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• [1]Book
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• [2]Workshop
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• [3]Podcast
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• [4]Newsletter
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• [5]Home
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• [6]Work
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• [7]Blog
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• [8]Speaking
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• [9]Music
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• [10]About
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• [11]Contact
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[12] EJS logo
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• [13]Book
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• [14]Workshop
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• [15]Podcast
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• [16]Newsletter
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• [17]Home
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• [18]Work
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• [19]Blog
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• [20]Speaking
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• [21]Music
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• [22]About
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• [23]Contact
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2023 in review
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Article illustration for 2023 in review
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Published
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31 January 2024
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Tagged
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• [24]#year-in-review
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• [25]#work
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• [26]#life
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• [27]#music
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Check out my newsletter, [28]Typographic & Sporadic!
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It’s [29]that time again, when I like to dedicate the first blog post of every
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year to looking back on the year that’s just been. Much like [30]Chris said in
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[31]his post, this is more of a recap than a list of highlights. That’s not to
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say that 2023 was a bad year — far from it — but it was certainly one of the
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more challenging ones from a work perspective.
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Without a doubt, my year was dominated by the writing, illustrating, and
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designing of my forthcoming book, [32]Universal Principles of Typography, which
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will be published this April. Although I’d started writing the book in 2022,
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the bulk of it was written in 2023, followed by the actual illustration and
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design portion of the work. Creating this book permeated all parts of my life
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and I probably mentioned it to every single person I interacted with. I’m sorry
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if that was you.
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The “challenging” part essentially came down to three things: the book’s
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dominance (which required me to give up on client work), my Google contract
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ending after Q1, and us having committed to getting a new kitchen (a decision
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made in more stable financial times). But it also taught me a valuable lesson
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about how much I’d been taking the well-paid work for granted, and indeed my
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ability to get work. This also neatly fed into an ongoing question around what
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it is I can and want to do.
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But, overall, 2023 was great, and I’m so thankful for that. My dominant memory
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of the year as a whole is that I spent loads of time with my kids, especially
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during the various school holidays. But I’m mindful of putting photos of my
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kids on the internet, so let’s find some other things to write about:
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—
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My first speaking engagement of the year was a very nice [33]webinar with
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Vitaly in January — the first of many collaborations with the lovely folks at
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[34]Smashing in 2023.
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I mentioned on an Instagram story (tap through [35]this highlight) that I’d
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settled into a new routine: spending every Sunday morning working on [36]the
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book from a café in Bristol while Thea attended a theatre school. This
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continued for the first half of of the year.
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In February, in an attempt to hit my “50% text” deadline for the book, I took
|
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myself off on what you might describe as a writing retreat. It only lasted one
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day and was less than an hour away from home, but it’s something I look back
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upon now with a very fond memories. Essentially, I stayed in a shepherd’s hut
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in the back of someone’s garden and just wrote and wrote and wrote. And it
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worked! I fully intend to write a dedicated post about this, because honestly
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it was one of the best parts of my entire book-writing experience.
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A photo highlight from 2023
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In the middle of February, we got Benji — a rescue dog from a shelter in
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Cyprus, who we’d been in the process of adopting for several months. After a
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pretty epic journey to the UK, he finally made it to us, and has essentially
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been snuggled up on our laps ever since. And, thankfully, he and Ozzy (who’s
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now 12) are the best of friends. In many ways, 2023 was the year of Benji.
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A photo highlight from 2023
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||||
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Oh, and Benji’s name was the kids’ idea, by the way. It was that or
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“Toothpaste” so you can see why we settled for the former.
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All on my lonesome, I drove over to Cardiff to see Gojira, supported by Alien
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Weaponry. It was a great gig.
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A photo highlight from 2023
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||||
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||||
In March, I taught my [37]Typography Masterclass for SmashingConf for the first
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time. 5 × 2.5-hour sessions, spread out over weeks. It was pretty intense, but
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I loved it, and met some really nice participants in the process. I also
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discovered how handy it is using an iPad as a secondary display.
