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The Imperfectionist: Reality is right here
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[1]
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Scriptorium Philosophia
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[2]Scriptorium Philosophia
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SubscribeSign in
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[8]
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[https]
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Scriptorium Philosophia
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Scriptorium Philosophia
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The average college student today
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The average college student today
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How things have changed
|
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|
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[9]
|
||||
[htt]
|
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[10]Hilarius Bookbinder
|
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Mar 25, 2025
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3,535
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[12]
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[https]
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Scriptorium Philosophia
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Scriptorium Philosophia
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The average college student today
|
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Copy link
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[13]
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653
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[14]
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||||
Share
|
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|
||||
I’m Gen X. I was pretty young when I earned my PhD, so I’ve been a professor
|
||||
for a long time—over 30 years. If you’re not in academia, or it’s been awhile
|
||||
since you were in college, you might not know this: the students are not what
|
||||
they used to be. The problem with even talking about this topic at all is the
|
||||
knee-jerk response of, “yeah, just another old man complaining about the kids
|
||||
today, the same way everyone has since Gilgamesh. Shake your fist at the
|
||||
clouds, dude.”[15]1 So yes, I’m ready to hear that. Go right ahead. Because
|
||||
people need to know.
|
||||
|
||||
First, some context. I teach at a regional public university in the US. Our
|
||||
students are average on just about any dimension you care to name—aspirations,
|
||||
intellect, socio-economic status, physical fitness. They wear hoodies and yoga
|
||||
pants and like Buffalo wings. They listen to Zach Bryan and Taylor Swift.
|
||||
That’s in no way a put-down: I firmly believe that the average citizen deserves
|
||||
a shot at a good education and even more importantly a shot at a good life. All
|
||||
I mean is that our students are representative; they’re neither the bottom of
|
||||
the academic barrel nor the cream off the top.
|
||||
|
||||
As with every college we get a range of students, and our best philosophy
|
||||
majors have gone on to earn PhDs or go to law school. We’re also an NCAA
|
||||
Division 2 school and I watched one of our graduates become an All-Pro lineman
|
||||
for the Saints. These are exceptions, and what I say here does not apply to
|
||||
every single student. But what I’m about to describe are the average students
|
||||
at Average State U.
|
||||
|
||||
Scriptorium Philosophia is a reader-supported publication. To receive new posts
|
||||
and support my work, consider becoming a free or paid subscriber.
|
||||
|
||||
[26][ ]
|
||||
Subscribe
|
||||
Reading
|
||||
|
||||
Most of our students are functionally illiterate. This is not a joke. By
|
||||
“functionally illiterate” I mean “unable to read and comprehend adult novels by
|
||||
people like Barbara Kingsolver, Colson Whitehead, and Richard Powers.” I picked
|
||||
those three authors because they are all recent Pulitzer Prize winners, an
|
||||
objective standard of “serious adult novel.” Furthermore, I’ve read them all
|
||||
and can testify that they are brilliant, captivating writers; we’re not talking
|
||||
about Finnegans Wake here. But at the same time they aren’t YA, romantasy, or
|
||||
Harry Potter either.
|
||||
|
||||
I’m not saying our students just prefer genre books or graphic novels or
|
||||
whatever. No, our average graduate literally could not read a serious adult
|
||||
novel cover-to-cover and understand what they read. They just couldn’t do it.
|
||||
They don’t have the desire to try, the vocabulary to grasp what they read,[29]2
|
||||
and most certainly not the attention span to finish. For them to sit down and
|
||||
try to read a book like The Overstory might as well be me attempting an Iron
|
||||
Man triathlon: much suffering with zero chance of success.
|
||||
|
||||
Students are not absolutely illiterate in the sense of being unable to sound
|
||||
out any words whatsoever. Reading bores them, though. They are impatient to get
|
||||
through whatever burden of reading they have to, and move their eyes over the
|
||||
words just to get it done. They’re like me clicking through a mandatory online
|
||||
HR training. Students get exam questions wrong simply because they didn't even
|
||||
take the time to read the question properly. Reading anything more than a menu
|
||||
is a chore and to be avoided.
|
||||
|
||||
[30]
|
||||
[https]
|
||||
The Buffalo wings look good
|
||||
|
||||
They also lie about it. I wrote the textbook for a course I regularly teach.
|
||||
It’s a fairly popular textbook, so I’m assuming it is not terribly written. I
|
||||
did everything I could to make the writing lively and packed with my most
|
||||
engaging examples. The majority of students don’t read it. Oh, they will come
|
||||
to my office hours (occasionally) because they are bombing the course, and tell
|
||||
me that they have been doing the reading, but it’s obvious they are lying. The
|
||||
most charitable interpretation is that they looked at some of the words, didn’t
|
||||
understand anything, pretended that counted as reading, and returned to looking
|
||||
at TikTok.
|
||||
|
||||
This [31]study says that 65% of college students reported that they skipped
|
||||
buying or renting a textbook because of cost. I believe they didn’t buy the
|
||||
books, but I’m skeptical that cost is the true reason, as opposed to just the
|
||||
excuse they offer. Yes, I know some texts, especially in the sciences, are
|
||||
expensive. However, the books I assign are low-priced. All texts combined for
|
||||
one of my courses is between $35-$100 and they still don’t buy them. Why buy
|
||||
what you aren’t going to read anyway? Just google it.
|
||||
|
||||
Even in upper-division courses that students supposedly take out of genuine
|
||||
interest they won’t read. I’m teaching Existentialism this semester. It is
|
||||
entirely primary texts—Dostoevsky, Kierkegaard, Nietzsche, Camus, Sartre. The
|
||||
reading ranges from accessible but challenging to extremely difficult but we’re
|
||||
making a go of it anyway (looking at you, Being and Nothingness). This is a
|
||||
close textual analysis course. My students come to class without the books,
|
||||
which they probably do not own and definitely did not read.
|
||||
|
||||
Writing
|
||||
|
||||
Their writing skills are at the 8th-grade level. Spelling is atrocious, grammar
|
||||
is random, and the correct use of apostrophes is cause for celebration. Worse
|
||||
is the resistance to original thought. What I mean is the reflexive submission
|
||||
of the cheapest cliché as novel insight.
|
||||
|
||||
Exam question: Describe the attitude of Dostoevsky’s Underground Man
|
||||
towards acting in one’s own self-interest, and how this is connected to his
|
||||
concerns about free will. Are his views self-contradictory?
|
||||
|
||||
Student: With the UGM its all about our journey in life, not the
|
||||
destination. He beleives we need to take time to enjoy the little things
|
||||
becuase life is short and you never gonna know what happens. Sometimes he
|
||||
contradicts himself cause sometimes you say one thing but then you think
|
||||
something else later. It’s all relative.
|
||||
|
||||
You probably think that’s satire. Either that, or it looks like this:
|
||||
|
||||
Exam question: Describe the attitude of Dostoevsky’s Underground Man
|
||||
towards acting in one’s own self-interest, and how this is connected to his
|
||||
concerns about free will. Are his views self-contradictory?
|
||||
|
||||
Student: Dostoevsky’s Underground Man paradoxically rejects the idea that
|
||||
people always act in their own self-interest, arguing instead that humans
|
||||
often behave irrationally to assert their free will. He criticizes
|
||||
rationalist philosophies like utilitarianism, which he sees as reducing
|
||||
individuals to predictable mechanisms, and insists that people may choose
|
||||
suffering just to prove their autonomy. However, his stance is
|
||||
self-contradictory—while he champions free will, he is paralyzed by
|
||||
inaction and self-loathing, trapped in a cycle of bitterness. Through this,
|
||||
Dostoevsky explores the tension between reason, free will, and
|
||||
self-interest, exposing the complexities of human motivation.
|
||||
|
||||
That’s right, ChatGPT. The students cheat. I’ve written about cheating in “[33]
|
||||
Why AI is Destroying Academic Integrity,” so I won’t repeat it here, but the
|
||||
cheating tsunami has definitely changed what assignments I give. I can’t assign
|
||||
papers any more because I’ll just get AI back, and there’s nothing I can do to
|
||||
make it stop. Sadly, not writing exacerbates their illiteracy; writing is a
|
||||
muscle and dedicated writing is a workout for the mind as well as the pen.
|
||||
|
||||
Arithmetic
|
||||
|
||||
I’m less informed to speak out on this one, but my math prof friends tell me
|
||||
that their students are increasingly less capable and less willing to put in
|
||||
the effort. As a result they have had to make their tests easier with fewer
|
||||
hard problems. When I was a first semester freshman (at a private SLAC, yes,
|
||||
but it wasn’t CalTech) I took Calculus 1. Second semester I took Calculus 2. I
|
||||
don’t think pre-calculus was even a thing back then. Now apparently pre-calc
|
||||
counts as an advanced content course. My psych prof friends who teach
|
||||
statistics have similarly lamented having to water down the content over time.
|
||||
|
||||
Symbolic Logic was a requirement when I was a grad student. The course was a
|
||||
cross-listed upper-division undergrad/grad class. Jaegwon Kim taught the
|
||||
course, and our sole textbook was W. V. Quine’s Methods of Logic, which we
|
||||
worked through in its entirety. I think we spent two weeks on propositional
|
||||
logic before moving on to the predicate calculus. We proved compactness,
|
||||
soundness, and completeness, and probably some other theorems I forget. There
|
||||
is no possible way our students, unless they were math or computer science
|
||||
majors, would survive that class.
|
||||
|
||||
What’s changed?
|
||||
|
||||
The average student has seen college as basically transactional for as long as
|
||||
I’ve been doing this. They go through the motions and maybe learn something
|
||||
along the way, but it is all in service to the only conception of the good life
|
||||
they can imagine: a job with middle-class wages. I’ve mostly made my peace with
|
||||
that, do my best to give them a taste of the life of the mind, and celebrate
|
||||
the successes.
|
||||
|
||||
Things have changed. Ted Gioia [36]describes modern students as checked-out,
|
||||
phone-addicted zombies. Troy Jollimore [37]writes, “I once believed my students
|
||||
and I were in this together, engaged in a shared intellectual pursuit. That
|
||||
faith has been obliterated over the past few semesters.” Faculty have seen a
|
||||
[38]stunning level of disconnection.
|
||||
|
||||
[49][ ]
|
||||
Subscribe
|
||||
What has changed exactly?
