
of software that a developer will never be able to predict every way that users
|
||||||
|
will use an app. Production bugs do happen. The best we can do is squash them
|
||||||
|
as fast as possible.
|
||||||
|
|
||||||
|
Follow [21]@vincode on Micro.blog.
|
||||||
|
|
||||||
|
|
||||||
|
References:
|
||||||
|
|
||||||
|
[1] https://vincode.io/
|
||||||
|
[2] https://micro.blog/vincode
|
||||||
|
[3] https://vincode.io/
|
||||||
|
[4] https://vincode.io/archive/
|
||||||
|
[5] https://vincode.io/about/
|
||||||
|
[6] https://vincode.io/github-profile/
|
||||||
|
[7] https://vincode.io/zavala/
|
||||||
|
[8] https://vincode.io/feed-compass/
|
||||||
|
[9] https://vincode.io/feed-curator/
|
||||||
|
[10] https://micro.blog/vincode
|
||||||
|
[11] https://vincode.io/2025/08/11/zavala-will-always-be-free.html#
|
||||||
|
[13] https://vincode.io/
|
||||||
|
[14] https://vincode.io/
|
||||||
|
[15] https://vincode.io/2025/08/11/zavala-will-always-be-free.html#
|
||||||
|
[16] https://vincode.io/2025/08/11/zavala-will-always-be-free.html
|
||||||
|
[17] https://vincode.io/2025/08/11/zavala-will-always-be-free.html#
|
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|
[20] https://vincode.io/2025/08/11/zavala-will-always-be-free.html#
|
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|
[21] https://micro.blog/vincode
|
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[1]Skip to main content
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[2]The New Yorker
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• [3]Newsletter
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• [14]Goings On
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• [16]100th Anniversary
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Open Navigation Menu
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[18]The New Yorker
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Animation of a ball climbing an an infinite staircase.
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[19]Open Questions
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|
|
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What if A.I. Doesn’t Get Much Better Than This?
|
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|
|
||||||
|
GPT-5, a new release from OpenAI, is the latest product to suggest that
|
||||||
|
progress on large language models has stalled.
|
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|
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|
By [20]Cal Newport
|
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|
August 12, 2025
|
||||||
|
Illustration by Shira Inbar
|
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|
Save this story
|
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Save this story
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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For this week’s Open Questions column, Cal Newport is filling in for Joshua
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Rothman.
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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Much of the euphoria and dread swirling around today’s artificial-intelligence
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technologies can be traced back to January, 2020, when a team of researchers at
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|
OpenAI published a thirty-page [23]report titled “Scaling Laws for Neural
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Language Models.” The team was led by the A.I. researcher Jared Kaplan, and
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included Dario Amodei, who is now the C.E.O. of Anthropic. They investigated a
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fairly nerdy question: What happens to the performance of language models when
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you increase their size and the intensity of their training?
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Back then, many machine-learning experts thought that, after they had reached a
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certain size, language models would effectively start memorizing the answers to
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their training questions, which would make them less useful once deployed. But
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the OpenAI paper argued that these models would only get better as they grew,
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and indeed that such improvements might follow a power law—an aggressive curve
|
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that resembles a hockey stick. The implication: if you keep building larger
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language models, and you train them on larger data sets, they’ll start to get
|
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shockingly good. A few months after the paper, OpenAI seemed to validate the
|
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|
scaling law by releasing GPT-3, which was ten times larger—and leaps and bounds
|
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better—than its predecessor, GPT-2.
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Suddenly, the theoretical idea of artificial general intelligence, which
|
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performs as well as or better than humans on a wide variety of tasks, seemed
|
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tantalizingly close. If the scaling law held, A.I. companies might achieve
|
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|
A.G.I. by pouring more money and computing power into language models. Within a
|
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|
year, [24]Sam Altman, the chief executive at OpenAI, published a blog post
|
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|
titled “Moore’s Law for Everything,” which argued that A.I. will take over
|
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|
“more and more of the work that people now do” and create unimaginable wealth
|
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|
for the owners of capital. “This technological revolution is unstoppable,” he
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wrote. “The world will change so rapidly and drastically that an equally
|
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|
drastic change in policy will be needed to distribute this wealth and enable
|
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|
more people to pursue the life they want.”
|
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|
||||||
|
It’s hard to overstate how completely the A.I. community came to believe that
|
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|
it would inevitably scale its way to A.G.I. In 2022, Gary Marcus, an A.I.
|
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|
entrepreneur and an emeritus professor of psychology and neural science at
|
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|
N.Y.U., pushed back on Kaplan’s paper, noting that “the so-called scaling laws
|
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|
aren’t universal laws like gravity but rather mere observations that might not
|
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|
hold forever.” The negative response was fierce and swift. “No other essay I
|
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|
have ever written has been ridiculed by as many people, or as many famous
|
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|
people, from Sam Altman and Greg Brockman to Yann LeCun and Elon Musk,” Marcus
|
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|
later reflected. He recently told me that his remarks essentially
|
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|
“excommunicated” him from the world of machine learning. Soon, ChatGPT would
|
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|
reach a hundred million users faster than any digital service in history; in
|
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|
March, 2023, OpenAI’s next release, GPT-4, vaulted so far up the scaling curve
|
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|
that it inspired a Microsoft research paper titled “Sparks of Artificial
|
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|
General Intelligence.” Over the following year, venture-capital spending on
|
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|
A.I. jumped by eighty per cent.
|
||||||
|
|
||||||
|
After that, however, progress seemed to slow. OpenAI did not unveil a new
|
||||||
|
blockbuster model for more than two years, instead focussing on specialized
|
||||||
|
releases that became hard for the general public to follow. Some voices within
|
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|
the industry began to wonder if the A.I. scaling law was starting to falter.
|
||||||
|
“The 2010s were the age of scaling, now we’re back in the age of wonder and
|
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|
discovery once again,” Ilya Sutskever, one of the company’s founders, told
|
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|
Reuters in November. “Everyone is looking for the next thing.” A
|
||||||
|
contemporaneous TechCrunch article summarized the general mood: “Everyone now
|
||||||
|
seems to be admitting you can’t just use more compute and more data while
|
||||||
|
pretraining large language models and expect them to turn into some sort of
|
||||||
|
all-knowing digital god.” But such observations were largely drowned out by the
|
||||||
|
headline-generating rhetoric of other A.I. leaders. “A.I. is starting to get
|
||||||
|
better than humans at almost all intellectual tasks,” Amodei recently told
|
||||||
|
Anderson Cooper. In an interview with Axios, he predicted that half of
|
||||||
|
entry-level white-collar jobs might be “wiped out” in the next one to five
|
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|
years. This summer, both Altman and [25]Mark Zuckerberg, of Meta, claimed that
|
||||||
|
their companies were close to developing superintelligence.
|
||||||
|
|
||||||
|
Then, last week, OpenAI finally released GPT-5, which many had hoped would
|
||||||
|
usher in the next significant leap in A.I. capabilities. Early reviewers found
|
||||||
|
some features to like. When a popular tech YouTuber, Mrwhosetheboss, asked it
|
||||||
|
to create a chess game that used Pokémon as pieces, he got a significantly
|
||||||
|
better result than when he used GPT-o4-mini-high, an industry-leading coding
|
||||||
|
model; he also discovered that GPT-5 could write a more effective script for
|
||||||
|
his YouTube channel than GPT-4o. Mrwhosetheboss was particularly enthusiastic
|
||||||
|
that GPT-5 will automatically route queries to a model suited for the task,
|
||||||
|
instead of requiring users to manually pick the model they want to try. Yet he
|
||||||
|
also learned that GPT-4o was clearly more successful at generating a YouTube
|
||||||
|
thumbnail and a birthday-party invitation—and he had no trouble inducing GPT-5
|
||||||
|
to make up fake facts. Within hours, users began expressing disappointment with
|
||||||
|
the new model on the r/ChatGPT subreddit. One post called it the “biggest piece
|
||||||
|
of garbage even as a paid user.” In an Ask Me Anything (A.M.A.) session, Altman
|
||||||
|
and other OpenAI engineers found themselves on the defensive, addressing
|
||||||
|
complaints. Marcus summarized the release as “overdue, overhyped and
|
||||||
|
underwhelming.”
|
||||||
|
|
||||||
|
In the aftermath of GPT-5’s launch, it has become more difficult to take
|
||||||
|
bombastic predictions about A.I. at face value, and the views of critics like
|
||||||
|
Marcus seem increasingly moderate. Such voices argue that this technology is
|
||||||
|
important, but not poised to drastically transform our lives. They challenge us
|
||||||
|
to consider a different vision for the near-future—one in which A.I. might not
|
||||||
|
get much better than this.