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A photo highlight from 2023
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||||
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[38]Emma finished designing [39]the hand-lettered logo I’d commissioned, and I
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decided to put it on some new business cards. Yeah, I know no-one does business
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cards these days, but I felt like it deserved to exist in the real world
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somewhere.
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A photo highlight from 2023
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Music-wise, 2023 was a pretty quiet year, both for [40]me as an artist and also
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for [41]my label, but March was my / our first output: a four-track compilation
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called [42]V/A Three, to which I contributed the track ‘Hour’.
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At the end of the month, I flew over to New York to attend [43]Kinference, the
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spiritual successor to [44]Brooklyn Beta. It was so good to see so many
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internet / conference friends in real life. Shout out to [45]Doc, [46]Daniel,
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[47]David, [48]Jessica, [49]Craig, [50]Josh, [51]Matthew, [52]Matthew, [53]Ben,
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Michael, and Yaron! Probably way more.
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A photo highlight from 2023
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||||
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||||
As Q1 came to an end, so did my contract with Google. Although I needed to look
|
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for work, I buried my head in the sand for a bit and we spent one of the first
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weeks of April holidaying in Cornwall. It was such a great trip, and the
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cottage we stayed in — which I found via [54]Cornish Hideaways and was way
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cheaper than you’d get on Airbnb — was beautiful, tucked away down a grassy
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track.
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A photo highlight from 2023
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Really I could just fill this post with a tonne of Cornwall photos, but again:
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kids on the internet and all that.
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After we returned from Cornwall, we went to [55]Gifford’s Circus again (I can’t
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recommend it enough, and I don’t like circuses).
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Earlier in the year, we’d decided to get a new kitchen done, and everything
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finally kicked off in May. We spent a couple of weeks living around all of the
|
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new furniture that had to be stored in the living room, and we turned the spare
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bedroom into a sort of temporary kitchen thanks to a microwave. It was total
|
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chaos while the old kitchen was destroyed...
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A photo highlight from 2023
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... but the new one was totally worth the hassle.
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||||
A photo highlight from 2023
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||||
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For [56]Sam’s birthday the previous year, I’d bought her a voucher to go wine
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tasting at a [57]local biodynamic vineyard, and we went along for a tour on a
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beautiful spring day. Tasting the natural wines while sat in the vineyard,
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where they’re produced in an entirely closed loop system, was pretty amazing.
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A photo highlight from 2023
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||||
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Also in May, I spoke at [58]AllFlows in Milton Keynes — a new event run by the
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people behind [59]MK Geek Night (which [60]I’ve spoken at in the past). It was
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a great event and I thoroughly enjoyed the talk given by Jennifer Estaris, who
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works at [61]ustwo Games. She spoke (amongst other things) about [62]Alba, a
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game I immediately went home and bought for our Switch, knowing that the girls
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would love it. (They did.)
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A photo highlight from 2023
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||||
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Got some more [63]Doc and [64]Chris action in, too.
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A photo highlight from 2023
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||||
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In June, I decided I couldn’t keep quiet about the book any longer, so did [65]
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an announcement post on social media and [66]a blog post here on this site. The
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kids got chicken pox. We put various solar-powered lights up around our garden.
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A photo highlight from 2023
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Threads launched in July, and despite my general skepticism of Meta, [67]I
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signed up straight away and I have to say that I love it. (A few months in, and
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it — along with [68]Mastodon — is the X / Twitter replacement I needed.)
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With the school summer holidays (and therefore plenty of childcare)
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approaching, it became clear that there was no way I’d hit my book deadline if
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I was also juggling client work, so I made the difficult but inevitable
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decision to not seek out more work until the summer was over, and instead
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dedicate all of my non-childcare hours to finishing the book. At the time, this
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made me incredibly anxious, but in hindsight, the extra time spent with the
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kids over the holidays made it totally worthwhile, and I’d do it again in a
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heartbeat.
