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@@ -4,6 +4,31 @@ date: 2025-06-02T13:14:42-04:00
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draft: false
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tags:
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- dispatch
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references:
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- title: "Opinion | There’s a Link Between Therapy Culture and Childlessness - The New York Times"
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url: https://www.nytimes.com/2025/05/30/opinion/therapy-estrangement-childless-millennials.html
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date: 2025-06-03T15:48:53Z
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file: www-nytimes-com-7wlxcp.txt
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- title: "Searls of Wisdom for April 2025 | justin․searls․co"
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url: https://justin.searls.co/mails/2025-04/
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date: 2025-06-03T15:49:19Z
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file: justin-searls-co-bifdrg.txt
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- title: "The Imperfectionist: Navigating by aliveness"
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url: https://ckarchive.com/b/zlughnhk8772ma7qrr9qehwzgng00f6
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date: 2025-06-03T15:49:22Z
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file: ckarchive-com-yhbgos.txt
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- title: "Moleskine Mania: How a Notebook Conquered the Digital Era | The Walrus"
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url: https://thewalrus.ca/moleskine/
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date: 2025-06-03T15:49:29Z
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file: thewalrus-ca-714tb6.txt
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- title: "Junk Contemplations | Brain Baking"
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url: https://brainbaking.com/post/2025/05/junk-contemplations/
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date: 2025-06-03T15:49:34Z
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file: brainbaking-com-s3rbn8.txt
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- title: "How to think - cliophate.wtf"
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url: https://cliophate.wtf/how-to-think
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date: 2025-06-03T15:49:38Z
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file: cliophate-wtf-ja3aad.txt
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---
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Some thoughts here...
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@@ -31,10 +56,33 @@ Some thoughts here...
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### Links
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* [Title][4]
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* [Title][5]
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* [Title][6]
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* [There’s a Link Between Therapy Culture and Childlessness][4]
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[4]: https://example.com/
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[5]: https://example.com/
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[6]: https://example.com/
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> I thought of the love I felt for the unborn little thing within me — just then, just beginning to make its presence known with a kick and flutter and a flip — and I felt bowled over by all that I had not understood. The love my parents had felt, do feel, that I had recognized in the abstract, I had so often overlooked.
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* [Searls of Wisdom for April 2025][5]
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> Planet Earth is undeniably a bit of a shitshow at the moment, but I'm actually feeling optimistic that we're approaching the precipice of something that will—once we get to the other side of it—feel like the beginning of a sea change in how information is organized, constituted, and distributed. To wit: skepticism of information technology has materialized and matured from opposite ends of the political spectrum, and advocates from both sides are meeting in the middle with relatively boring policy prescriptions like regulating the use of smartphones in schools and expanding the scope of antitrust actions. Seems… fine, actually?
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* [Navigating by aliveness][6]
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> And if in a year or two or ten the paragraphs above look hopelessly naïve … well, I think I’ll be glad to have been naïve, in this context. Because I suspect that a certain form of naivete may be a precondition for aliveness.
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* [Moleskine Mania: How a Notebook Conquered the Digital Era][7]
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> “Do you know there’s a section of our customer base that buys a fresh Moleskine every time they come into a store? We have no idea what they do with them”
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* [Junk Contemplations][8]
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> All of these things hurt my eyes, even though this has more or less been the state of stuff in our home for the past two years. I just can’t get used to it, something keeps on urging me to clean up, and I indeed have the feeling that that is exactly what I do all day long every single day—without much success.
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* [How to think][9]
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> I expect that when, and if, the AI revolution arrives, people who have the ability to think are the ones who will not be left behind. Thinkers will be the ones who will thrive in these uncertain times.
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[4]: https://www.nytimes.com/2025/05/30/opinion/therapy-estrangement-childless-millennials.html
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[5]: https://justin.searls.co/mails/2025-04/
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[6]: https://ckarchive.com/b/zlughnhk8772ma7qrr9qehwzgng00f6
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[7]: https://thewalrus.ca/moleskine/
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[8]: https://brainbaking.com/post/2025/05/junk-contemplations/
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[9]: https://cliophate.wtf/how-to-thi
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150
static/archive/brainbaking-com-s3rbn8.txt
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150
static/archive/brainbaking-com-s3rbn8.txt
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@@ -0,0 +1,150 @@
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[1]skip to main content
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[2] [logo]
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• [3]Archives
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• [4]Works
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• [5]About
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• [6]More...
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Junk Contemplations
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10 May 2025
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The coffee table is spilled with Playmobil figures, a dirty towel, a simple
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wooden dollhouse, an undressed doll, and a purple teddy bear wearing diapers
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the wrong side up sitting in an empty plastic ice cream container. To my left
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of the couch, a dolphin plush is chilling next to a pile of assorted picture
|
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books. To my right, an elephant plush wearing a scarf is catching some z’s. All
|
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of these things hurt my eyes, even though this has more or less been the state
|
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of stuff in our home for the past two years. I just can’t get used to it,
|
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something keeps on urging me to clean up, and I indeed have the feeling that
|
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that is exactly what I do all day long every single day—without much success.
|
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|
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I make my way through the house to the new home office downstairs while kicking
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aside a few more randomly placed toys—both the toddler’s as well as the dog’s.
|
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After emptying and moving the IKEA BILLY bookcases, I had another cleanup cramp
|
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and threw a random array of mediocre books in a couple of bags to donate to the
|
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thrift store nearby. The shelves were roomy for exactly one week. After that,
|
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we had to consolidate another bookshelf, more children’s books leaked into the
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home office, and the cramp returned. It is itching badly. Yet it did not stop
|
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me from ordering more books.
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|
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A month ago, I couldn’t open the drawer beneath the TV stand that stores my
|
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Nintendo Switch games. Oh hi cramp, how are you? Not good? No? Let’s do this
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together then! Only thirty minutes later, I had sold nine of them on Vinted, a
|
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European online second hand marketplace. But there be dragons! The last time I
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did something rash like that to a video game collection dear and near to my
|
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heart, I heavily regretted the action afterwards. You know, that GameCube Fire
|
||||
Emblem: Radiant Dawn for €10 that’s now worth €150 kind of regret.
|
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|
||||
Back in the home office, a naked wall urged me to drive off to IKEA and get one
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of those five by five KALLAX storage shelves. Somehow, it seemed like a good
|
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idea. I could move my board games from the hallway to make space for more junk
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for the kids and I had more room to buy more stuff for myself! Yay! Wait a
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minute, more stuff ultimately means more cleanup itches resulting in sudden
|
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outbursts of throwaway-rage. It looks like all I do is pester myself by wanting
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and getting more junk which all contribute to a restless instead of a calm
|
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mind. Why do I do this?
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I used to think that I was pretty immune to the whole “fear of missing out”
|
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hype. It turns out that I’m not. I hate the philosophy of Limited Run Games,
|
||||
yet my last order probably won’t be my last (hello Gex Trilogy). I don’t like
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BoardGameGeek’s The Hotness list, constantly teasing you to go off and buy new
|
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games instead of properly learning to understand the mechanics of the ones you
|
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already have, yet somehow I’m easily convinced by friends influenced by the
|
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very same list to bring home new stuff anyway.
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|
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The junk that hurts my eyes is not just the junk of the kids. It’s also my own.
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|
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That is coming from a man who read and deeply respects Fumio Sasaki’s Goodbye,
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Things; is a regular listener of The Minimalists; and frequently picks a fight
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with his wife about how disorderly she dares to chuck her clothes into the
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wardrobe. Somehow, somewhere, the sense of it all seems to have gotten lost. In
|
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my defence: The Minimalist guys and Fumio Sasaki don’t have kids. Marie Kondo
|
||||
didn’t have any and now that she does, she’s dialling back on the cleanup
|
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magic. See what I did there? I tried to hide my own urge to collect junk by
|
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placing someone else’s junk front and centre. Oops.
|
||||
|
||||
I tried to optimize the new home office space by jamming in as much as I could.
|
||||
But two old computers next to the modern workstation in front of a window felt
|
||||
too messy to comfortably be and work in so I am temporarily forced to tear down
|
||||
and store the Windows 98 Athlon and Windows XP Core2Duo setup. Not even a KVM
|
||||
switch would have saved the day here. Yet a new problem arose: since we have
|
||||
neither basement nor attic, we don’t even have the space to properly store
|
||||
stuff like this. And no way in hell am I going to let go of these machines.
|
||||
While attempting to make room in the wardrobe (simply because that’s the
|
||||
largest closet we have), I found an old 12" CRT tube and more old computer junk
|
||||
stuffed in there “just in case”. I guess these can go… Yes, that last sentence
|
||||
was typed with a sense of reluctance.
|
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|
||||
All these junk contemplations do not help in calming the spirit. If anything,
|
||||
that spirit is triggered and working overtime right now. More junk needs to be
|
||||
moved across the house because of a renovation and more runs to IKEA need to be
|
||||
made because of an upcoming family expansion. Yup, we made it worse.
|
||||
|
||||
Perhaps I need to kill off the music CD collection, even though that one is
|
||||
quite modest. That smaller case could be replaced by another BILLY extension.
|
||||
And it’s been years since I last touched that Evercade, who even has that many
|
||||
handheld gaming devices anyway? On to the get-rid-of list it goes. But wait,
|
||||
are you sure? Are you sure? [7]Are you sure?
|
||||
|
||||
Meanwhile, those empty KALLAX holes beckon: now that I do have the space to
|
||||
store more board games, perhaps it’s time to re-read that wanted list…
|
||||
|
||||
[8]braindump [9]stuff [10]collecting
|
||||
|
||||
You Might Also Like...
|
||||
|
||||
• [11]The Challenge Of Buying Games At Physical Stores 06 Jun 2024
|
||||
• [12]Overlooked Reasons To Still Buy Physical Media 25 Sep 2023
|
||||
• [13]Is Collecting Physical Games Worth It (Part III) 29 Oct 2022
|
||||
• [14]Double-dipping and Market Prices 05 Jul 2021
|
||||
• [15]Flea Market Season 22 Jun 2021
|
||||
|
||||
Bio and Support
|
||||
|
||||
[avatar2024]
|
||||
|
||||
I'm [16]Wouter Groeneveld, a Brain Baker, and I love the smell of freshly baked
|
||||
thoughts (and bread) in the morning. I sometimes convince others to bake their
|
||||
brain (and bread) too.
|
||||
|
||||
If you found this article amusing and/or helpful, you can support me via [17]
|
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PayPal or [18]Ko-Fi. I also like to hear your feedback via [19]Mastodon or
|
||||
email. Thanks!
|
||||
|
||||
JavaScript is disabled. I use it to obfuscate my e-mail, keeping spambots at
|
||||
bay.