|
||||||
|
|
||||||
|
OpenAI didn’t want to wait nearly two and a half years to release GPT-5.
|
||||||
|
According to The Information, by the spring of 2024, Altman was telling
|
||||||
|
employees that their next major model, code-named Orion, would be significantly
|
||||||
|
better than GPT-4. By the fall, however, it became clear that the results were
|
||||||
|
disappointing. “While Orion’s performance ended up exceeding that of prior
|
||||||
|
models,” The Information reported in November, “the increase in quality was far
|
||||||
|
smaller compared with the jump between GPT-3 and GPT-4.”
|
||||||
|
|
||||||
|
Orion’s failure helped cement the creeping fear within the industry that the
|
||||||
|
A.I. scaling law wasn’t a law after all. If building ever-bigger models was
|
||||||
|
yielding diminishing returns, the tech companies would need a new strategy to
|
||||||
|
strengthen their A.I. products. They soon settled on what could be described as
|
||||||
|
“post-training improvements.” The leading large language models all go through
|
||||||
|
a process called pre-training in which they essentially digest the entire
|
||||||
|
internet to become smart. But it is also possible to refine models later, to
|
||||||
|
help them better make use of the knowledge and abilities they have absorbed.
|
||||||
|
One post-training technique is to apply a machine-learning tool, reinforcement
|
||||||
|
learning, to teach a pre-trained model to behave better on specific types of
|
||||||
|
tasks. Another enables a model to spend more computing time generating
|
||||||
|
responses to demanding queries.
|
||||||
|
|
||||||
|
A useful metaphor here is a car. Pre-training can be said to produce the
|
||||||
|
vehicle; post-training soups it up. In the scaling-law paper, Kaplan and his
|
||||||
|
co-authors predicted that as you expand the pre-training process you increase
|
||||||
|
the power of the cars you produce; if GPT-3 was a sedan, GPT-4 was a sports
|
||||||
|
car. Once this progression faltered, however, the industry turned its attention
|
||||||
|
to helping the cars that they’d already built to perform better. Post-training
|
||||||
|
techniques turned engineers into mechanics.
|
||||||
|
|
||||||
|
Tech leaders were quick to express a hope that a post-training approach would
|
||||||
|
improve their products as quickly as traditional scaling had. “We are seeing
|
||||||
|
the emergence of a new scaling law,” Satya Nadella, the C.E.O. of Microsoft,
|
||||||
|
said at a conference last fall. The venture capitalist Anjney Midha similarly
|
||||||
|
spoke of a “second era of scaling laws.” In December, OpenAI released o1, which
|
||||||
|
used post-training techniques to make the model better at step-by-step
|
||||||
|
reasoning and at writing computer code. Soon the company had unveiled o3-mini,
|
||||||
|
o3-mini-high, o4-mini, o4-mini-high, and o3-pro, each of which was souped up
|
||||||
|
with a bespoke combination of post-training techniques.
|
||||||
|
|
||||||
|
Other A.I. companies pursued a similar pivot. Anthropic experimented with
|
||||||
|
post-training improvements in a February release of Claude 3.7 Sonnet, and then
|
||||||
|
made them central to its Claude 4 family of models. [26]Elon Musk’s xAI
|
||||||
|
continued to chase a scaling strategy until its wintertime launch of Grok 3,
|
||||||
|
which was pre-trained on an astonishing 100,000 H100 G.P.U. chips—many times
|
||||||
|
the computational power that was reportedly used to train GPT-4. When Grok 3
|
||||||
|
failed to outperform its competitors significantly, the company embraced
|
||||||
|
post-training approaches to develop Grok 4. GPT-5 fits neatly into this
|
||||||
|
trajectory. It’s less a brand-new model than an attempt to refine recent
|
||||||
|
post-trained products and integrate them into a single package.
|
||||||
|
|
||||||
|
Has this post-training approach put us back on track toward something like
|
||||||
|
A.G.I.? OpenAI’s announcement for GPT-5 included more than two dozen charts and
|
||||||
|
graphs, on measures such as “Aider Polyglot Multi-language code editing” and
|
||||||
|
“ERQA Multimodal spatial reasoning,” to quantify how much the model outperforms
|
||||||
|
its predecessors. Some A.I. benchmarks capture useful advances. GPT-5 scored
|
||||||
|
higher than previous models on benchmarks focussed on programming, and early
|
||||||
|
reviews seemed to agree that it produces better code. New models also write in
|
||||||
|
a more natural and fluid way, and this is reflected in the benchmarks as well.
|
||||||
|
But these changes now feel narrow—more like the targeted improvements you’d
|
||||||
|
expect from a software update than like the broad expansion of capabilities in
|
||||||
|
earlier generative-A.I. breakthroughs. You didn’t need a bar chart to recognize
|
||||||
|
that GPT-4 had leaped ahead of anything that had come before.
|
||||||
|
|
||||||
|
Other benchmarks might not measure what they claim. Starting with the release
|
||||||
|
of o1, A.I. companies have touted progress on measures of step-by-step
|
||||||
|
reasoning. But in June Apple researchers released a paper titled “The Illusion
|
||||||
|
of Thinking,” which found that state-of-the-art “large reasoning models”
|
||||||
|
demonstrated “performance collapsing to zero” when the complexity of puzzles
|
||||||
|
was extended beyond a modest threshold. Reasoning models, which include
|
||||||
|
o3-mini, Claude 3.7 Sonnet’s “thinking” mode, and DeepSeek-R1, “still fail to
|
||||||
|
develop generalizable problem-solving capabilities,” the authors wrote. Last
|
||||||
|
week, researchers at Arizona State University reached an even blunter
|
||||||
|
conclusion: what A.I. companies call reasoning “is a brittle mirage that
|
||||||
|
vanishes when it is pushed beyond training distributions.” Beating these
|
||||||
|
benchmarks is different from, say, reasoning through the types of daily
|
||||||
|
problems we face in our jobs. “I don’t hear a lot of companies using A.I.
|
||||||
|
saying that 2025 models are a lot more useful to them than 2024 models, even
|
||||||
|
though the 2025 models perform better on benchmarks,” Marcus told me.
|
||||||
|
Post-training improvements don’t seem to be strengthening models as thoroughly
|
||||||
|
as scaling once did. A lot of utility can come from souping up your Camry, but
|
||||||
|
no amount of tweaking will turn it into a Ferrari.
|
||||||
|
|
||||||
|
I recently asked Marcus and two other skeptics to predict the impact of
|
||||||
|
generative A.I. on the economy in the coming years. “This is a
|
||||||
|
fifty-billion-dollar market, not a trillion-dollar market,” Ed Zitron, a
|
||||||
|
technology analyst who hosts the “Better Offline” podcast, told me. Marcus
|
||||||
|
agreed: “A fifty-billion-dollar market, maybe a hundred.” The linguistics
|
||||||
|
professor Emily Bender, who co-authored a well-known critique of early language
|
||||||
|
models, told me that “the impacts will depend on how many in the management
|
||||||
|
class fall for the hype from the people selling this tech, and retool their
|
||||||
|
workplaces around it.” She added, “The more this happens, the worse off
|
||||||
|
everyone will be.” Such views have been portrayed as unrealistic—Nate Silver
|
||||||
|
once replied to an Ed Zitron tweet by writing, “old man yells at cloud
|
||||||
|
vibes”—while we readily accepted the grandiose visions of tech C.E.O.s. Maybe
|
||||||
|
that’s starting to change.
|
||||||
|
|
||||||
|
If these moderate views of A.I. are right, then in the next few years A.I.
|
||||||
|
tools will make steady but gradual advances. Many people will use A.I. on a
|
||||||
|
regular but limited basis, whether to look up information or to speed up
|
||||||
|
certain annoying tasks, such as summarizing a report or writing the rough draft
|
||||||
|
of an event agenda. Certain fields, like programming and academia, will change
|
||||||
|
dramatically. A minority of professions, such as voice acting and social-media
|
||||||
|
copywriting, might essentially disappear. But A.I. may not massively disrupt
|
||||||
|
the job market, and more hyperbolic ideas like superintelligence may come to
|
||||||
|
seem unserious.
|
||||||
|
|
||||||
|
Continuing to buy into the A.I. hype might bring its own perils. In a [27]
|
||||||
|
recent article, Zitron pointed out that about thirty-five per cent of U.S.
