739 lines
34 KiB
Plaintext
739 lines
34 KiB
Plaintext
[1]Home
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The Garden
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[3]Now
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[4]About
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Essays
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evergreen
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A Brief History & Ethos of the Digital Garden
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A newly revived philosophy for publishing personal knowledge on the web
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• [6]Digital Gardening
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• [7]Personal Knowledge
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• [8]The Web
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Planted over 3 years agoLast tended over 2 years ago
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Back To Top
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Table of Contents
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[10]A Brief History of Digital Gardens[11]The Early Gardens of Hypertext[12]
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Digital Puttering on Twitter[13]Gardens, Streams, and Caufield's Metaphors[14]
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Carrying on Caufield[15]Digital Gardening's Fertile Soil[16]Developer-led
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Gardening[17]The Six Patterns of Gardening[18]1. Topography over Timelines[19]
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2. Continuous Growth[20]3. Imperfection & Learning in Public[21]4. Playful,
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Personal, and Experimental[22]5. Intercropping & Content Diversity[23]6.
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Independent Ownership
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Table of Contents
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[24]A Brief History of Digital Gardens[25]The Early Gardens of Hypertext[26]
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Digital Puttering on Twitter[27]Gardens, Streams, and Caufield's Metaphors[28]
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Carrying on Caufield[29]Digital Gardening's Fertile Soil[30]Developer-led
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Gardening[31]The Six Patterns of Gardening[32]1. Topography over Timelines[33]
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2. Continuous Growth[34]3. Imperfection & Learning in Public[35]4. Playful,
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Personal, and Experimental[36]5. Intercropping & Content Diversity[37]6.
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Independent Ownership
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Loading...
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My highlighted a number of sites that are taking a new approach to the way we
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publish personal knowledge on the web.
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They're not following the conventions of the "personal blog," as we've come to
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know it. Rather than presenting a set of polished articles, displayed in
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reverse chronological order, these sites act more like free form,
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work-in-progress wikis.
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A garden is a collection of evolving ideas that aren't strictly organised by
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their publication date. They're inherently exploratory – notes are linked
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through contextual associations. They aren't refined or complete - notes are
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published as half-finished thoughts that will grow and evolve over time.
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They're less rigid, less performative, and less perfect than the personal
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websites we're used to seeing.
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It harkens back to the early days of the web when people had fewer notions of
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how websites "should be.” It's an ethos that is both classically old and newly
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imagined.
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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[38]
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A Brief History of Digital Gardens
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Let's go on a short journey to the origin of this word. The notion of a digital
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garden is not a 2020 invention. It's been floating around for over two decades.
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However, it's passed through a couple of semantic shifts in that time, meaning
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different things to different people across the years. As words tend to do.
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Tracing back how
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[39]Neologisms
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are born helps us understand why anyone needed this word in the first place.
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Language is always a response to the evolving world around us – we expand it
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when our current vocabulary fails to capture what we're observing, or have a
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particular desire for how we'd like the future to unfold. Naming is a political
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act as much as a poetic one.
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The Early Gardens of Hypertext
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Mark Bernstein's 1998 essay appears to be the first recorded mention of the
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term. Mark was part of the early hypertext crowd – the developers figuring out
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how to arrange and present this new medium.
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While the essay is a beautiful ode to free-wheeling internet exploration, it's
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less about building personal internet spaces, and more of a manifesto on user
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experience flows and content organisation.
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Let's note that Mark's graphics are to die for
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To put this in its historical context, Mark's writing was part of a larger
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conversation happening throughout the nineties around hypertext and its
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metaphorical framing.
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The early web-adopters were caught up in the idea of The Web as a
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labyrinth-esque community landscape tended by and These creators wanted to
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enable pick-your-own-path experiences, while also providing enough signposts
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that people didn't feel lost in their new, strange medium.
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The early web debates around this became known as – the issue of how to give
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web users just enough guidance to freely explore the web, without forcing them
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into pre-defined browsing experiences. The eternal struggle to find the right
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balance of chaos and structure.