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||||
Reach me using: [firstname] at [this domain].
|
||||
|
||||
↑ [20]Top | [21]Archives | [22]RSS Feed | [23]bv | [24]© CC BY 4.0 License.
|
||||
[25] [brainbakin]
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||||
|
||||
|
||||
References:
|
||||
|
||||
[1] https://brainbaking.com/post/2025/05/junk-contemplations/#top
|
||||
[2] https://brainbaking.com/
|
||||
[3] https://brainbaking.com/archives/
|
||||
[4] https://brainbaking.com/works/
|
||||
[5] https://brainbaking.com/about
|
||||
[6] https://brainbaking.com/more
|
||||
[7] https://www.youtube.com/watch?v=yNY6ZstdUdY
|
||||
[8] https://brainbaking.com/categories/braindump
|
||||
[9] https://brainbaking.com/tags/stuff
|
||||
[10] https://brainbaking.com/tags/collecting
|
||||
[11] https://brainbaking.com/post/2024/06/the-challenge-of-buying-games-at-physical-stores/
|
||||
[12] https://brainbaking.com/post/2023/09/overlooked-reasons-to-still-buy-physical-media/
|
||||
[13] https://brainbaking.com/post/2022/10/is-collecting-physical-games-worth-it-part-iii/
|
||||
[14] https://brainbaking.com/post/2021/07/double-dipping-and-market-prices/
|
||||
[15] https://brainbaking.com/post/2021/06/flea-market-season/
|
||||
[16] https://brainbaking.com/about
|
||||
[17] https://www.paypal.com/donate/?hosted_button_id=R2WTKY7G9V2KQ
|
||||
[18] https://ko-fi.com/woutergroeneveld
|
||||
[19] https://dosgame.club/@jefklak
|
||||
[20] https://brainbaking.com/post/2025/05/junk-contemplations/#top
|
||||
[21] https://brainbaking.com/archives
|
||||
[22] https://brainbaking.com/index.xml
|
||||
[23] https://brainbaking.com/bv
|
||||
[24] https://brainbaking.com/copyright-and-tracking-policy
|
||||
[25] https://brainbaking.com/links
|
||||
2
static/archive/ckarchive-com-yhbgos.txt
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2
static/archive/ckarchive-com-yhbgos.txt
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@@ -0,0 +1,2 @@
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The Imperfectionist: Navigating by aliveness
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452
static/archive/cliophate-wtf-ja3aad.txt
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452
static/archive/cliophate-wtf-ja3aad.txt
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@@ -0,0 +1,452 @@
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[1]cliophate.wtf [2]Start Here [3]Reading [4]About Me [5]Now
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|
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How to think
|
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|
||||
When I originally saw this tweet, I chuckled.
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[bsky-1200x]
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Then I realized: I do the same thing, and so do the people around me. That is,
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we outsource our thinking to a machine, which can’t think in the first place
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(though that fact is a whole separate piece I am working on).
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|
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Since the rise of Generative AI, what I caught myself doing is using tools like
|
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ChatGPT or Claude to go through problems. Not as a help, but instead had it
|
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spit out an answer that I then (at times blindly) adopted as my own solution.
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And going by that post above, and the anecdotal evidence I have, I am not alone
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in this.
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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|
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This is not thinking. Again, the machine cannot think. It can only match
|
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patterns and emulate writing. But thanks to increasingly sophisticated models,
|
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the solution the machine gives us seems like the solution we were looking for.
|
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|
||||
But if I am not the one thinking, and thus not the one solving the problem
|
||||
(because problem-solving is what thinking ultimately is), I have learned
|
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nothing. I have just taken another one's thoughts (and again, the machine
|
||||
cannot think) as my own. I see little value in this.
|
||||
|
||||
This phenomenon is, however, not a recent problem, even though Generative AI
|
||||
has exacerbated it. Outsourcing our thinking to other things, or people, is
|
||||
something humanity has been doing forever.
|
||||
|
||||
Before Generative AI, we outsourced our thinking to influencers and whatever
|
||||
the algorithmic timelines fed us. Before that, it was to politicians,
|
||||
celebrities, and other people in power. Before that, it was the churches. And
|
||||
before that, it was the shamans. (To be fair, people still do this.)
|
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|
||||
But at least in these examples, the thinker we outsource to is human. We can,
|
||||
most often, deduce what their agenda is. But what is the agenda of a machine
|
||||
that has been trained by a group of people who probably don’t even understand
|
||||
how that machine works in the first place?
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|
||||
I believe that in this age, at a time when we get inundated with information
|
||||
from all directions, the ability to think is the most important skill we have.
|
||||
|
||||
I expect that when, and if, the AI revolution arrives, people who have the
|
||||
ability to think are the ones who will not be left behind. Thinkers will be the
|
||||
ones who will thrive in these uncertain times.
|
||||
|
||||
And this is how to think:
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
I see four parts that are necessary for thought. You need to cultivate all
|
||||
four, because one or two alone may not be enough to form your best thinking.
|
||||
|
||||
These are:
|
||||
|
||||
• Thinking in silence;
|
||||
• Thinking through inspiration;
|
||||
• Thinking by writing;
|
||||
• Thinking by not (actively) thinking.
|
||||
|
||||
Thinking in silence
|
||||
|
||||
AI, algorithmic timelines, and generally just the noise^[6]1 we live in, don’t
|
||||
give us the space to think. They hijack our attention and concentration.
|
||||
|
||||
This is our fault. Whenever we have the slightest moment of silence—and we call
|
||||
that boredom—we try to fill the void with whatever we can find.
|
||||
|
||||
But there is a reason you have your best thoughts under the shower, or as soon
|
||||
as your head hits the pillow. These might be the only moments you experience
|
||||
true silence and boredom.
|
||||
|
||||
When we manage to turn off the outside world, we are able to listen to our
|
||||
inner voice. That is thinking. That voice that speaks to you, at times maybe
|
||||
roughly, though that is for another essay, is what thinking is.^[7]2
|
||||
|
||||
By listening and talking to the inner voice, we can give it problems to solve.
|
||||
We can mentally go through the steps and let our minds untangle whatever we are
|
||||
currently working on. If we feed it with the correct pieces, and let it do its
|
||||
job without interruption, it’ll allow us to solve the puzzle.
|
||||
|
||||
This is hard. Thinking is an active skill (though there is a passive element to
|
||||
that, more soon) that burns a lot of energy. The brain alone consumes, on
|
||||
average, around 400 calories per day. To give you an idea: 30 minutes of
|
||||
running burns the same amount. (So feed your brain the nutrients, exercise, and
|
||||
rest it needs.)
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
I am a strong believer in cultivating silence to let our minds go wild and
|
||||
start forming thoughts. It is not easy, though, modern civilization likes to
|
||||
flood us with distractions. Therefore, I try to find moments throughout the day
|
||||
where I embrace silence. (And I am not talking about absolute silence like you
|
||||
have in outer space. You don’t need 0 decibels; rather, what you need is to not
|
||||
have inputs. White noise is completely fine and might even be beneficial to
|
||||
some. If I struggle with sounds, I listen to a mix of white noise and
|
||||
thunderstorms.)
|
||||
|
||||
But embracing silence is hard for me. I struggle with this because I have the
|
||||
tendency to fill the silence with... something. Anything. Not necessarily
|
||||
because I’m afraid of the silence, but because boredom is at times painful.
|
||||
Boredom is just so... boring.
|
||||
|
||||
I’m not used to it anymore, so I have to force myself to accept it. And only
|
||||
then can I sit in silence and let my mind work. And every time I give it the
|
||||
space it needs, I am surprised by what that squishy thing in my skull is
|
||||
capable of.
|
||||
|
||||
Thinking through inspiration
|
||||
|
||||
While the building block above shows how to create space for thinking, it’s
|
||||
inspiration, I believe, that sparks thought in the first place.
|
||||
|
||||
Not every thought is worth something. I doubt this is a surprise to you, but if
|
||||
we’d follow every thought we’d ever have life would be pretty fucking weird.
|
||||
|
||||
To succeed at thinking, we need to feed our minds the necessary material to
|
||||
refine what happens up there.
|
||||
|
||||
This happens through a process I (and I probably stole it) call
|
||||
cross-pollination.
|
||||
|
||||
Cross-pollination is when you take a whole bunch of Lego bricks from all kinds
|
||||
of different sources to build your own castle in your mind.
|
||||
|
||||
You achieve this by consuming broadly.
|
||||
|
||||
But not all consumption is equal.
|
||||
|
||||
There is a reason everyone talks about [8]brain rot currently, because
|
||||
mindlessly scrolling through TikTok and watching people do whatever the
|
||||
algorithm gets them views, is not the type of consumption I am talking about.
|
||||
|
||||
Rather, we’re talking about content (and it can still happen on TikTok, the
|
||||
medium is NOT the problem) that challenges you.
|
||||
|
||||
For me, this content primarily exists as the written word. It is the reason [9]
|
||||
why I read as much as I do. But I also find it in blog posts like these, or
|
||||
newsletters, or at times even on text-based social media like Bluesky or
|
||||
Threads (though let me be real, this is the exception, most content on there is
|
||||
mediocre).
|
||||
|
||||
If this resonated with you, there’s more.
|
||||
Subscribe to get future posts delivered to your inbox. No spam.
|
||||
And if you want to support my writing, [10]click here.
|
||||
|
||||
You can find that content also in multimedia formats, be it podcasts, YouTube
|
||||
videos, or (good!) TikTok shorts. Or you find it as a little nugget in some
|
||||
random TV show or movie. Or while talking to other people, or observing nature.
|
||||
|
||||
What is important here is that you consume actively. Not necessarily to learn
|
||||
every time you look at something, but by spending focused time with the media.
|
||||
|
||||
And yes, for that, you need to put away your phone, turn off your gaming
|
||||
console, or whatever else you are currently doing. NO multitasking. We all know
|
||||
by now that [11]multitasking doesn’t exist. Sit with the material, consume it,
|
||||
and let it feed your thoughts with new Lego bricks.
|
||||
|
||||
One very important thing, however, is this: don’t only consume things with
|
||||
which you agree or that you already believe. All this does is feed your idiocy
|
||||
(and we are all idiots) and enforce negative cycles.
|
||||
|
||||
Consume stuff you hate. Consume what the enemy created, whoever that enemy is
|
||||
(and then ask yourself, why do you have enemies?). Consume things that are
|
||||
uncomfortable because they might show you truths you want to hide from. Consume
|
||||
broadly and widely, and outside of your comfort zone, because it gives you
|
||||
perspective and shows you things you may not have known.
|
||||
|
||||
I am not saying you need to adopt these views. Not if you fundamentally
|
||||
disagree with them, and especially not if they are just plain wrong. Bigots are
|
||||
bigots (and I believe they are bigots because they do not consume what their
|
||||
“enemies” create). But this at least shows you what not to think about.
|
||||
|
||||
This is crucial, too. This is anti-thinking, another part of having “good”
|
||||
thoughts. But how do you know what to anti-think if you don’t know what is out
|
||||
there?
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
Thinking through writing
|
||||
|
||||
Yes, I am biased. But I believe that writing is the other necessary skill to
|
||||
succeed in our current times.
|
||||
|
||||
Because what writing allows is to sort and distil the thinking you do, break it
|
||||
down into pieces and recombine it with other stuff.
|
||||
|
||||
As long as the thinking just stays in your mind, I’d argue that it is
|
||||
worthless. This is especially true for ideas. Everyone has ideas. The world
|
||||
certainly does not lack ideas.
|
||||
|
||||
Ideas are not worth anything if they do not lead to future steps.
|
||||
|
||||
The first step is to write it down. Because writing is the one other magic
|
||||
trick humans possess.
|
||||
|
||||
And before you tell me that Generative AI is taking this from us: LLMs do not
|
||||
write.
|
||||
|
||||
What they do might look like writing, it might feel like writing, but it is not
|
||||
writing. Instead, GenAI outputs text, syntactically flawless text, yes, but
|
||||
devoid of any substance. The machine just breaks down writing into a
|
||||
mathematical formula^[12]3, robbing writing of all that makes it magical. (And
|
||||
a lot of us lack the necessary taste to understand that this writing is simply
|
||||
not good. Grammatically correct ≠ good.)
|
||||
|
||||
So you need to write yourself. And as the screenshot at the beginning of this
|
||||
essay ironically shows, even writing down your problem as an AI prompt
|
||||
clarifies your thought.