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[69]Lauren visited from LA and took this nice family photo:
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A photo highlight from 2023
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At the end of the month, I got a draft of the book ready to send to [70]Ellen
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so that she could write her foreword. I commemorated the occasion with a beer
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and [71]an Instagram reel.
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Having gone to Cornwall in the Easter holidays, we decided to keep our summer
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trip pretty minimal and opted for a brief camping trip in Wales in August. We
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didn’t realise quite how short it would be, however: camping in 40mph winds is
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rarely a good idea, but definitely not a good idea if [72]the campsite is on a
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clifftop overlooking the sea. After a disastrous (and, at times, kind of scary)
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night, after which almost the entire campsite had vacated, we decided to head
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home and book ourselves a consolatory trip.
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So, towards the end of the summer holidays, we took a trip to Yorkshire (photo
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at the top) and stayed in a beautiful (and sturdy) cabin in the middle of the
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woods right by the moors. Truly idyllic. But a three-day trip was way too short
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and we’re all desperate to return.
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Another highlight: navigating [73]Bath’s maize maze with the [74]Clarke family.
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With the kids back in school in the first week of September, I flew over to
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Freiburg to speak at [75]SmashingConf.
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A photo highlight from 2023
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||||
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It was so nice to return to the city, see a bunch of my European friends (shout
|
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out to [76]Marc, [77]Tobi, and the whole Smashing crew) and I even got to have
|
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dinner with [78]Francis, who I’d not seen IRL in years.
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A photo highlight from 2023
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||||
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And, with my book deadline the following week, I made the final edits [79]from
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a beautiful biergarten. Shortly after, I got to announce that [80]Ellen had
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written the book’s foreword.
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A photo highlight from 2023
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The label Indefinite Pitch released a split single from me and Mechanist, to
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which I contributed the track [81]‘Close’.
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Once again, we attended the [82]Priston festival, and this time brought [83]
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Francis along.
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Also in September, I launched my podcast, [84]Hello, type friends! I’d been
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saying that there was another project that was “typographic in nature” for a
|
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while, and had even recorded most of the episodes at this point. The launch
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episode, with [85]Jessica, seemed to go down really well.
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Not long after my birthday in October, I cut my hair! I’d deciding to grow it
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long in early 2018 because I’d always wanted to have long hair, but never been
|
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brave enough to see it through that awkward, Darth Vader helmet kind of phase.
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I persevered and had it properly long since around the end of 2019, but, given
|
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that I was mainly just wearing it up in a man-bun most of the time, it was time
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to go short again by October 2023. I haven’t yet regretted that decision.
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A photo highlight from 2023
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[86]Sam and I had our 10th wedding anniversary in 2022, but in 2023, we
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celebrated 20(!) years of being together, and took a bottle of bubbly out to a
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spot in Shropshire we’d originally visited when we first started dating.
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[87]Jamie mentioned that [88]Ellen would be speaking in London, giving [89]a
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lecture at St. Bride’s, so we went along and met [90]Phil and [91]Sarah there,
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too. Also used the opportunity to have lunch with [92]Tom.
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Around that time, I launched the second episode of Hello, type friends! With
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[93]Dan.
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Client work finally got back on track in October, too, and I started working
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with [94]The Type Founders on [95]a new website for P22. This would be the
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first of many collaborations (I’m working with them right now, in fact). More
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soon.
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November was a very musical month. With some financial security restored, [96]
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Sam and I decided to buy something we’d wanted for a long time: a piano. Just a
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digital one, of course, but with 88 fully weighted keys — one that felt proper.
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I also treated myself to a little Orange amplifier so that I could play
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electric guitar in the house again.
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I finally got to meet [97]Luke (who I’ve now been working with for a while on
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[98]the Mote-Evolver cover art) in person, over dinner with [99]Sinead and
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[100]Charles. Then, a few days later, Sinead, Charles, and [101]Paraorchestra
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opened the new [102]Bristol Beacon with [103]an incredible show, and [104]Sam
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and I got some great seats.