|
||||
|
||||
• Chronic absenteeism. As a friend in Sociology put it, “Attendance is a HUGE
|
||||
problem—many just treat class as optional.” Last semester across all
|
||||
sections, my average student missed two weeks of class. Actually it was
|
||||
more than that, since I’m not counting excused absences or students who
|
||||
eventually withdrew. A friend in Mathematics told me, “Students are less
|
||||
respectful of the university experience —attendance, lateness, e-mails to
|
||||
me about nonsense, less sense of responsibility.”
|
||||
|
||||
• Disappearing students. Students routinely just vanish at some point during
|
||||
the semester. They don’t officially drop or withdraw from the course, they
|
||||
simply quit coming. No email, no notification to anyone in authority about
|
||||
some problem. They just pull an Amelia Earhart. It’s gotten to the point
|
||||
that on the first day of class, especially in lower-division, I tell the
|
||||
students, “look to your right. Now look to your left. One of you will be
|
||||
gone by the end of the semester. Don’t let it be you.”
|
||||
|
||||
• They can’t sit in a seat for 50 minutes. Students routinely get up during a
|
||||
50 minute class, sometimes just 15 minutes in, and leave the classroom. I’m
|
||||
supposed to believe that they suddenly, urgently need the toilet, but the
|
||||
reality is that they are going to look at their phones. They know I’ll call
|
||||
them out on it in class, so instead they walk out. I’ve even told them to
|
||||
plan ahead and pee before class, like you tell a small child before a road
|
||||
trip, but it has no effect. They can’t make it an hour without getting
|
||||
their phone fix.
|
||||
|
||||
• They want me to do their work for them. During the Covid lockdown, faculty
|
||||
bent over backwards in every way we knew how to accommodate students during
|
||||
an unprecedented (in our lifetimes) health crisis. Now students expect that
|
||||
as a matter of routine. I am frequently asked for my PowerPoint slides,
|
||||
which basically function for me as lecture notes. It is unimaginable to me
|
||||
that I would have ever asked one of my professors for their own lecture
|
||||
notes. No, you can’t have my slides. Get the notes from a classmate. Read
|
||||
the book. Come to office hours for a conversation if you are still confused
|
||||
after the preceding steps. Last week I had an email from a student who
|
||||
essentially asked me to recap an entire week’s worth of lecture material
|
||||
for him prior to yesterday’s midterm. No, I’m not doing that. I’m not
|
||||
writing you a 3000-word email. Try coming to class.
|
||||
|
||||
• Pretending to type notes in their laptops. I hate laptops in class, but if
|
||||
I try to ban them the students will just run to Accommodative Services and
|
||||
get them to tell me that the student must use a laptop or they will explode
|
||||
into tiny pieces. But I know for a fact that note-taking is at best a small
|
||||
part of what they are doing. Last semester I had a good student tell me,
|
||||
“hey you know that kid who sits in front of me with the laptop? Yeah, I
|
||||
thought you should know that all he does in class is gamble on his
|
||||
computer.” Gambling, looking at the socials, whatever, they are not
|
||||
listening to me or participating in discussion. They are staring at a
|
||||
screen.
|
||||
|
||||
• Indifference. Like everyone else, I allow students to make up missed work
|
||||
if they have an excused absence. No, you can’t make up the midterm because
|
||||
you were hungover and slept through your alarm, but you can if you had
|
||||
Covid. Then they just don’t show up. A missed quiz from a month ago might
|
||||
as well have happened in the Stone Age; students can’t be bothered to make
|
||||
it up or even talk to me about it because they just don’t care.
|
||||
|
||||
• [51]It’s the phones, stupid. They are absolutely addicted to their phones.
|
||||
When I go work out at the Campus Rec Center, easily half of the students
|
||||
there are just sitting on the machines scrolling on their phones. I was
|
||||
talking with a retired faculty member at the Rec this morning who works out
|
||||
all the time. He said he has done six sets waiting for a student to put
|
||||
down their phone and get off the machine he wanted. The students can’t get
|
||||
off their phones for an hour to do a voluntary activity they chose for fun.
|
||||
Sometimes I’m amazed they ever leave their [52]goon caves at all.
|
||||
|
||||
I don’t blame K-12 teachers. This is not an educational system problem, this is
|
||||
a societal problem. What am I supposed to do? Keep standards high and fail them
|
||||
all? That’s not an option for untenured faculty who would like to keep their
|
||||
jobs. I’m a tenured full professor. I could probably get away with that for a
|
||||
while, but sooner or later the Dean’s going to bring me in for a sit-down.
|
||||
Plus, if we flunk out half the student body and drive the university into
|
||||
bankruptcy, all we’re doing is depriving the good students of an education.
|
||||
|
||||
We’re told to meet the students where they are, flip the classroom, use
|
||||
multimedia, just be more entertaining, get better. As if rearranging the deck
|
||||
chairs just the right way will stop the Titanic from going down. As if it is
|
||||
somehow the fault of the faculty. It’s not our fault. We’re doing the best we
|
||||
can with what we’ve been given.
|
||||
|
||||
All this might sound like an angry rant. I’m not sure. I’m not angry, though,
|
||||
not at all. I’m just sad. One thing all faculty have to learn is that the
|
||||
students are not us. We can’t expect them all to burn with the sacred fire we
|
||||
have for our disciplines, to see philosophy, psychology, math, physics,
|
||||
sociology or economics as the divine light of reason in a world of shadow. Our
|
||||
job is to kindle that flame, and we’re trying to get that spark to catch, but
|
||||
it is getting harder and harder and we don’t know what to do.
|
||||
|
||||
Thanks for reading Scriptorium Philosophia! This post is public so feel free to
|
||||
share it.
|
||||
|
||||
[53]Share
|
||||
|
||||
[54]1
|
||||
|
||||
Careful about [55]bogus “ancient” quotations on this topic, though.
|
||||
|
||||
[56]2
|
||||
|
||||
Students often ask me the meaning of common words on exams, words like
|
||||
“caricature.”
|
||||
|
||||
3,535
|
||||
|
||||
Share this post
|
||||
|
||||
[58]
|
||||
[https]
|
||||
Scriptorium Philosophia
|
||||
Scriptorium Philosophia
|
||||
The average college student today
|
||||
Copy link
|
||||
Facebook
|
||||
Email
|
||||
Notes
|
||||
More
|
||||
[59]
|
||||
786
|
||||
653
|
||||
[60]
|
||||
Share
|
||||
|
||||
Discussion about this post
|
||||
|
||||
CommentsRestacks
|
||||
[ht]
|
||||
[ ]
|
||||
[ ]
|
||||
[ ]
|
||||
[ ]
|
||||
[64]
|
||||
[ht]
|
||||
[65]Matthew Lewis
|
||||
[66]6d
|
||||
Liked by Hilarius Bookbinder
|
||||
|
||||
I was a nontraditional student who went to law school at 33. It wasn't much
|
||||
better there.
|
||||
|
||||
I ended up graduating in the top 5% of my class. During the three year ride,
|
||||
peers would ask how to get their GPA up. I only had a three step strategy: (1)
|
||||
do all of the reading for each class the day before class or earlier; (2) in
|
||||
class, take notes by hand without any devices nearby; and (3) outline the
|
||||
course material before the (usually comprehensive) final exam. No one ever
|
||||
mentioned following that advice but more than a few of the people I told that
|
||||
to would ask me for my outlines at the end of the semester.
|
||||
|
||||
The scary thing for me was that I found myself explaining basic concepts we
|
||||
learned in 1L--such as the three categories of torts--to peers who would be
|
||||
graduating (two years later). They just could not retain the material. These
|
||||
are practicing attorneys who I still sometimes field basic questions from.
|
||||
|
||||
I blame the K-12 system. Grade inflation and No Child Left Behind have resulted
|
||||
in grades from American public schools being essentially worthless as a
|
||||
representation of their academic ability. Parents know they can just throw a
|
||||
fit if their child is ever on the cusp of being held back or even getting a
|
||||
failing grade.
|
||||
|
||||
There is a much bigger societal issue under the surface, for sure. We're all
|
||||
slaves to our addictions now. Work and school are things people do to
|
||||
facilitate their video games, cell phone scrolling, gambling, etc. I don't know
|
||||
how you teach discipline and restraint to people who have spent their entire
|
||||
lives in the crosshairs of a legion of software developers who want to
|
||||
weaponize our reward systems for a small increase in engagement.
|
||||
|
||||
Expand full comment
|
||||
Reply
|
||||
Share
|
||||
[69]32 replies
|
||||
[70]
|
||||
[ht]
|
||||
[71]Alexander j Pasha
|
||||
[72]6d
|
||||
Liked by Hilarius Bookbinder
|
||||
|
||||
This intellectual regression is politically very frightening, what happens to
|
||||
already eroding freedoms when illiterate addicts form a plurality of the
|
||||
public?
|
||||
|
||||
Expand full comment
|
||||
Reply
|
||||
Share
|
||||
[75]27 replies
|
||||
[76]784 more comments...
|
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© 2025 Hilarius Bookbinder
|
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[93]Privacy ∙ [94]Terms ∙ [95]Collection notice
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[96] Start Writing[97]Get the app
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[98]Substack is the home for great culture
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[9] https://substack.com/@hilariusbookbinder
|
||||
[10] https://substack.com/@hilariusbookbinder
|
||||
[12] https://substack.com/home/post/p-159700143?utm_campaign=post&utm_medium=web
|
||||
[13] https://hilariusbookbinder.substack.com/p/the-average-college-student-today/comments
|
||||
[14] javascript:void(0)
|
||||
[15] https://hilariusbookbinder.substack.com/p/the-average-college-student-today#footnote-1-159700143
|
||||
[29] https://hilariusbookbinder.substack.com/p/the-average-college-student-today#footnote-2-159700143
|
||||
[30] https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7bf2e1d-e9da-41fc-b39b-f39291ded07c_700x525.jpeg
|
||||
[31] https://pirg.org/wp-content/uploads/2021/02/Fixing-the-Broken-Textbook-Market-3e-February-2021.pdf
|
||||
[33] https://hilariusbookbinder.substack.com/p/why-ai-is-destroying-academic-integrity?r=epq8m
|
||||
[36] https://www.honest-broker.com/p/whats-happening-to-students
|
||||
[37] https://thewalrus.ca/i-used-to-teach-students-now-i-catch-chatgpt-cheats
|
||||
[38] https://www.chronicle.com/article/a-stunning-level-of-student-disconnection?