|
||||||
|
stock-market value—and therefore a large share of many retirement portfolios—is
|
||||||
|
currently tied up in the so-called Magnificent Seven technology companies.
|
||||||
|
According to Zitron’s analysis, these firms spent five hundred and sixty
|
||||||
|
billion dollars on A.I.-related capital expenditures in the past eighteen
|
||||||
|
months, while their A.I. revenues were only about thirty-five billion. “When
|
||||||
|
you look at these numbers, you feel insane,” Zitron told me.
|
||||||
|
|
||||||
|
Even the figures we might call A.I. moderates, however, don’t think the public
|
||||||
|
should let its guard down. Marcus believes that we were misguided to place so
|
||||||
|
much emphasis on generative A.I., but he also thinks that, with new techniques,
|
||||||
|
A.G.I. could still be attainable as early as the twenty-thirties. Even if
|
||||||
|
language models never automate our jobs, the renewed interest and investment in
|
||||||
|
A.I. might lead toward more complicated solutions, which could. In the
|
||||||
|
meantime, we should use this reprieve to prepare for disruptions that might
|
||||||
|
still loom—by crafting effective A.I. regulations, for example, and by
|
||||||
|
developing the nascent field of digital ethics.
|
||||||
|
|
||||||
|
The appendices of the scaling-law paper, from 2020, included a section called
|
||||||
|
“Caveats,” which subsequent coverage tended to miss. “At present we do not have
|
||||||
|
a solid theoretical understanding for any of our proposed scaling laws,” the
|
||||||
|
authors wrote. “The scaling relations with model size and compute are
|
||||||
|
especially mysterious.” In practice, the scaling laws worked until they didn’t.
|
||||||
|
The whole enterprise of teaching computers to think remains mysterious. We
|
||||||
|
should proceed with less hubris and more care. ♦
|
||||||
|
|
||||||
|
An earlier version of this article included an inaccurate transcription of Greg
|
||||||
|
Brockman’s name.
|
||||||
|
|
||||||
|
New Yorker Favorites
|
||||||
|
|
||||||
|
• A professor claimed to be Native American. Did she know [28]she wasn’t?
|
||||||
|
|
||||||
|
• Ina Garten and [29]the age of abundance.
|
||||||
|
|
||||||
|
• Kanye West bought an architectural treasure—then [30]gave it a violent
|
||||||
|
remix.
|
||||||
|
|
||||||
|
• Why so many people are going “[31]no contact” with their parents.
|
||||||
|
|
||||||
|
• How a homegrown teen gang punctured the [32]image of an upscale community.
|
||||||
|
|
||||||
|
• Fiction by James Thurber: “[33]The Secret Life of Walter Mitty”
|
||||||
|
|
||||||
|
[34]Sign up for our daily newsletter to receive the best stories from The New
|
||||||
|
Yorker.
|
||||||
|
|
||||||
|
[35][undefined]
|
||||||
|
[36]Cal Newport is a contributing writer for The New Yorker and a professor of
|
||||||
|
computer science at Georgetown University.
|
||||||
|
More:[37]Artificial Intelligence (A.I.)[38]ChatGPT[39]Data
|
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|
Read More
|
||||||
|
[40]
|
||||||
|
Daily Cartoon: Monday, September 8th
|
||||||
|
Humor
|
||||||
|
[41]
|
||||||
|
Daily Cartoon: Monday, September 8th
|
||||||
|
[42]
|
||||||
|
Daily Cartoon: Monday, September 8th
|
||||||
|
A drawing that riffs on the latest news and happenings.
|
||||||
|
[43]
|
||||||
|
Tracks from Taylor Swift’s Wedding-Planning Album
|
||||||
|
Sketchpad
|
||||||
|
[44]
|
||||||
|
Tracks from Taylor Swift’s Wedding-Planning Album
|
||||||
|
[45]
|
||||||
|
Tracks from Taylor Swift’s Wedding-Planning Album
|
||||||
|
Swifties are going crazy for “All You Had to Do Was R.S.V.P.”
|
||||||
|
[46]
|
||||||
|
Enemies of the State
|
||||||
|
A Reporter at Large
|
||||||
|
[47]
|
||||||
|
Enemies of the State
|
||||||
|
[48]
|
||||||
|
Enemies of the State
|
||||||
|
How the Trump Administration declared war on Venezuelan migrants in the U.S.
|
||||||
|
[49]
|
||||||
|
A Round of Gulf?
|
||||||
|
Shouts & Murmurs
|
||||||
|
[50]
|
||||||
|
A Round of Gulf?
|
||||||
|
[51]
|
||||||
|
A Round of Gulf?
|
||||||
|
Golf in Scotland or the Gulf of Mexico, and how the President keeps them
|
||||||
|
straight.
|
||||||
|
[52]
|
||||||
|
They’ll Take You to the Candy Shop
|
||||||
|
Cavity Dept.
|
||||||
|
[53]
|
||||||
|
They’ll Take You to the Candy Shop
|
||||||
|
[54]
|
||||||
|
They’ll Take You to the Candy Shop
|
||||||
|
The Composer Laureate twins Adeev and Ezra Potash team up with the actor Martin
|
||||||
|
Starr to build the perfect gummy.
|
||||||
|
[55]
|
||||||
|
Rivals Rub Shoulders in the World of Competitive Massage
|
||||||
|
Letter from Copenhagen
|
||||||
|
[56]
|
||||||
|
Rivals Rub Shoulders in the World of Competitive Massage
|
||||||
|
[57]
|
||||||
|
Rivals Rub Shoulders in the World of Competitive Massage
|
||||||
|
Each year, massage therapists from around the globe gather to face off,
|
||||||
|
collaborate, and make sure that no body gets left behind.
|
||||||
|
[58]
|
||||||
|
Texas’s Gerrymander May Not Be the Worst Threat to Democrats in 2026
|
||||||
|
Q. & A.
|
||||||
|
[59]
|
||||||
|
Texas’s Gerrymander May Not Be the Worst Threat to Democrats in 2026
|
||||||
|
[60]
|
||||||
|
Texas’s Gerrymander May Not Be the Worst Threat to Democrats in 2026
|
||||||
|
Nate Cohn, the New York Times’ chief political analyst, on a consequential
|
||||||
|
Supreme Court case and why Republicans are registering so many new voters.
|
||||||
|
[61]
|
||||||
|
N.Y.U.’s Dumpster-to-Dorm Boutique
|
||||||
|
Back to School Dept.
|
||||||
|
[62]
|
||||||
|
N.Y.U.’s Dumpster-to-Dorm Boutique
|
||||||
|
[63]
|
||||||
|
N.Y.U.’s Dumpster-to-Dorm Boutique
|
||||||
|
A group of students collected all the leather jackets, rice cookers,
|
||||||
|
microwaves, and disco balls abandoned in last semester’s dorms to create the
|
||||||
|
free Swap Shop.
|
||||||
|
[64]
|
||||||
|
Kadir Nelson’s “The Soloist”
|
||||||
|
Cover Story
|
||||||
|
[65]
|
||||||
|
Kadir Nelson’s “The Soloist”
|
||||||
|
[66]
|
||||||
|
Kadir Nelson’s “The Soloist”
|
||||||
|
A concert en plein air.
|
||||||
|
[67]
|
||||||
|
Why Christopher Marlowe Is Still Making Trouble
|
||||||
|
Books
|
||||||
|
[68]
|
||||||
|
Why Christopher Marlowe Is Still Making Trouble
|
||||||
|
[69]
|
||||||
|
Why Christopher Marlowe Is Still Making Trouble
|
||||||
|
Spy, murder victim, and the boldest poet of his day, the transgressive
|
||||||
|
Elizabethan dramatist taps into the gravely comical troubles into which humans
|
||||||
|
tumble.
|
||||||
|
[70]
|
||||||
|
Playing the Field with My A.I. Boyfriends
|
||||||
|
Brave New World Dept.
|
||||||
|
[71]
|
||||||
|
Playing the Field with My A.I. Boyfriends
|
||||||
|
[72]
|
||||||
|
Playing the Field with My A.I. Boyfriends
|
||||||
|
Nineteen per cent of American adults have talked to an A.I. romantic interest.
|
||||||
|
Chatbots may know a lot, but do they make a good partner?
|
||||||
|
[73]
|
||||||
|
MAGAnomics Isn’t Working
|
||||||
|
The Financial Page
|
||||||
|
[74]
|
||||||
|
MAGAnomics Isn’t Working
|
||||||
|
[75]
|
||||||
|
MAGAnomics Isn’t Working
|
||||||
|
A dismal jobs report affirms earlier warnings about the economic impact of
|
||||||
|
Donald Trump’s tariffs, immigration restrictions, and DOGE-led firings.