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"Unplanned hypertext sprawl is wilderness: complex and interesting, but
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uninviting. Interesting things await us in the thickets, but we may be
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reluctant to plough through the brush, subject to thorns and mosquitoes"
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While Mark's essay was concerned with different problems to the ones we face on
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the web today, its core ethos feels aligned with our emerging understanding of
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digital gardening. It captures the desire for exploratory experiences, a
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welcoming of digital weirdness, and a healthy amount of resistance to top-down
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structures.
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After Mark's essay the term digital gardening goes quiet for nearly a decade.
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Digital Puttering on Twitter
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In April of 2007 when Tweets first started ringing through the internet
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airwaves, Rory Sutherland (oddly, the vice president of Ogilvy Group) used the
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term "digital gardening", but defined it as "faffing about syncing things,
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defragging - like pruning for young people"
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Loading...
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The next dozen mentions on Twitter all followed this sentiment – people were
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using the term as a way to describe digital maintenance - the act of cleaning
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up one's digital space. The focus was on sorting, weeding, pruning, and
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decluttering, rather than growing and cultivating. People mentioned cleaning
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out private folders, codebases, and photo albums as the focus of their
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gardening efforts.
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These people were digital puttering more than gardening.
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Loading...
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Loading...
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Loading...
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Since none of these folks reference to the earlier nineties notion of digital
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gardening, or mention issues of hypertext navigation, this use of the word
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feels like a brief tangent. Given the tiny size of Twitter in the early days,
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these people probably belonged to the same social flocks and were riffing off
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one another. It's not necessarily part of the mainstream narrative we're
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tracking, but shows there's not one strict meaning to the term.
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That said, some degree of faffing about, sorting, and pruning are certainly
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part of the practice of digital gardening. Though best enjoyed in moderation.
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Gardens, Streams, and Caufield's Metaphors
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At the 2015 Digital Learning Research Network, Mike Caufield delivered a
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keynote on . It later becomes that lays the foundations for our current
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understanding of the term. If anyone should be considered the original source
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of digital gardening, it's Caufield. They are the first to lay out this whole
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idea in poetic, coherent words.
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Caufield makes clear digital gardening is not about specific tools – it's not a
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Wordpress plugin, Gastby theme, or Jekyll template. It's a different way of
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thinking about our online behaviour around information - one that accumulates
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personal knowledge over time in an explorable space.
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Caufield's main argument was that we have become swept away by streams – the
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collapse of information into single-track timelines of events. The
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conversational feed design of email inboxes, group chats, and InstaTwitBook is
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fleeting – they're only concerned with self-assertive immediate thoughts that
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rush by us in a few moments.
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This is not inherently bad. Streams have their time and place. Twitter is a
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force-multiplier for exploratory thoughts and delightful encounters once you
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fall in with the right crowd and learn to play the game.
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But streams only surface the Zeitgeisty ideas of the last 24 hours. They are
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not designed to accumulate knowledge, connect disparate information, or mature
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over time.
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The garden is our counterbalance. Gardens present information in a richly
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linked landscape that grows slowly over time. Everything is arranged and
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connected in ways that allow you to explore. Think about the way Wikipedia
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works when you're hopping from to to . It's hyperlinking at it's best. You get
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to actively choose which curiosity trail to follow, rather than defaulting to
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the algorithmically-filtered ephemeral stream. The garden helps us move away
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from time-bound streams and into contextual knowledge spaces.
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"The Garden is the web as topology. The web as space. It’s the integrative
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web, the iterative web, the web as an arrangement and rearrangement of
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things to one another."
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Carrying on Caufield
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Good ideas take time to germinate, and Caufield's vision of the personal garden
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didn't reach critical mass right off the bat. It lay dormant, waiting for the
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right time and the right people to find it.
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In late 2018 the corner of Twitter I hang out in began using the term more
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regularly – folks began passing around Caufield's original article and
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experimenting with ways to turn their chronological blogs into exploratory,
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interlinked gardens.