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
There are two ways to solve problems through writing, and I alternate between
|
||||
the two of them: they are writing slowly, and writing fast.
|
||||
|
||||
Writing slowly
|
||||
|
||||
I’d argue that to write slowly you have to write by hand. Be it on a piece of
|
||||
paper, or like I do, on [13]one of these fancy e-ink devices.
|
||||
|
||||
But through writing by hand, you are forced to slow down, simply because your
|
||||
hand cannot catch up to the speed of your thinking. And this allows you to
|
||||
“de-jumble” the mess in your head before you put it down on paper.
|
||||
|
||||
This blog post was first brainstormed on the equivalent of two sheets of A4
|
||||
paper, and what came out was basically a completely finished post that just
|
||||
needed a bit of polishing (to transform bullet points into proper prose, for
|
||||
example).
|
||||
|
||||
I write most of my blog posts this way. I also write my journal by hand every
|
||||
morning, and most of my notes are handwritten, too.
|
||||
|
||||
Again, this is to make sense of what is in my head, by giving me the space (and
|
||||
the silence, there are no inputs when I do this) to think through things.
|
||||
|
||||
(In theory, you could also use an old-school typewriter. Because if you type
|
||||
too fast on that thing, you jam the keys. This is a great analogy because if
|
||||
you write too fast by hand, you jam your brain.)
|
||||
|
||||
Writing fast
|
||||
|
||||
Another practice I follow is what I call the brain dump. This has to happen on
|
||||
a computer, either by typing if you are a fast typist or maybe by recording a
|
||||
voice note.
|
||||
|
||||
The value of the brain dump is by “emptying” your mind. The goal is not to form
|
||||
perfectly finished nuggets of thought but instead to unload all that is in your
|
||||
mind, all that is taking up your mental bandwidth.
|
||||
|
||||
Often, what comes out of a brain dump session is not truly valuable if looked
|
||||
at through a vacuum. It is important that you don’t filter and instead write
|
||||
everything down that comes up, unedited and raw.
|
||||
|
||||
When you look at this brain dump, you’ll realize that most of it is trash. That
|
||||
is ok, that is the point of the exercise. You want to get the trash out of your
|
||||
head.
|
||||
|
||||
But with a certain distance (I never read the brain dumps the day I wrote
|
||||
them), you may find certain specks of gold. Here and there, you see a nugget
|
||||
that, if you disassemble it, might lead to something. And then I’d suggest you
|
||||
take that nugget and go through it by writing by hand.
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
Thinking by not (actively) thinking
|
||||
|
||||
Because thinking is problem-solving, in theory, the result of thought is a
|
||||
solved problem.
|
||||
|
||||
Sometimes you can’t solve the problem when you actively think about it. You
|
||||
just can’t find the solution, no matter how much time you spend on it.
|
||||
|
||||
In these cases, stop. Take some distance. Let it rest, do something completely
|
||||
different, and ignore it for a few hours or days.
|
||||
|
||||
You may have experienced this before. You struggled for hours to come up with a
|
||||
solution, kept failing, and ultimately gave up.
|
||||
|
||||
But then, in the unlikeliest of situations, you had the epiphany you waited
|
||||
for. The complete solution to your problem suddenly came up in your mind as if
|
||||
planted there by some alien life form when you were not paying attention.
|
||||
|
||||
This is thinking by not thinking. It is passive. It happens without you forcing
|
||||
it, in the subconscious, while you do other things. I don’t know why it
|
||||
happens. I don’t understand what processes run in our subconscious mind in the
|
||||
background, I only know that I’ve experienced this before.
|
||||
|
||||
As a writer, the way I use it is to never hit publish on bigger pieces (like
|
||||
this one) the day I wrote them. I often let them sit and ripen in the back of
|
||||
my mind. When I sit down with them again, I often perceive things I hadn’t
|
||||
before.
|
||||
|
||||
The same goes when I struggle to fix a problem at work. Giving myself the space
|
||||
to not think about it is apparently what I need to solve the toughest of
|
||||
problems.
|
||||
|
||||
So sometimes, don’t think. Some people seem to be really good at this.
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
Tools for Thinking
|
||||
|
||||
I’m planning to expand this section into a separate post in the future, but
|
||||
here are a bunch of tools and tricks I rely on to help my thinking.
|
||||
|
||||
While the above steps are the basis needed to think in the first place, the
|
||||
tools below are what help me have “better” thoughts.
|
||||
|
||||
• Mental models: You may have heard of Pareto’s principle, aka the 80/20 rule
|
||||
, or Occam’s Razor, or Compounding. These are mental frameworks that might
|
||||
not always be true, but that allow you to see things in different lights.
|
||||
There are a lot of them. In theory, all that follows below could be
|
||||
considered a mental model.
|
||||
• First principles: Break your thoughts down to the most basic truth. Dig at
|
||||
it for as long as you can until you discover the one raw fact that must be
|
||||
true. Strip away assumptions. Build from there.
|
||||
• Socratic Questioning: Ask layered, open-ended questions to clarify, probe,
|
||||
explore and question.
|
||||
• 5 Whys: Ask why until you discover the root cause behind a problem. The
|
||||
first, second or even third level is often not the true reason a problem
|
||||
appeared.
|
||||
• Inversion: Do the opposite of what you were planning to do. Instead of
|
||||
asking how to succeed, ask yourself how to fail. Then avoid that.
|
||||
• Reverse-engineering: Start from a finished system. Deconstruct it to see
|
||||
how it was built, then replicate (and improve) it with your own toolset.
|
||||
• Feynman Technique: That’s what I am doing here. I want to learn how to
|
||||
think, so I teach it in simple terms to the reader. When I struggle to
|
||||
explain a part, I find gaps in my knowledge. I go back and improve.
|
||||
|
||||
There are many more tools in my toolset, but these are the ones I (try to) rely
|
||||
on the most. I’ll expand this into a separate post down the line, so [14]
|
||||
subscribe to the newsletter or [15]RSS feed to get notified when it goes live!
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
Thinking is the most crucial skill we need to develop amidst our current,
|
||||
uncertain times. It will help us make sense of the mess of the world, and
|
||||
especially of the mess in our minds.
|
||||
|
||||
By becoming better thinkers, I’d argue we become better humans. And by becoming
|
||||
better humans, we’ll be able to make the world a better place.
|
||||
|
||||
None of this is easy. It requires a vast amount of effort from us, not only to
|
||||
take the time to think or improve our thinking, but also to reject what
|
||||
interferes with it.
|
||||
|
||||
It is probably why a lot of people will not do this. Instead, they might
|
||||
complain, shout at the clouds or simply give up. It is, after all, easier to
|
||||
feel defeatist than to struggle.
|
||||
|
||||
Those of us who hone this skill (and thinking is ultimately a skill) will learn
|
||||
a superpower that brings us ahead of the majority.
|
||||
|
||||
It’ll make us superhuman, and I strongly believe this.
|
||||
|
||||
So, go and practice thinking.
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
Some notes on AI: I bashed Generative AI, LLMs and algorithmic timelines a lot
|
||||
in this post.
|
||||
|
||||
The reason is I strongly believe we should not be offloading the skills that
|
||||
make us human to machines.
|
||||
|
||||
But I still use ChatGPT on a near-daily basis. The difference is that I (now)
|
||||
use it to complement my thinking. I use it for research (and then fact-check,
|
||||
because it still hallucinates a lot), I use it as a learning tool, or to see
|
||||
things from different angles by actively asking it to do so. It often fails,
|
||||
but sometimes it helps me.
|
||||
|
||||
Generative AI is a tool we need to learn how to use. I keep comparing LLMs to a
|
||||
friend who has a photographic memory and remembers everything. But he is also
|
||||
just plain stupid. He makes shit up. He doesn’t know what he is talking about,
|
||||
but just parrots what he learned by heart. (And memorizing ≠ understanding.)
|
||||
Sometimes he parrots something really intelligent, but that is more a
|
||||
coincidence than anything else. We just give this randomness more weight than
|
||||
we should, as we find it “magical”.
|
||||
|
||||
And as for algorithmic timelines: they are mostly shit. Their only worth is if
|
||||
you use them as a marketing tool.
|
||||
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
|
||||
1. This is not a new development, however. The Stoic philosopher Seneca, back
|
||||
in 62-64 AD, already complained about how noisy Ancient Rome was back then
|
||||
([16]On Quiet and Study). And he didn’t even have Instagram, TikTok or
|
||||
ChatGPT. [17]↩
|
||||
|
||||
2. Some people do [18]not have an inner voice. I cannot imagine what that
|
||||
would be like, as mine never shuts up. But I’d love to hear from you. [19]↩
|
||||
|
||||
3. The way LLMs “write” is by calculating what word is most likely to follow
|
||||
the preceding one. But since it was trained on gazillions of data
|
||||
(so-called tokens), it’s rather good at emulating the way humans write. But
|
||||
two things: since we’ve just argued that writing is thinking, and thinking
|
||||
is a human practice, we cannot call what the machine outputs as writing.
|
||||
These machines don’t understand meaning, they excel in (statistical)
|
||||
patterns. And second, the creators of these machines want us to believe
|
||||
that there is more magic in that output than there is. If they can sell us
|
||||
the idea that the machine has created something original by thinking, we’ll
|
||||
have more faith in these tools and thus will throw money in their
|
||||
direction. [20]And they need a shit ton of money. [21]↩
|
||||
|
||||
[22]Clarity
|
||||
This is me
|
||||
'Sup, I'm Kevin
|
||||
[23] [24] [25] [26]
|
||||
|
||||
If this resonated with you, there’s more.
|
||||
Subscribe to get future posts delivered to your inbox. No spam.
|
||||
And if you want to support my writing, [27]click here.