|
||||
[51] https://magdalene.substack.com/p/its-obviously-the-phones
|
||||
[52] https://www.urbandictionary.com/define.php?term=goon
|
||||
[53] https://hilariusbookbinder.substack.com/p/the-average-college-student-today?utm_source=substack&utm_medium=email&utm_content=share&action=share
|
||||
[54] https://hilariusbookbinder.substack.com/p/the-average-college-student-today#footnote-anchor-1-159700143
|
||||
[55] https://history.stackexchange.com/questions/28169/what-is-the-oldest-authentic-example-of-people-complaining-about-modern-times-an
|
||||
[56] https://hilariusbookbinder.substack.com/p/the-average-college-student-today#footnote-anchor-2-159700143
|
||||
[58] https://substack.com/home/post/p-159700143?utm_campaign=post&utm_medium=web
|
||||
[59] https://hilariusbookbinder.substack.com/p/the-average-college-student-today/comments
|
||||
[60] javascript:void(0)
|
||||
[64] https://substack.com/profile/212696350-matthew-lewis?utm_source=comment
|
||||
[65] https://substack.com/profile/212696350-matthew-lewis?utm_source=substack-feed-item
|
||||
[66] https://hilariusbookbinder.substack.com/p/the-average-college-student-today/comment/103628964
|
||||
[69] https://hilariusbookbinder.substack.com/p/the-average-college-student-today/comment/103628964
|
||||
[70] https://substack.com/profile/293244893-alexander-j-pasha?utm_source=comment
|
||||
[71] https://substack.com/profile/293244893-alexander-j-pasha?utm_source=substack-feed-item
|
||||
[72] https://hilariusbookbinder.substack.com/p/the-average-college-student-today/comment/103531090
|
||||
[75] https://hilariusbookbinder.substack.com/p/the-average-college-student-today/comment/103531090
|
||||
[76] https://hilariusbookbinder.substack.com/p/the-average-college-student-today/comments
|
||||
[93] https://substack.com/privacy
|
||||
[94] https://substack.com/tos
|
||||
[95] https://substack.com/ccpa#personal-data-collected
|
||||
[96] https://substack.com/signup?utm_source=substack&utm_medium=web&utm_content=footer
|
||||
[97] https://substack.com/app/app-store-redirect?utm_campaign=app-marketing&utm_content=web-footer-button
|
||||
[98] https://substack.com/
|
||||
[100] https://enable-javascript.com/
|
||||
266
static/archive/p-migdal-pl-4of5up.txt
Normal file
266
static/archive/p-migdal-pl-4of5up.txt
Normal file
@@ -0,0 +1,266 @@
|
||||
[1]Piotr Migdał[2]Blog[3]Projects[4]Publications[5]Resume
|
||||
|
||||
If it is worth keeping, save it in Markdown
|
||||
|
||||
17 Feb 2025 | by Piotr Migdał
|
||||
|
||||
• [6]r/DataHoarder thread
|
||||
• [7]r/ObisdianMD thread
|
||||
• [8]Hacker News front page
|
||||
|
||||
One of Stanisław Lem's stories, [9]The Memoirs Found in a Bathtub, begins with
|
||||
a strange phenomenon that turns all written materials into dust. While this is
|
||||
science fiction, something similar happens in our digital world.
|
||||
|
||||
[10]Digital memento mori
|
||||
|
||||
If you publish something online, sooner or later, it will vanish.^[11]1
|
||||
|
||||
In the best-case scenario, a link changes during website restructuring. More
|
||||
commonly, the content is lost. The only hope is that someone saved it from
|
||||
oblivion in the [12]Internet Archive Wayback Machine.
|
||||
|
||||
Walled gardens requiring login are even worse - when they go down, everything
|
||||
within them vanishes forever. If you haven't saved it yourself, it's gone.
|
||||
Moreover, any service (free or paid) may restrict access to content at any time
|
||||
- either completely or practically, by making it impossible to find what you're
|
||||
looking for. The same content you posted on Twitter a few years ago, now is on
|
||||
X, and in a few years might be available after login, paid subscription, or -
|
||||
not at all .
|
||||
|
||||
Even self-hosting isn't foolproof - your content can vanish when you forget to
|
||||
pay for hosting or after a server crash. And even if your data survives,
|
||||
accessing it can be tricky: WordPress blogs store posts in databases that
|
||||
server updates can break. I learned this lesson when my PHP photo gallery went
|
||||
down - thankfully, I had kept all photos as simple JPGs organized by date.
|
||||
|
||||
The only reliable solution is to store content in formats that can be opened
|
||||
without specialized software - formats that will remain accessible for decades
|
||||
to come.
|
||||
|
||||
[galadriel-]
|
||||
Galadriel in "the Lord of the Rings" opening scene ([13]video, [14]transcript).
|
||||
|
||||
[15]Why things are worth saving
|
||||
|
||||
There are many motivations for preserving content, ranging from a digital "non
|
||||
omnis moriar" through practical arguments, to archiving as a goal in itself^
|
||||
[16]2.
|
||||
|
||||
For me, the key reasons are:
|
||||
|
||||
• I want to keep and own things I wrote - they are parts of me, my history,
|
||||
my lived experience
|
||||
• I want to have everything in one place and easily searchable
|
||||
• I want to use it with AI tools (looking for similar notes, summarizing,
|
||||
using as context)
|
||||
• I want to be able to reuse or share things however I want (email, blog
|
||||
post, ebook, anything)
|
||||
|
||||
[17]Plaintext
|
||||
|
||||
As a data scientist, [18]I turn things into vectors.
|
||||
As an unabashed archivist, I turn things into Markdown.
|
||||
|
||||
The most durable solution would be carving things in stone - it would last for
|
||||
millennia. But that's hardly practical, and it wouldn't make things easily
|
||||
searchable or shareable.
|
||||
|
||||
The second best option is plaintext files with UTF-8 encoding and Markdown
|
||||
formatting^[19]3. As long as computers exist, we'll be able to read plaintext
|
||||
files with ease.
|
||||
|
||||
Markdown files are essentially plaintext with some extra syntax for common
|
||||
elements like sections, bullet points, and links. The format deliberately
|
||||
avoids precise control over display details like font selection^[20]4.
|
||||
Following [21]the rule of least power, I consider this limitation a feature.
|
||||
For contrast, consider PDF - a format so powerful that [22]it can run Doom.
|
||||
|
||||
For personal notes, I use [23]Obsidian, a note-taking app I love and use daily.
|
||||
While it's a powerful tool with great plugins, what keeps me loyal is its
|
||||
simplicity - it stores everything in plain files. The lack of a proprietary
|
||||
format moat is precisely what makes it so compelling.
|
||||
|
||||
For blogging, most [24]static site generators embrace Markdown. This very blog
|
||||
post is written in Markdown^[25]5. Using the same markup for note-taking and
|
||||
publishing makes sharing smooth.
|
||||
|
||||
[26]How I do it
|
||||
|
||||
I dream of automatically converting everything I write or encounter into
|
||||
Markdown. The reality is messier - there's a constant tension between my
|
||||
autistic urge to archive everything and my ADHD that makes maintaining such
|
||||
systems challenging.
|
||||
|
||||
So I take a pragmatic approach - when I find content worth keeping, I copy it
|
||||
to a markdown file, adding frontmatter with its publication date, source, and
|
||||
relevant tags:
|
||||
|
||||
[sauna-post]
|
||||
|
||||
I particularly save things I post that might be useful later. Conference talk
|
||||
abstracts, sauna event descriptions, technical explanations - in the future,
|
||||
they're much easier to find and reuse.
|
||||
|
||||
When I catch myself searching for old content (like a Facebook post I want to
|
||||
share or reread), I save it immediately. If I discover a blog post has
|
||||
vanished, I retrieve it from the Wayback Machine and preserve it. When
|
||||
forwarding an email with a detailed explanation - you guessed it, I save it.
|
||||
|
||||
Content worth searching for once is content worth preserving forever.
|
||||
|
||||
Worried about saving too much? Well, disk storage is cheap - and for text
|
||||
files, it's practically free.
|
||||
|
||||
[27]Tools that help
|
||||
|
||||
Sometimes manual copying suffices. For trickier formatting, AI tools are
|
||||
invaluable - being trained on Markdown, they excel at processing and extracting
|
||||
content. You can use them to convert online text or parse PDFs (like slides),
|
||||
as shown in [28]Ingesting Millions of PDFs and why Gemini 2.0 Changes
|
||||
Everything.
|
||||
|
||||
For some sources, I've created semi-automated solutions. For instance, I wrote
|
||||
a [29]Python script to convert my Kindle highlights and notes into Markdown.
|
||||
|
||||
Many tools exist to help with format conversion. The most versatile is [30]
|
||||
pandoc, which can convert between dozens of formats - from Word documents to
|
||||
LaTeX, and everything in between.
|
||||
|
||||
The community has also created specialized tools for specific platforms. You
|
||||
can find tools for converting [31]Medium posts to Markdown (either from export
|
||||
or [32]directly by URL), [33]archiving Reddit threads, and many other use
|
||||
cases.
|
||||
|
||||
Since we're dealing with lightweight text files, there are many for backing it
|
||||
up. Git is particularly well-suited for version-controlling and syncing this
|
||||
content.
|
||||
|
||||
Additionally, in each service I own, I periodically download my data. Even if
|
||||
it's a mesh of JSON, XML, HTML, CSV and other formats, I have it. Even if at a
|
||||
given moment I have no time to process it into Markdown, at least the data is
|
||||
there.
|
||||
|
||||
[34]Next steps
|
||||
|
||||
I would love to have a comprehensive tool for exporting everything - especially
|
||||
from social media. Both the posts that resonated with many people and those
|
||||
that hold personal significance deserve preservation.
|
||||
|
||||
While Facebook offers limited data export capabilities, they're incomplete.
|
||||
Most notably, there's no way to preserve entire discussion threads - often the
|
||||
most valuable part of a post.
|
||||
|
||||
And you - what content do you find yourself searching for? What have you
|
||||
archived, and what do you wish you had saved?
|
||||
|
||||
Discuss this post on [35]Hacker News, [36]Mastodon, [37]Reddit, or [38]LinkedIn
|
||||
.