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Tom Critchlow's 2018 article was one of the main kick-off points. Tom read
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Caufield's essay and began speculating on alternative metaphors to frame the
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way we consume and produce information. They suggested we add campfires to the
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idea of streams and gardens – the private Slack groups, casual blog rings, and
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[40]Cozy Web
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areas where people write in response to one another. While gardens present the
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ideas of an individual, campfires are conversational spaces to exchange ideas
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that aren't yet fully formed.
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Tom piece was shortly followed by Joel Hooks' in early 2019. Joel focused on
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the process of digital gardening, emphasising the slow growth of ideas through
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writing, rewriting, editing, and revising thoughts in public. Instead of
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slapping Fully Formed Opinions up on the web and never changing them.
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Joel also added Amy Hoy's post to the pile of influential ideas that led to our
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current gardening infatuation. While not specifically about gardening, Amy's
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piece gives us a lot of good historical context. In it, she explores the
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history of blogs over the last three decades, and pinpoints exactly when we all
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became fixated on publishing our thoughts in reverse chronological order
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(spoiler: around 2001 with the launch of ).
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Amy argues that Moveable Type didn't just launch us into the "Chronological
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Sort Era". It also killed the wild, diverse, hodge-podge personalisation of
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websites that characterised the early web. Instead of hand-coding your own
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layout and deciding exactly how to arrange the digital furniture, we began to
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enter the age of standardised layouts. Plug n' play templates that you drop
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content into became the norm. It became harder and more technically involved to
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edit the HTML & CSS yourself.
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"Suddenly people weren’t creating homepages or even web pages... they were
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writing web content in form fields and text areas inside a web page."
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Many people have lamented the web's slow transition from unique homepages to a
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bland ocean of generic Wordpress themes. Digital gardening is part of the
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pushback against the limited range of vanilla web formats and layouts we now
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for granted.
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Over the course 2019 and early 2020, more and more people began riffing on the
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concept. Shaun Wang compiled the . Anne-Laure Le Cunff published a popular
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guide to setting up . The IndieWeb community hosted a to discuss the history of
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commonplace books, personal wikis, and memory palaces.
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By late 2020 this whole concept had attracted enough attention for the MIT Tech
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Review to write on it. Perhaps this is the watershed moment when a Twitter
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buzzword has "made it."
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Digital Gardening's Fertile Soil
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What made our current historical moment the right time for digital gardening to
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take off?
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The timing coincided with a few complimentary ideas and communities rallying
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around personal knowledge systems, note-taking practices, and reimagining tools
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for blogging. The scene was ripe for new ideas around curating and sharing
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personal knowledge online.
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Many of the people who jumped on the early digital gardening bandwagon were
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part of communities like...
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• The collective – a group that has been championing independent web spaces
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outside the walled gardens of Instatwitbook for nearly a decade.
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• Users of the note-taking app – Roam pioneered new ways of interlinking
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content and strongly appeals to people trying to build sprawling knowledge
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graphs.
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• Followers of Tiago Forte's course which popularised the idea of actively
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curating personal knowledge.
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• People rallying around the ethos that encourages continuously creating
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'learning exhaust' in the form of notes and summaries.
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Developer-led Gardening
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Many of these early adopters were people who understood how to build websites –
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either professional developers or enthusiastic hobbyists. Any kind of novel
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experimentation with the web requires knowing a non-trivial amount of HTML,
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CSS, and JS. Not to mention all the surrounding infrastructure required
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actually to get a site live. Developers took to the idea because they already
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had the technical ability to jump in play around with what garden-esque
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websites might look like.
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The current state of web development helped here too. While it feels like we've
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been in a slow descent into a horrifyingly complex and bloated web development
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process, a number of recent tools have made it easier to get a fully customised
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website up and running. Services like and have taken the pain out of
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deployment. Static site generators like , , and make it easier to build
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sophisticated websites that auto-generate pages, and take care of grunt work
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like optimising load time, images, and SEO. These services are trying to find a
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happy middle ground between tediously hand-coding solutions, and being trapped
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in the restrictions of Wordpress or Squarespace.
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While developers were the first on the scene, plenty of writers, researchers,
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and note-taking enthusiasts have been drawn to the idea of digital gardening.