|
||||||
|
[76]The New Yorker
|
||||||
|
The New Yorker
|
||||||
|
|
||||||
|
• [77]News
|
||||||
|
• [78]Books & Culture
|
||||||
|
• [79]Fiction & Poetry
|
||||||
|
• [80]Humor & Cartoons
|
||||||
|
• [81]Magazine
|
||||||
|
• [82]Crossword
|
||||||
|
• [83]Video
|
||||||
|
• [84]Podcasts
|
||||||
|
• [85]100th Anniversary
|
||||||
|
• [86]Goings On
|
||||||
|
|
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|
• [87]Manage Account
|
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|
• [88]Shop The New Yorker
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• [89]Buy Covers and Cartoons
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• [90]Condé Nast Store
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• [91]Digital Access
|
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|
• [92]Newsletters
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• [93]Jigsaw Puzzle
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|
• [94]RSS
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|
|
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|
• [95]About
|
||||||
|
• [96]Careers
|
||||||
|
• [97]Contact
|
||||||
|
• [98]F.A.Q.
|
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|
• [99]Media Kit
|
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|
• [100]Press
|
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|
• [101]Accessibility Help
|
||||||
|
• [102]User Agreement
|
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|
• [103]Privacy Policy
|
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|
• [104]Your California Privacy Rights
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|
|
||||||
|
© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of
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|
sales from products that are purchased through our site as part of our
|
||||||
|
Affiliate Partnerships with retailers. The material on this site may not be
|
||||||
|
reproduced, distributed, transmitted, cached or otherwise used, except with the
|
||||||
|
prior written permission of Condé Nast. [105]Ad Choices
|
||||||
|
|
||||||
|
• [106]
|
||||||
|
• [107]
|
||||||
|
• [108]
|
||||||
|
• [109]
|
||||||
|
• [110]
|
||||||
|
• [111]
|
||||||
|
• [112]
|
||||||
|
|
||||||
|
|
||||||
|
References:
|
||||||
|
|
||||||
|
[1] https://www.newyorker.com/culture/open-questions/what-if-ai-doesnt-get-much-better-than-this#main-content
|
||||||
|
[2] https://www.newyorker.com/
|
||||||
|
[3] https://www.newyorker.com/newsletters?sourceCode=navbar
|
||||||
|
[4] https://www.newyorker.com/search
|
||||||
|
[5] https://www.newyorker.com/latest
|
||||||
|
[6] https://www.newyorker.com/news
|
||||||
|
[7] https://www.newyorker.com/culture
|
||||||
|
[8] https://www.newyorker.com/fiction-and-poetry
|
||||||
|
[9] https://www.newyorker.com/humor
|
||||||
|
[10] https://www.newyorker.com/magazine
|
||||||
|
[11] https://www.newyorker.com/crossword-puzzles-and-games
|
||||||
|
[12] https://www.newyorker.com/video
|
||||||
|
[13] https://www.newyorker.com/podcasts
|
||||||
|
[14] https://www.newyorker.com/goings-on
|
||||||
|
[15] https://store.newyorker.com/
|
||||||
|
[16] https://www.newyorker.com/100
|
||||||
|
[18] https://www.newyorker.com/
|
||||||
|
[19] https://www.newyorker.com/culture/open-questions
|
||||||
|
[20] https://www.newyorker.com/contributors/cal-newport
|
||||||
|
[23] https://arxiv.org/abs/2001.08361
|
||||||
|
[24] https://www.newyorker.com/books/under-review/can-sam-altman-be-trusted-with-the-future
|
||||||
|
[25] https://www.newyorker.com/culture/infinite-scroll/mark-zuckerberg-says-social-media-is-over
|
||||||
|
[26] https://www.newyorker.com/tag/elon-musk
|
||||||
|
[27] https://www.wheresyoured.at/the-haters-gui/
|
||||||
|
[28] https://www.newyorker.com/magazine/2024/03/04/a-professor-claimed-to-be-native-american-did-she-know-she-wasnt
|
||||||
|
[29] https://www.newyorker.com/magazine/2024/09/09/ina-garten-profile
|
||||||
|
[30] https://www.newyorker.com/magazine/2024/06/17/kanye-west-tadao-ando-beach-house-malibu
|
||||||
|
[31] https://www.newyorker.com/culture/annals-of-inquiry/why-so-many-people-are-going-no-contact-with-their-parents
|
||||||
|
[32] https://www.newyorker.com/magazine/2024/07/01/how-a-homegrown-teen-gang-punctured-the-image-of-an-upscale-community
|
||||||
|
[33] https://www.newyorker.com/magazine/1939/03/18/the-secret-life-of-walter-mitty-james-thurber
|
||||||
|
[34] https://www.newyorker.com/newsletter/daily
|
||||||
|
[35] https://www.newyorker.com/contributors/cal-newport
|
||||||
|
[36] https://www.newyorker.com/contributors/cal-newport
|
||||||
|
[37] https://www.newyorker.com/tag/artificial-intelligence-ai
|
||||||
|
[38] https://www.newyorker.com/tag/chatgpt
|
||||||
|
[39] https://www.newyorker.com/tag/data
|
||||||
|
[40] https://www.newyorker.com/cartoons/daily-cartoon/monday-september-8th-lioness-protein-needs#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[41] https://www.newyorker.com/cartoons/daily-cartoon/monday-september-8th-lioness-protein-needs#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[42] https://www.newyorker.com/cartoons/daily-cartoon/monday-september-8th-lioness-protein-needs#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[43] https://www.newyorker.com/magazine/2025/09/15/tracks-from-taylor-swifts-wedding-planning-album#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[44] https://www.newyorker.com/magazine/2025/09/15/tracks-from-taylor-swifts-wedding-planning-album#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[45] https://www.newyorker.com/magazine/2025/09/15/tracks-from-taylor-swifts-wedding-planning-album#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[46] https://www.newyorker.com/magazine/2025/09/15/enemies-of-the-state#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[47] https://www.newyorker.com/magazine/2025/09/15/enemies-of-the-state#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[48] https://www.newyorker.com/magazine/2025/09/15/enemies-of-the-state#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[49] https://www.newyorker.com/magazine/2025/09/15/a-round-of-gulf#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[50] https://www.newyorker.com/magazine/2025/09/15/a-round-of-gulf#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[51] https://www.newyorker.com/magazine/2025/09/15/a-round-of-gulf#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[52] https://www.newyorker.com/magazine/2025/09/15/theyll-take-you-to-the-candy-shop#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[53] https://www.newyorker.com/magazine/2025/09/15/theyll-take-you-to-the-candy-shop#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[54] https://www.newyorker.com/magazine/2025/09/15/theyll-take-you-to-the-candy-shop#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[55] https://www.newyorker.com/magazine/2025/09/15/rivals-rub-shoulders-in-the-world-of-competitive-massage#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[56] https://www.newyorker.com/magazine/2025/09/15/rivals-rub-shoulders-in-the-world-of-competitive-massage#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[57] https://www.newyorker.com/magazine/2025/09/15/rivals-rub-shoulders-in-the-world-of-competitive-massage#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[58] https://www.newyorker.com/news/q-and-a/texas-gerrymander-may-not-be-the-worst-threat-to-democrats-in-2026#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[59] https://www.newyorker.com/news/q-and-a/texas-gerrymander-may-not-be-the-worst-threat-to-democrats-in-2026#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[60] https://www.newyorker.com/news/q-and-a/texas-gerrymander-may-not-be-the-worst-threat-to-democrats-in-2026#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[61] https://www.newyorker.com/magazine/2025/09/15/nyus-dumpster-to-dorm-boutique#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[62] https://www.newyorker.com/magazine/2025/09/15/nyus-dumpster-to-dorm-boutique#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[63] https://www.newyorker.com/magazine/2025/09/15/nyus-dumpster-to-dorm-boutique#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[64] https://www.newyorker.com/culture/cover-story/cover-story-2025-09-15#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[65] https://www.newyorker.com/culture/cover-story/cover-story-2025-09-15#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[66] https://www.newyorker.com/culture/cover-story/cover-story-2025-09-15#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[67] https://www.newyorker.com/magazine/2025/09/15/dark-renaissance-the-dangerous-times-and-fatal-genius-of-shakespeares-greatest-rival-stephen-greenblatt-book-review#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[68] https://www.newyorker.com/magazine/2025/09/15/dark-renaissance-the-dangerous-times-and-fatal-genius-of-shakespeares-greatest-rival-stephen-greenblatt-book-review#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[69] https://www.newyorker.com/magazine/2025/09/15/dark-renaissance-the-dangerous-times-and-fatal-genius-of-shakespeares-greatest-rival-stephen-greenblatt-book-review#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
|