|
||||
|
||||
[39]Footnotes
|
||||
|
||||
1. [40]Link rot can be addressed using services like [41]Perma.cc - though
|
||||
they too could eventually disappear. Studies show that for legal documents,
|
||||
half of links die within 5 years. My focus here is on preserving and
|
||||
searching personal content. [42]↩
|
||||
2. But for practical reasons, and hoarding for its own sake, I gathered over
|
||||
14k links in [43]Pinboard. Yes, downloaded data in JSON. [44]↩
|
||||
3. I don't claim Markdown is the only solution. There are valid reasons to use
|
||||
other formats. My focus is on plaintext in UTF-8. If you prefer other
|
||||
markup languages (like reStructuredText, AsciiDoc, Org-Mode) or just plain
|
||||
text without formatting - the principles still apply. In some cases
|
||||
original format works - e.g. if it is JSON or code. [45]↩
|
||||
4. Consider HTML (Hypertext Markup Language) as a counterexample. It was meant
|
||||
to enrich text with semantics, but now serves primarily as a tool for
|
||||
building UIs. While this evolution brought many benefits, typical end-user
|
||||
HTML is no longer suitable for pure content storage. At the same time, if
|
||||
you can use simple HTML with actual semantic <strong> and <em> tags, go for
|
||||
it. But it's often a slippery slope - from "just add a few colors," through
|
||||
"add tables," to creating a full-fledged app. [46]↩
|
||||
5. This blog uses [47]Nuxt 3 Content (source: [48]github.com/stared/
|
||||
stared.github.io). It follows my previous versions in [49]Jekyll and [50]
|
||||
Gridsome. Thanks to Markdown, migration between platforms has been seamless
|
||||
- see [51]New blog - moving from Medium to Gridsome. For the latest
|
||||
migration from Gridsome to Nuxt 3 Content, [52]Cursor IDE was a great help.
|
||||
[53]Astro is another static site generator gaining significant traction.
|
||||
[54]↩
|
||||
|
||||
See also cosine-similar posts
|
||||
|
||||
• 0.617[55]New blog - moving from Medium to Gridsome
|
||||
• 0.604[56]How I learned to stop worrying and love the types & tests
|
||||
• 0.598[57]AI won’t make artists redundant - thanks to information theory
|
||||
• 0.591[58]ADHD tech stack: auto time tracking
|
||||
• 0.589[59]The first post: why Jekyll?
|
||||
|
||||
By [60]Piotr Migdał, a curious being, doctor of sorcery. See [61]my other blog
|
||||
posts.
|
||||
|
||||
Keep in the loop with the [62]RSS feed or join the [63]newsletter.
|
||||
|
||||
|
||||
References:
|
||||
|
||||
[1] https://p.migdal.pl/
|
||||
[2] https://p.migdal.pl/blog
|
||||
[3] https://p.migdal.pl/projects
|
||||
[4] https://p.migdal.pl/publications
|
||||
[5] https://p.migdal.pl/resume
|
||||
[6] https://www.reddit.com/r/DataHoarder/comments/1is1wbn/if_it_is_worth_keeping_save_it_in_markdown/
|
||||
[7] https://www.reddit.com/r/ObsidianMD/comments/1is1snu/if_it_is_worth_keeping_save_it_in_markdown/
|
||||
[8] https://news.ycombinator.com/item?id=43137616
|
||||
[9] https://en.wikipedia.org/wiki/Memoirs_Found_in_a_Bathtub
|
||||
[10] https://p.migdal.pl/blog/2025/02/markdown-saves/#digital-memento-mori
|
||||
[11] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fn-link-rot
|
||||
[12] https://web.archive.org/
|
||||
[13] https://www.youtube.com/watch?v=qj139dE7tFI
|
||||
[14] https://www.tk421.net/lotr/film/fotr/01.html
|
||||
[15] https://p.migdal.pl/blog/2025/02/markdown-saves/#why-things-are-worth-saving
|
||||
[16] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fn-pinboard
|
||||
[17] https://p.migdal.pl/blog/2025/02/markdown-saves/#plaintext
|
||||
[18] https://p.migdal.pl/blog/2025/01/dont-use-cosine-similarity
|
||||
[19] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fn-plaintext
|
||||
[20] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fn-html
|
||||
[21] https://en.wikipedia.org/wiki/Rule_of_least_power
|
||||
[22] https://www.reddit.com/r/itrunsdoom/comments/1i02c6b/doom_in_a_pdf_file/
|
||||
[23] https://obsidian.md/
|
||||
[24] https://jamstack.org/generators/
|
||||
[25] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fn-blog
|
||||
[26] https://p.migdal.pl/blog/2025/02/markdown-saves/#how-i-do-it
|
||||
[27] https://p.migdal.pl/blog/2025/02/markdown-saves/#tools-that-help
|
||||
[28] https://www.sergey.fyi/articles/gemini-flash-2
|
||||
[29] https://gist.github.com/stared/ce732ef27d97d559b34d7e294481f1b0
|
||||
[30] https://github.com/jgm/pandoc
|
||||
[31] https://github.com/gautamdhameja/medium-2-md
|
||||
[32] https://medium2md.nabilmansour.com/
|
||||
[33] https://farnots.github.io/RedditToMarkdown/
|
||||
[34] https://p.migdal.pl/blog/2025/02/markdown-saves/#next-steps
|
||||
[35] https://news.ycombinator.com/item?id=43137616
|
||||
[36] https://mathstodon.xyz/@pmigdal/114021315189570737
|
||||
[37] https://www.reddit.com/r/DataHoarder/comments/1is1wbn/if_it_is_worth_keeping_save_it_in_markdown/
|
||||
[38] https://www.linkedin.com/posts/piotrmigdal_if-it-is-worth-keeping-save-it-in-markdown-activity-7299139148634841089-_Xe3
|
||||
[39] https://p.migdal.pl/blog/2025/02/markdown-saves/#footnote-label
|
||||
[40] https://en.wikipedia.org/wiki/Link_rot
|
||||
[41] https://perma.cc/
|
||||
[42] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fnref-link-rot
|
||||
[43] https://pinboard.in/
|
||||
[44] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fnref-pinboard
|
||||
[45] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fnref-plaintext
|
||||
[46] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fnref-html
|
||||
[47] https://content.nuxt.com/
|
||||
[48] https://github.com/stared/stared.github.io
|
||||
[49] https://jekyllrb.com/
|
||||
[50] https://gridsome.org/
|
||||
[51] https://p.migdal.pl/blog/2022/12/medium-to-markdown
|
||||
[52] https://www.cursor.com/
|
||||
[53] https://astro.build/
|
||||
[54] https://p.migdal.pl/blog/2025/02/markdown-saves#user-content-fnref-blog
|
||||
[55] https://p.migdal.pl/blog/2022/12/medium-to-markdown
|
||||
[56] https://p.migdal.pl/blog/2020/03/types-tests-typescript
|
||||
[57] https://p.migdal.pl/blog/2023/02/ai-artists-information-theory
|
||||
[58] https://p.migdal.pl/blog/2020/05/adhd-tech-stack-auto-time-tracking
|
||||
[59] https://p.migdal.pl/blog/2015/12/first-post
|
||||
[60] https://p.migdal.pl/
|
||||
[61] https://p.migdal.pl/blog
|
||||
[62] https://p.migdal.pl/feed.xml
|
||||
[63] https://eepurl.com/bVJlgL
|
||||
169
static/archive/posting-sh-zsjk7n.txt
Normal file
169
static/archive/posting-sh-zsjk7n.txt
Normal file
@@ -0,0 +1,169 @@
|
||||
[1][ ] [2][ ]
|
||||
[3]
|
||||
Posting
|
||||
The API client that lives in your terminal
|
||||
[4][ ]
|
||||
Initializing search
|
||||
|
||||
[6]
|
||||
darrenburns/posting
|
||||
|
||||
• [7] Home
|
||||
• [8] Guide
|
||||
• [9] Roadmap
|
||||
• [10] Changelog
|
||||
• [11] FAQ
|
||||
|
||||
Posting darrenburns@posting.local P OST ▼ https ://
|
||||
jsonplaceholder.typicode.com / posts ■ ■■■■■■ Send ╭─ Collection
|
||||
─────────────────╮╭──────────────────────────────────────────────────────
|
||||
Request ─╮ │ GET echo ││ Headers • Body • Query Auth Info Options │ │ GET
|
||||
get random user ││ ╸ ━━━━━━━━
|
||||
╺━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ │ │ POS echo post ││ ▐
|
||||
Content-Type application/json │ │ ▼ jsonplaceholder/ ││ ▐ Referer https://
|
||||
example.com/ │ │ ▼ posts/ ││ ▐ Accept-Encoding gzip │ │ GET get all ││ ▐
|
||||
Cache-Control no-cache │ │ GET get one ││ ▐ │ │ █ POS create ││ Name Value
|
||||
Add header │ │ DEL delete a post
|
||||
│╰────────────────────────────────────────────────────────────────╯ │ ▼
|
||||
comments/ │ ╭─────────────────────────────────────── Response 201 Created ─╮ │
|
||||
GET get comments │ │ Body Headers Cookies Trace │ │ GET get comments (via │ │ ╸
|
||||
━━━━ ╺━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ │ │ PUT
|
||||
edit a comment │ │ 1 { │ │ ▼ todos/ ▆ │ │ 2 "title" : "foo" , │ │ GET get all │
|
||||
│ 3 "body" : "bar" , │ │ GET get one │ │ 4 "userId" : 1 , │ │ ▼ users/ │ │ 5
|
||||
"id" : 101 │ │──────────────────────────────│ │ 6 } │ │ Create a new post │ │
|
||||
1:1 read-only JSON ▼ Wrap ▐ X ▌ │ ╰───────── sample-collections ─╯
|
||||
╰─────────────────────────────────────────── 65.00 B in 524.34 ms ─╯ ^j Send ^t
|
||||
Method ^s Save ^n New ^p Commands ^o Jump f1 Help
|
||||
|
||||
The API client that lives in your terminal.
|
||||
|
||||
Posting is a beautiful open-source terminal app for developing and testing
|
||||
APIs.
|
||||
|
||||
Fly through your API workflow with an approachable yet powerful
|
||||
keyboard-centric interface. Run it locally or over SSH on remote machines and
|
||||
containers. Save your requests in a readable and version-control friendly
|
||||
format.
|
||||
|
||||
[12] Discover Features [13] Get Started
|
||||
|
||||
Designed for efficient workflows
|
||||
|
||||
Navigate intuitively and efficiently with the keyboard using jump mode.
|
||||
|
||||
Access commands from anywhere using the built-in command palette.
|
||||
|
||||
Build requests quickly with powerful autocompletion.