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To help folks without programming skills join in, there's been a surge in
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templates and platforms that allow people to build their own digital gardens
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without touching a ton of code. I've written an entire guide to
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[41]Digital Gardening for Non-Technical Folks
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if you fall into that category.
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Tools like , , and are all great options. Many of them offer fancy features
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like nested folders,
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[42]Bi-Directional Links
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, footnotes, and visual graphs.
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However, many of these no-code tools still feel like cookie-cutter solutions.
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Rather than allowing people to design the and spatial layouts of their gardens,
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they inevitably force people into pre-made arrangements. This doesn't meant
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they don't "count,” as "real” gardens, but simply that they limit their
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gardeners to some extent. You can't design different types of links, novel
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features, experimental layouts, or custom architecture. They're pre-fab houses
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instead of raw building materials.
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━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
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[43]
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The Six Patterns of Gardening
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In all the recent gardening flurry, we've run into the inevitable confusion
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around how to define the term.
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Loading...
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There are contested ideas about what qualifies as a garden, what the core ethos
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should focus on, and whether it's worthy of a new label at all. What exactly
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makes a website a digital garden as opposed to just another blog?
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After reading all the existing takes on the term, observing a wide variety of
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gardens, and collecting some of the , I've identified a few key qualities they
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all share.
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There are a few guiding principles, design patterns and structures people are
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rallying around. This amounts to a kind of digital gardening
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[44]Pattern Language
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.
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1. Topography over Timelines
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Gardens are organised around contextual relationships and associative links;
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the concepts and themes within each note determine how it's connected to
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others.
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This runs counter to the time-based structure of traditional blogs: posts
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presented in reverse chronological order based on publication date.
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Gardens don't consider publication dates the most important detail of a piece
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of writing. Dates might be included on posts, but they aren't the structural
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basis of how you navigate around the garden. Posts are connected to other by
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posts through related themes, topics, and shared context.
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One of the best ways to do this is through
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[45]Bi-Directional Links
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– links that make both the destination page and the source page visible to the
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reader. This makes it easy to move between related content.
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Because garden notes are densely linked, a garden explorer can enter at any
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location and follow any trail they link through the content, rather than being
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dumped into a "most recent” feed.
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Dense links are essential, but gardeners often layer on other ways of exploring
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their knowledge base. They might have , , tags and filtering functionality, , ,
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or listing notable and popular content.
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Many entry points but no prescribed pathways.
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2. Continuous Growth
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Gardens are never finished, they're constantly growing, evolving, and changing.
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Just like a real soil, carrot, and cabbage garden.
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The isn't how we usually think about writing on the web. Over the last decade,
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we've moved away from casual live journal entries and formalised our writing
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into articles and essays. These are carefully crafted, edited, revised, and
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published with a timestamp. When it's done, it's done. We act like tiny
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magazines, sending our writing off to the printer.
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This is odd considering editability is one of the main selling points of the
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web. Gardens lean into this – there is no "final version” on a garden. What you
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publish is always open to revision and expansion.
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Gardens are designed to evolve alongside your thoughts. When you first have an
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idea, it's fuzzy and unrefined. You might notice a pattern in your corner of
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the world, but need to collect evidence, consider counter-arguments, spot
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similar trends, and research who else has thunk such thoughts before you. In
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short, you need to do your homework and critically think about it over time.
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In performance-blog-land you do that thinking and researching privately, then
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shove it out at the final moment. A grand flourish that hides the process.
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In garden-land, that process of researching and refining happens on the open
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internet. You post ideas while they're still "seedlings,” and tend them
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regularly until they're fully grown, respectable opinions.
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This has a number of benefits:
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• You're freed from the pressure to get everything right immediately. You can
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test ideas, get feedback, and revise your opinions like a good internet
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citizen.
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• It's low friction. Gardening your thoughts becomes a daily ritual that only
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takes a small amount of effort. Over time, big things grow.
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• It gives readers an insight into your writing and thinking process. They
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come to realise you are not a magical idea machine banging out perfectly
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formed thoughts, but instead an equally mediocre human doing The Work of
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trying to understand the world and make sense of it alongside you.
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This all comes with an important caveat; gardens make their imperfection known
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to readers. Which brings us to the next pattern...