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A photo highlight from 2023
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In early December, I met up with [105]Ilana from [106]Good Type, who was
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randomly in Bristol. I also put out my first EP of new music in a year in the
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form of [107]All the faults, all lined up.
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[108]All the faults, all lined up by Other Form
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For [109]Sam’s birthday, I bought her an accordion and some lessons. I’d
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actually bought this before we decided on the piano, but hey. Lots of
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instruments in the house now!
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I launched the third episode of the podcast, this time with [110]Erik.
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On the last day “working” day of the year, I attended [111]Table Talk, a very
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small event organised by my friend and former business partner [112]Keir. It
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provided a much-needed dose of inspiration for the new year.
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In the week before Christmas, [113]Sam and I try to make it as special as
|
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possible to get the kids (and us) properly excited for the festive season. This
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year, our pre-Christmas week of fun included seeing the [114]lights at
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Stourhead, visiting Lacock Abbey (and eating at [115]a gorgeous pub from the
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1400s), and visiting the roman villa at [116]The Newt with [117]Jamie and
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family.
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Some other bits
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A personal highlight was the audio messages [118]Ty and I frequently sent (and
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continue to send) each other via iMessages or Instagram DMs. I’m not sure who
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started it, or when, but recording little snippets about what we’ve each been
|
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up to has been a really nice way to communicate — and become friends — at a
|
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distance. And, because of this, I’m so grateful to Ty for effectively becoming
|
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my audio diary throughout the book writing process.
|
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I deeply regret not having managed my annual “wilderness day”, which I talked
|
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about a lot in my [119]2022 and [120]2021 recaps. There’s no excuse, but
|
||||
somehow it just didn’t work out. However, I’m hoping to rectify that by getting
|
||||
one in very early this year (it’s scheduled for this Friday, in fact) in the
|
||||
hopes of doing another later on in the year.
|
||||
|
||||
At some point in the summer holidays, I lost my 500-ish day [121]Duolingo
|
||||
streak, and that triggered a big lull in my commitment there. It picked up
|
||||
again eventually, but I’m disappointed that I let it slip. I also let
|
||||
meditation slip, and opened [122]Calm less and less as the year went on. I also
|
||||
barely jogged the whole year. Bloody shameful.
|
||||
|
||||
But [123]I watched 68 films in 2023! Some highlights: The Banshees of
|
||||
Inisherin, Wonka, The Creator, One Cut of the Dead, TMNT: Mutant Mayhem, Swan
|
||||
Song, The Super Mario Bros. Movie, You Won’t Be Alone, Hostiles, and all of the
|
||||
Mission: Impossible films (none of which I’d actually seen before). I rewatched
|
||||
quite a lot, too, like Edge of Tomorrow, Bo Burnham: Inside, Blade Runner 2049,
|
||||
Annihilation.
|
||||
|
||||
Lastly, I want to once again mention [124]the newsletter, which really grew in
|
||||
2023. When I say “grew”, I don’t just mean in number of subscribers, but more
|
||||
in that it’s become a real focus for me. In fact, I’d go so far as to say that,
|
||||
in many ways, it was my favourite thing to work on last year. I still struggle
|
||||
to articulate exactly why that is, but thank you if you’ve subscribed. I very
|
||||
much appreciate it, and I’ve got big plans for it this year.
|
||||
|
||||
Previous post
|
||||
|
||||
[125]A newsletter manifesto that benefits readers & publishers
|
||||
|
||||
Music
|
||||
|
||||
Outside of my life as a designer, I also make electronic music as Other Form.
|
||||
My tracks have been played by some of the world’s biggest DJs in some of the
|
||||
world’s biggest clubs, and [126]Charlotte de Witte even opened a set with one
|
||||
of them. You can listen to my music on all the usual streaming services (apart
|
||||
from some vinyl-only EPs) and you can find my most recent releases below:
|
||||
|
||||
V/A Three
|
||||
|
||||
Unknown Movements
|
||||
|
||||
[127] EP cover
|
||||
|
||||
My label’s latest compilation features four tracks, including a much slower
|
||||
(than usual) number from me.