|
||||
|
||||
Edit a request body in nvim or browse a JSON response in fx? No problem!
|
||||
|
||||
Import curl commands into Posting by simply pasting into the URL bar. Export
|
||||
requests to curl in seconds.
|
||||
|
||||
Colorful & customizable
|
||||
|
||||
Use compact mode to fit more on screen.
|
||||
|
||||
Create your own themes, or choose from a selection of built-in options.
|
||||
|
||||
Gorgeous syntax highlighting powered by the popular tree-sitter library.
|
||||
|
||||
Adjust the user interface to your liking through the configuration system or at
|
||||
runtime.
|
||||
|
||||
Customize keybindings to your liking using the keymap system.
|
||||
|
||||
Environments
|
||||
|
||||
Share common data across requests and with others using environments.
|
||||
|
||||
Load variables from one or more dotenv environment files, or allow access to
|
||||
environment variables.
|
||||
|
||||
Edit variables in your favorite editor, and Posting will hot reload them.
|
||||
|
||||
Contextual help
|
||||
|
||||
Feeling lost? Press f1 to learn keybindings and other useful information for
|
||||
the currently focused widget.
|
||||
|
||||
Scripting
|
||||
|
||||
Run Python code before and after requests to prepare headers, set variables,
|
||||
and more.
|
||||
|
||||
Runs where you need it
|
||||
|
||||
Run it on macOS, Windows, and Linux. Install it locally, on a remote server, in
|
||||
a Docker container, or even on a Raspberry Pi.
|
||||
|
||||
Community
|
||||
|
||||
Posting is a community-driven project with an [14]open roadmap.
|
||||
|
||||
The roadmap is highly influenced by user feedback.
|
||||
|
||||
Get involved on [15]GitHub by reporting bugs, suggesting features, [16]
|
||||
sponsoring development, or contributing code.
|
||||
|
||||
[17] GitHub [18] Issues
|
||||
© 2025 Darren Burns
|
||||
[19] Posting
|
||||
[20]
|
||||
darrenburns/posting
|
||||
|
||||
• [21][ ] [22] Home
|
||||
• [23][ ] Guide Guide
|
||||
□ [24] Getting Started
|
||||
□ [25] Navigation
|
||||
□ [26] Collections
|
||||
□ [27] Requests
|
||||
□ [28] Configuration
|
||||
□ [29] Environments
|
||||
□ [30] Command Palette
|
||||
□ [31] Themes
|
||||
□ [32] External Tools
|
||||
□ [33] Keymaps
|
||||
□ [34] Importing
|
||||
□ [35] Scripting
|
||||
□ [36] Help System
|
||||
• [37] Roadmap
|
||||
• [38] Changelog
|
||||
• [39] FAQ
|
||||
|
||||
|
||||
References:
|
||||
|
||||
[3] https://posting.sh/
|
||||
[6] https://github.com/darrenburns/posting
|
||||
[7] https://posting.sh/
|
||||
[8] https://posting.sh/guide/
|
||||
[9] https://posting.sh/roadmap/
|
||||
[10] https://posting.sh/CHANGELOG/
|
||||
[11] https://posting.sh/faq/
|
||||
[12] https://posting.sh/#feature-title-1
|
||||
[13] https://posting.sh/guide
|
||||
[14] https://posting.sh/roadmap
|
||||
[15] https://github.com/darrenburns/posting
|
||||
[16] https://github.com/sponsors/darrenburns
|
||||
[17] https://github.com/darrenburns/posting
|
||||
[18] https://github.com/darrenburns/posting/issues
|
||||
[19] https://posting.sh/
|
||||
[20] https://github.com/darrenburns/posting
|
||||
[22] https://posting.sh/
|
||||
[24] https://posting.sh/guide/
|
||||
[25] https://posting.sh/guide/navigation/
|
||||
[26] https://posting.sh/guide/collections/
|
||||
[27] https://posting.sh/guide/requests/
|
||||
[28] https://posting.sh/guide/configuration/
|
||||
[29] https://posting.sh/guide/environments/
|
||||
[30] https://posting.sh/guide/command_palette/
|
||||
[31] https://posting.sh/guide/themes/
|
||||
[32] https://posting.sh/guide/external_tools/
|
||||
[33] https://posting.sh/guide/keymap/
|
||||
[34] https://posting.sh/guide/importing/
|
||||
[35] https://posting.sh/guide/scripting/
|
||||
[36] https://posting.sh/guide/help_system/
|
||||
[37] https://posting.sh/roadmap/
|
||||
[38] https://posting.sh/CHANGELOG/
|
||||
[39] https://posting.sh/faq/
|
||||
1256
static/archive/ryan-norbauer-com-wvwypu.txt
Normal file
1256
static/archive/ryan-norbauer-com-wvwypu.txt
Normal file
File diff suppressed because it is too large
Load Diff
303
static/archive/wattenberger-com-zl39ri.txt
Normal file
303
static/archive/wattenberger-com-zl39ri.txt
Normal file
@@ -0,0 +1,303 @@
|
||||
[1]
|
||||
|
||||
Our interfaces have
|
||||
lost their senses
|
||||
|
||||
Think about how you experience the world—
|
||||
|
||||
you touch, you hear, you move.
|
||||
|
||||
[dance1] [dance1] [dance1] [dance1]
|
||||
[dance-grou]
|
||||
|
||||
But our digital world has been getting flatter, more muted.
|
||||
|
||||
Reduced to text under glass screens.
|
||||
|
||||
This shift made interfaces simpler.
|
||||
But was that really the goal?
|
||||
|
||||
An interface is the bridge between
|
||||
the human
|
||||
&
|
||||
the machine.
|
||||
[human]
|
||||
[human] [machine]
|
||||
It's how we tell computers what we want,
|
||||
[arrow-righ]
|
||||
and it's how computers communicate back to us.
|
||||
[arrow-left]
|
||||
The shape should fit how we work,
|
||||
for ergonomics and ease of use
|
||||
and it should fit how the computer works.
|
||||
for simplicity and a good mental model
|
||||
Recently, we've been too focused on fitting to the computer's shape, and not
|
||||
enough to our own bodies.
|
||||
[machine]
|
||||
|
||||
The Great Flattening
|
||||
|
||||
Computers used to be physical beasts.
|
||||
|
||||
We programmed them by punching cards, plugging in wires, and flipping switches.
|
||||
Programmers walked among banks of switches and cables, physically
|
||||
choreographing their logic. Being on a computer used to be a full-body
|
||||
experience.
|
||||
|
||||
[tech0]
|
||||
[tech1]
|
||||
[transition]
|
||||
|
||||
Then came terminals and command lines. Physical knobs turned into typed
|
||||
commands—more powerful, but our digital world became less embodied. Then came
|
||||
terminals and command lines. Physical knobs turned into typed commands—more
|
||||
powerful, but our digital world became less embodied. Then came terminals and
|
||||
command lines. Physical knobs turned into typed commands—more powerful, but our
|
||||
digital world became less embodied. Then came terminals and command lines.
|
||||
Physical knobs turned into typed commands—more powerful, but our digital world
|
||||
became less embodied. Then came terminals and command lines. Physical knobs
|
||||
turned into typed commands—more powerful, but our digital world became less
|
||||
embodied. Then came terminals and command lines. Physical knobs turned into
|
||||
typed commands—more powerful, but our digital world became less embodied.
|
||||
|
||||
[tech2]
|
||||
[transition]
|
||||
|
||||
We brought back some of the tactile controls with GUIs—graphical user
|
||||
interfaces. We skeumorphed the heck out of our screens, with digital switches,
|
||||
flat sliders, and folder icons. But we kept some of the the functionality in
|
||||
the physical world, with slots to stick disks into and big ol' power buttons.
|
||||
We brought back some of the tactile controls with GUIs—graphical user
|
||||
interfaces. We skeumorphed the heck out of our screens, with digital switches,
|
||||
flat sliders, and folder icons. But we kept some of the the functionality in
|
||||
the physical world, with slots to stick disks into and big ol' power buttons.
|
||||
We brought back some of the tactile controls with GUIs—graphical user
|
||||
interfaces. We skeumorphed the heck out of our screens, with digital switches,
|
||||
flat sliders, and folder icons. But we kept some of the the functionality in
|
||||
the physical world, with slots to stick disks into and big ol' power buttons.
|
||||
We brought back some of the tactile controls with GUIs—graphical user
|
||||
interfaces. We skeumorphed the heck out of our screens, with digital switches,
|
||||
flat sliders, and folder icons. But we kept some of the the functionality in
|
||||
the physical world, with slots to stick disks into and big ol' power buttons.
|
||||
We brought back some of the tactile controls with GUIs—graphical user
|
||||
interfaces. We skeumorphed the heck out of our screens, with digital switches,
|
||||
flat sliders, and folder icons. But we kept some of the the functionality in
|
||||
the physical world, with slots to stick disks into and big ol' power buttons.
|
||||
We brought back some of the tactile controls with GUIs—graphical user
|
||||
interfaces. We skeumorphed the heck out of our screens, with digital switches,
|
||||
flat sliders, and folder icons. But we kept some of the the functionality in
|
||||
the physical world, with slots to stick disks into and big ol' power buttons.
|
||||
|
||||
[tech3]
|
||||
[transition]
|
||||
|
||||
Then came touchscreens.
|
||||
What a beautiful thing! We get to [2]poke things directly!
|
||||
But now we live in an flat land, with everything behind a glass display case.
|
||||
Then came touchscreens.
|
||||
What a beautiful thing! We get to [3]poke things directly!
|
||||
But now we live in an flat land, with everything behind a glass display case.
|
||||
Then came touchscreens.
|
||||
What a beautiful thing! We get to [4]poke things directly!
|
||||
But now we live in an flat land, with everything behind a glass display case.
|
||||
Then came touchscreens.
|
||||
What a beautiful thing! We get to [5]poke things directly!
|
||||
But now we live in an flat land, with everything behind a glass display case.
|
||||
Then came touchscreens.
|
||||
What a beautiful thing! We get to [6]poke things directly!
|
||||
But now we live in an flat land, with everything behind a glass display case.
|
||||
Then came touchscreens.
|
||||
What a beautiful thing! We get to [7]poke things directly!
|
||||
But now we live in an flat land, with everything behind a glass display case.
|
||||
|
||||
[tech4]
|
||||
[transition]
|
||||
|
||||
With increasing amounts of AI chatbots, we're losing even more: texture, color,
|
||||
shape.