|
||||
|
||||
[28]Newer Post [29]Archive [30]Older Post
|
||||
|
||||
References:
|
||||
|
||||
[1] https://cliophate.wtf/
|
||||
[2] https://cliophate.wtf/start
|
||||
[3] https://cliophate.wtf/reading
|
||||
[4] https://cliophate.wtf/about
|
||||
[5] https://cliophate.wtf/now
|
||||
[6] https://cliophate.wtf/how-to-think#fn:1
|
||||
[7] https://cliophate.wtf/how-to-think#fn:2
|
||||
[8] https://www.calm.com/blog/brainrot
|
||||
[9] https://cliophate.wtf/reading
|
||||
[10] https://ko-fi.com/cliophate
|
||||
[11] https://hbr.org/2010/12/you-cant-multi-task-so-stop-tr
|
||||
[12] https://cliophate.wtf/how-to-think#fn:3
|
||||
[13] https://overkill.wtf/supernote-manta-review/
|
||||
[14] https://newslettter.cliophate.wtf/
|
||||
[15] https://cliophate.wtf/
|
||||
[16] https://www.stoics.com/seneca_epistles_book_1.html#L56
|
||||
[17] https://cliophate.wtf/how-to-think#fnref1:1
|
||||
[18] https://journals.sagepub.com/doi/10.1177/09567976241243004
|
||||
[19] https://cliophate.wtf/how-to-think#fnref1:2
|
||||
[20] https://www.wsj.com/tech/ai/sam-altman-seeks-trillions-of-dollars-to-reshape-business-of-chips-and-ai-89ab3db0
|
||||
[21] https://cliophate.wtf/how-to-think#fnref1:3
|
||||
[22] https://cliophate.wtf/archive/topic:clarity
|
||||
[23] https://bsky.app/profile/cliophate.wtf
|
||||
[24] https://threads.net/@cliophate
|
||||
[25] https://overkill.social/@cliophate
|
||||
[26] https://instagram.com/cliophate.wtf
|
||||
[27] https://ko-fi.com/cliophate
|
||||
[28] https://cliophate.wtf/taste-voice-genai
|
||||
[29] https://cliophate.wtf/archive
|
||||
[30] https://cliophate.wtf/redesign
|
||||
461
static/archive/justin-searls-co-bifdrg.txt
Normal file
461
static/archive/justin-searls-co-bifdrg.txt
Normal file
@@ -0,0 +1,461 @@
|
||||
[1]
|
||||
justin․searls․co
|
||||
[2][ ]
|
||||
[3]Posts [4]Casts [5]Links [6]Shots [7]Takes [8]Tubes [9]Clips [10]Spots [11]
|
||||
Slops [12]Mails
|
||||
[13]About [14]Search [15] Subscribe
|
||||
[16]Posts [17]Casts [18]Links [19]Shots [20]Takes [21]Tubes [22]Clips [23]Spots
|
||||
[24]Slops [25]Mails
|
||||
[26]About [27]Search [28] Subscribe
|
||||
|
||||
• [29]Work
|
||||
• [30]GitHub
|
||||
• [31]YouTube
|
||||
• [32]LinkedIn
|
||||
• [33]Instagram
|
||||
• [34]Mastodon
|
||||
• [35]Twitter
|
||||
|
||||
What follows is an issue of [36]my newsletter, Searls of Wisdom, recreated for
|
||||
you here in website form. For the full experience, subscribe and get it
|
||||
delivered to your inbox each month!
|
||||
[37][ ] [38][Sign up]
|
||||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||||
Monday, May 19, 2025 [39]
|
||||
|
||||
Searls of Wisdom for April 2025
|
||||
|
||||
Remember April? April was a month in a long line of months that left me (and,
|
||||
one presumes, a lot of people) asking themselves, "how did we end up here?"
|
||||
Well, that's what you have this weird newsletter for. And we'll get to that, I
|
||||
promise.
|
||||
|
||||
In terms of stuff I did since last time we chatted:
|
||||
|
||||
• Cut a couple ([40]1, [41]2) good Breaking Change episodes. The content is
|
||||
questionable, but the audio quality has never been better
|
||||
• Summarized what I consider to be the [42]easiest-to-assess traits of strong
|
||||
programmers
|
||||
• Started using [43]GitHub Copilot in Agent mode, and recorded my [44]vibe
|
||||
code deflowering live on YouTube
|
||||
• [45]Made Reddit angry by using a computer to [46]generate background images
|
||||
for my house's rooms in HomeKit
|
||||
|
||||
I also started a vlog. Right now it just lives in this album in my Photos
|
||||
library, but initial reviews are unanimously positive!
|
||||
|
||||
I started a vlog
|
||||
|
||||
As I start writing this, I'm sitting on an A350 bound for Tokyo, and the flight
|
||||
attendant just announced we won't have WiFi over the Pacific, because Viasat or
|
||||
whoever hasn't launched their latest satellite yet. As a writer and programmer
|
||||
whose greatest impediment to creative output is the risk of distracting myself
|
||||
on the Internet, learning that I would be forced offline for 13 hours triggered
|
||||
a familiar relief. My body softened. Maybe I'll actually get some sleep. If I
|
||||
play my cards right, I might manage to write one whole e-mail between now and
|
||||
when I land. [Update, 19 days later: I did not.] In any case, being kicked off
|
||||
the 'Net for a few hours once in a while can be restorative.
|
||||
|
||||
In fact, as luck would have it, one answer to the question posed at the outset
|
||||
("how did we end up here?") is also, more or less, "because Internet." So
|
||||
today, let's talk a bit about the World Wide Web and how tangled in it we've
|
||||
become.
|
||||
|
||||
In a world experiencing an unprecedented degree of economic volatility,
|
||||
fifty-fifty ideological polarization, and routine technological upheaval,
|
||||
there's at least one trend line moving in a clear and consistent direction:
|
||||
[47]people [48]across [49]the [50]world [51]increasingly [52]agree [53]things
|
||||
[54]are [55]bad [56]and [57]getting [58]worse.
|
||||
|
||||
Why is this? And if everyone feels that way, why does the prospect of
|
||||
leveraging that unanimous sentiment into effecting positive change feel more
|
||||
hopeless than ever? How can it be that living standards have never been higher
|
||||
and public sentiment has never been lower?
|
||||
|
||||
The answer eludes us because it is the water we swim in. Or, rather, the [59]
|
||||
Information Superhighway we ride on.
|
||||
|
||||
People are so accustomed to today's global and instantaneous exchange of
|
||||
information that we seem to suffer a collective amnesia as to how recent an
|
||||
innovation it is. One reason it's sneaked up on us is that information is
|
||||
inherently invisible, so the most successful information technologies penetrate
|
||||
our minds with minimal disturbance to our environment. In fact, the world
|
||||
mostly looks the same as it did forty years ago. And while it would make for
|
||||
rather dull cinema to consider that Marty McFly could totally get by wearing
|
||||
his 1985 wardrobe in 2025, at least he wouldn't have to worry about whether his
|
||||
hoverboard would work over water. We may not have gotten the flying cars we
|
||||
were promised, but at least we can hang our hats on how much friction we've
|
||||
eliminated from payment processing.
|
||||
|
||||
[60]An elder millennial's history of the Information Age
|
||||
|
||||
Every year or so, I find it clarifying to take a few moments to reflect and
|
||||
look back at the progression of the Information Age over my lifetime. We've
|
||||
come a long way:
|
||||
|
||||
• Forty years ago, my parents had a black-and-white television connected via
|
||||
coax to an antenna mounted on our house's roof. I have dim memories of
|
||||
nightly news broadcasts glowing through the curved glass of Dad's
|
||||
then-massive 30" CRT television; the static causing the anchor to dance and
|
||||
flicker like a flame. We got an hour of news each night from any of three
|
||||
sources (well, four, since we were within range of Canada's CBC over VHF),
|
||||
and each covered the same mostly local, mostly mundane topics in a format
|
||||
that was mediated by longstanding journalistic norms
|
||||
• Thirty years ago, they upgraded to a color TV and basic cable service,
|
||||
which brought with it access to CNN. The news now came to us 24/7. Its
|
||||
coverage was national rather than local—blanketing dozens of media markets
|
||||
would have been cost-prohibitive—and this surely accelerated the
|
||||
nationalization of partisan politics. But CNN's novel format was dull and
|
||||
unfocused as producers struggled to figure out how to fill so much airtime.
|
||||
My family also had a 14.4 kbps dial-up modem and an America On-Line
|
||||
subscription that charged us by the minute—neither of which posed a
|
||||
problem, as there was so little to do on the World Wide Web. Still, for the
|
||||
first time, we could reach out and retrieve information on demand, even if
|
||||
it was limited to outdated and uninteresting marketing fluff hidden behind
|
||||
[61]AOL Keywords
|
||||
• Twenty years ago, our Comcast service was upgraded to include broadband
|
||||
Internet. Publications now had real websites and computers had real
|
||||
browsers. When news was breaking, I'd visit my favorite bookmarks and
|
||||
repeatedly mash F5 to receive updates. Information could finally travel
|
||||
instantly across the globe, but distribution depended on the initiative of
|
||||
individual users to search and surf for it. A smattering of self-hosted
|
||||
weblogs emerged as noteworthy upstarts, but media as actual people
|
||||
experienced it remained unchanged—monolithic outlets mediated news coverage
|
||||
at the whims of enterprising editors and eccentric billionaires, just as it
|
||||
always had
|
||||
• Ten years ago, we were all glued to our phones. Incredible as ubiquitous
|
||||
wireless connectivity was, the chief innovation of the era was the
|
||||
disintermediation of information. Legacy outlets that tossed newspapers
|
||||
onto doorsteps were quickly outflanked by social media apps that pushed
|
||||
notifications onto home screens. Whether you were pulling-to-refresh
|
||||
Facebook or Twitter or Instagram, the contours of our new information
|
||||
ecosystem began to take shape: an endless firehose of "content" from
|
||||
billions of voices. Before long, a handful of platforms achieved so-called
|
||||
"network effect" and injected themselves as the new mediator class,
|
||||
personalizing each of our feeds by cherry-picking content so as to maximize
|
||||
our engagement and their advertising revenue
|
||||
• As for today, we are witnessing the apex of the previous era and the dawn
|
||||
of the next. With each generation of mobile connectivity, we've invented
|
||||
new ways to saturate every available megabit of bandwidth and every spare
|
||||
moment of attention. Most people spend multiple hours each day lost in an
|
||||
infinite scroll of vertical video. Textual thoughtleaders have given way to
|
||||
video influencers. Active curation has succumbed to passive consumption. If
|
||||
the 2010s represented an eruption of hot takes being spewed across
|
||||
ideological lines, the magma has cooled throughout the 2020s as users have
|
||||
been sorted into like-minded pools of lackadaisical discontent. For most
|
||||
people, "news" no longer exists—people simply hear things. Who they hear
|
||||
from and about what is selected by an algorithm designed to provoke
|
||||
newly-invented emotional reactions that the market greatly values:
|
||||
unfulfillment so as to scroll past more ads, uninhibition so as to make
|
||||
more purchases, unsatisfaction so as to keep coming back. By now, most of
|
||||
us have long since traded away our capacity for emotional regulation in
|
||||
exchange for the promise we'll never experience boredom again
|
||||
• And what of tomorrow? One can only imagine what fresh hell they have in
|
||||
store for us. Will human creators be replaced by celebrity avatars? Will
|
||||
targeted display ads give rise to individualized video trailers starring
|
||||
you in a film about how an irrational mid-life car purchase will make an
|
||||
idealized version of your high school crush want to sleep with you? And who
|
||||
needs an imaginary friend when your kid could grow up with an omnipresent
|
||||
AI companion to shape their cognitive and social development—while also
|
||||
subtly influencing which brand of chips they'll buy? I'm honestly hopeful
|
||||
the answer is yes! (If only because such a future indicates we still have a
|
||||
functioning economy with access to fresh water…)
|
||||
|
||||
The timeline above might feel truthy to you. Maybe it maps to your experience
|
||||
as well. And forgive me if this all reads as obvious—you've probably also
|
||||
looked back from time to time and considered the dizzying pace at which the
|
||||
world has changed. Growing up, progress was defined by more access to more
|
||||
perspectives delivered in less time and less money. But now, with the benefit
|
||||
of hindsight, it's starting to feel that information itself has been
|
||||
transformed as well: more personal and more engaging, but ultimately less
|
||||
actionable and less satisfying.