|
||||
|
||||
[128]Listen [129]Buy
|
||||
|
||||
Neanthe
|
||||
|
||||
trau-ma
|
||||
|
||||
[130] EP cover
|
||||
|
||||
Releasing music can sometimes feel like shouting into the ether, so it’s always
|
||||
incredibly rewarding when someone wants to put it out on one of your favourite
|
||||
labels. My latest EP is out now on Robert Hoff’s tra-ma label and the title
|
||||
track was played by Luke Slater during his set at Berghain on New Year’s Eve
|
||||
2022.
|
||||
|
||||
[131]Listen [132]Buy
|
||||
|
||||
Oktober: revisit
|
||||
|
||||
Unknown Movements
|
||||
|
||||
[133] EP cover
|
||||
|
||||
I revisited my track “Oktober” five years after its original release and
|
||||
invited a bunch of friends along to remix it for a total of 9 new versions.
|
||||
|
||||
[134]Listen [135]Buy
|
||||
|
||||
|
||||
|
||||
Follow Other Form
|
||||
|
||||
• [136]Bandcamp (label)
|
||||
• [137]Instagram
|
||||
• [138]SoundCloud
|
||||
|
||||
© 2005 – 2024 Elliot Jay Stocks. All rights reserved. Proudly powered by [139]
|
||||
Kirby & [140]GURU. Want to know more? [141]I’m so glad you asked.
|
||||
|
||||
|
||||
References:
|
||||
|
||||
[1] https://elliotjaystocks.com/book
|
||||
[2] https://elliotjaystocks.com/workshop
|
||||
[3] https://elliotjaystocks.com/podcast
|
||||
[4] https://elliotjaystocks.com/newsletter
|
||||
[5] https://elliotjaystocks.com/
|
||||
[6] https://elliotjaystocks.com/work
|
||||
[7] https://elliotjaystocks.com/blog
|
||||
[8] https://elliotjaystocks.com/speaking
|
||||
[9] https://elliotjaystocks.com/blog/2023-in-review/#music
|
||||
[10] https://elliotjaystocks.com/about
|
||||
[11] https://elliotjaystocks.com/cdn-cgi/l/email-protection#a781849697969c818496979f9c818496979f9c81849697929c81849696969c81849696919c81849791939c81849697969c818496979f9c818496979f9c81849697929c81849696969c81849696919c81849697919c8184979e909c81849695969c81849696929c81849696919c81849696969c8184979e9e9c81849697909c81849696929c81849793919c8184979e9e9c81849696969c818496979e9c
|
||||
[12] https://elliotjaystocks.com/
|
||||
[13] https://elliotjaystocks.com/book
|
||||
[14] https://elliotjaystocks.com/workshop
|
||||
[15] https://elliotjaystocks.com/podcast
|
||||
[16] https://elliotjaystocks.com/newsletter
|
||||
[17] https://elliotjaystocks.com/
|
||||
[18] https://elliotjaystocks.com/work
|
||||
[19] https://elliotjaystocks.com/blog
|
||||
[20] https://elliotjaystocks.com/speaking
|
||||
[21] https://elliotjaystocks.com/blog/2023-in-review/#music
|
||||
[22] https://elliotjaystocks.com/about
|
||||
[23] https://elliotjaystocks.com/cdn-cgi/l/email-protection#e7c1c4d6d7d6dcc1c4d6d7dfdcc1c4d6d7dfdcc1c4d6d7d2dcc1c4d6d6d6dcc1c4d6d6d1dcc1c4d7d1d3dcc1c4d6d7d6dcc1c4d6d7dfdcc1c4d6d7dfdcc1c4d6d7d2dcc1c4d6d6d6dcc1c4d6d6d1dcc1c4d6d7d1dcc1c4d7ded0dcc1c4d6d5d6dcc1c4d6d6d2dcc1c4d6d6d1dcc1c4d6d6d6dcc1c4d7dededcc1c4d6d7d0dcc1c4d6d6d2dcc1c4d7d3d1dcc1c4d7dededcc1c4d6d6d6dcc1c4d6d7dedc
|
||||