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3. Imperfection & Learning in Public
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Gardens are imperfect by design. They don't hide their rough edges or claim to
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be a permanent source of truth.
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Putting anything imperfect and half-written on an "official website” may feel
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strange. We have all been trained to behave like tiny, performative
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corporations when it comes to presenting ourselves in digital space. Blogging
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evolved in the culture of Millenialism as a way to Promote Your Personal Brand™
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and market your SEO-optimized Content.
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Weird, quirky personal blogs of the early 2000's turned into cleanly crafted
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brands with publishing strategies and media campaigns. Everyone now has a
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modern minimalist logo and an LLC.
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Digital gardening is the response to the professional personal blog; it's both
|
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intimate and public, weird and welcoming. It's less performative than a blog,
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but more intentional and thoughtful than a Twitter feed. It wants to build
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personal knowledge over time, rather than engage in banter and quippy
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conversations.
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Think of it as a spectrum. Things we dump into private WhatsApp group chats,
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DMs, and cavalier Tweet threads are part of our chaos streams - a continuous
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flow of high noise / low signal ideas. On the other end we have highly
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performative and cultivated artefacts like published books that you prune and
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tend for years.
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Gardening sits in the middle. It's the perfect balance of chaos and
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cultivation.
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This ethos of imperfection opens up a world of possibility that performative
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blogging shut down. First, it enables you to ; the practice of sharing what you
|
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learn as you're learning it, not a decade later once you're an "expert.”
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This freedom of course comes with great responsibility. Publishing imperfect
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and early ideas requires that we make the status of our notes clear to readers.
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You should include some indicator of how "done” they are, and how much effort
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you've invested in them.
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This could be with a simple categorisation system. I personally use an overly
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horticultural metaphor:
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• 🌱 Seedlings for very rough and early ideas
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• 🌿 Budding for work I've cleaned up and clarified
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• 🌳 Evergreen for work that is reasonably complete (though I still tend these
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||
over time).
|
||
|
||
I also include the dates I planted and last tended a post so people get a sense
|
||
of how long I've been growing it.
|
||
|
||
Other gardeners include an epistemic status on their posts – a short statement
|
||
that makes clear how they know what they know, and how much time they've
|
||
invested in researching it.
|
||
|
||
was one of the earliest and most consistent gardeners to offer meta-reflections
|
||
on their work. Each entry comes with:
|
||
|
||
• topic tags
|
||
• start and end date
|
||
• a stage tag: draft, in progress, or finished
|
||
• a certainty tag: impossible, unlikely, certain, etc.
|
||
• 1-10 importance tag
|
||
|
||
These are all explained in their , which is worth reading if you're designing
|
||
your own epistemological system.
|
||
|
||
Devon Zuegal is another notable gardener who has epistemic status and epistemic
|
||
effort on their posts, indicating both their certainty level about the
|
||
material, and how much effort went into making it. They also make a strong case
|
||
for as a feature, not a bug.
|
||
|
||
In a similar vein, Shawn Wang has written the Digital Gardening which I adore
|
||
and ascribe to. They ask the reader to allow the writer to be wrong, offer
|
||
constructive criticism, and attribute their work. They ask gardeners to be
|
||
considerate of others (don't share private information or name and shame),
|
||
offer epistemic disclosure, and respond to feedback.
|
||
|
||
The digital gardening terms of service – Source: Shawn Wang, swyx.io
|
||
|
||
All of these design patterns feed our growing desire for transparency, meta
|
||
information, and breadcrumbs back to the source of ideas.
|
||
|
||
4. Playful, Personal, and Experimental
|
||
|
||
Gardens are non-homogenous by nature. You can plant the same seeds as your
|
||
neighbour, but you'll always end up with a different arrangement of plants.
|
||
|
||
Digital gardens should be just as unique and particular as their vegetative
|
||
counterparts. The point of a garden is that it's a personal playspace. You
|
||
organise the garden around the ideas and mediums that match your way of
|
||
thinking, rather than off someone else's standardised template.