|
||||
|
||||
[62]We don't love to win, we hate to lose
|
||||
|
||||
A line from [63]Interstellar acts as its thesis, cohering a narrative that
|
||||
extends light years and spans generations. Perhaps appropriately, it takes an
|
||||
AI to tell the human characters this:
|
||||
|
||||
Newton’s Third Law. The only way humans have figured out how to move
|
||||
forward is to leave something behind.
|
||||
|
||||
Humans are generally very sensitive to loss, and the psychological phenomenon
|
||||
known as "[64]loss aversion" describes a powerful force motivating people to
|
||||
stand athwart history and moderate the pace of change. We know it best for all
|
||||
the ways it leads humans to make irrational, unwise decisions (staying in a bad
|
||||
job too long, holding onto your worthless NFTs, refusing to cancel Netflix),
|
||||
but the reason loss aversion exists to begin with is that in nature there are
|
||||
countless more ways in which avoiding loss is adaptive behavior. I'm sure some
|
||||
ancestor of mine hundreds of thousands of years ago only survived because they
|
||||
refused to let go of a banana… loss aversion isn't all bad.
|
||||
|
||||
Anyway, loss aversion is why attempts to take away the Internet as we
|
||||
experience it today—as we saw earlier this year with TikTok and as I witnessed
|
||||
again on this plane—cause people to get upset. In January, the Internet was
|
||||
pounded with videos of 20-somethings half-jokingly [65]swearing fealty to the
|
||||
CCP to advocate for their favorite app. On today's flight, a finance bro threw
|
||||
a tantrum demanding outsized compensation for missing a full day of trading as
|
||||
he pointed to his ticket, which erroneously labeled the plane as being
|
||||
"WiFi-equipped."
|
||||
|
||||
We can all relate to how it feels to have something we find precious taken away
|
||||
from us, like bananas or TikTok or WiFi. We are less attuned to, but still
|
||||
plenty capable of lashing out over, intangible potential loss—as we've seen in
|
||||
the debate over [66]net neutrality or the spectre of [67]ISP data caps. But
|
||||
when it comes to this particular discussion where the sort of philosophical
|
||||
loss being described can only be conveyed through a careful comparative
|
||||
analysis over a period of decades? We're cooked.
|
||||
|
||||
We all might harbor nostalgia for the way things were, but loss aversion can't
|
||||
help us reclaim such distant past. Any attempt to actually go back would itself
|
||||
be perceived as an unacceptable loss. Like it or not, humans are now a race of
|
||||
TikTokers—at least until some new thing outdoes TikTok in a manner that people
|
||||
like you and me will only read as depraved but in which the rest of the world
|
||||
will view as incremental progress.
|
||||
|
||||
[68]What exactly was lost?
|
||||
|
||||
Even people clamoring for a return to the pre-Internet glory days of Real
|
||||
Journalism wouldn't actually be willing to trade in their smartphones for one
|
||||
measly hour of nightly news from a handful of national broadcasters. In
|
||||
general, it's easier to wholesale vilify a new technology (video games!
|
||||
smartphones! TikTok!) than to drill into its unintended consequences while
|
||||
simultaneously acknowledging its merits. So instead of buying a dumbphone and
|
||||
moving to a cabin in the woods in the vain hope that it will transport me back
|
||||
to the 90s, it seems more useful to sit and have a think about the positive
|
||||
attributes of the long-dead media ecosystem and consider what it might look
|
||||
like to reclaim those benefits in a modern context.
|
||||
|
||||
On reflection, I can think of two important benefits of the highly-constrained
|
||||
media environment of the pre-Internet era that almost sound quaint by today's
|
||||
standards:
|
||||
|
||||
First, it turns out that a scarcity of sources—not speed or accuracy of
|
||||
reporting—is what gave news media its authority in society. For the most part,
|
||||
people walked around with a shared understanding of the world they occupied,
|
||||
accepted a broad base of agreed-upon facts, and associated the oppositional
|
||||
"other" as belonging to distinct, geographically-defined media ecosystems.
|
||||
Americans largely believed their neighbors were good people, didn't doubt the
|
||||
safety of fluoridated water, and mostly imagined their enemies as people living
|
||||
in countries that didn't air Murrow or Cronkite. This situation resulted in all
|
||||
kinds of terrible outcomes for people whose interests fell outside the narrow
|
||||
range of that day's [69]Overton window, but it did foster a sense that "we"
|
||||
were on the same "team" operated by a common government that would from time to
|
||||
time "do things." It's hard to imagine a single country for which that
|
||||
sentiment still rings true today. Fringe ideas that would have been banished to
|
||||
stuffed-and-mailed-from-home newsletters with fewer than fifty subscribers in
|
||||
the 1970s now form a latticework of overlapping constituencies necessary to
|
||||
winning any level of elected office in the United States.
|
||||
|
||||
Second, it sure feels like the scarcity of scope of available information had a
|
||||
tendency to focus society on a tractable set of clearly-defined problems. When
|
||||
engaged voters in Detroit subscribed to one of its two regional papers, the
|
||||
number of topics under debate was constrained by how many column-inches would
|
||||
fit in the "A" section of either. As a result, it was actually possible to keep
|
||||
abreast of "the issues" (arbitrary as they might be) throughout an election,
|
||||
form comprehensible opinions, and support candidates based on their positions.
|
||||
This reality began dissolving with the advent of social networks and new media,
|
||||
before disappearing entirely once algorithms started drawing from that well to
|
||||
populate everyone's feeds. Today, we doom-scroll timelines that are customized
|
||||
to our unique desires and anxieties, effectively corralling each of us into a
|
||||
community of one. The thought of plopping a half-dozen random voters into a
|
||||
focus group with the expectation their policy priorities would circumscribe a
|
||||
preordained set of traditional issues simply beggars belief. (The political
|
||||
press tends to confuse this phenomenon with polarization, but it's actually
|
||||
worse: polarized disagreement presupposes agreement on what people disagree
|
||||
about.) Hell, pluck any two people for whom a pollster would rate as
|
||||
"highly-engaged" and—forget about reading the same paper—they probably wouldn't
|
||||
have even heard of each other's self-reported #1 issue.
|
||||
|
||||
So, what did we lose by gaining infinitely-connected networking technology? We
|
||||
lost a shared sense of the world we collectively inhabit, as well as the most
|
||||
pressing issues facing it. As a result, it's no wonder that people from
|
||||
seemingly every developed country believe things are going to hell: modern
|
||||
information distribution organizes around ideological borders as opposed to
|
||||
geographic ones and is scientifically engineered to engender
|
||||
emotionally-charged, high-stakes attachment to any of a thousand disparate
|
||||
animating issues.
|
||||
|
||||
So that's neat.
|
||||
|
||||
[70]Maybe this is coming to a head
|
||||
|
||||
Intellectuals like you and I who can still be bothered to read and write text
|
||||
in excess of a thousand words have, in recent years, started to detect that
|
||||
something is amiss here. I, for one, have been worried about this shit since
|
||||
well before it was cool. The approaching endgame started to materialize with
|
||||
Facebook's [71]introduction of the News Feed in 2006 and began to feel
|
||||
locked-in with the Internet's collective [72]pivot to video in 2015. These
|
||||
moments stand out as milestones in both of two parallel timelines that have
|
||||
played out with approximately zero awareness of or interaction with one another
|
||||
(until recently):
|
||||
|
||||
1. The educated, book-reading class has tackled the changing information
|
||||
landscape with the same journalistic detachment as it would any other
|
||||
"social epidemic," like second-hand smoke or teen pregnancy. Its movement
|
||||
can be charted by a familiar progression of the sort of sleeper-hit
|
||||
nonfiction books we see written in response to any such societal issue:
|
||||
from [73]identifying the problem to [74]exhorting individual resistance to
|
||||
[75]offering parenting advice to [76]bargaining with the changing world
|
||||
before eventually [77]pathologizing its effect on children. This culminated
|
||||
in a variety of tech-skeptical [78]policy prescriptions, [79]antitrust
|
||||
suits, and [80]saber rattling by the Biden administration
|
||||
|
||||
2. While journalists merely adopted the dark, the alt-right was born in it,
|
||||
molded by it. As early as 2005, I remember memes originating on [81]4chan
|
||||
and later showing up on [82]GAF before landing on [83]IGN and ultimately
|
||||
being deposited as sediment in the collective male gamer id. Sometimes the
|
||||
meme pipeline was harmless, like when [84]"Rickrolling" emerged from
|
||||
4chan's duckroll trend in 2006, but it was just as often horrifying. I ran
|
||||
into Brianna Wu several times the year [85]Gamergate broke out, and I
|
||||
genuinely struggled to reckon with the real-world consequences she suffered
|
||||
at the hands of a few basement-dwelling edgelords. 4chan's notoriety peaked
|
||||
when it birthed [86]QAnon, but one can draw a straight line from the image
|
||||
board to any of the [87]men's rights movement, cesspool of [88]pick-up
|
||||
artists, or phenomenon of [89]incel mass shooters. By 2024, dank meme
|
||||
laundering had taken many of these deplorable positions mainstream, and a
|
||||
male-coded political constituency ("the [90]Manosphere") emerged around
|
||||
[91]Barstool Sports and [92]Joe Rogan, espousing a masculine [93]
|
||||
primitivism skeptical of effete knowledge work
|
||||
|
||||
Both tracks have seen phenomenal success in their own way.
|
||||
|
||||
The poindexter liberals in their ivory towers of intellectualism wrote a bunch
|
||||
of books about how smartphones are bad and as soon as it became about "the
|
||||
children", they inadvertently turned the Christian right against the same
|
||||
technology that had radicalized them in the first place. The streams are really
|
||||
crossing now that Republican states are climbing over each other to [94]ban
|
||||
[95]phones [96]in [97]schools and [98]social [99]media [100]accounts for
|
||||
minors.
|
||||
|
||||
Meanwhile, a handful of hentai-hoarding incels on 4chan spewing memes and
|
||||
conspiracy theories wound up getting to choose the Vice President with J.D.
|
||||
"maybe the Internet was a mistake" Vance. The lines are again blurring as
|
||||
ambitious Democrats like [101]Pete Buttigieg and [102]Josh Shapiro court The
|
||||
Male Vote by showing up on right-leaning podcasts men apparently listen to. And
|
||||
whether it's evidence of [103]horseshoe theory or a sign of a broader belief
|
||||
that technology companies are fucking up our civilization, MAGA diehards like
|
||||
Matt Gaetz [104]have found common cause with liberal firebrands like Lina Khan
|
||||
in support of breaking up the likes of Google, Meta, and Amazon.
|
||||
|
||||
Planet Earth is undeniably a bit of a shitshow at the moment, but I'm actually
|
||||
feeling optimistic that we're approaching the precipice of something that
|
||||
will—once we get to the other side of it—feel like the beginning of a sea
|
||||
change in how information is organized, constituted, and distributed. To wit:
|
||||
skepticism of information technology has materialized and matured from opposite
|
||||
ends of the political spectrum, and advocates from both sides are meeting in
|
||||
the middle with relatively boring policy prescriptions like regulating the use
|
||||
of smartphones in schools and expanding the scope of antitrust actions. Seems…
|
||||
fine, actually?
|
||||
|
||||
I don't expect any of the solutions being proposed today to, you know, work.