[70] https://www.newyorker.com/magazine/2025/09/15/playing-the-field-with-my-ai-boyfriends#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
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[71] https://www.newyorker.com/magazine/2025/09/15/playing-the-field-with-my-ai-boyfriends#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
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[72] https://www.newyorker.com/magazine/2025/09/15/playing-the-field-with-my-ai-boyfriends#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
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[73] https://www.newyorker.com/news/the-financial-page/maganomics-isnt-working#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
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[74] https://www.newyorker.com/news/the-financial-page/maganomics-isnt-working#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
||||||
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[75] https://www.newyorker.com/news/the-financial-page/maganomics-isnt-working#intcid=_the-new-yorker-article-bottom-recirc_bd8cb33c-2d6f-4bee-a246-7e35b4618355_roberta-similarity1_fallback_cral-top2-2
|
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|
[76] https://www.newyorker.com/
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[77] https://www.newyorker.com/news
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[78] https://www.newyorker.com/culture
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[79] https://www.newyorker.com/fiction-and-poetry
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[80] https://www.newyorker.com/humor
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[81] https://www.newyorker.com/magazine
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[82] https://www.newyorker.com/crossword-puzzles-and-games
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[86] https://www.newyorker.com/goings-on
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[87] https://www.newyorker.com/account/profile
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[88] https://store.newyorker.com/
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[89] https://condenaststore.com/art/new+yorker+covers
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[90] https://condenaststore.com/conde-nast-brand/thenewyorker
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[91] https://www.newyorker.com/about/digital-access
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[92] https://www.newyorker.com/newsletter
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[93] https://www.newyorker.com/jigsaw
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[100] https://www.newyorker.com/about/press
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[101] https://www.newyorker.com/about/accessibility-help
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[102] https://www.condenast.com/user-agreement/
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[103] http://www.condenast.com/privacy-policy#privacypolicy
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[104] http://www.condenast.com/privacy-policy#privacypolicy-california
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[106] https://instagram.com/newyorkermag/
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[107] https://www.tiktok.com/@newyorker?lang=en
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[1]Skip to main content
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[23]Sign In
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Shiny and Chrome
|
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|
||||||
|
“It Was Horrible”: Inside Charlize Theron and Tom Hardy’s Mad Max Feud
|
||||||
|
|
||||||
|
In an excerpt from Kyle Buchanan’s Blood, Sweat & Chrome: The Wild and True
|
||||||
|
Story of Mad Max: Fury Road, cast and crew recall the feud that nearly derailed
|
||||||
|
the Oscar-winning film.
|
||||||
|
By [24]Kyle Buchanan
|
||||||
|
February 22, 2022
|
||||||
|
Image may contain Human Person Machine Tom Hardy Weapon and Weaponry
|
||||||
|
© Warner Bros/Everett Collection.
|
||||||
|
Save this story
|
||||||
|
Save this story
|
||||||
|
|
||||||
|
Mad Max: Fury Road was a critical and commercial triumph, grossing nearly $375
|
||||||
|
million worldwide and earning 10 Oscar nominations (with six wins). But its
|
||||||
|
path to the big screen was torturous and winding, as Kyle Buchanan shows in his
|
||||||
|
oral history Blood, Sweat and Chrome: The Wild and True Story of Mad Max: Fury
|
||||||
|
Road, out Tuesday. In the exclusive excerpt below, the film’s cast and crew
|
||||||
|
recall one of Fury Road’s biggest hurdles: the bad blood between stars Charlize
|
||||||
|
Theron and Tom Hardy.
|
||||||
|
|
||||||
|
Rosie Huntington-Whiteley (“The Splendid Angharad”): It was very interesting to
|
||||||
|
sit in a truck for four months with Tom and Charlize, who have completely
|
||||||
|
different approaches to their craft.
|
||||||
|
|
||||||
|
Kelly Marcel (screenwriter and friend of Tom Hardy): Tom is very physical and
|
||||||
|
all over the place and would try very different things. Charlize is cerebral
|
||||||
|
and very consistent in the way that she approaches a character. They’re both
|
||||||
|
powerhouses, but in their very different ways of working. Which, weirdly, is
|
||||||
|
why the film works: It’s all pouring out on the screen.
|
||||||
|
|
||||||
|
George Miller (writer/director, Fury Road): The story is all about
|
||||||
|
self-preservation: If it’s an advantage to you to kill another character, then
|
||||||
|
you should do it and you don’t think twice about it. I think that crept into
|
||||||
|
the actors.
|
||||||
|
|
||||||
|
P. J. Voeten (first assistant director, Fury Road): It seemed to implode in
|
||||||
|
preproduction. We weren’t even shooting and there seemed to be this animosity.
|
||||||
|
|
||||||
|
Petrina Hull (production and development executive, Kennedy Miller Mitchell
|
||||||
|
Films): And as we got into the shoot, those things became difficult.
|
||||||
|
|
||||||
|
P. J. Voeten: At some stage, the Wives didn’t like Tom, and one day, they
|
||||||
|
didn’t even disguise it: They were just yelling at each other in front of us.
|
||||||
|
|
||||||
|
Nicholas Hoult (“Nux”): It was a tense atmosphere at times. It was kind of like
|
||||||
|
you’re on your summer holidays and the adults in the front of the car are
|
||||||
|
arguing.
|
||||||
|
|
||||||
|
Charlize Theron (“Furiosa”): He’s right, it was like two parents in the front
|
||||||
|
of the car. We were either fighting or we were icing each other—I don’t know
|
||||||
|
which one is worse—and they had to deal with it in the back. It was horrible!
|
||||||
|
We should not have done that; we should have been better. I can own up to that.
|
||||||
|
|
||||||
|
Ricky Schamburg (first assistant camera, Fury Road): Tom is very provocative.
|
||||||
|
Charlize isn’t. And it was a clash.
|
||||||
|
|
||||||
|
Image may contain Tom Hardy Human Person Military Military Uniform Army Armored
|
||||||
|
and Soldier
|
||||||
|
© Warner Bros/Everett Collection.
|
||||||
|
|
||||||
|
Richard Norton: (“The Prime Imperator”): Tom would want justification for every
|
||||||
|
bit of choreography, not just in the actual action but in the pre-setup of the
|
||||||
|
action and everything else. Charlize, her basic want is simple: I just want to
|
||||||
|
fucking kill him. Let’s shoot it.
|
||||||
|
|
||||||
|
P. J. Voeten: The day that we were rehearsing the fight scene when they first
|
||||||
|
meet, you could see the tension in the air. It was unbelievable.
|
||||||
|
|
||||||
|
J. Houston Yang (editor, Open Road Entertainment): We get dailies sometimes for
|
||||||
|
specific sequences if we need to cut a shot longer, and some of that was the
|
||||||
|
chain-wrench fight by the tanker. And boy fucking howdy, was it clear that
|
||||||
|
those two people hated each other. They didn’t want to touch each other, they
|
||||||
|
didn’t want to look at each other, they wouldn’t face each other if the camera
|
||||||
|
wasn’t actively rolling.
|
||||||
|
|
||||||
|
Charlize Theron: I don’t want to make excuses for bad behavior, but it was a
|
||||||
|
tough shoot. Now, I have a very clear perspective on what went down. I don’t
|
||||||
|
think I had that clarity when we were making the movie. I was in survival mode;
|
||||||
|
I was really scared shitless.
|
||||||
|
|
||||||
|
George Miller: Many years ago, I had the privilege of working with Jack
|
||||||
|
Nicholson on Witches of Eastwick, where he was playing the devil. And he said,
|
||||||
|
“You know, we think as actors that we don’t bring it home at night. We think we
|
||||||
|
just leave it in the trailer when we walk off set. But the truth is, if you’re
|
||||||
|
doing your job properly, you do bring it home.” And that was one of the
|
||||||
|
dynamics that was happening in the film.
|
||||||
|
|
||||||
|
Charlize Theron: Because of my own fear, we were putting up walls to protect
|
||||||
|
ourselves instead of saying to each other, “Fuck, this is scary for you and
|
||||||
|
it’s scary for me, too. Let’s be nice to each other.” We were functioning, in a
|
||||||
|
weird way, like our characters: Everything was about survival.