[24] https://elliotjaystocks.com/blog/tag:year-in-review
|
||||
[25] https://elliotjaystocks.com/blog/tag:work
|
||||
[26] https://elliotjaystocks.com/blog/tag:life
|
||||
[27] https://elliotjaystocks.com/blog/tag:music
|
||||
[28] https://elliotjaystocks.com/newsletter
|
||||
[29] https://elliotjaystocks.com/blog/tag:year-in-review
|
||||
[30] https://shiflett.org/
|
||||
[31] https://shiflett.org/blog/2024/2023-recap
|
||||
[32] https://elliotjaystocks.com/book
|
||||
[33] https://youtu.be/bSydhL7NzVg?si=eQYxUhUT1QYZd-R4
|
||||
[34] https://smashingconf.com/online-workshops/
|
||||
[35] https://www.instagram.com/stories/highlights/17957403836320808/_
|
||||
[36] https://elliotjaystocks.com/book
|
||||
[37] https://smashingconf.com/online-workshops/workshops/elliot-jay-stocks-web-typography/
|
||||
[38] https://typographictreats.com/
|
||||
[39] https://elliotjaystocks.com/blog/i_have_a_logo_now
|
||||
[40] https://otherform.uk/
|
||||
[41] https://unknownmovements.bandcamp.com/music
|
||||
[42] https://fanlink.to/um017
|
||||
[43] https://kinference.com/
|
||||
[44] https://brooklynbeta.org/
|
||||
[45] https://www.drbparsons.co/
|
||||
[46] https://www.howellsstudio.com/
|
||||
[47] https://itsdavidhughes.com/
|
||||
[48] https://jessicahische.is/
|
||||
[49] https://craigmod.com/
|
||||
[50] https://jbrewer.me/
|
||||
[51] https://matthewbuchanan.name/
|
||||
[52] https://twitter.com/whale
|
||||
[53] https://blog.adobe.com/en/authors/benjamin-welch
|
||||
[54] https://www.cornwallhideaways.co.uk/
|
||||
[55] https://giffordscircus.com/
|
||||
[56] https://samanthastocks.com/
|
||||
[57] https://limeburnhillvineyard.co.uk/
|
||||
[58] https://allflows.live/
|
||||
[59] https://mkgeeknight.co.uk/
|
||||
[60] https://mkgeeknight.co.uk/events/mkgn-26#Elliot
|
||||
[61] https://www.ustwogames.co.uk/
|
||||
[62] https://www.albawildlife.com/
|
||||
[63] https://www.drbparsons.co/
|
||||
[64] https://armstrong.is/
|
||||
[65] https://www.instagram.com/p/CuG2fp7quBp/
|
||||
[66] https://elliotjaystocks.com/blog/the-big-book-announcement
|
||||
[67] https://www.threads.net/@elliotjaystocks
|
||||
[68] https://mastodon.social/@elliotjaystocks
|
||||
[69] https://www.laurenjpiper.com/
|
||||
[70] https://ellenlupton.com/
|
||||
[71] https://www.instagram.com/p/CvPyW6IqhwY/
|
||||
[72] https://threecliffsbay.com/
|
||||
[73] https://pickingpatch.com/maize-maze-pick-your-own-sunflowers/
|
||||
[74] https://jamieclarketype.com/
|
||||
[75] https://smashingconf.com/freiburg-2023/schedule/#day3-elliot-jay-stocks
|
||||
[76] https://marcthiele.com/
|
||||
[77] https://www.tobi-lessnow.com/
|
||||
[78] https://www.francischouquet.com/
|
||||
[79] https://www.instagram.com/p/Cw2bwr3q0yT/
|
||||
[80] https://ellenlupton.com/
|
||||
[81] https://indefinitepitch.bandcamp.com/album/destinations-ep-17
|
||||
[82] https://www.priston.org.uk/festival/
|
||||
[83] https://francisbooth.uk/
|
||||
[84] https://hellotypefriends.com/