|
||||
But it definitely feels like we've hit a critical mass such that the changes we
|
||||
see in information technology during the next decade will look markedly
|
||||
distinct from the last four. 🤞
|
||||
|
||||
© 2025 Justin Searls. All rights reserved.
|
||||
|
||||
|
||||
References:
|
||||
|
||||
[1] https://justin.searls.co/
|
||||
[3] https://justin.searls.co/posts/
|
||||
[4] https://justin.searls.co/casts/
|
||||
[5] https://justin.searls.co/links/
|
||||
[6] https://justin.searls.co/shots/
|
||||
[7] https://justin.searls.co/takes/
|
||||
[8] https://justin.searls.co/tubes/
|
||||
[9] https://justin.searls.co/clips/
|
||||
[10] https://justin.searls.co/spots/
|
||||
[11] https://justin.searls.co/slops/
|
||||
[12] https://justin.searls.co/mails/
|
||||
[13] https://justin.searls.co/about/
|
||||
[14] https://justin.searls.co/search/
|
||||
[15] https://justin.searls.co/subscribe/
|
||||
[16] https://justin.searls.co/posts/
|
||||
[17] https://justin.searls.co/casts/
|
||||
[18] https://justin.searls.co/links/
|
||||
[19] https://justin.searls.co/shots/
|
||||
[20] https://justin.searls.co/takes/
|
||||
[21] https://justin.searls.co/tubes/
|
||||
[22] https://justin.searls.co/clips/
|
||||
[23] https://justin.searls.co/spots/
|
||||
[24] https://justin.searls.co/slops/
|
||||
[25] https://justin.searls.co/mails/
|
||||
[26] https://justin.searls.co/about/
|
||||
[27] https://justin.searls.co/search/
|
||||
[28] https://justin.searls.co/subscribe/
|
||||
[29] https://searls.co/
|
||||
[30] https://github.com/searls
|
||||
[31] https://youtube.com/@JustinSearls
|
||||
[32] https://linkedin.com/in/searls
|
||||
[33] https://instagram.com/searls
|
||||
[34] https://mastodon.social/@searls
|
||||
[35] https://twitter.com/searls
|
||||
[36] https://justin.searls.co/newsletter
|
||||
[39] https://justin.searls.co/mails/2025-04/
|
||||
[40] https://justin.searls.co/casts/breaking-change-v36-hedgelord/
|
||||
[41] https://justin.searls.co/casts/breaking-change-v35-gpt-casserole/
|
||||
[42] https://justin.searls.co/links/2025-04-14-the-best-programmers/
|
||||
[43] https://justin.searls.co/shots/2025-04-11-11h17m26s/
|
||||
[44] https://justin.searls.co/tubes/2025-04-19-17h46m37s/
|
||||
[45] https://justin.searls.co/takes/2025-04-14-10h39m58s/
|
||||
[46] https://justin.searls.co/shots/2025-04-13-20h54m45s/
|
||||
[47] https://www.ctvnews.ca/video/2025/01/25/canadians-believe-the-country-is-moving-in-the-wrong-direction-nanos/
|
||||
[48] https://www.ipsos.com/en-uk/pulse-check-april-2025
|
||||
[49] https://www.ipsos.com/fr-fr/ce-qui-preoccupe-les-francais
|
||||
[50] https://tg24.sky.it/mondo/2025/03/26/unione-europea-sondaggio-eurobarometro
|
||||
[51] https://www.ipsos.com/es-es/predicciones-para-el-2025
|
||||
[52] https://wpolityce.pl/polityka/725066-alarmujacy-sondaz-dla-tuska-zle-oceny-sytuacji-w-kraju
|
||||
[53] https://oglobo.globo.com/economia/noticia/2025/01/01/61percent-dos-brasileiros-acham-que-economia-esta-no-caminho-errado-aponta-datafolha.ghtml
|
||||
[54] https://www.afrobarometer.org/publication/ad816-south-africans-score-their-government-poorly-on-its-economic-performance/
|
||||
[55] https://www.afrobarometer.org/wp-content/uploads/2025/03/AD958-Nigerians-see-grim-economic-picture%5EJ-favour-reinstating-fuel-subsidy-Afrobarometer-19march25.pdf
|
||||
[56] https://www.ipsos.com/sites/default/files/ct/news/documents/2024-06/What%20Worries%20the%20World%20April2024-ja.pdf
|
||||
[57] https://www.arabbarometer.org/2025/01/the-authoritarian-impact-does-political-mitigation-really-matter-to-egyptians/
|
||||
[58] https://www.afrobarometer.org/wp-content/uploads/2025/01/AD935-Kenyans-blame-govt-economic-management-for-increasing-cost-of-living-Afrobarometer-9jan25.pdf
|
||||
[59] https://en.wikipedia.org/wiki/Information_superhighway
|
||||
[60] https://justin.searls.co/mails/2025-04/#an-elder-millennials-history-of-the-information-age
|
||||
[61] https://www.reddit.com/r/lostmedia/comments/1gck7fx/partially_lost_aol_keyword_content/
|
||||
[62] https://justin.searls.co/mails/2025-04/#we-dont-love-to-win-we-hate-to-lose
|
||||
[63] https://en.wikipedia.org/wiki/Interstellar_(film)
|
||||
[64] https://en.wikipedia.org/wiki/Loss_aversion
|
||||
[65] https://www.theverge.com/2025/1/13/24343063/tiktok-ban-goodbye-chinese-spy-trend
|
||||
[66] https://redditinc.com/blog/an-analysis-of-net-neutrality-activism-on-reddit
|
||||
[67] https://arstechnica.com/tech-policy/2024/10/please-ban-data-caps-internet-users-tell-fcc/
|
||||
[68] https://justin.searls.co/mails/2025-04/#what-exactly-was-lost
|
||||
[69] https://en.wikipedia.org/wiki/Overton_window
|
||||
[70] https://justin.searls.co/mails/2025-04/#maybe-this-is-coming-to-a-head
|
||||
[71] http://web.archive.org/web/20060911084122/http://blog.facebook.com/blog.php?post=2207967130
|
||||
[72] https://en.wikipedia.org/wiki/Pivot_to_video
|
||||
[73] https://www.amazon.com/Shallows-What-Internet-Doing-Brains/dp/0393339750
|
||||
[74] https://www.amazon.com/Deep-Work-Focused-Success-Distracted/dp/1455586692
|
||||
[75] https://www.amazon.com/Tech-Wise-Family-Everyday-Putting-Technology/dp/0801018668
|
||||
[76] https://www.amazon.com/Art-Screen-Time-Balance-Digital/dp/1610396723
|
||||
[77] https://www.amazon.com/Anxious-Generation-Rewiring-Childhood-Epidemic/dp/0593655036
|
||||
[78] https://www.warner.senate.gov/public/index.cfm/2021/2/warner-hirono-klobuchar-announce-the-safe-tech-act-to-reform-section-230
|
||||
[79] https://www.reuters.com/legal/meta-will-face-antitrust-trial-over-instagram-whatsapp-acquisitions-2024-11-13/?utm_source=chatgpt.com
|
||||
[80] https://www.reuters.com/world/us/biden-raises-alarm-about-dangerous-concentration-power-among-few-wealthy-people-2025-01-16/
|
||||
[81] https://en.wikipedia.org/wiki/4chan
|
||||
[82] https://en.wikipedia.org/wiki/NeoGAF
|
||||
[83] https://en.wikipedia.org/wiki/IGN
|
||||
[84] https://en.wikipedia.org/wiki/Rickrolling
|
||||
[85] https://en.wikipedia.org/wiki/Gamergate_(harassment_campaign)
|
||||
[86] https://en.wikipedia.org/wiki/QAnon
|
||||
[87] https://en.wikipedia.org/wiki/Men%27s_rights_movement
|
||||
[88] https://en.wikipedia.org/wiki/Pickup_artist
|
||||
[89] https://en.wikipedia.org/wiki/Category:Incel-related_violence
|
||||
[90] https://en.wikipedia.org/wiki/Manosphere
|
||||
[91] https://en.wikipedia.org/wiki/Barstool_Sports
|
||||
[92] https://en.wikipedia.org/wiki/Joe_Rogan
|
||||
[93] https://en.wikipedia.org/wiki/Primitivism
|
||||
[94] https://generationfaraday.com/2025/03/17/indiana-takes-action-to-curb-cell-phone-distractions-in-classrooms/
|
||||
[95] https://thecapitolist.com/senate-bill-proposes-phone-free-school-pilot-to-assess-academic-behavioral-impact/
|
||||
[96] https://thehill.com/homenews/education/4863487-south-carolina-school-cell-phone-ban/
|
||||
[97] https://www.katc.com/vermilion-parish/louisiana-bans-cell-phones-in-schools-parents-and-school-official-weigh-in
|
||||
[98] https://www.texastribune.org/2025/04/30/texas-social-media-ban-warning-label/
|
||||
[99] https://apnews.com/article/florida-social-media-ban-desantis-fd07f61e167bd9109a83cd7355b5f164
|
||||
[100] https://www.theguardian.com/us-news/2023/mar/23/utah-social-media-access-law-minors
|
||||
[101] https://www.youtube.com/watch?v=bgx7GvYSq64
|
||||
[102] https://www.youtube.com/watch?v=ZKu58ue-i1c
|
||||
[103] https://en.wikipedia.org/wiki/Horseshoe_theory
|
||||
[104] https://www.fastcompany.com/91229051/matt-gaetz-trump-attorney-general-pick-lina-kahn-big-tech
|
||||
724
static/archive/thewalrus-ca-714tb6.txt
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724
static/archive/thewalrus-ca-714tb6.txt
Normal file
@@ -0,0 +1,724 @@
|
||||
*
|
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[1]Newsletters
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[2]Subscribe
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[7][ ] Search
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[10]Latest Stories [11]Business [12]Environment [13]Society [14]Politics [15]
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[80]Business
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Moleskine Mania: How a Notebook Conquered the Digital Era
|
||||
|
||||
“Do you know there’s a section of our customer base that buys a fresh Moleskine
|
||||
every time they come into a store? We have no idea what they do with them”
|
||||
|
||||
[81]August 30, 2024August 31, 2024 - by [82]Roland Allen[83]Roland Allen
|
||||
Updated 16:06, Aug. 31, 2024 | Published 11:22, Aug. 30, 2024
|
||||
[84]A stack of filled moleskin notebooks on their sideBarry Silver / Flickr
|
||||
|
||||
In the summer of 1995, Maria Sebregondi was mulling over a knotty question,
|
||||
sailing with friends off the Tunisian coast. At thirty-six, she had already
|
||||
enjoyed a fruitful career, translating Marguerite Duras, Samuel Taylor
|
||||
Coleridge, and Vladimir Nabokov into Italian. She was particularly intrigued by
|
||||
the French pair of Georges Perec and Raymond Queneau, who wrote novels and
|
||||
poetry using formal constraints as a spur to creativity. Perec had written an
|
||||
entire novel, La disparition, without using the letter “e”; in Exercices de
|
||||
style, Queneau told the same simple story in ninety-nine versions, using a
|
||||
different prose form for each one. They called their playful genre Oulipo, an
|
||||
acronym derived from the French for “workshop of potential literature.” So
|
||||
Sebregondi was accustomed to the generation of ideas within set parameters, and
|
||||
on this particular sultry evening, she was presented with just such a
|
||||
challenge.