|
||||||
|
|
||||||
|
Mark Goellnicht (camera operator, Fury Road): Between Tom and Charlize, it was
|
||||||
|
literally the most contrast I’ve ever seen between two actors.
|
||||||
|
|
||||||
|
Samantha McGrady (key second assistant director, Fury Road): Charlize is the
|
||||||
|
easiest person to deal with in terms of, Okay, we’re ready. Sometimes I would
|
||||||
|
just call her and say, “We’re going to be ready in an hour,” and I knew she
|
||||||
|
would always get in the car, get her makeup on, and get on set.
|
||||||
|
|
||||||
|
Matt Taylor (stunt driver, Fury Road): And when you’ve got someone like Tom
|
||||||
|
who’s a larrikin and is late and very Method in his performances, just in sheer
|
||||||
|
personality, there was always going to be a clash.
|
||||||
|
|
||||||
|
Tom Clapham (production runner, Fury Road): Tom was more in his trailer a lot
|
||||||
|
of the time and would come out for the takes—and sometimes not on time, either.
|
||||||
|
You’re like, Come on, it’s midnight and we want to go home.
|
||||||
|
|
||||||
|
Eventually, veteran producer Denise Di Novi was dispatched to Namibia to
|
||||||
|
mediate the conflict between the film’s two stars.
|
||||||
|
|
||||||
|
Charlize Theron: I don’t want to rehash things, but it came out of a really bad
|
||||||
|
moment where things kind of came to blows between me and Tom.
|
||||||
|
|
||||||
|
Mark Goellnicht: I remember vividly the day. The call on set was eight o’clock.
|
||||||
|
Charlize got there right at eight o’clock, sat in the War Rig, knowing that
|
||||||
|
Tom’s never going to be there at eight even though they made a special request
|
||||||
|
for him to be there on time. He was notorious for never being on time in the
|
||||||
|
morning. If the call time was in the morning, forget it—he didn’t show up.
|
||||||
|
|
||||||
|
Ricky Schamburg: Whether that was some kind of power play or not, I don’t know,
|
||||||
|
but it felt deliberately provocative. If you ask me, he kind of knew that it
|
||||||
|
was really pissing Charlize off, because she’s professional and she turns up
|
||||||
|
really early.
|
||||||
|
|
||||||
|
Mark Goellnicht: Gets to nine o’clock, still no Tom. “Charlize, do you want to
|
||||||
|
get out of the War Rig and walk around, or do you want to . . .” “No, I’m going
|
||||||
|
to stay here.” She was really going to make a point. She didn’t go to the
|
||||||
|
bathroom, didn’t do anything. She just sat in the War Rig.
|
||||||
|
|
||||||
|
Natascha Hopkins (stunt double, Fury Road): She was a new mom, and she just
|
||||||
|
wanted to get to set, work, and take care of her kid.
|
||||||
|
|
||||||
|
Mark Goellnicht: Eleven o’clock. She’s now in the War Rig, sitting there with
|
||||||
|
her makeup on and a full costume for three hours. Tom turns up, and he walks
|
||||||
|
casually across the desert. She jumps out of the War Rig, and she starts
|
||||||
|
swearing her head off at him, saying, “Fine the fucking cunt a hundred thousand
|
||||||
|
dollars for every minute that he’s held up this crew,” and “How disrespectful
|
||||||
|
you are!” She was right. Full rant. She screams it out. It’s so loud, it’s so
|
||||||
|
windy—he might’ve heard some of it, but he charged up to her up and went, “What
|
||||||
|
did you say to me?”
|
||||||
|
|
||||||
|
He was quite aggressive. She really felt threatened, and that was the turning
|
||||||
|
point, because then she said, “I want someone as protection.” She then had a
|
||||||
|
producer that was assigned to be with her all the time.
|
||||||
|
|
||||||
|
Image may contain Human Person Screen Electronics Monitor Display and Abbey Lee
|
||||||
|
Kershaw
|
||||||
|
© Warner Bros/Everett Collection.
|
||||||
|
|
||||||
|
Charlize Theron: It got to a place where it was kind of out of hand, and there
|
||||||
|
was a sense that maybe sending a woman producer down could maybe equalize some
|
||||||
|
of it, because I didn’t feel safe.
|
||||||
|
|
||||||
|
Kelly Marcel: There’s something that you can’t put your finger on unless you
|
||||||
|
are inside it and you know what went on there. It was a really intense,
|
||||||
|
intense, intense period in an intense, intense place. Family was made there,
|
||||||
|
and family loves and hates each other.
|
||||||
|
|
||||||
|
Charlize Theron: I kind of put my foot down. George then said, “Okay, well, if
|
||||||
|
Denise comes . . .” He was open to it and that kind of made me breathe a little
|
||||||
|
bit, because it felt like I would have another woman understanding what I was
|
||||||
|
up against.
|
||||||
|
|
||||||
|
P. J. Voeten: She was sent out to help try and smooth that relationship out. As
|
||||||
|
nice a lady as she was, nobody could really turn it around because it was that
|
||||||
|
entrenched. Whatever it was that they were going through wasn’t going to get
|
||||||
|
fixed easily.
|
||||||
|
|
||||||
|
Charlize Theron: She was parked in the production office, and she was checking
|
||||||
|
in with me and we would talk. But when I was on set, I still felt pretty naked
|
||||||
|
and alone.
|
||||||
|
|
||||||
|
Kelly Marcel: Doug [Mitchell, producer of Fury Road] wouldn’t let Denise
|
||||||
|
actually be on the set. He’s a bulldog, he’s going to protect George no matter
|
||||||
|
what, at all costs. And you can send your producer, you can do whatever you
|
||||||
|
want, but if you’ve got Doug standing there, there’s absolutely no point unless
|
||||||
|
he wants you there. He was never going to allow anybody to interrupt this
|
||||||
|
world, no matter how fraught the world was.
|
||||||
|
|
||||||
|
Charlize Theron: Looking back on where we are in the world now, given what
|
||||||
|
happened between me and Tom, it would have been smart for us to bring a female
|
||||||
|
producer in. You understand the needs of a director who wants to protect his
|
||||||
|
set, but when push comes to shove and things get out of hand, you have to be
|
||||||
|
able to think about that in a bigger sense. That’s where we could have done
|
||||||
|
better, if George trusted that nobody was going to come and fuck with his
|
||||||
|
vision but was just going to come and help mediate situations. I think he
|
||||||
|
didn’t want any interference, and there were several weeks on that movie where
|
||||||
|
I wouldn’t know what was going to come my way, and that’s not necessarily a
|
||||||
|
nice thing to feel when you’re on your job. It was a little bit like walking on
|
||||||
|
thin ice.
|
||||||
|
|
||||||
|
Image may contain Advertisement Poster Brochure Paper and Flyer
|
||||||
|
|
||||||
|
Buy Blood, Sweat & Chrome on [27]Amazon or [28]Bookshop.
|
||||||
|
|
||||||
|
George Miller: There are things that I feel disappointment with about the
|
||||||
|
process. Looking back, if I had to do it again, I would probably be more
|
||||||
|
mindful.
|
||||||
|
|
||||||
|
Tom Hardy (“Max”): In hindsight, I was in over my head in many ways. The
|
||||||
|
pressure on both of us was overwhelming at times. What she needed was a better,
|
||||||
|
perhaps more experienced partner in me. That’s something that can’t be faked.
|
||||||
|
I’d like to think that now that I’m older and uglier, I could rise to that
|
||||||
|
occasion.
|
||||||
|
|
||||||
|
Mark Goellnicht: That scene where you see Tom with Charlize on the bike and all
|
||||||
|
the Vuvalini and the Wives behind, intermingled—that scene was probably the
|
||||||
|
biggest change in seeing Tom really soften to Charlize in real life. We were
|
||||||
|
all unprepared for how he performed that, and then I walked off and Charlize
|
||||||
|
was walking back, and I said, “Geez, Charlize, that was amazing. Did a light
|
||||||
|
switch go off? He was great.” She was quite taken aback by it, too. But it was
|
||||||
|
great because that’s when you can see that Max and Furiosa really are a team.
|
||||||
|
|
||||||
|
The day we shot that, I got such goose bumps. You really felt this change in
|
||||||
|
their mood. Just the way that they were talking to each other when they were
|
||||||
|
off camera, I went, What the fuck? Who gave them molly? They were really civil
|
||||||
|
and nice. He was a different person by the end—a lot easier to deal with, a lot
|
||||||
|
more cooperative, more compassionate. He’s such a Method actor that I think he
|
||||||
|
took the arc in the literal sense.