|
||||
Instead of interactive controls, we have a text input.
|
||||
Want to edit an image? Type a command.
|
||||
Adjust a setting? Type into a text box.
|
||||
Learn something? Read another block of text. With increasing amounts of AI
|
||||
chatbots, we're losing even more: texture, color, shape.
|
||||
Instead of interactive controls, we have a text input.
|
||||
Want to edit an image? Type a command.
|
||||
Adjust a setting? Type into a text box.
|
||||
Learn something? Read another block of text. With increasing amounts of AI
|
||||
chatbots, we're losing even more: texture, color, shape.
|
||||
Instead of interactive controls, we have a text input.
|
||||
Want to edit an image? Type a command.
|
||||
Adjust a setting? Type into a text box.
|
||||
Learn something? Read another block of text. With increasing amounts of AI
|
||||
chatbots, we're losing even more: texture, color, shape.
|
||||
Instead of interactive controls, we have a text input.
|
||||
Want to edit an image? Type a command.
|
||||
Adjust a setting? Type into a text box.
|
||||
Learn something? Read another block of text. With increasing amounts of AI
|
||||
chatbots, we're losing even more: texture, color, shape.
|
||||
Instead of interactive controls, we have a text input.
|
||||
Want to edit an image? Type a command.
|
||||
Adjust a setting? Type into a text box.
|
||||
Learn something? Read another block of text. With increasing amounts of AI
|
||||
chatbots, we're losing even more: texture, color, shape.
|
||||
Instead of interactive controls, we have a text input.
|
||||
Want to edit an image? Type a command.
|
||||
Adjust a setting? Type into a text box.
|
||||
Learn something? Read another block of text.
|
||||
|
||||
[tech5]
|
||||
[tech6]
|
||||
|
||||
The Joy of Doing
|
||||
|
||||
We've been successfully removing all friction from our apps — think about how
|
||||
effortless it is to scroll through a social feed. But is that what we want?
|
||||
Compare the feeling of doomscrolling to kneading dough, playing an instrument,
|
||||
sketching... these take effort, but they're also deeply satisfying. When you
|
||||
strip away too much friction, meaning and satisfaction go with it.
|
||||
|
||||
Think about how you use physical tools. Drawing isn't just moving your
|
||||
hand—it's the feel of the pencil against paper, the tiny adjustments of
|
||||
pressure, the sound of graphite scratching. You shift your body to reach the
|
||||
other side of the canvas. You erase with your other hand. You step back to see
|
||||
the whole picture.
|
||||
|
||||
We made painting feel like typing,
|
||||
|
||||
[typing]
|
||||
[art-transi]
|
||||
|
||||
but we should have made typing feel like painting.
|
||||
|
||||
[artist]
|
||||
|
||||
Putting the you back in UI
|
||||
|
||||
So how might our interfaces look if we shaped them to fit us?
|
||||
|
||||
We think in movement, [movement]
|
||||
in space, [space]
|
||||
in sound,
|
||||
[sound]
|
||||
in patterns.
|
||||
[patterns]
|
||||
|
||||
We use our hands to sculpt, our eyes to scan, our ears to catch patterns.
|
||||
|
||||
Our computers can communicate to us in many different formats, each with their
|
||||
own strengths:
|
||||
|
||||
Text
|
||||
Great for depth, detail, and precision.
|
||||
[images]
|
||||
But it doesn't always have to be in full paragraphs. How about showing key
|
||||
points first, then letting users expand?
|
||||
Visualizations
|
||||
Ideal for spatial relationships, trends, and quick insights.
|
||||
[vision]
|
||||
Can we show more content spatially? Or encode it in charts or colors?
|
||||
Sound
|
||||
Perfect for alerts and background awareness. Also, patterns.
|
||||
[hearing]
|
||||
Why are most web UIs silent? Can we use subtle chimes or sonification to
|
||||
highlight patterns?
|
||||
Haptics
|
||||
Provides passive feedback (vibrations, force).
|
||||
[touch]
|
||||
Here's one I always forget about! We can vibrate phones to alert or convey
|
||||
patterns.
|
||||
|
||||
And what about the reverse! We can communicate to our computers in many
|
||||
different ways, each with their own strengths:
|
||||
|
||||
Typing
|
||||
Precise, detailed, and familiar
|
||||
[typing2]
|
||||
Good for composing long-form thoughts, keyboard shortcuts, and rough direction.
|
||||
Clicking & Dragging
|
||||
Direct, fine-grained control.
|
||||
[clicking]
|
||||
Great for spatial tasks (design, organization) and pointing at
|
||||
things-on-a-screen.
|
||||
Tapping, Swiping, Pinching
|
||||
Intuitive for direct manipulation.
|
||||
[tapping]
|
||||
Great for mobile, but do we have to limit guestures to mimicking mouse
|
||||
interactions?
|
||||
Gesturing
|
||||
Hands-free, fluid, and expressive.
|
||||
[guesturing]
|
||||
Could be powerful for accessibility, quick actions, and complex fine
|
||||
control—reliable detection feels very possible at this time.
|
||||
Speaking
|
||||
Easy for loose thoughts.
|
||||
[speaking]
|
||||
LLMs have made speech more viable—can we let users think out loud or navigate
|
||||
roughly with their voice?
|
||||
|
||||
And the real magic happens when we combine different modalities. You can't read
|
||||
and listen and speak at the same time—try reading this excerpt while talking
|
||||
about your day:
|
||||
|
||||
If it had not rained on a certain May morning Valancy Stirling’s whole life
|
||||
would have been entirely different. She would have gone, with the rest of her
|
||||
clan, to Aunt Wellington’s engagement picnic and Dr. Trent would have gone to
|
||||
Montreal. But it did rain and you shall hear what happened to her because of
|
||||
it.
|
||||
|
||||
~ [8]The Blue Castle
|
||||
But you can talk while clicking,
|
||||
[click]
|
||||
listen while reading,
|
||||
[listen]
|
||||
look at an image while spinning a knob,
|
||||
[look]
|
||||
guesture while talking.
|
||||
[guesture]
|
||||
|
||||
Let's build interfaces that let us multitask across senses.
|
||||
|
||||
Rebuilding the bridge
|
||||
|
||||
So, what might a richer interface look like? I have strong conviction that our
|
||||
future interfaces should:
|
||||
|
||||
• let us collaborate on tangible artifacts, not just ephemeral chat logs.
|
||||
• support multiple concurrent modalities—voice, gestures, visuals, spatial
|
||||
components.
|
||||
• respond to ambient signals—detecting context, organizing information,
|
||||
helping us think better.
|
||||
|
||||
Last year, I did a rough exploration of what this could look like for a thought
|
||||
organizing tool. One that listened as you talked or typed, and organized your
|
||||
rambling thoughts into cards.
|
||||
|
||||
This interface is very rough, but felt like a different way of working with
|
||||
technology. Especially how it let me bumble through rough ideas one second,
|
||||
then responded to commands like "re-group my cards" or "add 3 cards about this"
|
||||
the next.
|
||||
|
||||
I would love to see more explorations like this!
|
||||
|
||||
Our interfaces have lost their senses
|
||||
|
||||
All day, we poke, swipe, and scroll through flat, silent screens. But we're
|
||||
more than just eyes and a pointer finger. We think with our hands, our ears,
|
||||
our bodies.
|
||||
|
||||
The future of computing is being designed right now. Can we build something
|
||||
richer—something that moves with us, speaks our language, and molds to our
|
||||
bodies?
|
||||
|
||||
[footer]
|
||||
|
||||
References:
|
||||
|
||||
[1] https://wattenberger.com/
|
||||
[2] https://www.youtube.com/watch?v=RyBEUyEtxQo
|
||||
[3] https://www.youtube.com/watch?v=RyBEUyEtxQo
|
||||
[4] https://www.youtube.com/watch?v=RyBEUyEtxQo
|
||||
[5] https://www.youtube.com/watch?v=RyBEUyEtxQo
|
||||
[6] https://www.youtube.com/watch?v=RyBEUyEtxQo
|
||||
[7] https://www.youtube.com/watch?v=RyBEUyEtxQo
|
||||
[8] https://www.gutenberg.org/ebooks/67979
|
||||
55
static/archive/www-robinsloan-com-2lwtj1.txt
Normal file
55
static/archive/www-robinsloan-com-2lwtj1.txt
Normal file
@@ -0,0 +1,55 @@
|
||||
[1]Blog [2]About [3]Moonbound [4]Shop
|
||||
|
||||
This is a post from [5]Robin Sloan’s lab blog & notebook. You can [6]visit the
|
||||
blog’s homepage, or [7]learn more about me.
|
||||
|
||||
[8]Art-directing AI
|
||||
|
||||
March 27, 2025
|
||||
|
||||
I want to draw your eye to the images in [9]this recent post from Amelia
|
||||
Wattenberger, which seem to me an example of someone trying hard to art-direct
|
||||
AI image generation in a recognizably editorial way.
|
||||
|
||||
Clearly, Amelia was going for a particular look. There is a clear idea at work
|
||||
here, exactly the kind you’d specify to an artist (or pitch to an art
|
||||
director). However, the fundamental fuzziness of the AI approach is apparent;
|
||||
while the images do all have the same “texture”, they don’t seem to have come
|
||||
from the same source, or indeed to have been made by the same “person”.
|
||||
|
||||
Anyone who has worked with AI tools will recognize the feeling of “close
|
||||
enough”-ness. If you squint, you can see all the images Amelia rejected — a
|
||||
pile of crumpled-up drawings just beyond the frame of the browser. The images
|
||||
published with the post were, for sure, the best options, even if together they
|
||||
don’t quite form a coherent package.
|
||||
|
||||
Anyway, it’s interesting and useful to encounter this strategy for illustration
|
||||
“fully expressed”, rather than just imagined. I don’t think it succeeds, but/
|
||||
and I’m glad to have the example to consider.
|
||||
|
||||
[10]To the blog home page
|
||||
|
||||
I'm [11]Robin Sloan, a fiction writer. The main thing to do here is sign up for
|
||||
my newsletter:
|
||||
|
||||
[12][ ] [13][Subscribe]
|
||||
This website doesn’t collect any information about you or your reading.
|
||||
It aspires to the speed and privacy of the printed page.
|
||||
|
||||
Don’t miss [14]the colophon. Hony soyt qui mal pence
|
||||
|
||||
|
||||
References:
|
||||
|
||||
[1] https://www.robinsloan.com/lab/
|
||||
[2] https://www.robinsloan.com/about/
|
||||
[3] https://www.robinsloan.com/moonbound/
|
||||
[4] https://www.robinsloan.com/shop/
|
||||
[5] https://www.robinsloan.com/
|
||||
[6] https://www.robinsloan.com/lab/
|
||||
[7] https://www.robinsloan.com/about/
|
||||
[8] https://www.robinsloan.com/lab/art-directing-ai/
|
||||
[9] https://wattenberger.com/thoughts/our-interfaces-have-lost-their-senses?utm_source=Robin_Sloan_sent_me
|
||||
[10] https://www.robinsloan.com/lab/
|
||||
[11] https://www.robinsloan.com/about?utm_source=Robin_Sloan_sent_me
|
||||
[14] https://www.robinsloan.com/colophon/
|
||||
442
static/archive/www-viget-com-ab37cx.txt
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442
static/archive/www-viget-com-ab37cx.txt
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@@ -0,0 +1,442 @@
|
||||
[1] Skip to Main Content
|
||||
[2] Viget
|
||||
|
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• [3] Work
|
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• [4] Services
|
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• [5] Articles
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• [6] Careers
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• [7] Contact
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• Open Menu
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Navigation
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[9] Viget Close
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• Practice
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• [11] Work
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• [12] Services
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• [13] Articles
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We’re a full-service digital agency that’s been helping clients make lasting
|
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change since 1999.