|
||||
[85] https://jessicahische.is/
|
||||
[86] https://samanthastocks.com/
|
||||
[87] https://jamieclarketype.com/
|
||||
[88] https://ellenlupton.com/
|
||||
[89] https://sbf.org.uk/whats-on/view/the-beatrice-warde-memorial-lecture/
|
||||
[90] https://www.monotype.com/studio/phil-garnham
|
||||
[91] https://www.typetasting.com/
|
||||
[92] https://hellomuller.com/
|
||||
[93] https://simplebits.com/
|
||||
[94] https://thetypefounders.com/
|
||||
[95] https://www.threads.net/@p22typefoundry/post/C0fAixQyRa-
|
||||
[96] https://samanthastocks.com/
|
||||
[97] https://www.lukeslater.com/
|
||||
[98] https://mote-evolver-label.bandcamp.com/music
|
||||
[99] https://www.instagram.com/sinead_surgeonsgirl/
|
||||
[100] https://www.charleshazlewood.com/
|
||||
[101] https://paraorchestra.com/
|
||||
[102] https://bristolbeacon.org/
|
||||
[103] https://bristolbeacon.org/whats-on/trip-the-light-fantastic/
|
||||
[104] https://samanthastocks.com/
|
||||
[105] https://www.ilanagriffo.com/
|
||||
[106] https://goodtype.us/
|
||||
[107] https://fanlink.to/um018
|
||||
[108] https://unknownmovements.bandcamp.com/album/all-the-faults-all-lined-up
|
||||
[109] https://samanthastocks.com/
|
||||
[110] https://www.spiekileaks.com/
|
||||
[111] https://keirwhitaker.com/tabletalk/
|
||||
[112] https://keirwhitaker.com/
|
||||
[113] https://samanthastocks.com/
|
||||
[114] https://www.nationaltrust.org.uk/visit/wiltshire/stourhead/christmas-lights-at-stourhead
|
||||
[115] https://www.signoftheangel.co.uk/
|
||||
[116] https://thenewtinsomerset.com/
|
||||
[117] https://jamieclarketype.com/
|
||||
[118] https://tyfromtheinternet.com/
|
||||
[119] https://www.notion.so/2023-in-review-5eb2ddcfea4b4858b0c7df74f6e16430?pvs=21
|
||||
[120] https://www.notion.so/2023-in-review-5eb2ddcfea4b4858b0c7df74f6e16430?pvs=21
|
||||
[121] https://www.duolingo.com/
|
||||
[122] https://www.calm.com/
|
||||
[123] https://letterboxd.com/elliotjaystocks/films/diary/for/2023/
|
||||
[124] https://elliotjaystocks.com/newsletter
|
||||
[125] https://elliotjaystocks.com/blog/a-newsletter-manifesto
|
||||
[126] https://www.youtube.com/live/PQm3c-BoT9M?feature=share&t=307
|
||||
[127] https://fanlink.to/um017
|
||||
[128] https://fanlink.to/um017
|
||||
[129] https://unknownmovements.bandcamp.com/album/v-a-three
|
||||
[130] https://fanlink.to/neanthe
|
||||
[131] https://fanlink.to/neanthe
|
||||
[132] https://trau-ma.bandcamp.com/album/neanthe
|
||||
[133] https://fanlink.to/um014
|
||||
[134] https://fanlink.to/um014
|
||||
[135] https://unknownmovements.bandcamp.com/album/oktober-revisit
|
||||
[136] https://unknownmovements.bandcamp.com/
|
||||
[137] https://www.instagram.com/otherformuk/
|
||||
[138] https://soundcloud.com/otherform
|
||||
[139] https://getkirby.com/
|
||||
[140] https://my.guru.co.uk/aff.php?aff=7098
|
||||
[141] https://elliotjaystocks.com/about
|
||||
Reference in New Issue
Block a user