|
||||||
|
|
||||||
|
Petrina Hull: Overall, the feeling of their relationship did mirror the arc of
|
||||||
|
the characters, and that they had that prickly thing of two people trying to
|
||||||
|
understand each other and clashing and then somehow learning a mutual sort of
|
||||||
|
respect, ultimately. That’s what Max and Furiosa come to in the end: It’s a
|
||||||
|
version of love where you can only really get to regard. It’s not touchy-feely.
|
||||||
|
|
||||||
|
Iain Smith (executive producer, Fury Road): I think that the tension between
|
||||||
|
them actually underscored the love that existed between the two of them within
|
||||||
|
the movie, and that sometimes happens. The worst thing is indifference, and
|
||||||
|
believe you me, there was no indifference between the two of them.
|
||||||
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|
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Kelly Marcel: I don’t know anyone that didn’t lose their temper on that set,
|
||||||
|
including myself. It was fraught and frantic, and you had this overbearing
|
||||||
|
pressure the whole time that you were going to get shut down. You had a studio
|
||||||
|
out in L.A. who did not understand what was being made, and the people who were
|
||||||
|
there on the ground couldn’t really tell them what was being made, either.
|
||||||
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|
||||||
|
Chris O’Hara (on-set second assistant director, Fury Road): People have written
|
||||||
|
things about Tom and Charlize’s relationship. It was just two people trying to
|
||||||
|
do the best job they could.
|
||||||
|
|
||||||
|
Adapted from [29]Blood, Sweat & Chrome: The Wild and True Story of Mad Max:
|
||||||
|
Fury Road, by Kyle Buchanan. Copyright © Kyle Buchanan 2022. Reprinted with
|
||||||
|
permission from William Morrow, a division of HarperCollins Publishers.
|
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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All products featured on Vanity Fair are independently selected by our editors.
|
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However, when you buy something through our retail links, we may earn an
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|
affiliate commission.
|
||||||
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|
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[40]
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Rose Byrne’s New Movie “Wrecked” Her—and Redefined Her Career
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Kathryn Hahn on Going Big for The Studio and “Chomping at the Bit” for More
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Agatha All Along
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[42]
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Kathryn Hahn on Going Big for The Studio and “Chomping at the Bit” for More
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Agatha All Along
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The Emmy nominee also talks David O. Russell’s headline-grabbing new movie, the
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her next chapter
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Sydney Sweeney Gave Everything to Christy: “We Are Actually Punching Each
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[50]
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Jeremy Allen White and Jeremy Strong on How Bruce Springsteen and Jon Landau
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Let Them In
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In Deliver Me From Nowhere, they play the music icon and his longtime manager,
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[51]
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How Dwayne Johnson Transformed Into The Smashing Machine: “I Found It So Scary”
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[52]
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realized that maybe these opportunities weren’t coming my way because I was too
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scared to explore this stuff.”
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[53]
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Sarah Jessica Parker and Michael Patrick King Think They Gave Carrie Bradshaw
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[54]
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Sarah Jessica Parker and Michael Patrick King Think They Gave Carrie Bradshaw
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On And Just Like That…, why they felt ready to finish the series, and the three
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[55]
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For Michelle Williams, Dying on Dying for Sex Was “Therapeutic”
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Television
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[56]
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For Michelle Williams, Dying on Dying for Sex Was “Therapeutic”
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The miniseries about a woman who spends her final days exploring her sexuality
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earned Williams two Emmy nominations—and made her feel like a “new person.”
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[57]
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First Joel Edgerton and Clint Bentley Became Fathers. Then They Made Train
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[58]
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First Joel Edgerton and Clint Bentley Became Fathers. Then They Made Train
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[59]
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[61]
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Maude Apatow Explains Why Her Directorial Debut, Poetic License, Features
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[62]
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Maude Apatow Explains Why Her Directorial Debut, Poetic License, Features
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The film stars her mom, Leslie Mann, as a woman who takes a college poetry
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[63]Vanity Fair
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References:
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[1] https://www.vanityfair.com/hollywood/2022/02/mad-max-fury-road-tom-hardy-charlize-theron-excerpt#main-content
|
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[2] https://www.vanityfair.com/
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[3] https://www.vanityfair.com/newsletters?sourceCode=navbar
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[4] https://www.vanityfair.com/news/politics
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[5] https://www.vanityfair.com/hollywood
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[6] https://www.vanityfair.com/style/royals
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[7] https://www.vanityfair.com/style
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[8] https://www.vanityfair.com/culture
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[9] https://www.vanityfair.com/news/politics
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[10] https://www.vanityfair.com/hollywood
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[11] https://www.vanityfair.com/style/royals
|
||||||
|
[12] https://www.vanityfair.com/style
|
||||||
|
[13] https://www.vanityfair.com/culture
|
||||||
|
[14] https://www.vanityfair.com/news/business
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||||||
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[15] https://www.vanityfair.com/style/celebrity
|
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|
[16] https://www.vanityfair.com/video
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[17] https://www.vanityfair.com/hollywood/what-is-cinema
|
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[18] https://www.vanityfair.com/newsletters?sourceCode=hamburgernav
|
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[19] https://www.vanityfair.com/podcasts
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[20] https://archive.vanityfair.com/
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[21] https://shop.vanityfair.com/
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[22] https://www.vanityfair.com/search
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[23] https://www.vanityfair.com/auth/initiate?redirectURL=%2Fhollywood%2F2022%2F02%2Fmad-max-fury-road-tom-hardy-charlize-theron-excerpt&source=VERSO_NAVIGATION
|
||||||
|
[24] https://www.vanityfair.com/contributor/kyle-buchanan
|
||||||
|