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[14] Contact Us
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• [15]Company
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Featured
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[22]
|
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Read the Article: Surf’s Up: Designing a New Product for the Open Social Web
|
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|
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Newsletter
|
||||
|
||||
Surf’s Up: Designing a New Product for the Open Social Web
|
||||
|
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[23]
|
||||
Read the Article: Viget Rewind: A Reimagining of Spotify Wrapped
|
||||
|
||||
Article
|
||||
|
||||
Viget Rewind: A Reimagining of Spotify Wrapped
|
||||
|
||||
Viget Rewind: A Reimagining of Spotify Wrapped
|
||||
|
||||
[eyJidWNrZXQiOiJ2Z3QtdmlnZXRjb20tYW]
|
||||
|
||||
• [24]Home
|
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• [25]Articles
|
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• [26]Viget Rewind: A Reimagining of Spotify Wrapped
|
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|
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[27] Subscribe (opens in a new window)
|
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Share
|
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• [29] Share this page
|
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• [30] Share this page
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• [31] Post this page
|
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|
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[32] Megan Raden
|
||||
|
||||
[33]Megan Raden, Quantitative UX Researcher
|
||||
|
||||
Article Categories: [34] #News & Culture, [35] #Data & Analytics, [36] #Product
|
||||
|
||||
Posted on March 26, 2025
|
||||
|
||||
• [37]
|
||||
Share
|
||||
• [38]
|
||||
Share
|
||||
• [39]
|
||||
Post
|
||||
|
||||
We wanted to take the unique aspects of Spotify Wrapped—its personalized touch
|
||||
and sense of community—and see what we could do with our Harvest time-tracking
|
||||
data.
|
||||
|
||||
W e w a n t e d t o t a k e t h e u n i q u e a s p e c t s o f S p o t i f y W
|
||||
r a p p e d — i t s p e r s o n a l i z e d t o u c h a n d s e n s e o f c o m
|
||||
m u n i t y — a n d s e e w h a t w e c o u l d d o w i t h o u r H a r v e s t
|
||||
t i m e - t r a c k i n g d a t a .
|
||||
|
||||
A Raccoon Sticky Note
|
||||
|
||||
As a data nerd and someone who listens to a lot of music, I always look forward
|
||||
to Spotify Wrapped. Back in November of 2024, I was eagerly Googling the
|
||||
estimated release date for Spotify Wrapped when I had the idea of extending the
|
||||
concept of yearly personalized data to other parts of my life.
|
||||
|
||||
Because Viget is an agency that works with clients, it's really important for
|
||||
us to track our time. We need to know how much time we are spending on any
|
||||
given day, for any one of our clients. And because we already track our time
|
||||
for clients, we also track our time for internal projects and tasks. So every
|
||||
year, we have a wealth of data on what anyone was working on throughout the
|
||||
year.
|
||||
|
||||
We track our time in a tool called Harvest, and I thought, "What if we could
|
||||
have a Harvest Wrapped?" We invest so much time into all of our client work and
|
||||
various internal projects, how cool would it be to be reminded of what you
|
||||
contributed to over the course of 12 months? So I wrote my idea down on a
|
||||
raccoon sticky note to ensure I wouldn't forget to share it when it came time
|
||||
to pitch ideas for our annual Pointless Palooza.
|
||||
|
||||
[eyJidWNrZXQiOiJ2Z3QtdmlnZXRjb20tYWxsLWFzc2V]
|
||||
My raccoon shaped sticky note that I kept as a reminder for my Pointless
|
||||
Palooza idea.
|
||||
|
||||
Pointless Palooza is our annual hackathon-style event where we try to build
|
||||
something useful and/or fun in a limited amount of time. In mid-February, I
|
||||
pitched my idea for Harvest Wrapped, and last week, in a 12-hour sprint across
|
||||
2-ish days, our team got together to bring this to life.
|
||||
|
||||
Repackage and Rewind
|
||||
|
||||
Compared to other kinds of data reports, Spotify Wrapped is unique. Most data
|
||||
reports we produce or consume are focused on conveying information that is
|
||||
immediately applicable or actionable. What makes Spotify Wrapped different is
|
||||
that you can look at data simply because it’s fun, and get results specific to
|
||||
you. While we do get a glimpse into our behaviors and preferences in a way that
|
||||
is personal, Spotify Wrapped also creates a shared experience with other
|
||||
Spotify users.
|
||||
|
||||
We wanted to take these unique aspects of Spotify Wrapped—its personal touch
|
||||
and sense of community—and see what we could do with our Harvest data.
|
||||
Repackage the more technical and dry time-tracking data to let us rewind on
|
||||
what our year looked like.
|
||||
|
||||
Unlimited Ideas but Limited Time
|
||||
|
||||
Unlimited Ideas
|
||||
|
||||
At kickoff, we allowed our imaginations to run wild. We didn’t want to limit
|
||||
ourselves too early, even though we knew that scope would be a major factor due
|
||||
to the limited time available. We also anticipated that wrangling the Harvest
|
||||
data might be challenging, but we decided to ignore that concern for the time
|
||||
being and brainstormed a variety of interesting ideas. These included both the
|
||||
visual elements—like animations—and the story we wanted the data to tell.
|
||||
|
||||
[eyJidWNrZXQiOiJ2Z3QtdmlnZXRjb20tYWxsLWFzc2V]
|
||||
Our brainstorming Whimsical board that included ideas around visuals and
|
||||
function.
|
||||
|
||||
We considered questions such as:
|
||||
|
||||
• What kinds of metrics could we pull in?
|
||||
• What would the overall narrative of these metrics be?
|
||||
• What other metrics could we bring in?
|
||||
• How can we create a sense of community or shared experience?
|
||||
• How do we account for large differences in the data across individuals and
|
||||
roles?
|
||||
|
||||
Every employee at Viget does an annual review using data from Harvest so it was
|
||||
important for us to create something separate from the annual review—something
|
||||
more fun, with a stronger narrative structure. It should also provide insights
|
||||
that wouldn't typically be included in an annual review.
|
||||
|
||||
Limited Time
|
||||
|
||||
After brainstorming, we started to narrow in on ideas that felt both within
|
||||
scope and still captured some of the fun and narrative elements we envisioned.
|
||||
We decided to create a narrative centered around seasonality. The plan was to:
|
||||
|
||||
• Look at the different clients and projects an employee worked on each
|
||||
quarter and calculate the number of hours spent
|
||||
• Add seasonal, company-wide events to give a stronger sense of community and
|
||||
shared experience
|
||||
• Include individual highlights, such as an employee’s "Vigeversary" - the
|
||||
year they started at Viget
|
||||
|
||||
Once we settled on this approach, we divided into two groups:
|
||||
|
||||
1. One group focused on implementation - how to structure and analyze the
|
||||
data, and build the application.
|
||||
2. The other group focused on design, copy, and narrative, working in Figma to
|
||||
bring those ideas to life.
|
||||
|
||||
UX & Branding: Meaningful metrics and seasonal lava lamp vibes
|
||||
|
||||
Now that we had an overall concept, it was time to think about the details!
|
||||
|
||||
First was the visuals and branding for the concept. We explored how to create
|
||||
seasonality without being too literal. Ambient gradients gave us enough
|
||||
flexibility to create the right vibe quickly without taking the extra time for
|
||||
custom illustrations, and we knew it would make for some fun potential
|
||||
animations. Luckily our team developer already had a lava lamp orb animation in
|
||||
his back pocket - kismet! We also quickly realized we wanted to move away from
|
||||
words like “Harvest” and “Wrapped” - in the future, we could actually have data
|
||||
beyond Harvest feeding into the experience. After a quick Slack brainstorm, we
|
||||
settled on “Viget Rewind” instead to name our reflective experience.
|
||||
|
||||
[eyJidWNrZXQiOiJ2Z3QtdmlnZXRjb20tYWxsLWFzc2V]
|
||||
Backgrounds used in our prototype.
|
||||
|
||||
In parallel, we began to mock up a few rough wireframes with an actual team
|
||||
member’s data and copy, before we could access the raw data itself. It didn’t
|
||||
take long to gain some quick learnings about meaningful Harvest data:
|
||||
|
||||
• There’s ample opportunity to provide “color” in copy alone to the
|
||||
prototype. We toyed with seasonal writing to suggest timing.
|
||||
• The project name data didn’t always provide the right context. “2019-2026
|
||||
Support” isn’t a title that evokes lots of memory, so we needed to pair the
|
||||
client and project names to make this more meaningful.
|
||||
• Not every project type should be reported back. For example, sharing back
|
||||
PTO hours still seemed awkward and inappropriate, no matter what copy you
|
||||
put in.
|
||||
|
||||
Putting these together in a high-fidelity prototype in Figma made our initial
|
||||
vision complete!
|
||||
|
||||
[eyJidWNrZXQiOiJ2Z3QtdmlnZXRjb20tYWxsLWFzc2V]
|
||||
Some final screens from our figma prototype.