|
||||
|
||||
Her holidaying shipmates included Francesco Franceschi, a friend whose company
|
||||
Modo & Modo sold designer gifts, and that night, he shared a problem. His
|
||||
business depended on other people conceiving and manufacturing products for him
|
||||
to sell, which kept profit margins low. What, asked Franceschi, could Modo &
|
||||
Modo manufacture themselves and thus sell more profitably? The group exchanged
|
||||
ideas long into the night, discussing emerging trends like cellphones, email,
|
||||
and cheap flights. They decided that the consumer they wanted to target with a
|
||||
hypothetical new product belonged to this new era: creative, free spirited, and
|
||||
mobile. Sebregondi labelled their design-conscious customer the “contemporary
|
||||
nomad.” But before any of the party could work out what to manufacture for
|
||||
them, the holiday was over and she had returned home with her children to Rome.
|
||||
|
||||
• [85]Indigo May Have Lost the Plot
|
||||
• [86]The Case for Never Reading the Book Jacket
|
||||
• [87]How Do You Even Sell a Book Anymore?
|
||||
|
||||
The question nagged at her for weeks, and she toyed with ideas, including a
|
||||
traveller’s toolkit containing exquisitely designed pens, bags, T-shirts,
|
||||
penknives, and so on. Nothing met the requirements of Franceschi’s brief, which
|
||||
demanded a product that would be easy to produce yet offer wide commercial
|
||||
potential. Then she came across two passages in the book she was reading for
|
||||
pleasure: The Songlines by Bruce Chatwin, a global bestseller since its
|
||||
publication eight years before. In the novel, a lightly fictionalized version
|
||||
of Chatwin explores the Australian outback, coming to understand that its
|
||||
aboriginal culture offers an insight into the origins of human culture—and
|
||||
perhaps into the restlessness of human nature itself. Conspicuously “creative,
|
||||
free spirited, and mobile,” Chatwin himself seemed a perfect fit for the
|
||||
“contemporary nomad,” and two passages in his novel triggered Sebregondi’s
|
||||
memory:
|
||||
|
||||
“Do you mind if I use my notebook?” I asked.
|
||||
|
||||
“Go ahead.”
|
||||
|
||||
I pulled from my pocket a black, oilcloth-covered notebook, its pages held
|
||||
in place with an elastic band.
|
||||
|
||||
“Nice notebook,” he said.
|
||||
|
||||
“I used to get them in Paris,” I said. But now they don’t make them any
|
||||
more.”
|
||||
|
||||
“Paris?” he repeated, raising an eyebrow as if he’d never heard anything so
|
||||
pretentious.
|
||||
|
||||
Then he winked and went on talking.
|
||||
|
||||
Later in the book, Chatwin expands on the story.
|
||||
|
||||
Some months before I left for Australia, the owner of the papeterie said
|
||||
that the vrai moleskine was getting harder and harder to get. There was one
|
||||
supplier: a small family business in Tours. They were very slow in
|
||||
answering letters.
|
||||
|
||||
“I’d like to order a hundred,” I said to Madame. “A hundred will last me a
|
||||
lifetime.”
|
||||
|
||||
She promised to telephone Tours at once, that afternoon.
|
||||
|
||||
At lunchtime, I had a sobering experience. The headwaiter of Brasserie Lipp
|
||||
no longer recognised me. “Non, Monsieur, il n’y a pas de place.” At five, I
|
||||
kept my appointment with Madame. The manufacturer had died. His heirs had
|
||||
sold the business. She removed her spectacles and, almost with an air of
|
||||
mourning, said, “Le vrai moleskine n’est plus.”
|
||||
|
||||
This passage had struck many of Chatwin’s readers; its intimations of mortality
|
||||
seemed to foreshadow the author’s premature death only a year and a half after
|
||||
the publication of The Songlines. But to Sebregondi, it meant something more
|
||||
personal, because she recognized, from her time as a student in Paris, the
|
||||
notebooks Chatwin described. Indeed, she still had several. Digging them out of
|
||||
old boxes, she looked at them for the first time in years—and with new eyes.
|
||||
Why had Chatwin become so attached to this particular model that he would order
|
||||
a hundred rather than risk running out? How could such a utilitarian object
|
||||
assume such importance? Then it struck her that she might have hit upon a
|
||||
solution to Franceschi’s challenge—a simple product, easy to manufacture,
|
||||
appealing to creatives and imparting promises of travel, of glamour, of
|
||||
discovery.
|
||||
|
||||
Phone calls to France confirmed Chatwin’s account (a sensible move: Chatwin
|
||||
always preferred a good story to the literal truth), and Sebregondi’s hunch was
|
||||
confirmed by serendipitous sightings of le vrai moleskine in other contexts:
|
||||
exhibitions of Matisse’s and Picasso’s sketchbooks, a photo of Hemingway at
|
||||
work. This product, she realized, already had a pedigree. More to the point, it
|
||||
had commercial promise, for millions around the world had already read
|
||||
Chatwin’s endorsement. It even accorded with the classic principles of Italian
|
||||
design: like an espresso, a pair of Persol sunglasses, or a Prada dress, le
|
||||
moleskine was minimal, functional, and assertively black.
|
||||
|
||||
And yet, miraculously, no one made it anymore.
|
||||
|
||||
Sebregondi took the idea to Milan, where Franceschi realized that she was on to
|
||||
something. With Chatwin having already solved the thorniest problem faced by
|
||||
anyone marketing a new product (what to call the damn thing), the pair entered
|
||||
what became a two-year process of product design, which resulted in the classic
|
||||
Moleskine notebook.
|
||||
|
||||
You don’t need me to tell you what a Moleskine looks like, but you may not have
|
||||
considered how insistently its design sends messages to the contemporary nomad.
|
||||
The minimal black cover looks, at first glance, like it might be leather:
|
||||
robust but also luxurious. The non-standard dimensions, a couple of centimetres
|
||||
narrower than the familiar A5, let you slip the notebook into a jacket pocket,
|
||||
and the rounded corners—which add considerably to the production cost—help with
|
||||
this. They also stop your pages from getting dog-eared and, together with the
|
||||
elastic strap and unusually heavy cover boards, confirm that the notebook is
|
||||
ready for travel. The edges of the board sit flush with the page block,
|
||||
ensuring that your Moleskine can never be mistaken for a printed book. In use,
|
||||
it lies obediently open and flat, and the pocket glued into the back cover
|
||||
board invites you to hide souvenirs—photos, tickets stubs, the phone numbers of
|
||||
beautiful strangers. Two hundred pages suggest that you have plenty to write
|
||||
about; the paper itself, tinted to a classy ivory shade and unusually smooth to
|
||||
the touch, implies that your ideas deserve nothing but the best, and the ribbon
|
||||
marker helps you navigate your musings. Discreetly minimal it may seem, but the
|
||||
whole package is as shot through with brand messaging as anything labelled
|
||||
Nike, Mercedes, or Apple—and, like the best cues, the messaging works on a
|
||||
subconscious level.
|
||||
|
||||
But in case those cues alone were not enough, Moleskine spelled out its brand
|
||||
values in the small folded leaflet which the notebook’s new owner would
|
||||
“discover”—as Sebregondi tellingly puts it—tucked in the pocket. The leaflet’s
|
||||
copy has evolved over time, and more and more languages have been added to it,
|
||||
but the central message has changed little from the early, Italian-only,
|
||||
version:
|
||||
|
||||
The Moleskine is an exact reproduction of the legendary notebook of
|
||||
Chatwin, Hemingway, Matisse. Anonymous custodian of an extraordinary
|
||||
tradition, the Moleskine is a distillation of function and an accumulator
|
||||
of emotions that releases its charge over time. From the original notebook
|
||||
a family of essential and trusted pocket books was born. Hard cover covered
|
||||
in moleskine, elastic closure, thread binding. Internal bellowed pocket in
|
||||
cardboard and canvas. Removable leaflet with the history of Moleskine.
|
||||
Format 9 x 14 cm.
|
||||
|
||||
The leaflet opened with a lie (the new Moleskines were not “exact reproductions
|
||||
of the old”) then immediately veered toward gibberish, but that didn’t matter.
|
||||
Pound for pound, those seventy-five words proved themselves among the most
|
||||
effective pieces of commercial copywriting of all time, briskly connecting the
|
||||
product’s intangible qualities—usefulness and emotion—to its material
|
||||
specification, thereby selling both the sizzle and the steak. Sebregondi and
|
||||
Franceschi picked an astutely international selection of names to drop: an
|
||||
Englishman, an American, and a Frenchman encouraged cosmopolitan aspirations.
|
||||
“Made in China,” on the other hand, did not, so they left that bit out.
|
||||
|
||||
Modo & Modo ordered the initial production run of 3,000 notebooks in 1997, and
|
||||
the new Moleskine first went on sale in Milan, in a small bookshop on the Corso
|
||||
Buenos Aires. It sold through its consignment in days. Avoiding traditional
|
||||
stationers, the company targeted design retailers and bookstores: the strategy
|
||||
worked, and in 1998, they sold 30,000 notebooks. From 1999, they used their
|
||||
existing networks to distribute around Europe and then across the Atlantic.
|
||||
Within ten years, the American chain bookseller Barnes & Noble had become the
|
||||
brand’s largest retail partner. Just as Franceschi had hoped, the high profit
|
||||
margins transformed Modo & Modo’s fortunes. In 2006, a private equity firm
|
||||
bought him out, and sales continued to grow.
|
||||
|
||||
In 2013, the Moleskine SpA launched on the Italian stock exchange, and in 2016,
|
||||
a Belgian car distributor bought the company outright, for half a billion
|
||||
euros. Small wonder that the story is now taught in business schools as a
|
||||
textbook example of successful product design and marketing. In 2017, the story
|
||||
came full circle when Moleskine and Chatwin’s publisher struck a deal to
|
||||
publish a new edition of The Songlines, bound in the now-familiar black boards,
|
||||
complete with elastic closure, rounded corners, ribbon markers, and pocket. You
|
||||
bought it shrink-wrapped to a blank journal, embossed—in a gesture which
|
||||
Chatwin would surely have recoiled from—with the motivational boost “Enjoy your
|
||||
travel writing.”
|
||||
|
||||
Sebregondi herself stayed relentlessly on message for two decades, giving
|
||||
scores of interviews whose recurring theme was that the Moleskine was “first of
|
||||
all, an enabler for creativity.”
|
||||
|
||||
Having stayed with the business through its various incarnations, she stepped
|
||||
back in 2017 and currently gives her time to the charitable Moleskine
|
||||
Foundation, which aims to drive social change, especially in sub-Saharan Africa
|
||||
and Eastern Europe, through—naturally—creativity. She also remains involved
|
||||
with Oplepo, the Italian offshoot of Oulipo. Her most recent translation is of
|
||||
Queneau’s One Hundred Thousand Billion Poems, in which the reader randomly
|
||||
generates sonnets from the book’s thousands of rhyming lines, constraints
|
||||
proving creative.