|
||
|
||
Ideally, this involves experimenting with the native languages of the web –
|
||
HTML, CSS, and JavaScript. They're the most flexible and robust tools we have
|
||
for building interconnected knowledge online. Gardens are a chance to question
|
||
the established norms of a 'personal website', and make space for weirder,
|
||
wilder experiments.
|
||
|
||
That said, I should acknowledge that jumping into full-on web development is
|
||
simply beyond the abilities and interests of many people. There is still room
|
||
for personalisation and play if you're using a pre-made template or service –
|
||
it'll just be within the constraints of that system.
|
||
|
||
One goal of these hyper-personalised gardens is deep contextualisation. The
|
||
overwhelming lesson of the Web 2.0 social media age is that dumping millions of
|
||
people together into decontextualised social spaces is a shit show. Devoid of
|
||
any established social norms and abstracted from our specific cultural
|
||
identities, we end up in awkward, aggravating exchanges with people who are
|
||
socially incoherent to us. We know nothing of their lives, backgrounds, or
|
||
belief systems, and have to assume the worst. Twitter only offers us a 240
|
||
character bio. Facebook pre-selects the categories it deems important about you
|
||
– relationship status, gender, hometown.
|
||
|
||
Gardens offer us the ability to present ourselves in forms that aren't cookie
|
||
cutter profiles. They're the higher-fidelity version, complete with quirks,
|
||
contradictions, and complexity.
|
||
|
||
5. Intercropping & Content Diversity
|
||
|
||
Gardens are not just a collection of interlinked words. While linear writing is
|
||
an incredible medium that has served us well for a little over 5000 years, it
|
||
is daft to pretend working in a single medium is a sufficient way to explore
|
||
complex ideas.
|
||
|
||
It is also absurd to ignore the fact we're living in an audio-visual cornucopia
|
||
that the web makes possible. Podcasts, videos, diagrams, illustrations,
|
||
interactive web animations, academic papers, tweets, rough sketches, and code
|
||
snippets should all live and grow in the garden.
|
||
|
||
[intercropping-garden_shrink_mx6nx8]
|
||
|
||
Historically, monocropping has been the quickest route to starvation, pests,
|
||
and famine. Don't be a lumper potato farmer while everyone else is sustainably
|
||
intercropping.
|
||
|
||
6. Independent Ownership
|
||
|
||
Gardening is about claiming a small patch of the web for yourself, one you
|
||
fully own and control.
|
||
|
||
This patch should not live on the servers of Facebook, LinkedIn, Twitter,
|
||
Instagram (aka. also Facebook), or Medium. None of these platforms are designed
|
||
to help you slowly build and weave personal knowledge. Most of them actively
|
||
fight against it.
|
||
|
||
If any of those services go under, your writing and creations sink with it
|
||
(crazier things have happened in the span of humanity). None of them have an
|
||
easy export button. And they certainly won't hand you your data in a
|
||
transferable format.
|
||
|
||
A set of walled gardens with the Twitter, Medium, and Facebook logos next to an
|
||
open garden built on HTML, CSS, and Markdown
|
||
|
||
Independently owning your garden helps you plan for long-term change. You
|
||
should think about how you want your space to grow over the next few decades,
|
||
not just the next few months.
|
||
|
||
If you give it a bit of forethought, you can build your garden in a way that
|
||
makes it easy to transfer and adapt. Platforms and technologies will inevitably
|
||
change. Using old-school, reliable, and widely used web native formats like
|
||
HTML/CSS is a safe bet. Backing up your notes as flat markdown files won't hurt
|
||
either.
|
||
|
||
Keeping your garden on the open web also sets you up to take part in the future
|
||
of gardening. At the moment our gardens are rather solo affairs. We haven't
|
||
figure out how to make them multi-player. But there's an enthusiastic community
|
||
of developers and designers trying to fix that. It's hard to say what kind of
|
||
libraries, frameworks, and design patterns might emerge out of that effort, but
|
||
it certainly isn't going to happen behind a Medium paywall.
|
||
|
||
A set of gardens with plant life moving between them
|
||
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
|
||
|
||
This is all my take on gardening, but knowledge and neologisms always live
|
||
within communities. No one owns The Official Definition of digital gardening.