|
||||
|
||||
Building It
|
||||
|
||||
The first big question we had was, “How are we going to get the data out of
|
||||
harvest, and into a format that shows the metrics we want?” We looked into
|
||||
using the Harvest API, but quickly realized that we might spend all our time
|
||||
there. So instead, with the help of some of our brilliant Vigets, we used a
|
||||
tool called [40]Hasura to set up a GraphQL endpoint over a slice of a data dump
|
||||
from Harvest and set up a simple static app on a self-hosted instance of [41]
|
||||
Dokku.
|
||||
|
||||
But… we quickly got blocked by the tooling and with our limited time frame
|
||||
realized we needed to adopt a simpler approach. So we boiled everything down to
|
||||
the barest minimum to fetch and transform our data. From there, we worked with
|
||||
[42]tidy.js to get the data structured in the way we needed, and built out the
|
||||
visuals for a functional prototype. At the end of Pointless Palooza, we had a
|
||||
prototype that could read in the raw data for any single individual, calculate
|
||||
(some of) the necessary metrics, and show them across a couple of screens!
|
||||
|
||||
[eyJidWNrZXQiOiJ2Z3QtdmlnZXRjb20tYWxsLWFzc2V]
|
||||
Nathan giving the Viget team a demo of our functional prototype.
|
||||
|
||||
With Another 12 Hours
|
||||
|
||||
We managed to accomplish a lot in 12 hours, but didn’t get the fully functional
|
||||
prototype we had hoped we could build (though we knew that would be a long
|
||||
shot). So what if the team had another 12 hours? Or another 24? Where would we
|
||||
take this project next?
|
||||
|
||||
We could:
|
||||
|
||||
• Add in more metrics to show you how you spent your year at Viget.
|
||||
• Create dynamic animations and chart visuals that convey scale.
|
||||
• Conduct more advanced analyses that explore things like connections with
|
||||
peers (e.g., who did you work with the most?) or comparisons across Viget.
|
||||
• Include additional data sources into the experience, like Slack data or
|
||||
blog data (e.g., number of articles published and GA4 data).
|
||||
• Consider other staffing cases, like biz dev, strategy and people team.
|
||||
|
||||
There’s a lot more that we could do with Viget Rewind and I hope that in the
|
||||
coming months, we will have a chance to work on this project again. But even if
|
||||
we don’t, what we’ve already created is a testament to our existing skills and
|
||||
willingness to learn and try new things. Here’s to looking forward to the next
|
||||
Pointless project!
|
||||
|
||||
[43] Megan Raden
|
||||
|
||||
[44]Megan is a Quantitative UX Researcher working remotely from Mississippi.
|
||||
She specializes in helping others understand the what and the why of
|
||||
human-computer interaction.
|
||||
|
||||
[45]More articles by Megan
|
||||
|
||||
Related Articles
|
||||
|
||||
• [46]
|
||||
Do I need a jacket?
|
||||
|
||||
Article
|
||||
|
||||
Do I need a jacket?
|
||||
|
||||
Steven Hascher
|
||||
|
||||
• [47]
|
||||
Radical RAG: An Embeddings Experiment
|
||||
|
||||
Article
|
||||
|
||||
Radical RAG: An Embeddings Experiment
|
||||
|
||||
Joshua Pease
|
||||
|
||||
• [48]
|
||||
StackStash: Taking Bookish Musings to the Next Level
|
||||
|
||||
Article
|
||||
|
||||
StackStash: Taking Bookish Musings to the Next Level
|
||||
|
||||
Laura Sweltz
|
||||
|
||||
The Viget Newsletter
|
||||
|
||||
Nobody likes popups, so we waited until now to recommend our newsletter,
|
||||
featuring thoughts, opinions, and tools for building a better digital world.
|
||||
[49]Read the current issue.
|
||||
|
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[50]Subscribe Here (opens in new window)
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|
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|
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Have an unsolvable problem or audacious idea?
|
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|
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Let’s get to work
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[51] Contact Us [52] hello@viget.com [53] 703.891.0670
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• [54]Work
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• People
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• [57]Company
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• [58]Careers
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• [59]Code of Ethics
|
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• [60]Diversity & Inclusion
|
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|
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• More
|
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• [61]Pointless Corp.
|
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• [62]Explorations
|
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• [63]Code at Viget
|
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|
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Sign Up For Our Newsletter
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||||
|
||||
A curated periodical featuring thoughts, opinions, and tools for building a
|
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better digital world.
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|
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[64] Check it out
|
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|
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Social Links
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[65] Viget
|
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|
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• [66]
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• [67]
|
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• [69]
|
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• [70]
|
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• [71]
|
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|
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Viget rhymes with 'dig it'. Click here to hear how we say it.
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• [73]Washington, DC Metro
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© 1999 – 2025 Viget Labs, LLC. [77]Terms [78]Privacy [79]MRF
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|
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References:
|
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|
||||
[1] https://www.viget.com/articles/viget-rewind-a-reimagining-of-spotify-wrapped/#content
|
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[2] https://www.viget.com/
|
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[3] https://www.viget.com/work/
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[4] https://www.viget.com/services/
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[5] https://www.viget.com/articles/
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[6] https://www.viget.com/careers/
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[7] https://www.viget.com/contact/
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[9] https://www.viget.com/
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[11] https://www.viget.com/work/
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[13] https://www.viget.com/articles/
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[14] https://www.viget.com/contact/
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[15] https://www.viget.com/about/
|
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[16] https://www.viget.com/careers/
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[17] https://www.viget.com/code-of-ethics/
|
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[18] https://www.viget.com/diversity-equity-and-inclusion/
|
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[19] https://pointlesscorp.com/
|
||||
[20] https://explorations.viget.com/
|
||||
[21] https://code.viget.com/
|
||||
[22] https://www.viget.com/newsletter/surfs-up-new-product-open-social-web/
|
||||
[23] https://www.viget.com/articles/viget-rewind-a-reimagining-of-spotify-wrapped/
|
||||
[24] https://www.viget.com/
|
||||
[25] https://www.viget.com/articles
|
||||
[26] https://www.viget.com/articles/viget-rewind-a-reimagining-of-spotify-wrapped/#hero
|
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[27] http://eepurl.com/gtHqsj
|
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[29] https://www.facebook.com/sharer/sharer.php?u=https%3A%2F%2Fwww.viget.com%2Farticles%2Fviget-rewind-a-reimagining-of-spotify-wrapped%2F
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[30] http://www.linkedin.com/shareArticle?mini=true&url=https%3A%2F%2Fwww.viget.com%2Farticles%2Fviget-rewind-a-reimagining-of-spotify-wrapped%2F
|
||||
[31] https://x.com/intent/tweet?text=We%20wanted%20to%20take%20the%20unique%20aspects%20of%20Spotify%20Wrapped%E2%80%94its%20personalized%20touch%20and%20sense%20of%20community%E2%80%94and%20see%20what%20we%20could%20do%20with%20our%20Harvest%20time-tracking%20data.%20https%3A%2F%2Fwww.viget.com%2Farticles%2Fviget-rewind-a-reimagining-of-spotify-wrapped%2F
|
||||
[32] https://www.viget.com/about/team/mraden/
|
||||
[33] https://www.viget.com/about/team/mraden/
|
||||
[34] https://www.viget.com/articles/?category=news-culture#results
|
||||
[35] https://www.viget.com/articles/?category=data-analytics#results
|
||||
[36] https://www.viget.com/articles/?category=product#results
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||||
[37] https://www.facebook.com/sharer/sharer.php?u=https%3A%2F%2Fwww.viget.com%2Farticles%2Fviget-rewind-a-reimagining-of-spotify-wrapped%2F
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||||
[38] http://www.linkedin.com/shareArticle?mini=true&url=https%3A%2F%2Fwww.viget.com%2Farticles%2Fviget-rewind-a-reimagining-of-spotify-wrapped%2F
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||||
[39] https://x.com/intent/tweet?text=We%20wanted%20to%20take%20the%20unique%20aspects%20of%20Spotify%20Wrapped%E2%80%94its%20personalized%20touch%20and%20sense%20of%20community%E2%80%94and%20see%20what%20we%20could%20do%20with%20our%20Harvest%20time-tracking%20data.%20https%3A%2F%2Fwww.viget.com%2Farticles%2Fviget-rewind-a-reimagining-of-spotify-wrapped%2F
|
||||
[40] https://hasura.io/
|
||||
[41] https://dokku.com/
|
||||
[42] http://tidy.js/
|
||||
[43] https://www.viget.com/about/team/mraden/
|
||||
[44] https://www.viget.com/about/team/mraden/
|
||||
[45] https://www.viget.com/about/team/mraden/
|
||||
[46] https://www.viget.com/articles/do-you-need-a-jacket/
|
||||
[47] https://www.viget.com/articles/radical-rag-an-embeddings-experiment/
|
||||
[48] https://www.viget.com/articles/stackstash-taking-bookish-musings-to-the-next-level/
|
||||
[49] https://www.viget.com/newsletter
|
||||
[50] http://eepurl.com/gtHqsj
|
||||
[51] https://www.viget.com/contact/
|
||||
[52] mailto:hello@viget.com?subject=Hello%2C%20Viget%21
|
||||
[53] tel:7038910670
|
||||
[54] https://www.viget.com/work/
|
||||
[55] https://www.viget.com/services/
|
||||
[56] https://www.viget.com/articles/
|
||||
[57] https://www.viget.com/about/
|
||||
[58] https://www.viget.com/careers/
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[59] https://www.viget.com/code-of-ethics/
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[60] https://www.viget.com/diversity-equity-and-inclusion/
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[61] https://pointlesscorp.com/
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[62] https://explorations.viget.com/
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||||
[63] https://code.viget.com/
|
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[64] https://www.viget.com/newsletter/
|
||||
[65] https://www.viget.com/
|
||||
[66] http://x.com/viget
|
||||
[67] https://github.com/vigetlabs
|
||||
[68] https://dribbble.com/viget
|
||||
[69] https://www.instagram.com/viget/
|
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[70] https://www.linkedin.com/company/viget-labs
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[71] https://vimeo.com/viget/collections
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[73] https://www.viget.com/dc-metro-hq/
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[74] https://www.viget.com/durham/
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[75] https://www.viget.com/boulder/
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[76] https://www.viget.com/chattanooga/
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[77] https://www.viget.com/terms-conditions/
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[78] https://www.viget.com/privacy-policy/
|
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[79] https://individual.carefirst.com/individuals-families/mandates-policies/machine-readable-file.page
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