[27] https://cna.st/affiliate-link/4usQ6Put9VSSN8XhoMijnRVkJdYi46znvS1U2iVWBjToiCPWCguxb68V4cP689Xy64kW5Ms8wJngWRo8XCi7UURjfvysg5g2rbHxXPuDZULxzjZP9nDaWLsiBFioWm2SgS2KwSkXMfXXXcUznAUAfsJdMncXC8EkWRJM6PFASkd355JRgBpAhS35YTXGYAJ79W9bhgVeJQ8xweV6wRAKYLUEM14eqYhPWmJXSJesmu47L4Xkd9tEkctLZJiJ4sjG8z12CdbxUSP8ukzHEnoGzmhgFoubXRTx7Sg8iMVNsgHEC55fUciPX27Zkhh8DkRTU9UmNqvoQyiXeg5Q2umbEYpC15zpyQopv4msjtB7Xn5FV3dPuB2LqsoapULidfbWnAx53611QCnvDP96gVwR8MzkJFVGxzHRFaus1hL4kQoa4o8n2bxJMWbD
|
||||||
|
[28] https://cna.st/affiliate-link/3Z8ScPSzDr4fxCDd7zZXWWo5whfGahG4j2gQL3ZXwhCUWw2YFTxk7ix5KtQf3tkFpJeyYzVu46Ska2HEaaiRv1vkS4w54RC3rp79KjkJ2uybyuBaZwKnTbqTmEdpMfrwXPoARiQr2j68hk2aKyxLAMmMoy3YBZ1PabK6bDg4UD38U3H1zZkhCSQBeskxNXSHbTeu8TiMXTQDYcB3SQPsBFXeevTsbitDNaNzKMUPHN23Fgihd8R9iubT87PEQrywtv7ZNrtDj5cnYhvzbt39x5HfDtCYZGteXiPHrkTtemqbK8uVpkzAChVsHiZG9T5BndNy1wSP2DHx28otpmxvdHa3mbJ4QcrEWnn8prripnbyn8dqFWLfJehP9THZ83Hrh86AmgQDzLd6Sn8jFDm17WmPXZYFzkxhrcFVG46R8P8qDbRrKQFNjT8YyEnLFfjBVqyrJZo1EQUEpKqSV6zqRhfG9FNDyanwkQXgf9heS34w
|
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|
[29] https://cna.st/affiliate-link/4usQ6Put9VSSN8XhoMijnRVkJdYi46znvS1U2iVWBjToiCPWCguxb68V4cP689Xy64kW5Ms8wJngWRo8XCi7UURjfvysg5g2rbHxXPuDZULxzjZP9nDaWLsiBFioWm2SgS2KwSkXMfXXXcUznAUAfsJdMncXC8EkWRJM6PFASkd355JRgBpAhS35YTXGYAJ79W9bhgVeJQ8xweV6wRAKYLUEM14eqYhPWmJXSJesmu47L4Xkd9tEkctLZJiJ4sjG8z12CdbxUSP8ukzHEnoGzmhgFoubXRTx7Sg8iMVNsgHEC55fUciPX27Zkhh8DkRTU9UmNqvoQyiXeg5Q2umbEYpC15zpyQopv4msjtB7Xn5FV3dPuB2LqsoapULidfbWnAx53611QCnvDP96gVwR8MzkJFVGxzHRFaus1hL4kQoa4o8n2bxJMWbD
|
||||||
|
[30] https://www.vanityfair.com/hollywood/2022/02/amazon-the-rings-of-power-series-first-look?itm_content=footer-recirc&itm_campaign=more-great-stories-021022
|
||||||
|
[31] https://www.vanityfair.com/hollywood/2022/02/renee-zellweger-unrecognizable-the-thing-about-pam-hupp?itm_content=footer-recirc&itm_campaign=more-great-stories-021022
|
||||||
|
[32] https://www.vanityfair.com/hollywood/2022/02/awards-insider-oscar-nominations-2022-snubs-surprises?itm_content=footer-recirc&itm_campaign=more-great-stories-021022
|
||||||
|
[33] https://www.vanityfair.com/hollywood/2022/02/02/oprah-winfrey-the-color-purple-cast-musical?itm_content=footer-recirc&itm_campaign=more-great-stories-021022
|
||||||
|
[34] https://www.vanityfair.com/hollywood/2022/02/02/netflix-the-tinder-swindler-shimon-hayut-simon-leviev?itm_content=footer-recirc&itm_campaign=more-great-stories-021022
|
||||||
|
[35] https://www.vanityfair.com/hollywood/2022/01/w-kamau-bell-bill-cosby?itm_content=footer-recirc&itm_campaign=more-great-stories-021022
|
||||||
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[36] https://www.vanityfair.com/style/2022/02/the-last-known-portrait-of-jeffrey-epstein?itm_content=footer-recirc&itm_campaign=more-great-stories-021022
|
||||||
|
[37] https://archive.vanityfair.com/article/share/d1a3cb5c-8d27-44be-9ab5-ef5bf6ecb0c6?itm_content=footer-recirc&itm_campaign=more-great-stories-021022
|
||||||
|
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|
||||||
|
[39] https://www.vanityfair.com/hollywood/story/rose-byrne-if-i-had-legs-id-kick-you-exclusive#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
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|
||||||
|
[41] https://www.vanityfair.com/hollywood/story/kathryn-hahn-the-studio-agatha-awards-insider#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
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|
||||||
|
[43] https://www.vanityfair.com/hollywood/story/sydney-sweeney-christy-interview-american-eagle#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[44] https://www.vanityfair.com/hollywood/story/sydney-sweeney-christy-interview-american-eagle#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[45] https://www.vanityfair.com/hollywood/story/luca-guadagnino-after-the-hunt-first-look#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[46] https://www.vanityfair.com/hollywood/story/luca-guadagnino-after-the-hunt-first-look#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
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|
[47] https://www.vanityfair.com/hollywood/story/the-beast-in-me-first-look-awards-insider#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[48] https://www.vanityfair.com/hollywood/story/the-beast-in-me-first-look-awards-insider#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[49] https://www.vanityfair.com/hollywood/story/jeremy-allen-white-and-jeremy-strong-on-springsteen-telluride#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[50] https://www.vanityfair.com/hollywood/story/jeremy-allen-white-and-jeremy-strong-on-springsteen-telluride#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
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|
[51] https://www.vanityfair.com/hollywood/story/smashing-machine-dwayne-johnson-benny-safdie-emily-blunt-exclusive#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
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[52] https://www.vanityfair.com/hollywood/story/smashing-machine-dwayne-johnson-benny-safdie-emily-blunt-exclusive#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
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|
[53] https://www.vanityfair.com/hollywood/story/sarah-jessica-parker-and-michael-patrick-king-think-they-gave-carrie-bradshaw-the-perfect-ending#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[54] https://www.vanityfair.com/hollywood/story/sarah-jessica-parker-and-michael-patrick-king-think-they-gave-carrie-bradshaw-the-perfect-ending#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[55] https://www.vanityfair.com/hollywood/story/michelle-williams-dying-for-sex-interview#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[56] https://www.vanityfair.com/hollywood/story/michelle-williams-dying-for-sex-interview#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[57] https://www.vanityfair.com/hollywood/story/joel-edgerton-and-clint-bentley-train-dreams-toronto#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[58] https://www.vanityfair.com/hollywood/story/joel-edgerton-and-clint-bentley-train-dreams-toronto#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[59] https://www.vanityfair.com/hollywood/story/hollywood/story/ayo-the-bear-directing#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[60] https://www.vanityfair.com/hollywood/story/hollywood/story/ayo-the-bear-directing#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[61] https://www.vanityfair.com/hollywood/story/maude-apatow-interview-poetic-license#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[62] https://www.vanityfair.com/hollywood/story/maude-apatow-interview-poetic-license#intcid=_vanity-fair-article-bottom-recirc_d439eee9-0ead-457c-88e9-33c014b6df93_text2vec1
|
||||||
|
[63] https://www.vanityfair.com/
|
||||||
|
[64] https://www.facebook.com/vanityfairmagazine
|
||||||
|
[65] https://twitter.com/vanityfair
|
||||||
|
[66] https://www.instagram.com/vanityfair/
|
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|
[67] https://www.pinterest.com/VanityFair/
|
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|
[68] https://www.youtube.com/user/VanityFairMagazine
|
||||||
|
[69] https://www.vanityfair.com/newsletters
|
||||||
|
[70] https://adclick.g.doubleclick.net/pcs/click?xai=AKAOjssc5DpG2q7MGxrHMxZezKOqswtMDF6_09HkiL8uAGJKzDTpCVW6u4UMCm4cL_-yuCxwP4NtVt3VRHRbYGWjqr5bEJqjgb8o7ZwYTZLv7be03Ud32Ws7rPuSILf77sZfMXmaQU5wrzkjmsjieC1LaXQPHaCP_F3b9y1NSpGg545d6bHVgEWn-P79Wy5krMsQMzpnXUtuyesyRoS1H6XASPlzYj1R6pnyx7SwSxVujQI0SK8zvkVajFRtvuA9cN2z&sai=AMfl-YSgoG5Ci2-vXdDHYcjjqiWP0vmndq6Yk5kU0PZackIzP3RJJOM9ej40QDwCdG-yKtsKE2a0dmb4VrGODuIzTIcqpJp66x74CYADNhU-vOKWpHOfUuMuuFi_jGJNxkb_ubRF7ANFMZ2NasI2XdSW&sig=Cg0ArKJSzE-e_pQ-tYYfEAE&urlfix=1&adurl=https://subscribe.vanityfair.com/subscribe/vanityfair/118234%3Fsource%3DAMS_VYF_GLOBAL_SITE_FOOTER_SUBSCRIBE_1mFREETEST_TEST%26pos_name%3DAMS_VYF_GLOBAL_SITE_FOOTER_SUBSCRIBE
|
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|
[71] https://www.vanityfair.com/app
|
||||||
|
[72] https://www.vanityfair.com/credits
|
||||||
|
[73] https://www.vanityfair.com/info/about-vanity-fair
|
||||||
|
[74] https://www.vanityfair.com/info/faq
|
||||||
|
[75] https://www.vanityfair.com/contact/contact-us
|
||||||
|
[76] https://www.vanityfair.com/account/profile
|
||||||
|
[77] https://www.condenast.com/brands/vanity-fair
|
||||||
|
[78] https://www.condenast.com/careers
|
||||||
|
[79] https://www.condenast.com/user-agreement/
|
||||||
|
[80] http://www.condenast.com/privacy-policy#privacypolicy
|
||||||
|
[81] http://www.condenast.com/privacy-policy#privacypolicy-california
|
||||||
|
[82] https://condenaststore.com/~/vanity-fair?utm_medium=referral&utm_source=VanityFair&utm_content=FOOTER&AID=1244593740
|
||||||
|
[83] http://www.condenastmediakit.com/vf/
|
||||||
|
[84] https://www.vanityfair.com/accessibility-help
|
||||||
|
[85] http://www.aboutads.info/
|
||||||
|
[87] https://www.vanityfair.it/
|
||||||
|
[88] https://www.revistavanityfair.es/
|
||||||
|
[89] https://www.vanityfair.fr/
|
||||||
Reference in New Issue
Block a user