|
||
Numerous people have contributed to the growing conversation and you should
|
||
read their thoughts as well.
|
||
|
||
Want to share?Tell Twitter About It
|
||
|
||
8 Backlinks
|
||
|
||
The Expanding Dark Forest and Generative AI
|
||
|
||
Proving you're a human on a web flooded with generative AI content
|
||
|
||
A Short History of Bi-Directional Links
|
||
|
||
Seventy years ago we dreamed up links that would allow us to create two-way,
|
||
contextual conversations. Why don't we use them on the web?
|
||
|
||
Digital Gardening for Non-Technical Folks
|
||
|
||
How to build a digital garden without touching code
|
||
|
||
Transclusion and Transcopyright Dreams
|
||
|
||
The lost permissioning and copyright system of the Web
|
||
|
||
The Pattern Language of Project Xanadu
|
||
|
||
Project Xanadu as a pattern language, rather than a failed software project
|
||
|
||
Growing the Evergreens
|
||
|
||
Illustrated notes on the concept of 'Evergreen notes' and how to write them
|
||
|
||
A Meta-Tour of This Site
|
||
|
||
A video tour through how I build the old version of this site
|
||
|
||
Tending Evergreen Notes in Roam Research
|
||
|
||
A walkthrough of how I manage and tend Evergreen notes in Roam
|
||
|
||
Mentions around the web
|
||
|
||
subterraneanwebZ
|
||
a new hope
|
||
with-heart
|
||
Winson Tang
|
||
Hacker News
|
||
Abra Tusz
|
||
King | "OG" Zettelkasten 🧠 2nd Brain 🚢
|
||
HN Front Page
|
||
⎯ΘωΘ⟶
|
||
lqdev
|
||
Evgeny Kuznetsov
|
||
Brad
|
||
Brad
|
||
Chris Aldrich
|
||
DixOnGE
|
||
talyssa
|
||
Chris Krycho
|
||
márcio moreira
|
||
84 Likes and Retweets
|
||
[47]wildrye.commentionedMarch 10, 2023
|
||
Image by Pallangor, How to Make a Beautiful Minecraft GardenGarden of Infinite
|
||
Possibilities Jorge Luis Borges’ story the “Garden of Forking Paths” is set in
|
||
an elaborate garden, but the real garden is a book that is structured in such a
|
||
way as to allow infinite possibilities.
|
||
[48]wildrye.commentionedMarch 09, 2023
|
||
Mike Caufield talks about his collection of notes in his wiki and how they work
|
||
together as a rich network of ideas. Part of his method is to very carefully
|
||
describe the relationship between two ideas when he builds his links. These
|
||
descriptions become ideas in their own right.
|
||
[49]Cristinamentionedin What the heck is a digital garden?March 04, 2023
|
||
Digital gardens are a relatively new concept that are gaining popularity
|
||
online. They are often described as a cross between a blog and a personal wiki.
|
||
At its core, a digital garden is a place for someone to share their thoughts,
|
||
ideas, and learning experiences in a more casual
|
||
Whatdefang
|
||
[50]WhatdefangmentionedFebruary 28, 2023
|
||
Naming is a political act as much as a poetic one.
|
||
Show 33 more
|
||
|
||
Want to stay up to date?