|
||||
|
||||
I bought my first Moleskine during the early years of that boom and, a while
|
||||
later, found myself working for a book publisher keen to share in the
|
||||
Moleskine-driven growth of the upscale stationery market. Notebooks, we
|
||||
reasoned, had no words and no pictures—the tricky, expensive things that make
|
||||
“real” books so difficult to profit from. How hard could it be to cash in? So
|
||||
we created a range of notebooks, brightly designed and packed with gimmicks,
|
||||
and placed a substantial order at the printers. I was charged with visiting
|
||||
Barnes & Noble’s Fifth Avenue head office to present our wares, and I suggested
|
||||
that our colourful product could supply healthy turnover if racked alongside
|
||||
Moleskine in their stores.
|
||||
|
||||
The buyer eyed me skeptically. “Along with the Moleskines,” he said. “Do you
|
||||
know there’s a section of our customer base that buys a fresh Moleskine every
|
||||
time they come into a store? Once a week, some people. We have no idea what
|
||||
they do with them.”
|
||||
|
||||
I showed off my samples, stressing the cream paper, the ribbon markers, and the
|
||||
striking cover designs that supposedly set our brand apart. He shook his head
|
||||
and handed me a familiar black notebook in response. “See this?” he said. “We
|
||||
make them ourselves, own brand. The same size, the same number of pages. We use
|
||||
the same paper, the same boards, we make them at the same plants in China.
|
||||
They’re every bit as good as a Moleskine, and we ask half as much for them.” He
|
||||
paused for effect. “And Moleskine still outsells us. And you’re asking me to
|
||||
take shelf space away?”
|
||||
|
||||
I was learning a hard lesson about the power of the brand. Others, however,
|
||||
made a better go of it. From 2005, Leuchtturm, whose specialty had been stamp
|
||||
collectors’ albums, took on Moleskine, matching them for quality while
|
||||
offering—the vulgarity!—a range of colours; older companies like
|
||||
Clairefontaine, Rhodia, and Paperblanks refreshed their offerings. Western
|
||||
hipsters, always alert to high-end Japanese design, started to import notebooks
|
||||
from companies like Midori, Hobonichi, and Stalogy, which bested any of the
|
||||
European brands with their exquisite papers and bindings (Moleskine and
|
||||
Leuchtturm both use mainly Taiwanese paper). In the US, Field Notes struck a
|
||||
utilitarian chord with a mid-century aesthetic. All presented a fresh spin on
|
||||
the basic product, and all benefited from the product building that Moleskine
|
||||
had done. If you cared for upmarket stationery, the 2010s were a golden age.
|
||||
|
||||
At the same time, the Moleskine became a potent status symbol. Tech CEOs toted
|
||||
them, as did the designers, journalists, and writers whom Sebregondi had
|
||||
envisaged—and even more people whose aspirations perhaps outran their actual
|
||||
creativity. Spotted in your local Starbucks, these characters were easily
|
||||
mocked: the satirical website Stuff White People Like made hay with their
|
||||
accessorizing, as did the right-wing politician Karl Rove, who once told his
|
||||
audience at Yale that he knew them to be pretentious by their Moleskines. The
|
||||
mockery did nothing to hurt sales.
|
||||
|
||||
Neither did a growing interest, from psychologists and lifestyle gurus, in the
|
||||
notebook’s practical effectiveness. Sebregondi herself suggested that the
|
||||
notebook’s minimal form made it a perfect creative tool, talking of it in the
|
||||
same terms as Queneau’s deliberately constrained work: “a simple object,”
|
||||
giving her the “sense of extraordinary possibility born from small things.” The
|
||||
productivity guru David Allen recommended making lists in notebooks, as did
|
||||
neuroscientist Daniel Levitin; the journalist David Sax wrote a book, The
|
||||
Revenge of Analog, which depicted paper notebooks (along with vinyl LPs, board
|
||||
games, and film cameras) mounting a spirited resistance against digital
|
||||
replacement. It became commonplace to contrast the old technology with the new.
|
||||
The original Moleskine had launched at the same time as the Palm Pilot, the
|
||||
first hand-held digital organizer, and had, from day one, faced competition
|
||||
from increasingly powerful devices. The laptop, the BlackBerry, the iPhone, and
|
||||
the iPad all seemed to offer far greater functionality than their paper
|
||||
antecedent, but a stubborn constituency of users refused to move over into the
|
||||
digital sphere, and numerous peer-reviewed studies soon showed that their
|
||||
obduracy made sense. Something about the act of writing by hand, and the
|
||||
production of a physical object, makes the older technology more effective than
|
||||
the new. Sebregondi had, unwittingly, prompted serious inquiry into the
|
||||
workings of the human brain.
|
||||
|
||||
My own interest in notebooks had also progressed beyond the commercial. I read
|
||||
Samuel Pepys, loving the unfettered way in which he documented work, home,
|
||||
leisure, his urban environment, and his sex life; then I discovered my
|
||||
grandfather’s eye-opening pre-war diaries, just as wide ranging, although much
|
||||
briefer. So I started keeping my own journal in 2002, and each year added to a
|
||||
steadily growing heap of battered notebooks.
|
||||
|
||||
Writing a diary made me happier; keeping things-to-do lists made me more
|
||||
reliable (which, in turn, made those around me happier), and I learned never to
|
||||
go to a doctor’s appointment, or a meeting of any kind, without taking notes of
|
||||
what I heard. But there appeared to be creative benefits too. Every artist I
|
||||
met seemed to have a sketchbook to hand, as did graphic designers—and even web
|
||||
designers, whose product was entirely digital. Authors all kept notebooks, as
|
||||
did journalists, critics, and other creative types—and the more assiduously
|
||||
they used those notebooks, the better their work seemed to be. The same applied
|
||||
to my colleagues’ work: playful lists, diagrams, and sketches regularly
|
||||
disgorged surprisingly good ideas.
|
||||
|
||||
When notebooks appear on the scene, interesting things happen. To open up to
|
||||
the blank page and interact with it takes energy and sometimes a little
|
||||
courage.
|
||||
|
||||
But the rewards may surprise.
|
||||
|
||||
Excerpted from [88]The Notebook: A History of Thinking on Paper by Roland
|
||||
Allen. Copyright © Roland Allen 2024. Excerpted with permission from
|
||||
Biblioasis. No part of this excerpt may be reproduced or reprinted without
|
||||
permission in writing from the publisher.
|
||||
|
||||
[89]Roland Allen
|
||||
[90]Roland Allen
|
||||
Roland Allen lives in Brighton, England, and works in book (and notebook)
|
||||
publishing. He has written books on bicycles and bread, has kept a diary for
|
||||
decades, and enjoys stationery a little too much.
|
||||
Tagged[91]audio[92]books[93]excerpt[94]history[95]homepage
|
||||
|
||||
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|
||||
|
||||
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||||
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||||
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[1]Opinion|There’s a Link Between Therapy Culture and Childlessness
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[2][3]
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therapy-estrangement-childless-millennials.html
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[12]OpinionGuest Essay
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There’s a Link Between Therapy Culture and Childlessness
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[20]1651
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Michal Leibowitz
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By Michal Leibowitz
|
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|
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Ms. Leibowitz is a staff editor for Times Opinion.
|
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|
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• May 30, 2025
|
||||
|
||||
They mess you up, your mum and dad.
|
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They may not mean to, but they do.
|
||||
They fill you with the faults they had
|
||||
And add some extra, just for you.
|
||||
|
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How many times had I read [21]a version of these lines or heard them recited?
|
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The opening stanza of Philip Larkin’s poem “This Be the Verse” is a favorite of
|
||||
fictional [22]shrinks and [23]wise folk. I can say the words by heart. But it
|
||||
was only last year, my stomach already stretching with new life, that I reread
|
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the poem and found myself focusing on the third stanza, which offers the
|
||||
logical conclusion of the earlier two:
|
||||
|
||||
Man hands on misery to man.
|
||||
It deepens like a coastal shelf.
|
||||
Get out as early as you can,
|
||||
And don’t have any kids yourself.
|
||||
|
||||
There are few decisions more fraught for members of my generations — the cusp
|
||||
of millennial and Gen Z — than whether or not to become a parent. In 2023 the
|
||||
U.S. fertility rate fell to a record low. Some of the decline can be explained
|
||||
by [24]a delay in having children or a decrease in the number of children,
|
||||
rather than people forgoing child rearing entirely. But it still seems [25]
|
||||
increasingly likely that millennials will have the highest rate of
|
||||
childlessness of any generational cohort in American history.
|
||||
|
||||
There are plenty of plausible explanations for the trend. People aren’t having
|
||||
kids because it’s too expensive. They’re not having kids because they can’t
|
||||
find the right partner. They’re not having kids because they want to prioritize
|
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|
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onto this broken planet is too depressing. They’re swearing off parenthood
|
||||
because of the [26]overturning of Roe v. Wade or because they’re perennially
|
||||
commitmentphobic or because popular culture has made motherhood seem [27]so
|
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daunting, its burdens so deeply unpleasant, that you have to have a touch of
|
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masochism to even consider it. Maybe women, in particular, are having fewer
|
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children simply because they can.
|
||||
|
||||
I suspect there’s some truth in all of these explanations. But I think there’s
|
||||
another reason, too, one that’s often been overlooked. Over the past few
|
||||
decades, Americans have redefined “harm,” “abuse,” “neglect” and “trauma,”
|
||||
expanding those categories to include emotional and relational struggles that
|
||||
were previously considered unavoidable parts of life. Adult children seem
|
||||
increasingly likely to publicly, even righteously, cut off contact with a
|
||||
parent, sometimes citing emotional, physical or sexual abuse they experienced
|
||||
in childhood and sometimes things like clashing values, [28]parental toxicity
|
||||
or feeling misunderstood or unsupported.
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This cultural shift has contributed to a new, nearly impossible standard for
|
||||
parenting. Not only must parents provide shelter, food, safety and love, but
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we, their children, also expect them to get us started on successful careers
|
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and even to hold themselves accountable for our mental health and happiness
|
||||
well into our adult years.
|
||||
|
||||
So I want to suggest that there’s another reason my generation dreads
|
||||
parenthood: We’ve held our own parents to unreachable standards, standards that
|
||||
deep down, maybe, we know we ourselves would struggle to meet.
|
||||
|
||||
I: They Mess You Up
|
||||
|
||||
I turned 14 in 2010, right when self-harm rates for U.S. girls began [29]
|
||||
ticking up. I was part of a generation of teenage girls who came of age with
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the internet — with Tumblr, blogs, Snapchat and YouTube. With smartphones. With
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[24] https://www.economist.com/democracy-in-america/2018/10/31/americas-fertility-rate-continues-its-deep-decline?utm_medium=cpc.adword.pd&utm_source=google&ppccampaignID=17210591673&ppcadID=&utm_campaign=a.22brand_pmax&utm_content=conversion.direct-response.anonymous&gad_source=1&gclid=CjwKCAjwmrqzBhAoEiwAXVpgok5N1YRwrhtysJOLNrDdXLZg8KMOqw3OCtuxi6XyUejmfO2ZhX8aYBoCDQgQAvD_BwE&gclsrc=aw.ds
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[25] https://www.washingtonpost.com/business/2023/11/03/millennials-only-children/
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[27] https://www.vox.com/features/23979357/millennials-motherhood-dread-parenting-birthrate-women-policy
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[28] https://www.researchgate.net/publication/277306594_Disconnection_and_Decision-making_Adult_Children_Explain_Their_Reasons_for_Estranging_from_Parents
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[50] https://www.nytimes.com/subscription?campaignId=37WXW
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[51] https://www.nytimes.com/privacy/manage-settings
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