|
||
|
||
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|
||
[53][54][55][56][57]
|
||
© 2024 Maggie Appleton
|
||
|
||
• [58]The Garden
|
||
• [59]Essays
|
||
• [60]About
|
||
• [61]Notes
|
||
• [62]Now
|
||
• [63]Patterns
|
||
• [64]Library
|
||
• [65]Projects
|
||
• [66]Colophon
|
||
|
||
|
||
References:
|
||
|
||
[1] https://maggieappleton.com/
|
||
[3] https://maggieappleton.com/now
|
||
[4] https://maggieappleton.com/about
|
||
[6] https://maggieappleton.com/topics/digital-gardening
|
||
[7] https://maggieappleton.com/topics/personal-knowledge
|
||
[8] https://maggieappleton.com/topics/the-web
|
||
[10] https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens
|
||
[11] https://maggieappleton.com/garden-history#the-early-gardens-of-hypertext
|
||
[12] https://maggieappleton.com/garden-history#digital-puttering-on-twitter
|
||
[13] https://maggieappleton.com/garden-history#gardens-streams-and-caufield's-metaphors
|
||
[14] https://maggieappleton.com/garden-history#carrying-on-caufield
|
||
[15] https://maggieappleton.com/garden-history#digital-gardening's-fertile-soil
|
||
[16] https://maggieappleton.com/garden-history#developer-led-gardening
|
||
[17] https://maggieappleton.com/garden-history#the-six-patterns-of-gardening
|
||
[18] https://maggieappleton.com/garden-history#1-topography-over-timelines
|
||
[19] https://maggieappleton.com/garden-history#2-continuous-growth
|
||
[20] https://maggieappleton.com/garden-history#3-imperfection-&-learning-in-public
|
||
[21] https://maggieappleton.com/garden-history#4-playful-personal-and-experimental
|
||
[22] https://maggieappleton.com/garden-history#5-intercropping-&-content-diversity
|
||
[23] https://maggieappleton.com/garden-history#6-independent-ownership
|
||
[24] https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens
|
||
[25] https://maggieappleton.com/garden-history#the-early-gardens-of-hypertext
|
||
[26] https://maggieappleton.com/garden-history#digital-puttering-on-twitter
|
||
[27] https://maggieappleton.com/garden-history#gardens-streams-and-caufield's-metaphors
|
||
[28] https://maggieappleton.com/garden-history#carrying-on-caufield
|
||
[29] https://maggieappleton.com/garden-history#digital-gardening's-fertile-soil
|
||
[30] https://maggieappleton.com/garden-history#developer-led-gardening
|
||
[31] https://maggieappleton.com/garden-history#the-six-patterns-of-gardening
|
||
[32] https://maggieappleton.com/garden-history#1-topography-over-timelines
|
||
[33] https://maggieappleton.com/garden-history#2-continuous-growth
|
||
[34] https://maggieappleton.com/garden-history#3-imperfection-&-learning-in-public
|
||
[35] https://maggieappleton.com/garden-history#4-playful-personal-and-experimental
|
||
[36] https://maggieappleton.com/garden-history#5-intercropping-&-content-diversity
|
||
[37] https://maggieappleton.com/garden-history#6-independent-ownership
|
||
[38] https://maggieappleton.com/garden-history#a-brief-history-of-digital-gardens
|
||
[39] https://maggieappleton.com/neologisms
|
||
[40] https://maggieappleton.com/cozy-web
|
||
[41] https://maggieappleton.com/nontechnical-gardening
|
||
[42] https://maggieappleton.com/bidirectionals
|
||
[43] https://maggieappleton.com/garden-history#the-six-patterns-of-gardening
|
||
[44] https://maggieappleton.com/pattern-languages
|
||
[45] https://maggieappleton.com/bidirectionals
|
||
[47] https://wildrye.com/what-is-a-digital-garden/
|
||
[48] https://wildrye.com/the-digital-garden-as-an-experience-generator/
|
||
[49] https://embersonthehearth.com/2023/03/04/what-the-heck-is-a-digital-garden/
|
||
[50] https://twitter.com/whatdefang/status/1630464510740815872
|
||
[53] https://github.com/MaggieAppleton
|
||
[54] https://uk.linkedin.com/in/maggieappleton
|
||
[55] https://dribbble.com/mappleton
|
||
[56] https://twitter.com/Mappletons
|
||
[57] https://indieweb.social/@maggie
|
||
[58] https://maggieappleton.com/garden
|
||
[59] https://maggieappleton.com/essays
|
||
[60] https://maggieappleton.com/about
|
||
[61] https://maggieappleton.com/notes
|
||
[62] https://maggieappleton.com/now
|
||
[63] https://maggieappleton.com/patterns
|
||
[64] https://maggieappleton.com/library
|
||
[65] https://maggieappleton.com/projects
|
||
[66] https://maggieappleton.com/colophon
|